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Comment: This book has already been loved by someone else. It MIGHT have some wear and tear on the edges, have some markings in it, or be an ex-library book. Over-all it is still a good book at a great price! (if it is supposed to contain a CD or access code, that may be missing)
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Wolves of the Crescent Moon Paperback – December 18, 2007

4.6 out of 5 stars 5 customer reviews

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Editorial Reviews

From Publishers Weekly

Three tales of Arab outcasts make up this fresh-voiced debut novel by Saudi Arabian author Al-Mohaimeed. A one-eared Bedouin tribesman named Turad quits his humiliating 13-year job as a low-level ministry servant and ends up at the Riyadh bus station with a plan to flee, but no destination in mind. While he figures out where he wants to go, two additional voices join the narrative. One is the memory of Turad's elderly co-worker at the ministry, Tawfiq, whose sad story begins when he was a child and his Sudanese village was attacked by slave traders. Tawfiq was later captured, raped, castrated and performed the services of a eunuch until he grew too old to be of use. The other voice is from a discarded official file Turad finds at the bus station. It involves a one-eyed orphan named Nasir, who is sexually abused by the staff at the orphanage where he grows up and is eventually denied his ambition of becoming a soldier. Al-Mohaimeed's work, assisted by Calderbank's faultless translation, beautifully captures the frustrations and resentments of his tormented characters. (Jan.)
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"At last an authentic voice from Saudi Arabia."
-Hanan al-Shaykh, author of Women of Sand and Myrrh

"Brave and brilliant . . . A novel that sneaks up on you with its power to make you see, hear, and live the complexities of another world."
-Uzodinma Iweala, author of Beasts of No Nation

"An irresistible novel."
-Nuruddin Farah, author of Links and Knots

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Product Details

  • Paperback: 180 pages
  • Publisher: Penguin Books (December 18, 2007)
  • Language: English
  • ISBN-10: 0143113216
  • ISBN-13: 978-0143113218
  • Product Dimensions: 5.2 x 0.5 x 8 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #2,346,656 in Books (See Top 100 in Books)

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By A. Ross HALL OF FAMETOP 1000 REVIEWERVINE VOICE on February 19, 2008
Format: Paperback
Last year I read Girls of Riyadh, a flashy novel about the romantic trials and tribulations of a group of girls from the Saudi "velvet class" (ie. wealthy elite). It struck me as rather shallow, soap opera-inspired look at life in the kingdom despite the authenticity and popularity it garnered from being banned. I'm not sure if this latest novel from Saudi Arabia will find nearly the readership, but it certainly deserves to. Like Girls, it uses a series of characters as a lens through which to examine the kingdom, but its three co-protagonists are on the opposite end of the social spectrum from the "velvet class."

The book unfolds in short chapters which alternate between the lives of three men, each of whom has suffered a grievous bodily loss which in many ways has determined their fate. Turad is a one-eared Bedouin tribesman from the Saudi desert who moves to Riyadh to avoid becoming an outcast among his own people. There, the proud hunter and highwayman ekes out a life as a servant in a government ministry, enduring endless humiliation. One of his coworkers is Tawfiq, a elderly Sudanese man who was captured by slavers in his homeland and taken across the Red Sea. Castrated as a child, he works in a palace until 1962, when slavery is abolished and he is turned out into the streets with no prospects. Finally, there is Nasir, an orphan who lost an eye to a cat as a baby and can never overcome that tragedy.

The stories of the three men unwind in a variety of styles, from memories, storytelling, official files, and so on -- some parts are even imagined by others.
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A Saudi, a definite one, with the "al-" in front of his last name, saw and felt the anguish around him, of those more indefinite, who never had the "al", or had simply lost it, and had the empathy to write an absolutely brilliant novel about their lives, and their chance encounters. There are three principal characters: Turad, a Saudi man of the desert, a Bedouin, who was forced to leave his tribe; Hasan, a Sudanese boy captured by slavers, who would be transformed into Tawfiq, which means "good fortune," and his life would be anything but; and Nasir, another Saudi, the abandoned "fruit" of an affair, raised in an orphanage... Each of them lost a body part, in tragic circumstances. That loss has marked them, setting them apart, and was often a source of ridicule and humiliation.

None of the above characters had their physical deformity at birth. I did however compare their fate with two characters who did, both having a "club-foot," Phillip, in W. Somerset Maugham's "Of Human Bondage," and Manal, in Jocelyne J. Awad's "Khamsin." Their deformity is central to their existence; their longing to be "normal," is a persistent theme in their life. In the case of the characters from Maugham and Awad, it was a matter of nature "dealing a bad hand." For Al-Mohaimeed's characters the tragedy of their deformity is compounded, since each is due to the cruelty, greed, and callousness of humans, and need never have happened.

I love the author's prose-- his technique and style. Certainly the metaphor of the pixels being added upon each scan of the object, bringing the entire picture into focus is appropriate.
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Format: Paperback
Readers may find its first few chapters a bit hard to digest, but once its rhythm and passion is understood, this well -crafted, colourful novel, banned in Saudi Arabia is pure bliss. It does (and does not really) take place during a single sleepless night in a bus terminal in what main protagonist Turad calls hell on earth, the Saudi capital Riyadh. There is little action apart from Turad sitting, walking, eating something in the vicinity of the terminal. Finding an official personal file left accidentally by a bus passenger and making a phone call in the early morning are Turad’s main exertions.
But the novel reflects his roaring stream of thoughts about his own life and that of a number of persons he is or was associated with. Two deserve special mention because they are losers in life, like Turad, who is a Bedouin who robbed caravans in the desert and has since been disowned by his tribe. He has lost his standing, his place in the world. The second character is Tewfik, born Hasan, an elderly eunuch captured as a young boy in Sudan and smuggled into Saudi Arabia as a slave. He lost his parents, his manhood, his land of birth, and when slavery was abolished, the relative security its status provided…
The third person is the person in the official file, Nasir, a foundling whom a state agency provided with a name and fake parentage, which disqualifies him from ever attaining full citizenship, which require deep tribal roots and a family name starting with Al-. But what if he were adopted?
Strange and intriguing, highly re-readable, passionate, occasionally lyrical or furious, the author exposes indifference and hypocrisy in a closed conservative society thriving on exclusion and exploitation. A cry for compassion, not a political manifest. Given its modest size also highly recommended for reading groups/clubs.
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