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The Witches: Salem, 1692 Hardcover – October 27, 2015
| Stacy Schiff (Author) Find all the books, read about the author, and more. See search results for this author |
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It began in 1692, over an exceptionally raw Massachusetts winter, when a minister's daughter began to scream and convulse. It ended less than a year later, but not before 19 men and women had been hanged and an elderly man crushed to death.
The panic spread quickly, involving the most educated men and prominent politicians in the colony. Neighbors accused neighbors, parents and children each other. Aside from suffrage, the Salem Witch Trials represent the only moment when women played the central role in American history. In curious ways, the trials would shape the future republic.
As psychologically thrilling as it is historically seminal, The Witches is Stacy Schiff's account of this fantastical story -- the first great American mystery unveiled fully for the first time by one of our most acclaimed historians.
- Print length512 pages
- LanguageEnglish
- PublisherLittle, Brown and Company
- Publication dateOctober 27, 2015
- Dimensions6 x 1.31 x 9.25 inches
- ISBN-109780316200608
- ISBN-13978-0275921620
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Editorial Reviews
Amazon.com Review
An Amazon Best Book of November 2015: In 1692, at the edge of the New England wilderness, an entire village went insane. Everyone knows the story: The pre-teen daughters of the local minister are mysteriously overcome by convulsions, their uncontrollable screaming sending the superstitious community into fear and confusion. Lacking other explanations--adolescent rebellion, maybe?--Satanic influence is suspected, and accusations of witchcraft soon fly like enchanted broomsticks. The town is pitted against itself, and by the time the hysteria fades, 19 men and women are hanged, another pressed to death.
But what actually happened? Pulitzer Prize-winner Stacy Schiff's The Witches: Salem, 1692 steps back from more than three centuries of hyperbole and supposition, giving us our most complete account yet. It can't have been easy: As Schiff points out early in the book, the Puritans of Salem village were often assiduous diarists and record-keepers, but first-hand accounts of the months of the hysteria are mysteriously rare-and those that exist are mainly unreliable. To construct her history, Schiff went through the looking glass, compiling seemingly every fact available to create a historically accurate narrative of events while placing it within the cultural context of 17th century New England. The results are obvious: this book is dense with facts and a large cast of characters, and readers must commit. But Schiff keeps the proceedings rolling with wry humor and an eye for the peculiar-yet-illuminating detail. This isn't The Crucible or Blair Witch; it's light on sensationalism, but rife with real-life toil-and-trouble. The truth, as always, is strange enough.--Jon Foro
Review
A Time Magazine "Top 10 Nonfiction Books of 2015" pick
An NPR "Great Reads for 2015" pick
A Boston Globe "Best Nonfiction Books of 2015" pick
A Washington Post "Notable Nonfiction of 2015" pick
A San Francisco Chronicle "Best Books of 2015" pick
An O, The Oprah Magazine "16 Books To Start 2016 Right" pick
A Bloomberg "Best Books of 2015" pick
A Chicago Tribune "The Best Books of 2015" pick
A Houston Chronicle "15 Notable Books of 2015" pick
A Bustle "11 Nonfiction Books By Women Every Book Club Should Read" pick
A BookPage "Best Books of 2015" pick
"An intoxicating brew of history.... It's unsettling, gripping stuff, rendered in the burnished sentences of a master prose stylist. Every page of The Witches isalmost scandalously pleasurable." (4 Stars)
--Kevin Nance, USA Today
"Dazzling.... Schiff is at her best, infusing a historical event with as much life, mystery, and tragedy of any novelist."
--Nicole Jones, Vanity Fair
"[A] beautiful retelling of one of our ugliest tales."
--John Freeman, Boston Globe
"Her research is impeccable; no previous writer has scoured the documentary record to such great depth. Moreover, she has mastered the entire history of early New England.... This enables her to provide deep, richly textured background for specific moments and situations. Indeed, readers may experience her narrative as a virtual tour of the time and place. Her recreation of courtroom scenes is especially convincing; one feels, almost palpably, their pulsating mix of words, actions, and-above all-emotion.... Schiff's skills as a writer extend to such formal matters as structure, pacing, and point of view. The various parts of the narrative unfold in apparently seamless succession.... Now and again she inhabits her characters, yet she maintains throughout the authority of an omniscient narrator who is firmly in charge."
--John Demos, New York Review of Books
"Haunting.... The first major commercial nonfiction book on the subject in decades. By sidestepping most of the popular theories, The Witches stands out from much of the existing literature."
--Alexandra Alter, New York Times
"Investigated with relish."
--O, The Oprah Magazine
"History in the hands of Stacy Schiff is invariably full of life, light, shadow, surprise, clarity of insight, and so it is again and then some in her latest work, The Witches. Few writers combine as she does superb scholarship and an exceptional gift for language with amazing reach and agility of mind. This is a superb book."
--David McCullough, Pulitzer Prize-winning author of The Wright Brothers
"Sharp-eyed, discriminating, crisp."
--Hilary Mantel, Times Literary Supplement
"Schiff brings to bear a sensibility as different from the Puritans' as can be imagined: gentle, ironic, broadly empathetic, with a keen eye for humor and nuance.... Thanks to this, and to Schiff's narrative gifts, the present-day reader flits above New England's smoky chimneys and thatched rooftops.... It is a wizardry of a sort--in a flash of brimstone, a whole world made wondrously visible."
--Adam Goodheart, Atlantic
"Though the Salem story has been told many times, Schiff's splendidly written account brings it thrillingly to life."
--Dan Cryer, San Francisco Chronicle
"Brilliantly assured.... Schiff's account is better written than any I have encountered."
--John Wilson, Christianity Today
"Masterful.... Schiff painstakingly reconstructs not just the events of 1692 but the world that birthed them."
--Elizabeth Hand, Los Angeles Times
"Haunting.... Schiff makes the dark an inviting place to linger."
--Maureen Corrigan, NPR
"This brilliant, compelling book is the most meticulously researched, effectively constructed, and beautifully written work I have read in a very long time. It is dramatic history and also a timeless thriller: who-or what-drove a New England town to madness three centuries ago, resulting in the deaths of nineteen men and women for 'witchcraft?' The answers are astonishing."
--Robert K. Massie, Pulitzer Prize-winning author of Catherine the Great
"Riveting nonfiction."
--Entertainment Weekly
"Brings a fresh eye to the worst misogynist atrocity in American history."
--Megan O'Grady, Vogue.com
"[Schiff] brings her gifts to the confusions of Salem, piecing together a dramatic narrative from disparate and often tersely unrevealing sources."
--Ruth Franklin, Harper's
"Once again Stacy Schiff dazzles us. The Witches is a must read for anyone intrigued by this baffling and horrifying chapter from American's Puritan past. What Schiff uncovers is mesmerizing and shocking. Her meticulous research and lyrical writing lay bare an injustice that we should never forget--lest we repeat it."
--Patricia Cornwell, author of Depraved Heart
"Absorbing and enlightening."
--Nancy Klingener, Miami Herald
"Thoroughly researched and written in a compelling style."
--Bloomberg
"No stone [is] left unturned.... Schiff recreates the most chill-inducing, finger-pointing months in American history."
--Steph Opitz, Marie Claire
"Fantastic."
--Kristin Van Ogtrop, Time
"Brilliant.... Schiff writes movingly as well as wittily; this is a work of riveting storytelling as well as an authoritative history."
--Lara Feigel, Guardian
"Masterly.... Alternately absurd and heart-rending."
--Economist
"Schiff's The Witches isan indelibly etched morality fable, the best recounting of the Salem hysteria in modern times. Clear-eyed and sympathetic, Schiff makes the complex seem simple, crafting a taut narrative that takes in religion, politics, folklore, and the intricate texture of daily life in Massachusetts Bay, with particular attention to those 'wonder-working' women and girls who chose this moment to blow apart the Puritan utopia they'd helped to found. It's all here in one devilish, oracular book."
--Megan Marshall, Pulitzer Prize-winning author of Margaret Fuller
"The fullest and finest story ever told about Salem in 1692, and no one else could tell it with the otherworldly flair of Stacy Schiff."
--Joseph J. Ellis, Pulitzer Prize-winning author of The Quartet
"Compulsively readable."
--Nancy Rommelmann, Newsday
"With fresh feminist insight, Schiff plumbs the mindset of late-seventeenth-century New England to explain our original 'national crackup.'"
--Louisa Kamps, Elle
"[Schiff] reconstructs the time and place in remarkable detail.... [And] skillfully re-creates the visceral tensions at the heart of everyday life in the Massachusetts Bay settlement."
--Peter Manseau, Bookforum
"Spellbinding."
--Lizzie Crocker, Daily Beast
"Schiff honors her subject's gaping documentary absences by fleshing out the actual world in which the witch panic took root and thrived, showing the full range of factors that influenced its participants...with gratifying vividness."
--Kate Bolick, New Republic
"[A] must-read."
--Joanna Coles, Cosmopolitan
"Schiff delves into the archive to remind us that one of the most notorious miscarriages of justice in American history was also one of the few moments which featured regular women-not queens, not goddesses, but mothers and wives and daughters and servants-at the very center of drastic historical change. A wrenching, unforgettable read."
--Katherine Howe, author of The Physick Book of Deliverance Dane
"Diabolically entertaining."
--Judith Stone, More
"A comprehensive illumination of an unsettling period of American history that continues to captivate our cultural imagination."
--Nick Romeo, Christian Science Monitor
"A gripping, meticulously researched, sumptuously written history of the Salem witch trials and their historical context."
--Kevin Nance, Chicago Tribune
"A masterful modern reassessment of the deadly and tragic mania that gripped the colonies in the late 17th century."
--Globe and Mail
"A vivid investigation of the original American nightmare. Schiff brilliantly teases apart the strands of myth and history. In an age when superstition remains a vibrant and dangerous force, her book is, alas, also relevant."
--Russell Shorto, author of The Island at the Center of the World
"From Cleopatra to the Salem coven. From intelligent rule to hysteria, mayhem, and murder. The Salem witch trials offer Stacy Schiff an out-sized drama that seized Americans' imaginations more than 300 years ago. All of Schiff's books demonstrate her rigor as a historian and her dexterity as a stylist. The Witches proves she has something else: the instincts of a thriller writer. This book needs a seat belt."
--Kathryn Harrison, author of Joan of Arc
"Brilliant, exceptionally well-researched."
--Alden Mudge, BookPage
"Schiff writes with conviction and a strong sense of narrative, elevating the dry snooze of history to a new level. It's an endlessly fascinating read."
--Megan Reynolds, Gawker
"Compulsively readable.... The best-selling Schiff never disappoints."
--Margaret Flanagan, Booklist (Starred Review)
"[Schiff] writes with such spirit and agility that to read her books is something like watching a great dancer. To say that her latest book is fascinating and insightful is hardly sufficient. It's brilliant from start to finish."
--David McCullough, Favorite Reads of 2015
"Enchanting. Out of the shadows of the past come excitable young girls, pompous ministers, abusive judges, grieving parents, and angry neighbors, all of them caught up in a terrifying process that seemed to have no end: discovering who among them deserved death for being in league with Satan. The Witches is as close as we will ever come to understanding what happened in and around Salem in 1692. Courtrooms, streets, churches, farm yards, taverns, bedrooms-all became theater-like places where anger, anxiety, sorrow, and tragedy are entangled. An astonishing achievement."
--David D. Hall, Bartlett Research Professor of New England Church History, Harvard University
"Schiff's books are based on serious scholarly research, yet they're conveyed in bright, accessible prose... She displays the same sharp intelligence and eclectic interests that distinguish her body of work."
--Publishers Weekly,"Most Anticipated Books of the Fall"
"Schiff has beautifully combined remarkable story telling with historical accuracy and insight. She has opened up important new avenues for Salem scholarship."
--Bernard Rosenthal, editor of Records of the Salem Witch-Hunt
About the Author
Schiff has received fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, the American Academy of Arts and Letters, and the Center for Scholars and Writers at the New York Public Library. A member of the American Academy of Arts and Letters and named a Chevalier des Arts et Lettres by the French Government, she lives in New York City.
Product details
- ASIN : 0316200603
- Publisher : Little, Brown and Company; First Edition (October 27, 2015)
- Language : English
- Hardcover : 512 pages
- ISBN-10 : 9780316200608
- ISBN-13 : 978-0275921620
- Item Weight : 1.7 pounds
- Dimensions : 6 x 1.31 x 9.25 inches
- Best Sellers Rank: #102,949 in Books (See Top 100 in Books)
- #107 in U.S. Colonial Period History
- #335 in Women in History
- #1,039 in U.S. State & Local History
- Customer Reviews:
About the author

A Pulitzer Prize-winner, Stacy Schiff is the author of several bestselling biographies and historical works including, most recently, The Witches: Salem, 1692. Her previous book, Cleopatra: A Life, appeared on most year-end best books lists, including the New York Times’s Top Ten Books of 2010, and won the PEN/Jacqueline Bograd Weld Award for biography. Cleopatra was translated into 30 languages. Schiff’s other work includes Véra (Mrs. Vladimir Nabokov), winner of the Pulitzer Prize; Saint-Exupéry, a Pulitzer Prize finalist; and A Great Improvisation: Franklin, France, and the Birth of America, winner of the George Washington Book Prize, the Ambassador Award in American Studies, and the Gilbert Chinard Prize of the Institut Français d’Amérique. Schiff is a Guggenheim and NEH Fellow and was a Director’s Fellow at the Cullman Center for Scholars and Writers at the New York Public Library. Among other honors, she was named a 2011 Library Lion by the New York Public Library, a Boston Public Library Literary Light in 2016, and in 2017 received the Lifetime Achievement Award in History and Biography from the New England Historic Genealogical Society. She received the 2019 Peggy V. Helmerich Distinguished Author Award. In 2018 she was named a Chevalier de l’Ordre des Arts et des Lettres by the French Ministry of Culture. Awarded a 2006 Academy Award in Literature from the American Academy of Arts and Letters, she was inducted into the Academy in 2019. Schiff has written for The New Yorker, The New York Times, The Washington Post, The New York Review of Books, The Times Literary Supplement, and The Los Angeles Times, among many other publications. She lives in New York City.
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The first culprit in the happening was Samuel Parris, the Salem village minister, whose niece, Abigail Williams, was struck with strange afflictions, along with her nine-year old cousin, Parris's daughter Betty. “The cousins complained of bites and pinches by 'invisible agents' They barked and yelped. ..” We single out Samuel because he may have been overzealous as a minister, taking his job home with him. He also told his flock they had a duty to love him. Puritans were encouraged to examine their behavior and that of others for evidence of evil. An Indian slave, Tituba, made it worse by embellishing in elaborate detail on the witchcraft she'd seen as the girls and others of their ilk began to finger neighbors and even family members as witches and warlocks. Poor George Burrough's, Salem village's first minister, was labeled as the devil. His major crime may have been his rejection of Salem village when he left of his own accord, tired of the back-biting and the rumor mongering.
As we know, 19 men and women were eventually hanged, including two ministers, and an old man was crushed to death.
Then there's good old Cotton Mather, who couldn't seem to stop publishing, Over four hundred books, according to Schiff. At first Mather was rather helpful, when he insisted that “spectral evidence” such as witches flying through the air on boards was not reliable evidence. Later he changed his mind or seemed to anyway. He was also positive that the end times were near. As St. Augustine had feared when Revelation was added to the New Testament, its contents were viewed as literal. Just when you're thinking Mather is an utter ninny, the smallpox epidemic runs rampant in Massachusetts Bay. Mather, who had had some medical training, was for inoculations. He paid the price. Puritans didn't like to interfere in God's providence.
Perhaps the man who bares the brunt of the blame is William Stoughton, the head magistrate of the trials. He was also acting governor and supreme court justice. When Rebecca Nurse was found not guilty, Stoughton called the jury back, pointing out that Rebecca had recognized two other accused witches when they entered the court and said something like “What are you doing here?” She had been in prison with them for months. Anyway, he sent them back to contemplate some more and she was found guilty. Stoughton's motto seemed to be “guilty until proven innocent”and sometimes not even then.
Another variable was the animosity between the Putnam family of Salem Town and the Town family of Salem Village. This was a litigious society and the Towns and Putnams were constantly squabbling about property rights. Rebecca Nurse maiden name was Town.
Stacy Schiff goes into extensive detail about what might have possessed the young girls who testified about the accused witches. She never quite says they were faking, as were the Swedish girls that Mather mentioned in his book on previous unexplained phenomena. But she implies that the girls might have had some adult help. Every time an accused witch entered the courtroom, they sent into convulsions as if they'd been coached. They also knew enough to calm down during the “touch test.” Supposedly, if you were a witch, and you touched a victim, your venom would bounce back on you and the victim would appear normal.
Schiff also implies that this sort of hysteria has happened before, as in the Communism scare of the early fifties which resulted in the hearings on Un-American activities and McCarthyism; she never does say they're happening now with the paranoia involving ISIS, but she does say Americans have a penchant for this type of hysteria.
That sounds an awful lot like sour grapes, but to be fair, Stacy Schiff may have one legitimate gripe. She argues that most recent historians before her, including Starkey, have utilized sources that have been traditionally viewed as primary, but which are actually secondary, to begin the witchcraft story--namely, the monographs the ministers Increase and Cotton Mather penned one to five years after the craze had subsided. Only from the Mather writings, she contends, do we get the idea that the girls of Salem Village were introduced to witchcraft by elementary voudoun and fortune telling practiced by the Parris family's West Indian slave, Tituba, and Schiff theorizes that this was a "must-have-been" hypothesis supplied by the Mathers rather than an "actually-was" fact that could be gleaned from court documents or other contemporary records. For all that, though, Schiff chooses to prove her point by an eye-crossing myriad of dry, repetitive, poorly-arranged data that goes in, around, up, down, across, and through the chronological line to suggest that not only interpersonal community tensions but a confusing Gordian knot of other contributory factors, including even the political attitudes of a cabal of ministers who had worked together to oust the previous governor of the Massachusetts Bay Colony, Edward Andros, and establish the new one, William Phips, all had their part in the great witch scare.
I note with dismay how many other reviewers remark that they gave up trying to read the book, or simply started skimming, after so many pages along, because finally, on pp. 386-398, Schiff offers her own thoughts on the phenomenon's causes: hysteria, as defined first by Jean-Martin Charcot and later Sigmund Freud. And, by the anthropomorphic, schizophrenic-as-the-humans-who-thought-it-up God that the Puritans worshiped, she stands a danged good chance of being right. But if Schiff had only stated her thesis at her work's beginning and built her historical case around it in an orderly and logical manner, much as Marion Starkey had done with her own thoughts in 1949 however much they may have been influenced by Cotton and Increase Mather's after-the-fact hypotheses, Schiff could have produced a much more readable and compelling volume.
Top reviews from other countries
I found all the different names quite confusing and on occasion it did drag however I think this can be put down to a lack of the human details which obviously have been lost to history and thus not the authors fault.
An unexpected treat were illustrations included at the very back which proved to be informative and interesting.
I would definitely recommend this book mostly for people who wish to learn the whole story and are unfamiliar with its details. It is those same details which maybe interesting to others more versed in the Story of Salem making this a good choice no matter your levels of knowledge.
It's rather a shame, as there are flashes of wit and interesting analysis from the author, dragged down by a rather turgid delivery – this should really have been written in a clearer and more flowing narrative style in order to engage the reader better than it does.
The Salem witch trials are an important chapter in American history and although Schiff provides a good deal of context and background to the events the lack of an orderly timeline and dramatic atmosphere makes it less than riveting.
It's useful for reference, but I feel I'll have to look elsewhere for a clearer and more vivid account.
Please don't pay much heed to the claim on the front that it's like reading Stephen King or JK Rowling as the only connection is the supernatural theme. The book could also have been better edited as there is some repetition re the thoughts and deeds of the priests involved with the trials.
Worth reading though.
For someone looking for a complete history of Salem and the witch trials, this is excellent, but for the average non-fiction interested reader, it's hard work.













