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The White Tiger: A Novel Paperback – October 14, 2008
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From Publishers Weekly
Starred Review. First-time author Adiga has created a memorable tale of one taxi driver's hellish experience in modern India. Told with close attention to detail, whether it be the vivid portrait of India he paints or the transformation of Balram Halwai into a bloodthirsty murderer, Adiga writes like a seasoned professional. John Lee delivers an absolutely stunning performance, reading with a realistic and unforced East Indian dialect. He brings the story to life, reading with passion and respect for Adiga's prose. Lee currently sits at the top of the professional narrator's ladder; an actor so gifted both in his delivery and expansive palette of vocal abilities that he makes it sound easy. A Free Press hardcover (Reviews, Jan. 14). (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.
From The New Yorker
In this darkly comic début novel set in India, Balram, a chauffeur, murders his employer, justifying his crime as the act of a "social entrepreneur." In a series of letters to the Premier of China, in anticipation of the leaders upcoming visit to Balrams homeland, the chauffeur recounts his transformation from an honest, hardworking boy growing up in "the Darkness"those areas of rural India where education and electricity are equally scarce, and where villagers banter about local elections "like eunuchs discussing the Kama Sutra"to a determined killer. He places the blame for his rage squarely on the avarice of the Indian élite, among whom bribes are commonplace, and who perpetuate a system in which many are sacrificed to the whims of a few. Adigas message isnt subtle or novel, but Balrams appealingly sardonic voice and acute observations of the social order are both winning and unsettling.
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Top Customer Reviews
Adiga's debut novel gives us on narrator who is, by turns, charming, repugnant, profound, egotistical, insightful, and much more, but always, always fascinating. Balram, when he introduces himself, is a self-made entrepreneur and a murderer. His story is told through a letter he writes to the Chinese Premier who will be visiting his country. His voice is unique and can stand with some of the best know 'narrators' of classic literature. That his is such a different voice from a underrepresented culture from much of the canon literature is perhaps what makes it more real - in that his tale is authentic to who he is, and the world in which he exists, but that world is likely so unfamiliar to the audience that it confounds expectation and forces us to look at our own stance and belief on many moral, philosophical, and religious topics.
Anyone who knows me, knows I tend to be highly critical of 1st Person narration for a number of reasons. To create a unique, memorable voice that tells the story is complicated - perhaps more so than many authors understand, despite 1st POV being the instinctual way to tell a story. Besides the need for a unique voice, 1st POV can only tell one story always filtered through the narrator and too often authors try to short-cut or work around this and find ways to tell another story that we are to believe is not filtered through the consciousness telling that story. Here, however, that is never the case. We are left with no doubt that the world Balram inhabits is all his.
Balsam offers to give the Premier insight into his country through his own tale of being born in a lower caste in the 'darkness', through his sporadic and limited education to the moment he gets lucky and becomes a driver for a wealthy man. Through his bizarre, amusing, shocking, winding tale, we do see an India that is far different than the Bollywood films or many popular books and films. Balram's world is filled with corruption, yet there is a level of honor within that established system. There is a hardness and a harshness to many of the lives presented, yet there is an acceptance of them that is surprising. Balram's life is one of service, yet he finds a door to freedom, albeit one that while revealed early on, takes an entire book to build to. When we first hear him refer to himself as a murderer, we want to dislike him - yet it is difficult to do. Bit by bit we are drawn into his world and his worldview. In the end, he participates in the very system he needed to escape from, but he does so on his own terms and with his moral sense in tact, leaving him feeling he at least is living in that system in a better, more moral way. The ability to convince the audience of the same is perhaps the real power of Balram, and Adiga.
My one criticism of the novel is that were moments that felt repetitive, that we'd covered that ground well and needed to move on. Fortunately, they were few and far between, and overall I was absorbed into Balram's world.
For this book, I alternated between the kindle version and the audio - and I have to say that the narrator on the audio version was excellent, bringing life to a diverse cast of characters with slight shifts in tone, rhythm, pitch, and subtly that was masterful. Considering the story is 1st POV, that the audio narrator had to filter all the characters through the storyteller, it was extremely well done because it felt like Balram was imitating those around him, giving us yet another layer of story.
Aravind Adiga does an exceptional, and often funny, job of weaving many of India’s problems into his tale: large scale poverty, rampant corruption, class inequality, inadequate education. He creates a poor but smart, hard-working protagonist you want to like and root for, but who is also a smug, amoral murderer. Balram seems so pleasant that I kept reading to find out what drove this seemingly docile man to murder. The implications of Balram as a symbol of lower class Indians (polite and eager to please while seething underneath), are plenty uncomfortable. Adiga never gets preachy or long-winded. Much like Mohsin Hamid’s 2014 novel, “How to Get Filthy Rich in Rising Asia,” “The White Tiger” entertains and disturbs all at once.
It's obvious why Adiga won The Mann Booker Prize. The writing is precise and crisp, and the structure is unique – writing to the Premier of China. I have read quite a number of books about India, and visited there a few years ago. It is every bit as he describes it. It is easy to get swept away into the old forts, palaces and ruins. But wider ruin that has been caused in India by corruption, out-of-control growth, and poverty, is endemic. William Dalrymple's book, The Age of Kali, written ten years prior to White Tiger, points to what has happened in cities such as Bangalore, which were known as park, tree and monument-filled cities. Those are all gone in the incessant, unplanned growth. And corruption supports it all.
Adiga posits that the caste system has collapsed into two castes: Big Bellies and near starvation. The picture of venality painted by Adiga supports Dalrymple's contentions.
It is an ugly, sad novel that I fear is largely true.