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The Windup Girl: Winner of Five Major SF Awards Kindle Edition
| Paolo Bacigalupi (Author) Find all the books, read about the author, and more. See search results for this author |
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WINNER OF THE HUGO, NEBULA, LOCUS, JOHN W. CAMPBELL AND COMPTON CROOK AWARDS
The Windup Girl is the ground-breaking and visionary modern classic that swept the board for every major science fiction award it its year of publication.
Anderson Lake is a company man, AgriGen's calorie representative in Thailand. Under cover as a factory manager, he combs Bangkok's street markets in search of foodstuffs long thought to be extinct. There he meets the windup girl - the beautiful and enigmatic Emiko - now abandoned to the slums. She is one of the New People, bred to suit the whims of the rich. Engineered as slaves, soldiers and toys, they are the new underclass in a chilling near future where oil has run out, calorie companies dominate nations and bio-engineered plagues run rampant across the globe.
And as Lake becomes increasingly obsessed with Emiko, conspiracies breed in the heat and political tensions threaten to spiral out of control. Businessmen and ministry officials, wealthy foreigners and landless refugees all have their own agendas. But no one anticipates the devastating influence of the Windup Girl.
Discover the multi-award winning The Windup Girl: both a heart-stopping dystopian thriller and a razor-sharp vision of our near future.
'Bacigalupi is a worthy successor to William Gibson' Time Magazine
'An astounding novel' Interzone
'Not since William Gibson's pioneering cyberpunk classic, NEUROMANCER (1984), has a first novel excited science fiction readers as much' The Washington Post
'An exciting story about industrial espionage, civil war, and political struggle, filled with heart-thudding action sequences' Cory Doctorow
'Clearly one of the finest science fiction novels of the year'Publishers Weekly (starred review)
'It's ridiculous how good this book is' Techland
'Postmodern Bangkok springs to life in Bacigalupi's brilliant dystopian tale of culture clash, recalling the best of China Mieville and Neal Stephenson' Library Journal
'The pace of the book is fast and relentless. It is a dark vision . . . As a portrait of a world far from our own but not unrecognisably so, it is finely done'Times Literary Supplement
- LanguageEnglish
- PublisherOrbit
- Publication dateOctober 21, 2010
- File size785 KB
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Editorial Reviews
From the Back Cover
About the Author
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the unknown_binding edition.
From The Washington Post
First, just two weeks ago "The Windup Girl" was awarded the Locus Magazine Award for best first novel. Second, in May Bacigalupi received the even more prestigious Nebula Award -- given by the Science Fiction Writers of America -- for best novel of the year. Those are convincing literary endorsements. But the third reason to pick up "The Windup Girl" is for its harrowing, on-the-ground portrait of power plays, destruction and civil insurrection in Bangkok.
Even though the book is set in an imagined future, its depiction of the city during violent unrest feels astonishingly true-to-life. Inadvertently, Bacigalupi offers a window on what it must have been like in Thailand's capital during this spring's strife and bloodshed. Though he stresses in his acknowledgments that the novel "should not be construed as representative of present-day Thailand or the Thai people," its overall vision of this wondrous and decadent city is nonetheless very close to that found in such contemporary thrillers as John Burdett's "Bangkok Tattoo."
By the end of the 22nd century, the world has been ravaged by deadly viruses, the disappearance of entire species, the rising of the oceans and the loss of all power based on petroleum. Sailing ships and dirigibles transport goods. Computers still exist, but they are operated by treadle-power, like old-time sewing machines. Guns shoot "razor disks" rather than bullets. Factories employ megadonts -- genetically altered elephants -- to turn their dynamos. Even "the Empire of America is no more," while something unspeakable happened in Finland. Not least, gigantic corporations like PurCal and AgriGen have become supra-national forces, with their own armies.
The Thai kingdom has so far survived, in part because it has sealed itself off from the outside world, and through draconian measures managed to keep the food supply relatively safe. The Environment Ministry -- supported by the brutally patriotic "white shirts" -- maintains stringent border and biological security: It has been known to burn entire villages to the ground at the very first instance of deadly "blister rust," "cibiscosis" or "genehack weevil." However, in recent years, the Child Queen has allowed the upstart Trade Ministry to gain power and to encourage some small-scale foreign investment in the kingdom.
Pretending to be a developer of innovative "kink-springs," Anderson is in fact an agent of AgriGen, assigned to Bangkok to orchestrate a covert yet aggressive initiative by the Des Moines-based corporation. He employs Hock Seng, an aging but resilient Chinese who lost his shipping company, family and very nearly his own life a few years previous during the genocides in Malaya. Trusting no one, he dreams of re-establishing his name and wealth. By contrast, Jaidee, the so-called Tiger of Bangkok, is the pugnaciously idealistic captain of the white shirts, determined to preserve his country against the onslaught of foreign influence and corruption. His unsmiling Lt. Kanya suffers from some dark burden on her soul.
And then there is Emiko, the windup girl. Windups, or New People, are essentially genetically modified test-tube babies, creche-grown in Japan. In other countries they are branded and loathed as genetic trash, without true souls. All windups move with a herky-jerky gait, like puppets on invisible strings.
In essence, Emiko has been designed to be a supremely beautiful, compliant geisha. Obedience has been built into her DNA. Her skin has been made ivory smooth by reducing the size of her pores. Never intended to function in a tropical climate, Emiko has nonetheless been callously abandoned in Bangkok: Her patron decided "to upgrade new in Osaka." She was then bought by the unscrupulous Raleigh, a survivor of "coups and counter-coups, calorie plagues and starvation," who now "squats like a liver-spotted toad in his Ploenchit 'club,' smiling in self-satisfaction as he instructs newly arrived foreigners in the lost arts of pre-Contraction debauch."
Raleigh's nightclub soon features a very special sex show: Each night the brutalized Emiko must suffer the attentions of an inventively sadistic co-worker. Afterward, her body is for hire by anyone seeking a forbidden, transgressive thrill. The girl lives in near-suicidal despair.
Until the night she meets Anderson, who tells Emiko of an enclave of windups, "escapees from the coal war," dwelling in the forests to the North. Emiko soon dreams of fleeing her sordid destiny and making her way, somehow, to this village.
From the windup, the smitten Anderson learns of a mysterious Gi Bu Sen, who has developed a new blight-resistant fruit that has recently appeared in the Thai markets. Protected by the government and living in luxurious seclusion somewhere, this Kurtz-like farang can only be the renegade AgriGen scientist Gibbons, the greatest generipper in the world, long thought to be dead. He must be found and restored to the corporation. It is because of his genius -- and the kingdom's hidden storehouse of carefully preserved seeds -- that Thailand has been able to stay "one step ahead of the plagues."
As the novel advances, the political machinations grow increasingly tense. General Pracha, Minister Akkarat, a sinister adviser to the queen named Somdet Chaopraya, even the so-called "Dung Lord" all vie for power. Meanwhile, the increasingly troubled Lt. Kanya converses with a ghost, one who knows her secret. While Emiko may be the titular windup girl, Kanya is the novel's woundup woman, a human kink spring under intense psychological pressure. When everything begins to fall apart, these two will determine the fate of Krung Thep, the City of Divine Beings -- Bangkok.
Readers of science fiction will recognize multiple influences on this excellent novel: Cordwainer Smith, J.G. Ballard, Philip K. Dick, William Gibson, China Mieville and even, possibly, Margaret Atwood, who proffers a similar vision of post-apocalyptic want, fanaticism and gene-manipulation in "Oryx and Crake" and "The Year of the Flood." Clearly, Paolo Bacigalupi is a writer to watch for in the future. Just don't wait that long to enjoy the darkly complex pleasures of "The Windup Girl."
bookworld@washpost.com
Reviewed by by Michael Dirda
Copyright 2010, The Washington Post. All Rights Reserved. --This text refers to the unknown_binding edition.
Review
WINNER OF THE HUGO AWARD, THE NEBULA AWARD, THE LOCUS AWARD, THE COMPTON CROOK AWARD, AND THE CAMPBELL MEMORIAL AWARD
It’s ridiculous how good this book is. . . . Bacigalupi’s vision is almost as rich and shocking as William Gibson’s vision was in 1984 . . . I hope he writes 10 sequels.”
Lev Grossman, TIME
Reminiscent of Philip K. Dick’s Blade Runner.... densely packed with ideas about genetic manipulation, distribution of resources, the social order, and environmental degradation ... science fiction with an environmental message, but one that does not get in the way of its compelling story.”
Sacramento Book Review
This complex, literate and intensely felt tale, which recalls both William Gibson and Ian McDonald at their very best ... clearly one of the finest science fiction novels of the year.”
Publishers Weekly (starred review)
A captivating look at a dystopic future that seems all too possible. East meets
West in a clash of cultures brilliantly portrayed in razor-sharp images, tension-building pacing, and sharply etched characters.”
Library Journal (starred review)
"When it hits its sweet-spot, The Windup Girl embodies what SF does best of all: it remakes reality in compelling, absorbing and thought-provoking ways, and it lives on vividly in the mind."
The Guardian
"Bacigalupi never slides into moralism or judgement ... Ultimately that's what makes this debut novel so exciting. It's rare to find a writer who can create such well-shaded characters while also building a weird new future world."
io9
--This text refers to the unknown_binding edition.
From School Library Journal
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the unknown_binding edition.
From Bookmarks Magazine
Review
From the Author
Review
WINNER OF THE HUGO AWARD, THE NEBULA AWARD, THE LOCUS AWARD, THE COMPTON CROOK AWARD, AND THE CAMPBELL MEMORIAL AWARD
It’s ridiculous how good this book is. . . . Bacigalupi’s vision is almost as rich and shocking as William Gibson’s vision was in 1984 . . . I hope he writes 10 sequels.”
Lev Grossman, TIME
Reminiscent of Philip K. Dick’s Blade Runner.... densely packed with ideas about genetic manipulation, distribution of resources, the social order, and environmental degradation ... science fiction with an environmental message, but one that does not get in the way of its compelling story.”
Sacramento Book Review
This complex, literate and intensely felt tale, which recalls both William Gibson and Ian McDonald at their very best ... clearly one of the finest science fiction novels of the year.”
Publishers Weekly (starred review)
A captivating look at a dystopic future that seems all too possible. East meets
West in a clash of cultures brilliantly portrayed in razor-sharp images, tension-building pacing, and sharply etched characters.”
Library Journal (starred review)
"When it hits its sweet-spot, The Windup Girl embodies what SF does best of all: it remakes reality in compelling, absorbing and thought-provoking ways, and it lives on vividly in the mind."
The Guardian
"Bacigalupi never slides into moralism or judgement ... Ultimately that's what makes this debut novel so exciting. It's rare to find a writer who can create such well-shaded characters while also building a weird new future world."
io9
--This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B0047T70VW
- Publisher : Orbit; 0 edition (October 21, 2010)
- Publication date : October 21, 2010
- Language : English
- File size : 785 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 374 pages
- Lending : Not Enabled
- Best Sellers Rank: #275,320 in Kindle Store (See Top 100 in Kindle Store)
- #1,146 in Hard Science Fiction (Kindle Store)
- #1,277 in Cyberpunk Science Fiction (Kindle Store)
- #1,710 in Hard Science Fiction (Books)
- Customer Reviews:
About the author

Paolo Bacigalupi’s writing has appeared in WIRED Magazine, Slate, Medium, Salon.com, and High Country News, as well as The Magazine of Fantasy and Science Fiction and Asimov’s Science Fiction Magazine. His short fiction been nominated for three Nebula Awards, four Hugo Awards, and won the Theodore Sturgeon Memorial Award for best science fiction short story of the year. It is collected in PUMP SIX AND OTHER STORIES, a Locus Award winner for Best Collection and also a Best Book of the Year by Publishers Weekly.
His debut novel THE WINDUP GIRL was named by TIME Magazine as one of the ten best novels of 2009, and also won the Hugo, Nebula, Locus, Compton Crook, and John W. Campbell Memorial Awards. Internationally, it has won the Seiun Award (Japan), The Ignotus Award (Spain), The Kurd-Laßwitz-Preis (Germany), and the Grand Prix de l’Imaginaire (France).
His debut young adult novel, SHIP BREAKER, was a Micheal L. Printz Award Winner, and a National Book Award Finalist, and its sequel, THE DROWNED CITIES, was a 2012 Kirkus Reviews Best of YA Book, A 2012 VOYA Perfect Ten Book, and 2012 Los Angeles Times Book Prize Finalist.
He has also written ZOMBIE BASEBALL BEATDOWN for middle-grade children, about zombies, baseball, and, of all things, meatpacking plants. Another novel for teens, THE DOUBT FACTORY, a contemporary thriller about public relations and the product defense industry was a both an Edgar Award and Locus Award Finalist.
Paolo's latest novel for adults is The New York Times Bestseller THE WATER KNIFE, a near-future thriller about climate change and drought in the southwestern United States. A new novel set in the Ship Breaker universe, TOOL OF WAR, will be released in October.
Customer reviews
Top reviews from the United States
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Windup Girl is not an easy novel to read. It's long, there are a lot of characters, the world is complex, people's motivations are diverse as are their personalities. The local, future Bangkok, also takes some time to adjust to, at least for me since I have never been to Bangkok. It takes a while to sink into the world and know your way around. That is, as well as any of the characters do at any rate, which is not very well. Everyone has a different view of what's going on and is keeping secrets from all of the other characters. No one is simple. No one is easy to relate to. The Windup Girl, Emiko, is probably the most identifiable character, which says a lot.
I enjoyed the novel. I enjoyed the challenge of reading and understanding. I enjoyed the author's depth of understanding of this alien landscape. The use of Thai words and concepts gives the world substance and character.
While I am giving it five stars -- which it deserves -- I caution potential readers that this is not a book for everyone. If you're looking for something light and uplifting, this isn't it.
One last point, a negative one, there is a huge unresolved issue at the end of the book. Normally I can forgive authors for not clearing up every little thing, but this was like getting punched in the face. Come to think of it, I think I'll knock it down to four stars just for that.
The setting is the late 22nd Century. Catastrophic climate change is far advanced, and played a role in the end of the 20th/21st Century Expansion. Krung Thep would be under water if not for a vast sea wall. The most powerful organizations in the world are the Midwest Compact, a consortium of agribusiness corporations in North America (the country is never specified), and China, with its own genetic engineering capability. The world is coming out of a long Contraction and the possibility of a new Expansion is in sight.
Genetic engineering, not climate change, drives the story. Plagues have ravaged the world, and both humans and crops have been devastated. It is intimated but not stated, not known, whether the deadly diseases are natural or malevolent products of laboratories. Regardless, the Compact and China use their access to resistant strains of crops to leverage power over the rest of the world.
Animals too have been engineered. In the new low-carbon energy environment Thailand uses huge "megadonts" as a power source. While never explained, it seems evident that they are native Thai elephants enhanced with DNA from mammoths or mastodons. "Cheshires" are a superior engineered type of cat that has replaced the cats we know today with the chameleon capacity to blend with their surroundings. They are super-efficient carnivores, and fortunately for humans they are not the size of sabertooth tigers.
Humans too have been engineered. The "windup girl" is the product of Japanese engineering, designed to serve as secretary, executive assistant, or prostitute. Other Japanese "windups" are designed as super-soldiers.
The Thai setting is well-developed. Buddhism is a major element of the story, mainly traditional but with a twist. A dedicated environmental activist who died acting selflessly to protect Thailand from plagues is considered a bodhisattva and is worshipped alongside the Buddha. The great river the Chao Phraya features prominently.
Two powerful Thai factions fight for dominance -- the Environmental Ministry, in charge of defending against plagues, which it has done more successfully than most countries, and the Ministry of Trade, which wants to open the country to the benefits of a new Expansion.
The author clearly did his research on Thailand. It would not be surprising at all to find that he had lived and worked there, but as it turns out he did not. Bacigalupi did live and work in China, and initially set the novel there before deciding on Thailand instead.
"The Windup Girl" won both the Hugo and Nebula Award for Best Novel in 2010, and those honors are well deserved. While not as stylistically innovative, it strikes me as being similar in many ways to John Brunner's great novels "Stand On Zanzibar" (1969) and "The Sheep Look Up" (1972).
It is a brilliant and compelling novel!
Top reviews from other countries
Although I loved the premise of a disease ravaged economy and the scramble by agri-giants for healthy gene stock, the book, which presumably pretends to some kind of reality, is let down by some very shaky science. I liked the idea of megadonts but can't believe that there was no solar power or wind power, battery technology or vegetable oil or alcohol powered engines, or even nuclear power for that matter. Neither could I accept that anything emerging from a vat of algae would increase spring efficiency or generate a human viral plague, or believe in a convenient bacterium that fizzles through steel in seconds. I could go on (and on!) but life is short
I could have overlooked this (hell, most sci fI abandons inconvenient reality) if it hadn't been so difficult to like any of the characters. Most of them are pretty unpleasant and do very unpleasant things. The Windup Girl herself is so self pitying and debased by the brutality the author inflicts upon her, I recoiled and she is given little to do other than suffer. There is no let up from the grimness which the author dwells on endlessly and repetitively. Nobody is happy and there is no leavening humour, friendship, or even a likeable hero to lift the darkness. Frankly, I was quite relieved when I finished.
Did that all sound complicated? Well, it is. The world-building in this book is incredible, and the sheer scope of Bacigalupi’s imagination makes up for all sorts of difficulties. For example, all the characters are racist. It makes sense for the story, but it’s hard to like them! Having endowed us with a super-complicated world, the author then reaches for the literary stars by using third person present: “Lake reaches for the glass.” Great for judges of literary prizes, not great for readers trying to understand the fourteenth made up word on the page. Finally, we have the magically wonder girl, whose voyeuristic sexual abuse is excused because it gets her superpowers, and she has her revenge. Nope, never heard that trope before.
Why am I being so super harsh on a book I gave five stars? Because if any of these things in the early chapters put you off, stick with it. As the story hurtles into the final act you come to care about these characters, murderous gits or not. This book grows from imaginative world building to powerful character stuff – it has things to say, and things that will stay with you. Bacigalupi has taken risks with style, form, format and character, and they pay off.
Reviewed in the United Kingdom on July 30, 2021
Did that all sound complicated? Well, it is. The world-building in this book is incredible, and the sheer scope of Bacigalupi’s imagination makes up for all sorts of difficulties. For example, all the characters are racist. It makes sense for the story, but it’s hard to like them! Having endowed us with a super-complicated world, the author then reaches for the literary stars by using third person present: “Lake reaches for the glass.” Great for judges of literary prizes, not great for readers trying to understand the fourteenth made up word on the page. Finally, we have the magically wonder girl, whose voyeuristic sexual abuse is excused because it gets her superpowers, and she has her revenge. Nope, never heard that trope before.
Why am I being so super harsh on a book I gave five stars? Because if any of these things in the early chapters put you off, stick with it. As the story hurtles into the final act you come to care about these characters, murderous gits or not. This book grows from imaginative world building to powerful character stuff – it has things to say, and things that will stay with you. Bacigalupi has taken risks with style, form, format and character, and they pay off.
For me the ideas were just not very good. How can everything be powered by giant elephants if food is so scarce and controlled? Why do springs need to be bathed in algae? How do springs store energy anyway? Ok its a coal powered car - I get it. Yes coal powered tanks too, very good thank you.
Its good that this story considers the consequences of climate change, I wish there was more about what the Expansion was etc.. The genetic engineering ideas were good, definitely.
But some really cheezy parts e.g. when Hock goes to visit Jabba the Hutt aka the Dung Lord. What every happened to him any way? The Kanya group of people were poorly described; I didn't care about Thai boxing and what they got up to. The 'bullet time' when Miko moves fast was cheezy. As was having her her as a pliant sex toy who gets ideas.
The descriptions of Thailand were not particularly evocative; I;ve visited that part of the world. And all the italics for foreign references got tedious.
Also, the tone of the narrative felt slightly chinglishified. You know; like abit of caricature of Asian ways of speaking that also leaked into the narrative language itself.
I'd recommend if you like Paolo's other books and think you can get through the initial character building chapters. They felt like a chore, but the endgame was worth the pain and time. By the end, I had completely bought in to his universe.













