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Why We Hate Us: American Discontent in the New Millennium Paperback – September 22, 2009
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From Publishers Weekly
In this study of American social self-loathing Meyer addresses why Americans have come to hate themselves (and each other) at a time of national prosperity and relative peace. In compelling, wonderfully cranky and comic prose, the author contends that the radical social changes of the 1960s and the recent technological revolution have drastically altered the pace of life, leaving Americans morally and existentially tired, disoriented, anchorless, and defensive. In arguments familiar to any sociology student, Meyer describes how the rise of freedom of choice in nearly every aspect of American life has been accompanied by the enervation of traditional social institutions (Our communities have been neutered, and our traditional, inherited moral, religious, and aesthetic sensibilities have been discredited). Pointed critiques of political theater, celebrity culture, the rise of marketing and media conglomerates and the decline of manners elaborate on the growing trends of bullshit, belligerence, and boorishness. Meyer is gleefully critical and very sincere in his concern for the state of American life; his practical suggestions urging readers to turn the tide of self-hate and phoniness are a must-read for anyone fed up with modern life. (Aug.) ""
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved." --This text refers to the Hardcover edition.
In the 1976 movie "Network," Howard Beale, a veteran news anchor played by Peter Finch, becomes psychotic after being told he's too old to anchor the newscast. On what is supposed to be his final broadcast, he breaks out into a rant about the problems of the day, imploring viewers to "get up right now ... go to your windows, open them, and stick your head out, and yell, 'I'm as mad as hell and I'm not going to take this anymore.' "
Viewers nationwide respond by shouting out their windows en masse. The impromptu segment is a ratings hit, and the lunatic broadcaster is given time on future broadcasts for his tirades.
That satire reflected the insanity of popular culture, particularly television, that reflects a misplaced anger and confused values in society. Those are all themes that inspire Dick Meyer's incisive cultural critique of modern society in "Why We Hate Us."
The book's central argument is that Americans are dissatisfied with their own society. Meyer points, with a wealth of supporting evidence at his fingertips - the vulgarity of the marketing industry, the media's fascination with Paris Hilton, even people who talk loudly on their cell phones - to what he calls the "toxic" cultural environment, which is rife with disingenuousness. Our resulting self-hate is illustrated, he says, by polls showing declining faith in institutions.
"Americans don't trust our institutions or one another," he writes. "Without trust, without a shared vocabulary, without community, we feel endangered."
The author, a former CBS News producer and columnist for the network's Web site who now works for NPR, draws on sources as disparate as existentialism, books on American suburbanization and interviews with an evangelical pastor to generate a book that goes a long way in making sense out of the zeitgeist. The success of the book is less in its description of the cultural climate than in the way he draws together seemingly unconnected experiences to explain with Occam's-razor logic a complex society that is drawn to its culture and also repulsed by it…
After his critique of society, which synthesizes many recent academic and popular assessments of modern life, Meyer offers a solution to the problems of the world: a return to some traditions that predate the '60s. "[I]t is necessary to find and nurture authentic commitments in private and community life," he writes. "In making thoughtful choices, it is necessary to cultivate a guiding 'moral temperament' - a philosophic perspective."
His solution may sound like a old-timey bromide, but it's a refreshing alternative.
—San Francisco Chronicle
Hasn’t something like this happened to all of us? Don’t you hate it? Ever wondered why Americans feel like this kind of behavior is acceptable and justified?
In Why We Hate Us: American Discontent in the New Millennium, Dick Meyer shares countless examples that illustrate his thesis that Americans have grown to hate us–not America, and not each other, but the culture we have created and in which we actively participate. We have private conversations in public places, we are constantly attached to electronic devices and often choose them over in-person contact with the people that are right in front of us, and we are suffering from a “lack of social self-respect.” Meyer diagnoses America with a chronic case of low self-esteem and concludes that we are acting out. He couldn’t be more right.
Meyer’s central thesis is that we hate us because phoniness—-that bane of Holden Caulfield’s existence—-has become “the emblematic malady of our times,” along with a lack of manners and “the decline of organic community.” He explores the irony in the fact that Americans are inundated with phoniness and know how to recognize spin—-basically, we know when we’re being bullshitted—-but we have become so steeped in it that our lives have begun to reflect the very things we hate…
I loved this book for being so smart when it would have been very easy for Meyer to dumb things down. I’m so proud of him for resisting the temptation to go the route of trying to entertain the reader rather than asking difficult questions and forcing us to reflect on our own behavior and our role in perpetuating and now fighting against a culture that is sick and in need of help. I saw myself in many of the things he described, and I didn’t like it. I felt inspired to reexamine my ethics, my consumption of media and products, and my social conduct and relationships.
Though there are many chuckle-inducing statements in this book, Why We Hate Us is definitely not a light read, and that is a very good thing. This is a sociological analysis of modern culture, a rallying cry, and a call for social change. It is a rather balanced look at how things are and why they are that way, and Meyer is not afraid to lay blame where it is due. The bad news is that we are all guilty. The good news is that “it is not a sign of terminal social disease that we do hate us,” because we can all participate in rebuilding our culture and repairing our national self-esteem.
And we can start by not clipping our toenails in public.
I give Why We Hate Us a very happy 5 out of 5... There’s a lot of information in this book, and there’s a lot that I couldn’t fit into my review. You should read it. Everyone should read it. We should make Why We Hate Us required reading for all Americans. It would be a good start.
—The Book Lady's Blog
"Dick Meyer has done the impossible -- he diagnoses the self-loathing, moral confusion and ennui that infect supersized America without hectoring us and badgering us, and without tiresome self-righteousness or smugness. Why We Hate Us takes us on a rollicking, laugh-out-loud ride across the brittle American landscape, and by 'us' I mean all of us -- liberal and conservative, black and white, city-dwellers, suburbanites and farmers. Dick Meyer understands that our national culture is on life-support, and he has thought long and hard about how to resuscitate it. Read this book, if not for you, than for your children, and for the America they will inherit."
—Jeffrey Goldberg, Atlantic Monthly national correspondent and author of Prisoners: A Story of Friendship and Terror
“A widely respected player in national politics, Dick Meyer has transcended the game most Americans hate to describe a larger context of relentless marketing, omnipresent pseudo-events and above all the enshrinement of phoniness that pollute the public square. Mixing original research, a keen, analytic mind and mordant, wicked wit, Why We Hate Us should be the bible for the vast majority of Americans who tell pollsters the country is on the wrong track but aren't clear why.”
—Thomas Oliphant, journalist and bestselling author of Praying for Gil Hodges: A Memoir of the 1955 World Series and One Family's Love of the Brooklyn Dodgers
“This is a serious, thought provoking discourse on America in the age of instant communication and a reminder that our new ability to know everything about everybody all the time may not be all good.”
—Bob Schieffer, Chief Washington Correspondent, CBS News
“Meyer has written a deeply informed critique of those ‘toxic and menacing’ aspects of American culture in which individuals, families, and communities have suffered as ‘self-awareness, self-realization and self-actualization became the measure of emotional and existential health.’ Meyer has put into words the tensions and anxieties that grip all Americans as they go about the difficult task of achieving happiness while struggling to ‘find a compass’ to give their lives moral legitimacy and purpose. If you are aiming for one guide to the well-lived life, buy this book.”
—Thomas B. Edsall, Joseph Pulitzer II and Edith Pulitzer Moore Professor at the Columbia Graduate School of Journalism, Political Editor of the Huffington Post, and author of Building Red America: The New Conservative Coalition and the Drive for Permanent Power
From the Hardcover edition.
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Top customer reviews
Mr. Meyer examines our culture from his point of view as a Washington insider. What surprised me was how closely it related to my rural point of view. He moves beyond the Beltway. I think anyone who looks around and is puzzled or shocked or worried by what is to be seen in our society will appreciate Mr. Meyer's thoughts. This is not a rant, it an examination. It is also bleak. Having said that, it is also a humorous and personal revelation of his own history. As much as anything it is a story of family and community. The significance of this book lies within the last chapter. Unlike so many books that tear-down, Mr. Meyer leaves us with something very surprising: hope. He shows us a way out. His parting thoughts are, to put it simply, uplifting. Not something I would have expected when I began the book. His next book might well be titled, "Why We Hate Us Less", if readers incorporate at least a portion of his intent into their lives.
To answer these questions about our country's collective low-self-esteem and paralyzing depression, Meyer tells us a story about ourselves. The story is about a country that has lost common, shared values and virtues, a country that having lost community has replaced communal bonds with fierce tribes and clans that aggrandize themselves while demonizing their "opponents."
The beginning of this story is for Meyer, "Phase One," the Aquarian Promise of Free Love during the 1960s in which there were no boundaries to the freedom, the ego, the sense of self. This Unlimited freedom without a moral roadmap resulted in hedonism, egotism, and ultimately narcissism.
Instead of maturing into responsible adults who give and take from a healthy community and family, we become a bunch of whining, materialistic egotists, our inflated expectations of "selfhood" inevitably being dashed and resulting in greater and greater discontent, bitterness, and resentment.
The 1960s was the beginning of "The Great Me Project," which resulted in little islands competing against each other rather than a healthy community, which could provide the only source of our sanity--"social capital"--the sense of belonging, intimacy, and authenticity that healthy communities provide.
Absent this belonging, intimacy, and authenticity, we fear we are battling against forces by ourselves and we must also be on guard, living defensively against predators, market scams, phony politicians, and the slew of B.S. that has become so ubiquitous.
To compound our disaffected, isolated selves, our brains have become overwhelmed in the face of "Phase Two," the Technology Revolution that dizzies us with so many contraptions and messages that we have lost our grounding, our core, our focus. We don't know if we're coming or going and we feel we're about to explode.
His call for community, less materialism, and more courageous standards for moral absolutes might be too late, but at least he is still kicking and fighting.
While much of the material was familiar to me from other books, including the terse, more focused Shows About Nothing: Nihilism in Popular Culture from The Exorcist to Seinfeld by Thomas S. Hibbs and while he tries to cover too much ground as Meyer issues a diatribe about a "big menu of creepy irritations," Meyer succeeds at telling us a cohesive narrative about our popular culture to show us the trajectory leading to our current condition of learned helplessness, loneliness, partisan humbug, and mistrust.
Most recent customer reviews
Review by Richard L. Weaver II, Ph.D.Read more
Dick Meyer starts out with what is basically a hundred or more pages of whining about American culture.Read more