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Comment: Dust jacket is in very good shape, some minor scuffing/creasing along the edges and corners. Hardcovers, front and back, are in very good condition, some minor scuffing/denting/creasing along the edges and corners. Spine and binding are tight, book lays flat. Some very mild creasing to page edges, otherwise pages are clean, unmarked and legible.
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The Wolves of Midwinter: The Wolf Gift Chronicles Hardcover – Deckle Edge, October 15, 2013

4.3 out of 5 stars 1,039 customer reviews

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Editorial Reviews

Amazon.com Review

A Conversation with Anne Rice

Author of The Wolves of Midwinter

Q: It’s been almost two years since The Wolf Gift was published. What has been the most fun for you about writing this new series?

A: The new cosmology is terrific fun. Since this is a brand new series, I’m able to evolve a whole new type of supernatural character—the morphenkind, or man wolf—and make up an origin story for the species and work with what powers these creatures have and so forth. I’ve loved that. But as always the novels are about character, and I do love the new cast—Reuben my youthful hero, his family, and the contemporary setting. As always I like blending a family story with a supernatural story. I’ve done this with the Mayfair Witches and to some extent with the vampires. But the very most fun? I guess the new cosmology—that Reuben the Man Wolf is a comic book hero, living a double life as a reporter and a man wolf.

Q: A defining element of your werewolves is that they are sentient during transformation, but also that they can detect and hunt out evil. How does The Wolvs of Midwinter begin to blur those clear lines of good vs. evil for your main character, Reuben?

A: Well, Reuben and Stuart—both young man wolves—are coming to see the obvious, that there is no real objective standard in the world of what is good or evil, much as we all wish that there was. And in some situations, they do not see clearly what to do. They transform into powerful beast men and can easily kill and punish evil doers, but what happens when the evil doer is contrite and becomes a victim himself? Do they stop in their tracks? Their powers put an immense burden on those human beings who know what they are. Is it moral for a good man to contact Reuben and ask for his help with despicably evil murderers, knowing full well that Reuben has the power to transform into a Man Wolf and bring immediate death to the evil ones? In The Wolves of Midwinter they confront this problem for the first time.

Q: What was it about the unfinished nature of Reuben’s relationship with Marchent that inspired you to bring back her ghost in The Wolves of Midwinter?

A: Marchent was a very strong character and she left the narrative early. She died violently. I thought what if she lingers, confused, uncertain, an earthbound spirit in need of guidance to the light? I think it was her character and how strong she felt to me in the first book that prompted me to bring her back. When I write I believe the old cliché: there are no small parts, only small actors. And so even if a character is going to be in a book for a very short while (as Marchent was in the first book) I’ll go deep into that character, seeking to make that character very real, and then when the character is dispatched, well I miss the character. That’s what happened with Marchent.

Q: The Wolves of Midwinter features the emergence of other “Ageless Ones,” like the Forest Gentry, and the strange servants who serve the Distinguished Gentlemen. How do these new characters allow you build upon the werewolf mythology you’ve created?

A: It’s flat out unrealistic to present a universe in which the morphenkinder are the only preternatural inhabitants. It’s a failure of imagination to not ponder what other supernatural or preternatural beings they might know or interact with. I thought it only natural that immortal morphenkinder would know a lot about spirits, ghosts, and so forth, and other immortals. It was fun to imagine new species. And I love writing about ghosts. I am doing it in other books now as well as in The Wolf Gift Chronicles. I have a mythology of ghosts and spirits that transcends any individual series I’ve written and I just love it. With Reuben and his friends, I feel like I’m just getting started on their world. I may bring in other elements soon. For now though the Forest Gentry and the “strange servants” are really delighting me.

Q: The Wolves of Midwinter also introduces new members of other werewolf packs, suggesting a much larger world exists beyond the Distinguished Gentlemen. Will we learn more about the past history of the Morphenkinder as the series continues?

A: Yes, as the series continues we will learn much more about the history of the Morphenkinder. I already have a big surprise brewing for book three. And of course we have only begun to see in this second book how morphenkinder from other parts of the world can make serious trouble for Reuben, Felix, Margon and the inhabitants of Nideck Point. I feel that in these two Wolf Gift books I’ve opened many doors and I want this to develop into a huge fantasy series.

Q: So much of the setting and atmosphere of The Wolves of Midwinter is tied to traditional Christmas holiday rituals. What experiences and research did you draw from to create such a rich setting? Were you inspired by European holiday festivals? What was your favorite part of creating the Festival in Nideck Point?

A: I am enthralled with Yuletide customs the world over but particularly those of Europe and America. I did intensely research them, seeking for material everywhere. have used intense Christmas symbols and mythology in The Witching Hour and in Lasher, and I am very interested, as you can see, in delving into it with the wolves. I am intrigued as to why our heritage includes belief in ghosts walking at Christmastime and so many Christmas ghost stories, like those written in Victorian England, for instance. I’m intrigued with the ancient European custom of people dressing as beasts and in animal skins around Christmastime—with customs involving bonfires and echoes of human sacrifice. Clearly the feast of midwinter was serious business in our past, a time when we celebrated the cycles of the earth, the desperate hope that the warm spring and summer sun would return, in spite of the ice and snows, and that we would see light and growth and possibility again. That’s in our blood as human beings. And to me all this is related to the very idea of the man wolves—that we humans remember on some level when we were very primitive and closer to the animal world than we are today, that our nature is always animal and divine mixed together, that we are mammals with souls. Christmas is the great feast at the very heart of our cultural experience of these mysteries. God becoming man in the Christ Child in the dark of winter is a potent symbol for all of us—human beings who are spiritual as well as physical—and for our great need to control our animal nature while never forgetting it.

From Publishers Weekly

Reuben Golding is a new werewolf (following the events of 2012's The Wolf Gift). He now lives in a Northern California mansion with his mentor, Felix, and other shapeshifters, occasionally killing evildoers as the vigilante called Man Wolf. Readers expecting urban fantasy action will be surprised: this is mostly a moody family drama, as Reuben plans for the birth of his child by his ex-girlfriend Celeste and copes with the transformation of his new lover, Laura, into a shapeshifter. Reuben and his brother, Father Jim, a priest, also struggle with issues of faith, justice, and the afterlife. Meanwhile, Felix plans a giant Christmas celebration for the entire village and frets about his ghostly niece, Marchent. New conflicts and antagonists are introduced and dealt with in a late rush, and Reuben's forays as Man Wolf are perfunctory, taking up fewer pages than the party planning. Still, the book is not without charm: Reuben and Felix are sympathetic protagonists, and the series mythology, suggesting that the fair folk may be evolved human ghosts, is fascinating. (Oct.)

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Product Details

  • Series: Wolf Gift Chronicles (Book 2)
  • Hardcover: 400 pages
  • Publisher: Knopf; First Edition edition (October 15, 2013)
  • Language: English
  • ISBN-10: 0385349963
  • ISBN-13: 978-0385349963
  • Product Dimensions: 6.6 x 1.4 x 9.6 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (1,039 customer reviews)
  • Amazon Best Sellers Rank: #96,757 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Brett Benner VINE VOICE on October 23, 2013
Format: Kindle Edition Verified Purchase
I'd probably land this book somewhere between three and four stars, because while I did ultimately enjoy it, it made me also lament a bit the Anne Rice of the past. I guess part of my problem is the Vampire Books, as well as the Witches and even 'Cry To Heaven" and 'A Feast of All Saints' were written with a timeless appeal. They were richly atmospheric, which she does in this as well, but without the modern constant references to iphones and the like. This, coupled with the, 'all is wonderful, money is no object, beauty is in everything conceit', made this feel like simply a supernatural Romance novel, a kind of Twilight for the over thirty crowd, and not a genre breaking piece of literature which is what I used to think she wrote.
Conflicts are set up in the story, but they're crisis of conscience like about how to help a wandering spirit, and not so much how to wrestle with the idea of killing people for all eternity like Louis in the Vampire Chronicles. Much of the first half of the book leads up to the Midwinter festival and the preparations for it are described in loving detail. Yet it's frankly the same type of event that happens almost weekly on,"The Vampire Diaries", and with little that actually happens of importance. Characters fight and then immediately make up and are absorbed into a growing collection of essentially interchangeable werewolves, leaving at this juncture no clear antagonist like a Lestat. At times it's almost like reading someones detailed diary entries with intricate minutiae about food, decorations and dress . I think there's much to admire in Rice. Her messages of acceptance of self, as well as treating each other with love and respect, and the need to eradicate evil are worthy things. I just wish it didn't feel as obvious now, and so beautifully wrapped in a Currier and Ives bow.
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Format: Hardcover
With her "The Wolf Gift", Anne Rice introduced us to Reuben Golding, a journalist whose routine coverage of a grand historical house in Northern California (Nideck Point) leads him to a brief intense love affair with its elegant owner, Marchent Nideck. Reuben finds himself in the wrong place at the wrong time when Marchent is attacked in the middle of the night. Reuben is attacked as well, bitten by a Morphenkinder, a supernatural race of wolf shapeshifters.

This introductory novel follows the traumatic upheaval of Reuben's life as he tries to adapt to his new powers, identity and reality. Rice puts her usual spin on the werewolf legend by bridging monster and humanity, evolving Reuben into a vigilante superhero whose acute senses can literally detect evil and ignite a fierce desire to track down, kill, and devour that evil's source.

In the maelstrom of chaos that engulfs his life, and the secrets that permeate the mysterious mansion at Nideck Point, Reuben finds solace in confessions to his brother Jim, who is a Catholic priest. He finds his way out of the engagement to his passive-aggressive (and thoroughly unlikable) fiance, Celeste. He meets the enigmatic Distinguished Gentleman, a group of Morphenkinder entwined in the history of the house who become his mentors. And he falls in love with a naturalist named Laura who lives in a house in the woods. The strength of the novel, as in most of Rice's work, is an intimate view of a human being pulled out of the ordinary world into the supernatural one and watching that person adapt.

The novel's sequel, "The Wolves of Midwinter" picks up where its predecessor left off.
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I won't spoil anything for you here. It's all unveiled masterfully in the novel's own good time.

The Wolves of Midwinter is as sumptuous, as chilling, as engaging, as tender, as terrifying a book as you could hope to find in a hundred years. I enjoyed The Wolf Gift and one should read it first. This isn’t always the case with Rice’s books, some of which can be read entirely out of order without a tremendous loss of orientation to the reader. I recommend you read The Wolf Gift, both because it establishes relationships and a context that becomes important in The Wolves of Midwinter, but more importantly because there were promises made, it seems to me, in the first book that were not only fulfilled in the second, but Rice’s delivery surpassed her first book’s promises.
The Morphenkinder continue to grow in complexity throughout the book, and while more is steadily revealed their mystery consistently deepens. Even familiar characters harbor secrets often surprising and unguessed-at but always somehow rewarding, while new characters surface with suspicious and perhaps malicious motives. Even the servants appointed to assist the “Distinguished Gentlemen” of Nideck Point are more than they appear, curious and strange, yet fascinating despite their seemingly innocuous role.
Careful readers will notice old themes returning, themes notably from The Vampire Lestat and Queen of the Damned (and many others)that ponder not only the nature of evil (and slaying the Evil Doer), but how should an immortal predator live ethically among (or away from) humanity? How close is too close? Is the Wolf Gift a curse to the innocent lives it touches?
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