Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Winter's Bone Library Binding – October 23, 2008
| Price | New from | Used from |
|
Audible Audiobook, Unabridged
"Please retry" |
$5.95
| $7.95 with discounted Audible membership | |
|
Library Binding
"Please retry" |
—
| $21.98 | — |
- LanguageEnglish
- PublisherPublisher
- Publication dateOctober 23, 2008
- ISBN-101439559058
- ISBN-13978-1439559055
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Similar items that may ship from close to you
Product details
- Publisher : Publisher; Reprint edition (October 23, 2008)
- Language : English
- ISBN-10 : 1439559058
- ISBN-13 : 978-1439559055
- Item Weight : 9.6 ounces
- Best Sellers Rank: #3,078,020 in Books (See Top 100 in Books)
- #36,032 in Contemporary Literature & Fiction
- Customer Reviews:
Important information
To report an issue with this product, click here.
About the author

Daniel Woodrell (born March 4, 1953) is an American writer of fiction. He has written eight novels, most of them set in the Missouri Ozarks. Woodrell coined the phrase "country noir" to describe his 1996 novel Give Us a Kiss. Reviewers have frequently since used the term to categorize his writing.
Bio from Wikipedia, the free encyclopedia.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
Submit a report
- Harassment, profanity
- Spam, advertisement, promotions
- Given in exchange for cash, discounts
Sorry, there was an error
Please try again later.-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Ree’s physical, mental, and emotional journey begins when her father, a meth manufacturer, leaves his wife and three children behind, telling Ree to only look for him “soon as you can see my face”. The author implies that this is not a rare occurrence. After some time a police officer shows up at the Dolly’s doorstep, asking where Ree’s father Jessup is. The officer informs her that he can’t find her father, who is out of jail on bond and has a court date within the week. If Jessup doesn’t show up to court they will lose their home and land because he signed them over for his bond. With the realization that she may have to care for her two younger brothers and mentally ill mother with no roof over their heads, Ree makes the decision to find her father before time is up.
In her quest to locate her father, Ree must ask for the help of several of her kin folk and Jessup’s drug running crowd who live in the area, which is a very dangerous, and brave, thing to do. The first character we meet is Jessup’s brother, Teardrop, who is unwilling to aid Ree in her search. At first glance it is hard to tell whether he is an adversary or an antagonist, but it becomes clearer as the story progresses. Another memorable character, Ree’s childhood best friend Gail, is also a key component to the story as well as an important ally. There are a lot of unexpected twists and turns as the plot lopes (a favorite verb of Woodrell’s) forward.
One character with whom I felt a particular connection was Ree. She is strong, motivated, and independent. Growing up in the Ozarks has hardened her and she is better for it. Her personality is rough around the edges with a little bit of attitude, but she has a softness when it comes to her younger brothers, Harold and Sonny, and her friend Gail. Ree’s strength and persistence is enviable.
Another character who was well-defined and intriguing was Uncle Teardrop. He is a meth cook and a junkie, taking at least one hit in every scene that he is featured, and has a prison tattoo of three teardrops leaking from his eye, thus the name “Teardrop”. Ree is scared of him and for good reason: he has an explosive, unpredictable temper that causes him to become violent, most likely a side effect from his generous use of meth.
Ree’s mother was the third character who stood out to me. It is never plainly stated what her mental ailment is, but she is clearly not in a position to help around the house, much less to care for her three children. When Officer Baskin arrives at their home to find Jessup at the beginning of the novel, he asks to speak with his wife, only to find her curled in a rocking chair, mumbling about writing on the wall. She is a permanent fixture in that chair throughout the book, rarely moving or speaking. It is often implied that she went crazy in order to remain ignorant of the problems that Jessup’s involvement with meth tends to stir up. It’s hard to blame her, given the current situation Ree is embroiled in.
Seeing the way that the people who populate the Ozarks live was very eye-opening. In the “About the Author” section of Winter’s Bone there is a paragraph describing Daniel Woodrell’s history, including the fact that he was born and raised in the Missouri Ozarks just as Ree was. This information gives the novel an even more authentic feel since it is most likely based on Woodrell’s personal experiences enduring the hardships of living in a small community plagued with methamphetamine production and usage. He, like the main character of his novel, left school and enlisted in the marines as Ree wished to at the age of seventeen.
All in all, with the tense, fast-paced plot pushing you along, this book is definitely one that will make you feel as if you are traveling along the snow-coated roads right alongside Ree. You will find yourself rooting for her and her family while reveling in Woodrell’s eloquent writing style. Pay attention as you read, however- there is so much symbolism and foreshadowing that you will probably have to read it twice!
They are a community, a group of isolated independents that are almost completely disconnected from society. So much so, it is hard to determine the time period. This book was a very interesting story to say the least. It has a captivating plot, and gritty characters. Woodrell does a phenomenal job at providing an opportunity to place you and your imagination into the dark, lugubrious, gloom that is Winter’s Bone. His use of imagery is exceptional, and his ability to catch the reader’s attention is evident. However, keeping the readers attention is a different story. Though he does a great job of describing the ever changing surroundings with detail it sometimes turns into monotony.
It seems as though the story could have been told in a fifty less pages because there was so much random dead space. Woodrell would take four pages to explain Ree sitting in the woods and explaining her thoughts when in reality they don’t add a lot to the book. There are parts of the book however that are mental chew toys. The characterization in this story is really enjoyable. Not so much because they have dark rogue personalities, but more so because Woodrell lived about 30 minutes from the Ozarks almost all his life. He knows how people are there, so the characters in this story are fictional characters in the sense of their names, occupations, and specific personal traits. To the effect of the characteristics of the populous in the specific geographical setting of the book compared to real life communities in the Ozarks, it is scary accurate.
It’s quite impressive how on point Woodrell is with the relational interactions and communal systems in place in the Ozarks. The family network Ree is interlocked in is heavily involved with meth. Cooking, using, selling, the whole 9 yards and then some the family uses it as their crutch and bread winner. The meth usage is so heavy in this region they have created their own defense system that is so panicked they turn on their own family if they get too close. Even law enforcement is handicapped to the tight family drug lords. It’s unusual for more than one patrol car to come down the unforgiving terrain more than once a month even though they know there is such heavy drug trafficking being flushed through the veins of the networking body dubbed the Ozarks.
Ree is a teenager, and she is doing all she can for what family she has left. She isn’t getting involved with he meth but rough and toughs it through the cold winter finning for herself. She is on a journey, a hunt for her father. A man full of empty promises and Ill be backs. He has disappeared into the world like always had before except this time there is a price to pay if he doesn’t show up. Her father committed a crime and put the only thing Ree and her Mom have to theirs names. Their property. He put their house and land up for bond. Ree goes on a hunt for the father that didn’t show up for his court date, because she is going to find him and bring him back dead or alive. Whatever it takes, she is determined to keep her home. Without it her and her family would be thrown out on the streets and with out a doubt wouldn’t last more than a couple days out in the cold death grip of winter. It’s a gripping adventure that keeps you thinking.
It’s a good read and isn’t hard to follow most of the time. Over all I give the book three and a half stars out of five. It’s worth your time and you learn a little bit about the history of the area. If you’re not into stressful, unpredictable, plot wrenches it’s not for you. If you like a roller coaster of a book that has a lot of loops as well as long stretches, you would enjoy it.
Top reviews from other countries
Long version
I notice that Amazon helpfully offers "backwoods" among other tag suggestions, and for good reason. This is the hinterland of America where everybody is related to everybody else, and holds a grudge against them too. The economy in the Ozarks seems to revolve around "cooking", and rather more violent crime. Seventeen year old Ree Dolly ("a Dolly bred and buttered") belongs to one of these extended, and pretty squalid clans, and she faces utter destitution unless she can find her father - and find him in a hurry. That's the surface story, but the theme is when the ties of blood are thick enough actually to mean anything. Who, in your own large and far-flung family, would you help, if that help required anything substantial? In the Ozarks where rough men are easily offended, and offense taken means lifes taken, this question counts.
For some reason, I have of late homed in on American "unfortunates". Winter's Bone was preceded by Suttree (Cormac McCarthy), and "Ham on Rye" (Charles Bukowski). Both books have been lauded as among the respective authors' best works. Squalor you get aplenty, but Winter's Bone seems qualitatively different. In Ham on Rye (like in all of Bukowski's novels) we follow someone whose black drive will dictate his choices, and spiral him down and out. In Suttree we get a similar notion that the subsistence life the protagonist leads is at least in part a matter of choice. In the Ozarks, by contrast, life is imposed on you: it is not something easily swayed by something as ephemeral as choice. Woodrell's portrayal of Lee Dolly is so poignant because of the steel she brings to her ambition to attack the approaching problem head-on, danger and social taboos be damned. Beyond the theme of blood, this is a book about the American Dream - not about where you end up as a result of it, but about the sort of spirit you need to have a go at it.
Should you buy it?
Absolutely. This is a book rich in quality, from the intriguing gallery of characters, to the wonderfully sparse language that Woodrell uses to depict the bleak, midwinter Ozarks - not to mention the powerful thematic undertows - this is unequivocally a grade A product.
I love stories about way out of the way places in America, those hidden folds, and when they're written with the extraordinariness of Winter's Bone I'm in heaven. American fiction is a funny old thing because it's hard to say what is its defining style. Is it modern, clever writing a la Jonathan Franzen and Don DeLillo, or the solid old time landscape reflecting humanity a la Cormac McCarthy and John Steinbeck? Well it's the latter section that Woodrell falls into. His description of the Ozark mountains is stunning, and the way these cold barren places make cold, dark people is brought vividly to life. His writing thrusts you into that environment of frozen soil and freezing rivers and the story he drops on you is simple and lyrical.
The way of life is seen through the eyes of the rough and ready Ree Dolly, a girl of school age who is tasked to look after his mentally ill mother and two young brothers because her father is more often than not absent. She dreams of joining the Army, getting away from her roots, but how can she when there's nobody there to run the homestead? Her character is beautifully rendered, her resilience demonstrated in a series of frightening and awful scenes where she has to deal with unfriendly locals who don't like being asked difficult questions. You really find yourself rooting for her. This book is on a par with the Franzen but in a wholly different way.
There is some hope, in that the main character does succeed in her immediate aim of keeping a roof over her and her family's heads. Yet one is left with a chilling sense of the profound horrors that people will endure, and still continue to exist, day after day, year after year.








