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The Witching Hour (Lives of Mayfair Witches) Mass Market Paperback – March 22, 1993
| Anne Rice (Author) Find all the books, read about the author, and more. See search results for this author |
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"Unfolds like a poisonous lotus blossom redolent with luxurious evil."
THE LOS ANGELES TIMES
- Print length1056 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateMarch 22, 1993
- Dimensions4.22 x 1.54 x 6.96 inches
- ISBN-109780345384461
- ISBN-13978-0345384461
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Excerpt. © Reprinted by permission. All rights reserved.
And even now in this quiet hotel room above New York City he felt the old alarming disorientation. He'd been talking again with the brown-eyed man. Yes, help her. No, this is just a dream. I want to get out of it.
The doctor sat up in bed. No sound but the faint roar of the air conditioner. Why was he thinking about it tonight in a hotel room at the Parker Meridien? For a moment he couldn't shake the feeling of the old house. He saw the woman again--her bent head, her vacant stare. He could almost hear the hum of the insects against the screen in the old porch. And the brown-eyed man was speaking without moving his lips. A waxen dummy infused with life--
No, stop it.
He got out of bed and padded silently across the carpeted floor until he stood in front of the sheer white curtains, peering out at black sooty rooftops and dim neon signs flickering against brick walls. The early morning light showed behind the clouds above the dull concrete façade opposite. No debilitating heat here. No drowsing scent of roses, of gardenias.
Gradually his head cleared.
He thought of the Englishman at the bar in the lobby again. That's what had brought it all back--the Englishman remarking to the bartender than he'd just come from New Orleans, and that certainly was a haunted city. The Englishman, an affable man, a true Old World gentleman it seemed, in a narrow seersucker suit with a gold watch chain fixed to his vest pocket. Where did one see that kind of man these days?--a man with the sharp melodious inflection of a British stage actor, and brilliant, ageless blue eyes.
The doctor had turned to him and said: "Yes, you're right about New Orleans, you certainly are. I saw a ghost myself in New Orleans, and not very long ago--" Then he had stopped, embarrassed. He had stared at the melted bourbon before him, the sharp refraction of light in the base of the crystal glass.
Hum of flies in summer; smell of medicine. That much Thorazine? Could there be some mistake?
But the Englishman had been respectfully curious. He'd invited the doctor to join him for dinner, said he collected such tales. For a moment, the doctor had been tempted. There was a lull in the convention, and he liked this man, felt an immediate trust in him. And the lobby of the Parker Meridien was a nice cheerful place, full of light, movement, people. So far away from that gloomy New Orleans corner, from the sad old city festering with secrets in its perpetual Caribbean heat.
But the doctor could not tell his story.
"If you ever change your mind, do call me," the Englishman had said. "My name is Aaron Lightner." He'd given the doctor a card with the name of an organization inscribed on it: "You might say we collect ghost stories--true ones, that is."
The Talamasca
We watch
And we are always here.
It was a curious motto.
Yes, that was what had brought it all back. The Englishman and that peculiar calling card with the European phone numbers, the Englishman who was leaving for the Coast tomorrow to see a California man who had lately drowned and been brought back to life. The doctor had read of that case in the New York papers--one of those characters who suffers clinical death and returns after having seen "the light."
They had talked about the drowned man together, he and the Englishman. "He claims now to have psychic powers, you see," said the Englishman, "and that interests us, of course. Seems he sees images when he touched things with his bare hands. We call it psychometry."
The doctor had been intrigued. He had heard of a few such patients himself, cardiac victims if he rightly recalled, who had come back, claiming to have seen the future. "Near Death Experience." One saw more and more articles about the phenomenon in the journals.
"Yes," Lightner had said, "the best research on the subject has been done by doctors--by cardiologists."
"Wasn't there a film a few years back," the doctor had asked, "about a woman who returned with the power to heal? Strangely affecting."
"You're open-minded on the subject," the Englishman had said with a delighted smile. Are you sure you won't tell me about your ghost? I'd so love to hear it. I'm not flying out till tomorrow, sometime before noon. What I wouldn't give to hear your story!"
No, not that story. Not ever.
Alone now in the shadowy hotel room, the doctor felt fear again. The clock ticked in the long dusty hallway in New Orleans. He heard the shuffle of his patient's feet as the nurse "walked" her. He smelled that smell again of a New Orleans house in the summer, heat and old wood. The man was talking to him--
The doctor had never been inside an antebellum mansion until that spring in New Orleans. And the old house rally did have white fluted columns on the front, though the paint was peeling away. Greek Revival style they called it--a long violet-gray town house on a dark shady corner in the Garden District, its front gate guarded it seemed by two enormous oaks. The iron lace railings were made in a rose pattern and much festooned with vines--purple wisteria, the yellow Virginia creeper, and bougainvillea of a dark, incandescent pink.
He liked to pause on the marble steps and look up at the Doric capitals, wreathed as they were by those drowsy fragrant blossoms. The sun came in thin dusty shafts through the twisting branches. Bees sang in the tangle of brilliant green leaves beneath the peeling cornices. Never mind that it was so somber here, so damp.
Even the approach through the deserted streets seduced him. He walked slowly over cracked and uneven sidewalks of herringbone brick or gray flagstone, under an unbroken archway of oak branches, the light eternally dappled, the sky perpetually veiled in green. Always he paused at the largest tree that had lifted the iron fence with its bulbous roots. He could not have gotten his arms around the trunk of it. It reached all the way from the pavement to the house itself, twisted limbs clawing at the shuttered windows beyond the banisters, leaves enmeshed with the flowering vines.
But the decay here troubled him nevertheless. Spiders wove their tiny intricate webs over the iron lace roses. In places the iron had so rusted that it fell away to powder at the touch. And here and there near the railings, the wood of the porches was rotted right through.
Then there was the old swimming pool far beyond the garden--a great long octagon bounded by the flagstones, which had become a swamp unto itself with its black water and wild irises. The smell alone was frightful. Frogs lived there, frogs you could hear at dusk, singing their grinding, ugly song. Sad to see the little fountain jets up one side and down the other still sending their little arching streams into the muck. He longed to drain it, clean it, scrub the sides with his own hands if he had to. Longed to patch the broken balustrade, and rip the weeds from the overgrown urns.
Even the elderly aunts of his patient--Miss Carl, Miss Millie, and Miss Nancy--had an air of staleness and decay. It wasn't a matter of gray hair or wire-rimmed glasses. It was their manner, and the fragrance of camphor that clung to their clothes.
Once he had wandered into the library and taken a book down from the shelf. Tiny black beetles scurried out of the crevice. Alarmed he had put the book back.
If there had been air-conditioning in the place it might have been different. But the old house was too big for that--or so they had said back then. The ceilings soared fourteen feet overhead. And the sluggish breeze carried with it the scent of mold.
His patient was well cared for, however. That he had to admit. A sweet old black nurse named Viola brought his patient out on the screened porch in the morning and took her in at evening.
"She's no trouble at all, Doctor. Now, you come on, Miss Deirdre, walk for the doctor." Viola would lift her out of the chair and push her patiently step by step.
"I've been with her seven years now, Doctor, she's my sweet girl."
Seven years like that. No wonder the old woman's feet had started to turn in at the ankles, and her arms to draw close to her chest if the nurse didn't force them down into her lap again.
Viola would walk her round and round the long double parlor, past the harp and the Bosendorfer grand layered with dust. Into the long broad dining room with its faded murals of moss-hung oaks and tilled fields.
Slippered feet shuffling on the worn Aubusson carpet. The woman was forty-one years old, yet she looked both ancient and young--a stooped and pale child, untouched by adult worry or passion. Deirdre, did you ever have a lover? Did you ever dance in that parlor?
Product details
- ASIN : 0345384466
- Publisher : Ballantine Books; Reissue edition (March 22, 1993)
- Language : English
- Mass Market Paperback : 1056 pages
- ISBN-10 : 9780345384461
- ISBN-13 : 978-0345384461
- Item Weight : 14.8 ounces
- Dimensions : 4.22 x 1.54 x 6.96 inches
- Best Sellers Rank: #74,151 in Books (See Top 100 in Books)
- #78 in Vampire Horror
- #981 in Contemporary Literature & Fiction
- #1,227 in Family Saga Fiction
- Customer Reviews:
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About the author

Anne Rice was born and raised in New Orleans, Louisiana. She holds a Master of Arts Degree in English and Creative Writing from San Francisco State University, as well as a Bachelor's Degree in Political Science. Anne has spent more of her life in California than in New Orleans, but New Orleans is her true home and provides the back drop for many of her famous novels. The French Quarter provided the setting for her first novel, Interview with the Vampire. And her ante-bellum house in the Garden District was the fictional home of her imaginary Mayfair Witches.
She is the author of over 30 books, most recently the Toby O'Dare novels Of Love and Evil, and Angel Time; the memoir, Called Out of Darkness;and her two novels about Jesus, Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana. (Anne regards Christ the Lord: The Road to Cana as her best novel.) ---- Under the pen name, A.N. Roquelaure, Anne is the author of the erotic (BDSM) fantasy series, The Sleeping Beauty Trilogy. Under the pen name Anne Rampling she is the author of two erotic novels, Exit to Eden and Belinda.
Anne publicly broke with organized religion in July of 2010 on moral grounds, affirming her faith in God, but refusing any longer to be called "Christian." The story attracted surprising media attention, with Rice's remarks being quoted in stories all over the world. Anne hopes that her two novels about Jesus will be accepted on their merits by readers and transcend her personal difficulties with religion. "Both my Christ the Lord novels were written with deep conviction and a desire to write the best novels possible about Jesus that were rooted in the bible and in the Christian tradition. I think they are among the best books I've ever been able to write, and I do dream of a day when they are evaluated without any connection to me personally. I continue to get a lot of very favorable feedback on them from believers and non believers. I remain very proud of them."
Anne is very active on her FaceBook Fan Page and has well over a million followers. She answers questions every day on the page, and also posts on a variety of topics, including literature, film, music, politics, religion, and her own writings. Many indie authors follow the page, and Anne welcomes posts that include advice for indie authors. She welcomes discussion there on numerous topics. She frequently asks her readers questions about their response to her work and joins in the discussions prompted by these questions.
Her novel, "The Wolves of Midwinter," a sequel to "The Wolf Gift" and part of a werewolf series set in Northern California in the present time, will be published on October 15, 2013. In these books --- The Wolf Gift Chronicles -- Anne returns to the classic monsters and themes of supernatural literature, similar to those she explored in her Vampire Chronicles, and tales of the Mayfair Witches. Her new "man wolf" hero, Reuben Golding, is a talented young man in his twenties who suddenly discovers himself in possession of werewolf powers that catapult him into the life of a comic book style super hero. How Reuben learns to control what he is, how he discovers others who possess the same mysterious "wolf gift," and how he learns to live with what he has become --- is the main focus of the series. "The Wolves of Midwinter" is a big Christmas book --- a book about Christmas traditions, customs, and the old haunting rituals of Midwinter practiced in Europe and in America. It's about how the werewolves celebrate these rituals, as humans and as werewolves. But the book also carries forward the story of Reuben's interactions with his girl friend, Laura, and with his human family, with particular focus on Reuben's father, Phil, and his brother, Jim. As a big family novel with elements of the supernatural, "The Wolves of Midwinter" has much in common with Anne's earlier book, "The Witching Hour." Among the treats of "The Wolves of Midwinter" is a tragic ghost who appears in the great house at Nideck Point, and other "ageless ones" who add their mystery and history to the unfolding revelations that at times overwhelm Reuben.
In October of 2014, with the publication of "Prince Lestat," Anne returned to the fabled "Brat Prince" of the Vampire Chronicles, catching up with him in present time. This is the first of several books planned focusing on Lestat's new adventures with other members of the Vampire tribe. When the publication of "Prince Lestat" was announced on Christopher Rice's "The Dinner Party Show," a weekly internet radio broadcast, it made headlines in the US and around the world. "Prince Lestat" debuted at #3 on the New York Times Best Seller list and ran for nine weeks during the height of the competitive Fall-Winter season, with another week on the extended NYTBSL. ----
"Beauty's Kingdom," is the fourth in her "Sleeping Beauty Erotica Series," and the first to be launched in hardcover. Though the first three novels were published in the 1980's under the pseudonym, A.N. Roquelaure, the name, Anne Rice, was added to the series in the 1990's. About her erotica, Anne has this to say: "I believe in the erotic imagination. I believe men and women have a right to write and read erotic fantasies. My goal with the "Sleeping Beauty" books is to provide the most authentic erotica that I can for those who share BDSM fantasies."
"Prince Lestat and the Realms of Atlantis" was published on November 29th, 2016 revealing a new adventure in the life of the Brat Prince of the vampires, and the entire tribe --- as they confront the most difficult challenge they've ever faced. This novel may introduce Lestat and extend his appeal to science fiction readers and fantasy readers who love differing versions of the lost kingdom of Atlantis. The novel does justice to both themes: Atlantis and Lestat. So far, as of early 2016, this novel has received a remarkably positive response with Amazon reviewers.
Anne's first novel, Interview with the Vampire, was published in 1976 and has gone on to become one of the best-selling novels of all time. She continued her saga of the Vampire Lestat in a series of books, collectively known as The Vampire Chronicles, which have had both great mainstream and cult followings.
Interview with the Vampire was made into a motion picture in 1994, directed by Neil Jordan, and starring Brad Pitt, Tom Cruise, Kirsten Dunst and Antonio Banderas. The film became an international success. Anne's novel, Feast of All Saints about the free people of color of ante-bellum New Orleans became a Showtime mini series in 2001 and is available now on dvd. The script for the mini series by John Wilder was a faithful adaptation of the novel.
Near the end of 2016, the theatrical rights to the Vampire Chronicles reverted fully and completely to Anne. She and her son, Christopher Rice, are now developing outlines and scripts for a new television series based on the adventures of The Vampire Lestat. Anne's announcement of this on FB reached well over 2 million people. "The reception in the Hollywood community" has been very simply wonderful," says Anne. "We have high hopes that we will see the Lestat television series go into production before the end of 2017."
Anne Rice is also the author of other novels, including The Witching Hour, Servant of the Bones, Merrick, Blackwood Farm, Blood Canticle, Violin, and Cry to Heaven. She lives in Palm Desert, California, but misses her home in New Orleans. She hopes to obtain a pied a terre in the French Quarter there some time in the near future.
Anne has this to say of her work: "I have always written about outsiders, about outcasts, about those whom others tend to shun or persecute. And it does seem that I write a lot about their interaction with others like them and their struggle to find some community of their own. The supernatural novel is my favorite way of talking about my reality. I see vampires and witches and ghosts as metaphors for the outsider in each of us, the predator in each of us...the lonely one who must grapple day in and day out with cosmic uncertainty."
------
Anne's announcement of the Vampire Chronicles series as it appeared on FB.
"The theatrical rights to the Vampire Chronicles are once again in my hands, free and clear! I could not be more excited about this! --- A television series of the highest quality is now my dream for Lestat, Louis, Armand, Marius and the entire tribe. In this the new Golden Age of television, such a series is THE way to let the entire story of the vampires unfold. --- My son Christopher Rice and I will be developing a pilot script and a detailed outline for an open ended series, faithfully presenting Lestat’s story as it is told in the books, complete with the many situations that readers expect to see. We will likely begin with “The Vampire Lestat” and move on from there. ----- When we sit down finally to talk to producers, we will have a fully realized vision of this project with Christopher as the executive producer at the helm. I will also be an executive producer all the way. ---- Again, I cannot tell you how happy it makes me to be able to announce this. ---- As many of you know, Universal Studios and Imagine Entertainment had optioned the series to develop motion pictures from it, and though we had the pleasure of working with many fine people in connection with this plan, it did not work out. It is, more than ever, abundantly clear that television is where the vampires belong. ---- Over the years you all have told me how much you want to see a “Game of Thrones” style faithful rendering of this material, and how much you want for the series to remain in my control. Well, I have heard you. I have always heard you. What you want is what I want. --- You, the readers, made these books a success before any movie was ever made based on them, and I will never forget that fact. ---- Christopher and I will be posting many questions on the page for your input in the days to come. ----- I am filled with optimism this morning about the future for my beloved Brat Prince. What better way to start a tour for the new book!"
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This was a reread from my long ago adolescence when I loved everything Anne Rice wrote. It didn't quite live up to my previous 5 star rating, mainly because it was just too long. A lot of repetition in the narrative, and we went down a few worm holes. But it was well written and engaging and gave me enough of the chills I was looking for.
I love her descriptions of New Orleans, the epic history of the Mayfairs and the mysterious Talamasca. Rice also does a very admirable job fleshing out her characters for the most part. I admit to a growing confusion with the ever lengthening family tree and definitely stopped remembering all the Mayfair forbearers after a certain point.
I enjoyed most all of the storyline until we came to the horrific birthing scene. I didn’t really care for that and felt Rowan’s disappearance a bit of a cheap trick. Not sure I’ll pick up the next 2 books in the trilogy,but it’s a possibility. If I do, I hope there’s a geneology chart included.
The majority of this book is reading through "files" that span a few hundred years of history from the Talamasca. Very boring. I nearly didn't make it through this.
As Michael sits down to read the history of the amyfair family, you get bogged down by boredom. Complete and utter repetitious boredom.
Many items from history are repeated again, over and over. Why? We've already read these parst; we don't need to hear it yet again.
Lastly, I wanted to clobber Rowan's character over the head....or maybe Anne Rice herself for the horrible execution in creating Rowan's character to first be brillant, defiant and in control...Then in two chapters, turn Rowan into a ridiculous, blubbering mess.
You mean to tell me, this very, very strong, smart, educated woman couldn't fight off a stupid spirit just because he "touched" her or spoke?
I found this very difficult to believe. I kept rolling my eyes the more I read. I honestly kept waiting for Rowan to start laughing at Lasher out loud.
It's called Just. Say. No. Lol
The last few chapters were so hard to fathom that I finally gave up.
Why create an amazing, strong woman, only to have her crash and burn in a few days with Lasher. So stupid. None of it made any sense whatsoever.
Top reviews from other countries
I don't think I would call this a horror novel, nothing particularly scary happens but it does build a rich atmosphere of danger, little and large hints that things are not quite right with the Mayfair family. Our two main characters are both fairly well drawn though there is more than a hint of Mary/Gary Stu about them. Both beautiful and rich and well educated with impeccable taste etc. The real selling point of this book is the history of the Mayfair family. I'd say a good third of this very large book is basically a written record of it, with some flashbacks thrown in as well. Some might find it boring but I thought it was the best bit. Anne Rice really invokes a sense of different times and places as the earliest bits go back to the seventeenth century. The ending felt somewhat rushed though which is surprising considering the length of the story. It also leaves on a bit of cliffhanger which I dislike.
Be warned there is quite a lot of explicit sex scenes in the book, as well as references to rape and incest so if you dislike that probably stay away. However by and large I really enjoyed this, I was totally caught up in the story and seduced by the lifestyle portrayed. It is fairly melodramatic and overly long but in the right moment, as I was, this is a great read.
PS If there is an organisation called The Talamasca, I would like to join, thanks.
I loved interview with a vampire and thought it had some very clever ideas. I gave up on this 300 pages in. What I read should have been condensed into 50 pages and still wouldn't have been very interesting. Only really two characters, both unlikable and poorly developed.
This is self indulgent nonsense by Anne Rice that you won't regret never having read.
The way she plays with words and make you fall in love with all her hero's and heroin's, I have never met in other novels.
So I must admit, that I come back to the Anne Rice universe quite often, and follow her immensely satisfying and creative storytelling
Whenever i have the time for it. I use her books as healing when I feel lonely, as inspiration when live feels dull and tasteless or when I just want enjoy a great story. The only bad thing I can say about her novels, is that they end. I get so immersed in them, that I certainly do not enjoy it when the final chapter comes nearer :-)
Best regards
A admirer from the North.











