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Why Cats Paint: A Theory of Feline Aesthetics Paperback – Illustrated, May 1, 1994
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Heather Busch
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Burton Silver
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Print length96 pages
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LanguageEnglish
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PublisherTen Speed Press
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Publication dateMay 1, 1994
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Dimensions9.6 x 0.35 x 11 inches
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ISBN-109780898156126
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ISBN-13978-0898156126
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About the Author
BURTON SILVER is a cartoonist, inventor, and author of more than a dozen books, including the best-selling WHY CATS PAINT. Silver studied psychology and sociology at Victoria University. He lives in Wellington, New Zealand.
HEATHER BUSCH has been a visual artist for nearly 30 years and is drawn to perceptions and paradigms that expand and entertain her mind. She has a fine arts degree in sculpture and has become internationally recognized for her paintings and photography. She lives in New Zealand.
Product details
- ASIN : 0898156122
- Publisher : Ten Speed Press (May 1, 1994)
- Language : English
- Paperback : 96 pages
- ISBN-10 : 9780898156126
- ISBN-13 : 978-0898156126
- Item Weight : 1.15 pounds
- Dimensions : 9.6 x 0.35 x 11 inches
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Best Sellers Rank:
#233,020 in Books (See Top 100 in Books)
- #42 in Still Life Painting
- #58 in Cat Training
- #101 in Animal Behavior & Communication
- Customer Reviews:
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I would have went over an pet her approvingly, but carol was already in the kitchen with a dust pan and broom, and I being a guest didn't feel like reinforcing the cat for her dirt arrangement was appropriate.
The next day I gave Carol my "Why Cats Paint" so that she would understand what had occurred.
Yes some cats will paint or rearrange objects to express the artistic drive. It is not common, and occurs only when there is a friendship between the person and the cat. If she hadn't just finished, she would be sitting elsewhere and I wouldn't have recognized her creative. I would have that that the 2 cats were playing in the dirt.
As by training a philosopher, I can see a parallel with human art and decorating, and cats painting. We are more complicated, and as a social animal it is much different than cat painting. But there is something that drives us both. There is also on YouTube examples of elephants painting--they do much better than cats.
One part of the answer is that when alone and looking at visually interesting scenes the brain relaxes, get s out of the focus mode. Art on the wall and nick-nacks help me relax.
I've always pondered the esthetics and understanding of pets- this book is a delightful eye-opener.
Soon, I'm going to put paper up on a wall, with a dish of acrylic paint, and see if my 2 cats rise to the occasion! The book stated some cat art fetches $15K!!! Now, that covers a lot of kitty litter.
A museum-like analysis of the "artists" and their biographies, artistic styles, how these evolved, all delivered in highly sophisticated text and as if by a museum curator. With a real sense of humor! There comes a point that the seriousness becomes part of the humor, and bits of information betray the fact that it is all, obviously, a big joke. This book is quite a livingroom conversation piece!
It was edifying to discover that the two cats I have had that liked to catch mice and deposit them on the doorstep were budding feline Picasso's and not just good working cats as I supposed.
Enter then, Why Cats Paint. To my knowledge, this is the most comprehensive treatment of the subject to date. Intended to provide readers with a broad overview of the field of cat art, it commences with a brief historical sketch on the development of feline painting, spanning ancient Egypt to the twentieth century. Having provided readers with this historical framework, the authors then proceed to introduce the work of several contemporary (albeit by 1994 standards) cat artists, again with the intention of providing a broad foundation to the field of cat art. The artists featured here work in a variety of stylistic modes and philosophical angles, from Trans-Expressionism to Intuitive Minimalism. While the book focuses primarily on painters, it also briefly ventures into other mediums, including installation, deconstruction, and assemblage.
The book's primary strength is its overall comprehensiveness., and it strives to provide a general overview that can serve as a springboard for future scholarship. The historical sketch offers a fine summary of cat painting. The section on Egypt is particularly illuminating, and includes examples of actual ancient cat art. The biographies of the various contemporary feline artists are also quite effective, and manage to highlight the aesthetic merits of each individual without deteriorating into sycophantic adulation. Overall, the writing is serious without being overly pedantic, and the photography, critical to any study of art, is exceptional. Photographing works of art is an extremely difficult endeavor, but the authors here succeeded admirably in maintaining the integrity of the color and texture of each work. I was also very impressed with the action shots, particularly those of Bootsie, the effusive Trans-Expressionist. Given the mercurial nature of cats as a species, let alone as artists, such an undertaking is truly an admirable one.
Nonetheless, as with any pioneering work on art that must carve out the path for future, more thorough endeavors, Why Cats Paint is not without its shortcomings. The historical sketch, while intended to provide a brief overview of cat art, does omit critical moments its effort to achieve brevity, most notably the transformative counter-catural movement of the 1960s, when cats began to openly rebel against the 1950s ideal of the docile pet and expressed their frustrations at the banality of domesticity through performance scratching, carrion installation, and other feral mediums. The overview of contemporary cat artists, moreover, while intended to survey a variety of styles, is noticeably biased in favor of award-winning artists who conform to the aesthetic inclinations of the commercial art world, ignoring outsider cat artists altogether. The book is also, as is evident through its title, concentrates almost exclusively on painting. While is does briefly address scratching and installation, its treatment is brief, and there is almost nothing on performance art, a medium which has become particularly crucial to today's cat artists, as is evident through the proliferation of online videos.
Overall, however, this is an excellent work on the study of cat art. It is a fine introduction to the subject, and an excellent springboard for future study. At the same time, however, given its date of publication (1994), it has become a historical document itself, and should be read as such rather than as a contemporary work. That said, I'd be interested to see whether any of the progeny of these cat artists have gravitated toward the painted paw.
So why do cats paint, then, you ask? Well, if I told you, you wouldn't want to read the book now, would you?
So very expertly written.
For the art historian and cat lovers in all of us.
Makes a great gift too!




















