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Woman

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Jill Scott Format: Audio CD

873 ratings

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Track Listings

1	Wild Cookie
2	Prepared
3	Run Run Run
4	Can't Wait
5	Lighthouse
6	Fool's Gold
7	Willing (Interlude)
8	Closure
9	You Don't Know
10	Pause (Interlude)
11	Cruisin
12	Say Thank You
13	Back Together
14	Coming To You
15	Jahraymecofasola
16	Beautiful Love (feat. BJ The Chicago Kid)

Editorial Reviews

The thought provoking titled album is coming off the heels of Jill’s latest singles, “Fool’s Gold” that debuted on May 11th and is currently #7 on Billboard R&B charts and the critically acclaimed, “You Don’t Know”. Executive produced by the vocal powerhouse herself alongside producer extraordinaire Andre Harris (“Long Walk Home” & “Is It The Way”) and Nashville great Aaron Pearce, Jill is describing the sound of this album as “classic Philly soul meets Country rhythm served with impeccable and captivating storytelling”.

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Product Dimensions ‏ : ‎ 5.71 x 4.92 x 0.31 inches; 3.1 Ounces
Manufacturer ‏ : ‎ Atlantic
Item model number ‏ : ‎ 35221619
Original Release Date ‏ : ‎ 2015
Date First Available ‏ : ‎ July 10, 2015
Label ‏ : ‎ Atlantic
ASIN ‏ : ‎ B010GJTXV6
Number of discs ‏ : ‎ 1

Best Sellers Rank: #71,448 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #5,193 in R&B (CDs & Vinyl)
- #46,115 in Pop (CDs & Vinyl)

Customer Reviews:
873 ratings

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SouthernMama2

Listen Twice Before You Judge.

Reviewed in the United States on August 1, 2015

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I'm a Jill fan--unapologetically--so there's very little she could do that would sway me towards the negative in any way whatsoever. She can, honestly, do NO wrong.

That said, it took a couple of listens for me to embrace "Woman". There's a lot of old school here, and I anticipated that possibility when "You Don't Know" came out. That track was clearly Aretha-esque and gave a big hint that Jill was moving in the direction of Donny Hathaway, Aretha, Betty Wright (in some instances), and every other soulful artist from the 60's era. So, I was not surprised to hear this cd filled to the brim with tracks that infused R&B with a bit of funk (she was obviously digging in the crates for this one), and a lot of soul.

That said, if you walked into this album looking for something that would be top-to-bottom what "Closure" or "Cruisin" are—hot ish you can bob your head and dance to, then look elsewhere. This ain't that.

My favorite album by Jill is "Beautifully Human". That's an album that was from beginning to end phenomenal. This album isn't that, but neither was "Light of the Sun". Jill evolves, both poetically and musically. and I think you do her an injustice when you walk in expecting "hip-hop" or "neo-soul" or "pop" solely. That's never been Jill's bag, and it never will be. If that's what you want, "Woman" won't do it for you.

However, if you can open yourself up to the artist and understand that she's never one to release an album JUST for the mainstream recognition it can garner. then you can appreciate the brilliance of what she's done here and embrace it for what it is: a woman letting you into her world and taking you on a journey you'll never forget.

8 people found this helpful

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Forever42

Me and my best friend in the world

Reviewed in the United States on August 18, 2015

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Me and my best friend in the world, Debbie who crossed over to the other side last year, had been waiting a decade for Jill Scott to return to form. I think Debbie's spirit was present in the recording studio when this cd was being made. One of Debbie's many jobs was working with a music producer and she knew what was good and what wasn't. She and I knew that Jill Scott is the most talented singer this country has and for whatever reason it seemed as if the music she was recording was beneath her extraordinary talent level. Me and Debbie had been begging and pleading for this cd and we finally got it!!! You go Miss Jill Scott!!!! I know Debbie, you are jammin' to this cd right now in Heaven, work it sister!!

14 people found this helpful

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The Fancy One

It spoke to my heart!!

Reviewed in the United States on December 25, 2015

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This CD was right on time for me. I meant to write a review for it when I purchased it over the summer, but I guess I was too busy grooving to it to do so. :-) Truthfully speaking, I've never heard a bad CD by Jill, but this one struck a nerve within me. Each of the songs touched my soul in a way that no other CD has done in a long time, not since Lauryn Hill's MISEDUCATION. Issues she's singing about might as well be a glimpse into my personal journal...how could she know I was dealing with this??

It's a bit more eclectic than Jill's previous offerings, but no less appealing. WOMAN explores the female psyche in happy, sad, and reflective states, but the fellas can appreciate this one as well. If you have ever been in love and experienced the highs, the lows and the joys and the pains of being in a relationship, then it's for sure that you can relate to Jill's lyrics (and the one remake on here, "You Don't Know" as well). It's a mature and refreshing alternative to what is out there right now.

The obvious influences on this CD range from Jill's signature neo-soul sound/spoken verses to 60s and 70s R&B to funk to pop...something for everyone to enjoy. I especially loved the Funkadelic-influenced "Say Thank You", which reminds me of their song "Maggot Brain"...if you've ever had the experience of hearing THAT song, you can understand my reasons for the comparison.

Another gem from Jilly from Philly!

2 people found this helpful

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M. Bell

Channeling Aretha

Reviewed in the United States on July 31, 2015

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Jill is channeling "good" Aretha (the '60s up to around 1977) on her second effort for the mighty folk at Warner. Most all of the songs on this CD hark back to the times of when Black music was truly Black! R&B has been taking a backseat to BS for too long. Thank you Jill Scott and company for putting a heavy dose of old school on this musical masterpiece. That said, in lieu of Pharell Williams and Robin Thicke's recent legal
woes with "Blurred Lines" the reps for Elton John might file suit for track 2. The intro reeks of "Benny and The Jets". Another track has inspired elements of Otis Redding's "Can't Turn You Loose". Yet another track sounds like an oldie, "Soulville" by Aretha from her Columbia tenure. I would rather not say specifically what songs sound like knock offs. Astute music folk already know. The music backing Jill is great. Sounds live (mostly).
Poet Jill Scott sings as good as she ever has. This CD is nearly as good her Hidden Beach debut. Pick it up, download it if you ain't got it yet.

One person found this helpful

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CattB

Thanks Ms.Jilly from Philly! I've found Gold!

Reviewed in the United States on September 17, 2015

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Hold up yo! Another bad creation from Ms.Jilly from Philly! Why would I ever think I could have waited to snag this sensational arrangement of poetry through undeniably the best songstress atound? I love each tracked that has been thoughtfully laid out for us but I ain't gonna lie, that joint Fool's Gold does it to me and for me! Every Sistah can relate. Oh, silly me...yeah. Love all the band mates that give it to us with every beat. I anxiously await Great music these days. So much of what's out is nonsense and unworthy of my head bob or finger snap. Listen, good musicians can go away for years and resurface and still have the same loyal fan base, anxiously awaiting whatever they want to share. Never will Ms.Jill give us an unfinished cd...in other words, just put out nonsense. This cd is unique, explosive and just what I needed. If you love her vibes, you will need this Cd in your life.

2 people found this helpful

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Music Lover

Jill Scott - 15 Years On

Reviewed in the United Kingdom on September 21, 2015

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Since the release of 'Who Is Jill Scott? Words & Sounds Volume 1' (2000) Jill Scott has continued to write and produce music of notable emotional and comparative consistency, with her talents extending to acting and writing poetry. During a period of considerable change in the music industry she has remained a fixed point, endowing her music with an apparent authenticity of spirit and message that has been warmly welcomed by her fans, especially as they have grown, like Jill herself, older and wiser, whilst seeking to eschew the cynicism of experience. This is her follow up to 2014's 'Light Of The Sun', her first major label release under the Warner imprint. Nearly 15 years on, the question is, can Jill Scott still remain a shining lodestar?

'Wild Cookie' opens the album, a deceptively light groove over which Jill's voice curls and unfurls a dialogue examining, from a highly particular perspective, the dynamics of power in relationships. The ever present 'personal', an important component of Scott's success, is suggested by the phrase, '[...] a girl not so unlike me', and it is a space encompassing emotional change. 'Prepared' continues this theme, with an open piano driven climb sounding close to Elton John's 'Bennie & The Jets' (1973), over which Scott is looking forward to the next stage of her life, suggestively resolved in a highly traditional way ('[...] for when I see him, at the end of the aisle'). From this the gears shift up to 'Run Run Run', a short, insistent chant driven number, which is followed by a return to the slow affirmative burn of 'Can't Wait' (featuring the typically assured bass of Pino Palladino). 'Lighthouse' (using a SBTRKT sample) sees Scott in nurturing mode, offering emotional shelter and inner peace. The track is deceptively simple yet effective (listen to the coda from 3.40), the production contrast with 'Fool's Gold' is marked (although both are sample based), as is the emotional tone.

'Closure' offers an instant, hypnotic bouncing sample driven groove via Curtis Mayfield and Graham Central Station, despite this the lyric and delivery of 'This is closure' offers a bitter sweet lesson to an unknown beau (complete with comic conclusion). 'You Don't Know', written by Jordan 'Jerry' Ragovoy, was trailed as a single prior to the release of the album and it is easy to hear why, allowing Scott the space to sing and soar powerfully in an emotive and effective testament to heartbreak. One of those songs that will mean something to you in time. 'Crusin'' is an altogether gentler affair, simpler in construction, yet articulating an older and more experienced vision of love. 'Say Thank You' calls to mind the soundscape of Funkadelic's 'Maggot Brain' (1971), whilst 'Back Together' sits alongside the earlier 'You Don't Know' in sound and conception. 'Coming To You' could be similarly paired with 'Run Run Run' - the UK's 'Northern Soul' fans might warm to this track - particularly if given some subtle tweaking and editing. The final song sees Scott giving space to BJ The Chicago Kid, with 9th Wonder producing a bass driven and typically idiosyncratic musical tapestry, allowing both artists to shine in this paean to love.

So. Do you buy?

There is, as ever, a notable sense that Scott has drawn on her experiences during the writing process. 'Woman' is, necessarily, inspired by no single emotional state, nor is there an attempt to simplify the many shades of what that word can actually mean. This will undoubtedly be welcomed by the many fans able to identify with, and articulate themselves through, her lyrical tapestries. Musically the album is equally variegated, drawing on the rich heritage of classic and contemporary black music, although there are notably fewer references to 'Hip Hop' here than have been heard before. Arguably this is an album closer to her first and second albums than her last,quite possibly due to the constant presence of producer Andre Harris, and there appears to be a less conscious attempt at appealing to the musical mainstream sought by 'The Light Of The Sun'. This may mean it does not enjoy the same degree of commercial success, but it may be a better album for it, even if it lacks a track of the stature of 'Hear My Call' this time around.

15 years on and her talent remains unquestionable. Here is to the next 15.

8/10

3 people found this helpful

V Williams

WELL VERSED WOMAN....

Reviewed in the United Kingdom on February 14, 2016

Verified Purchase

As usual, Ms Scott has produced yet another easy listening and timeless CD. I am a big fan and recommend this to everyone. All of her tracks have a different yet special feel and tone. I have a favourite but as I continue to listen to this album, they may all be favourites. Very intelligent lyrics of a very intelligent woman.

Robert W

Press play from track one and enjoy the journey.

Reviewed in the United Kingdom on May 16, 2016

Verified Purchase

It's called Woman but the story is told from the perspective of the 3 main Men in her life. Sonically Jill Scott never misses, you don't need to read a review to know that but this project is different. It's so cohesive to the extent that you have to play from track one onwards to fully enjoy it, she has a story to tell this time and it's so vivid it plays out like a movie.

2 people found this helpful

Sara C

What a Woman!

Reviewed in the United Kingdom on July 22, 2016

Verified Purchase

This is a truly stand-out album for me, with stunning production and a unique sound. Jill's voice is superb and you can really feel her emotion in the songs, not only through fabulous lyrics but the intense passion of her delivery, her giggles and, at times, her distain. This was my first proper introduction to Jill Scott and am I glad to have found her!
What a Woman Jill - it is great on first listening and just keep on getting better and better; Can't wait, Lighthouse, Fool's Gold and Closure are truly inspirational.

Dimpl'z

Consistent Jill

Reviewed in the United Kingdom on September 15, 2015

Verified Purchase

Took a while for some of the songs, especially the ones that had more of an old school feel to grow on me, but Jill to date has never failed me, the album tells a story of maturing in love. Stand outs for me are "Lighthouse" "Cruisin'" and "Can't Wait". A good mix of current and old school sounds.

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