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The Women in the Castle: A Novel Kindle Edition
INSTANT NEW YORK TIMES BESTSELLER • FEATURING AN EXCLUSIVE NEW CHAPTER
GoodReads Choice Awards Semifinalist
"Moving . . . a plot that surprises and devastates."—New York Times Book Review
"A masterful epic."—People magazine
"Mesmerizing . . . The Women in the Castle stands tall among the literature that reveals new truths about one of history’s most tragic eras."—USA Today
Three women, haunted by the past and the secrets they hold
Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of German high society, a powerful and propulsive story of three widows whose lives and fates become intertwined—an affecting, shocking, and ultimately redemptive novel from the author of the New York Times Notable Book The Hazards of Good Breeding.
Amid the ashes of Nazi Germany’s defeat, Marianne von Lingenfels returns to the once-grand castle of her husband’s ancestors, an imposing stone fortress now fallen into ruin following years of war. The widow of a resister murdered in the failed July 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.
First Marianne rescues six-year-old Martin, the son of her dearest childhood friend, from a Nazi reeducation home. Together, they make their way across the smoldering wreckage of their homeland to Berlin, where Martin’s mother, the beautiful and naive Benita, has fallen into the hands of occupying Red Army soldiers. Then she locates Ania, another resister’s wife, and her two boys, now refugees languishing in one of the many camps that house the millions displaced by the war.
As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges.
Written with the devastating emotional power of The Nightingale, Sarah’s Key, and The Light Between Oceans, Jessica Shattuck’s evocative and utterly enthralling novel offers a fresh perspective on one of the most tumultuous periods in history. Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that explores what it means to survive, love, and, ultimately, to forgive in the wake of unimaginable hardship.
- Length
365
- Language
EN
English
- Kindle feature
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- PublisherWilliam Morrow
- Publication date
2017
March 28
- File size5.3 MB
- Kindle feature
Page Flip
- Kindle feature
Word Wise
- Kindle feature
Enhanced typesetting
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Editorial Reviews
Amazon.com Review
Review
“Moving . . . Shattuck’s achievement—beyond unfolding a plot that surprises and devastates—is in her subtle exploration of what a moral righteousness looks like in the aftermath of the war, when communities and lives must be rebuilt, together.” (New York Times Book Review)
“A masterful epic.” (People Magazine)
“A poignant, World War II page-turner.” (Marie Claire)
“Offers a mesmerizing new look at the aftermath of the war . . . with insight and empathy, The Women in the Castle stands tall among the literature that reveals new truths about one of history’s most tragic eras.” (USA Today)
“If you’re a historical fiction fan, this will be your new favorite novel of 2017. It’s so emotionally powerful there’s a chance the literary-induced chills will stay with you well into summer.” (Redbook Magazine, 20 Books By Women You Must Read This Spring)
“Fans of The Nightingale and other classic World War II stories will fall in love with this compelling new perspective on women at war.” (Helen Simonson, New York Times bestselling author of The Summer Before the War and Major Pettigrew's Last Stand)
“Riveting and emotional, The Women in the Castle is a WWII story like you’ve never seen before.” (Bustle)
“For your friend who loves a good war drama. About a woman who plays castle with other war widows across Germany post WWII.” (The Skimm)
“A virtuoso of time and place, Jessica Shattuck has created a heart-smashingly good story that will change the way you look at current events, and leave you asking, ‘What would I do if I were in these characters’ shoes?’ Powerful and prescient, an important book everyone should read.” (Jamie Ford, New York Times bestselling author of Hotel on the Corner of Bitter and Sweet and Songs of Willow Frost) --This text refers to an alternate kindle_edition edition.
About the Author
Jessica Shattuck is the New York Times bestselling author of The Women in the Castle, The Hazards of Good Breeding, a New York Times Notable Book and finalist for the PEN/Winship Award, and Perfect Life. Her writing has appeared in the New York Times, The New Yorker, Glamour, Mother Jones, and Wired, among other publications.
--This text refers to an alternate kindle_edition edition.From the Back Cover
Three women, haunted by the past and the secrets they hold
Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of German high society, a powerful and propulsive story of three widows whose lives and fates become intertwined—an affecting, shocking, and ultimately redemptive novel from the author of the New York Times Notable Book The Hazards of Good Breeding
Amid the ashes of Nazi Germany’s defeat, Marianne von Lingenfels returns to the once-grand castle of her husband’s ancestors, an imposing stone fortress now fallen into ruin following years of war. The widow of a resister murdered in the failed July 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.
First Marianne rescues six-year-old Martin, the son of her dearest childhood friend, from a Nazi reeducation home. Together, they make their way across the smoldering wreckage of their homeland to Berlin, where Martin’s mother, the beautiful and naive Benita, has fallen into the hands of occupying Red Army soldiers. Then Marianne locates Ania, another resister’s wife, and her two boys, now refugees languishing in one of the many camps that house the millions displaced by the war.
As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, and filled with dark secrets that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges.
Written with devastating emotional power, Jessica Shattuck’s evocative and utterly enthralling novel offers a fresh perspective on one of the most tumultuous periods in history. Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that explores what it means to survive, to love, and, ultimately, to forgive in the wake of unimaginable hardship.
--This text refers to an alternate kindle_edition edition.From the Inside Flap
Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of German high society, a powerful story of three widows whose lives become intertwined--from the author of the New York Times Notable Book The Hazards of Good Breeding
Amid the ashes of Nazi Germany's defeat, Marianne von Lingenfels returns to the castle of her husband's ancestors, an imposing fortress now fallen into ruin following years of war. The widow of a resister murdered in the failed July 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband's brave conspirators: to find and protect their wives, her fellow resistance widows.
But as Marianne assembles this makeshift family from the ruins of her husband's movement, she quickly discovers that the highly principled world of her privileged past has become infinitely more complicated, and filled with dark secrets that threaten to tear them apart.
Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that offers a fresh perspective on one of the most tumultuous periods in history.
--New York Post --This text refers to an alternate kindle_edition edition.Product details
- ASIN : B01I9BQA5U
- Publisher : William Morrow; Reprint edition (March 28, 2017)
- Publication date : March 28, 2017
- Language : English
- File size : 5415 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 365 pages
- Best Sellers Rank: #104,703 in Kindle Store (See Top 100 in Kindle Store)
- #411 in Romance Literary Fiction
- #563 in Military Historical Fiction
- #599 in U.S. Historical Fiction
- Customer Reviews:
About the author

Jessica Shattuck is the New York Times Bestselling author of The Women in the Castle, The Hazards of Good Breeding (a New York Times Notable Book and finalist for the PEN/Winship Award), and Perfect Life. Her writing has appeared in the New York Times, The New Yorker, Glamour, Mother Jones, and Wired among others. A graduate of Harvard University, she received her MFA from Columbia University. Shattuck now lives with her husband and three children in Brookline, MA.
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I’ve always known there is something in this generation that is a bit off, and just assumed it was growing up in a country without pride, let alone the guilt. Even though he was just a child, the influences from the barely surviving women who are raising them during the war, the fathers “story” who actually come home, and the American occupation I’ve heard about some. This book has confirmed many of my thoughts on why he was a terrible father, terrible husband and us American kids were not adored and loved and he moved back to Germany when I was ten. Don’t get me wrong, I love my father very much, finally close after I passed 50 years old. Similar to Mary and Ania in book.
He has no problem talking about the stories growing up starving, the Americans taking over their home and my Omas becoming their servants. But the chips on his shoulder stemming from being a proud German and not wanting to really admit, face or feel the atrocities Hitler imposed on the Jews, Europe and eventually the world. I hear Stalin killed more, the Catholics sins, Dresden horror, or yes the holocaust was awful, but his family weren’t Nazis. This, of course I’d like to believe, especially after quizzing my Oma as long as I could without being upsetting. Honestly I’ll probably never know and might not want to anyway. Dad doesn’t want to watch movies about the holocaust, take us to Dachau while visiting (we sneak the visits) while visiting Germany, which is often. This aftermath subject is something not discussed with my very much loved friends there. I might try to inquire next time. As mentioned in the book, this is impossible to face, like a chapter in history we wish didn’t happen, or wasn’t really German.
I always knew something was amiss, but until this book really delved into the very important subject what happened to the German people’s physcie and the generation that followed is fascinating. I’m 55, a proud 1/2 German descendant named Liesl. I embrace all the great that Germany and their people are. I also don’t look away and probably read too much about the Holocaust and WW2 and deal with those guilt ridden emotions as well.
I loved the easy German words thrown in, my favorite breakfast from my Oma is Kaiserschmann too! Celebrating Fasching and visions of Bavaria perfectly described.
I love this book and want to find more on this subject. Danke schön,
Liesl
This is the premise and lesson to be learned in ‘The Women in the Castle.’ The three titular women are Marianne - strong willed but self-righteous, Benita - naive, impetuous, and damaged, and Ania - resourceful, apathetic, and secretive. Their collective story begins and ends at a centuries old German castle owned by Marianne's family. The women are widows of men who were conspirators of the July 1944 plot to assassinate the square-mustached Chancellor of Germany. As we know from history, the real plot was unsuccessful. Like the real life conspirators, the fictional husbands of the women are swiftly punished by death.
Marianne, the eldest of the wives, who married into high society and comes from a line of dukes and countesses, is determined to find and safeguard other widows of the conspiracy. After the war ends in 1945, they retreat to and live in Burg Lingenfels, the titular castle. While living in the Castle with their six young children between them, the three women fight for survival, while fending off the many external threats outside the castle’s walls. Individually, they also grapple with the unspoken personal turmoil that torments their hearts.
The collective stories of the women is depicted over seven decades, with the crux of their story covering 1938 through 1950. Their story as a trio of war widows and as heart-broken German women is harrowing. There are implications that aren’t easily reconciled with as each of their stories unfold. You may equally root for each of them for their pain and the impossible decisions they had to make before and during the war, while later admonishing them for the sins of their past. Descriptions into their life story is searing, and as a reader, I on occasion empathized with their moral dilemmas. I found myself feeling sorry for one woman one year, while later seething with anger once I got to know her more as the story progressed. Simply stated, they are each saints and sinners, of varying degrees.
As much as I like the story that the book is trying to tell about the women, I felt the overall storytelling was more like a documentary. By this I mean that it was as if a reliable, but morally superior narrator was retelling the events with factoids, while second rate actors depict said events in predictable dramatizations that are poorly directed with fake moody lighting. In other words, the author didn't go far enough with some of the characters and certain aspects of the story. Almost everything was just on or barely below the surface. The novel has a good foundation and story premise, with a smart and descriptive writing style. Yet, the story falters along the way when it came time to get into deeper, meaningful territory. Too much time was spent on Marianne and Marianne's points of view, while other characters were underdeveloped or not used enough. All three women have riveting backstories but are nonetheless one-dimensional, especially the character of Benita. She, having the saddest story of all three women, was lost and diluted within the too dense and heavy-handed heroicizing of Marianne. In addition, I felt Ania’s past and her secret were conveniently minimized and played down, uncomfortably so. She, more than Benita, should have had less of a presence.
In addition, the way the story was told, it was apparent that the narrator was attempting to make up the reader’s mind for them on which woman was morally right and morally wrong, instead of allowing the reader to come to that conclusion on their own. I also think about another 100-150 pages of story should have been written, to depict more dialogue and interactions between the three women together at the castle, specifically more dialogue between Benita and Marianne in the year 1950. For being the youngest, the prettiest, and the most free-spirited, the character of Benita was abandoned far too early and should have had a louder, more complex voice during the post-war years. Benita's action in 1950 was a cop out, written by an author who may not have known how to properly develop a character who she had already judged to be inferior from page one.
To expand on more of what I would have loved to see in the book (those additional 100-150 pages I mentioned):
1. From my history classes in elementary and high school, I know of the details of the real plot to assassinate Germany's hateful and racist Chancellor in 1944. However, this book would have benefited greatly if the author had dedicated one full chapter to the plot, coupled with the psyche and thought-process of the fictional husbands and the other conspirators.I get that the book was to tell the story of the three women, however, if there had been no assassination plot, there'd be no story to tell at all. The overall story was missing the direct voice of the conspirators and other men.
2. Most of the ending chapters of the novel - the catch up plots told in 1991, were somewhat unnecessary. I loved that there was a return to Burg Lingenfels in order for the women to come full circle. I also liked that one of the adult children was planning a road trip to go see one of his childhood friends who he met at an orphanage during the war. In addition, the symbolic "life-unfulfilled" of the adult child of a German soldier was also a poignant and fitting touch to the overall lessons of the book. However, the rest of the catch up told about 1991 was bloated and full of fluff. An ending going more in depth about only these two adult children would have sufficed without more of that dreaded heavy handed cajoling. It was clearly apparent that Marianne was the author's favorite heroine and the author did all she could to beat us over the head with how magnanimous she thought Marianne was. In the early chapters, this characterization was fine. By the year 1991 in the story, it was reiterative and tiring to read.
3. One more thing that annoyed me immensely was how little time the women spent at the eponymous castle, considering the castle itself was a character within the story. The novel and overall plot could have benefited with more three-way dialogue between all three women while living at the castle during the war's end. Especially an in-depth, drag-out, no holds barred conversation between Benita and Marianne. The author wrote too much about what both were thinking, instead of showing us through dramatic dialogue between the two women who had opposing viewpoints. Give us their voices, not more opinions of what they were thinking. This was a huge misstep by the author and if it had been done properly, it would have changed the entire structure and view of the whole book for the better.
Still, despite my thoughts on what the novel was missing and where there was room for improvement, I still think it is a good and engaging read. To the author's credit, the book appears to be researched well, and in some chapters, it can act as a reminder for details that some may have forgotten from their history classes. I love historical fiction depicting stories of WWII and this one was a fine example that made me think about certain things far after I finished the book. I may read it again in a couple years to see if my opinions about it remains the same.
Top reviews from other countries
We meet Marianne again in 1945, when her husband, and the other men, have been executed after the assassination plot against Hitler. Now, Germany is a wasteland, but Marianne is trying to re-group in the Castle – without power, or amenities, but always aware that she is much luckier than so many struggling after the war. Marianne is a woman who feels her responsibilities strongly and she will do her best to find the widows of the men involved in the plot and to care for them – almost regardless of their wishes. She tracks down Benita and her son, Martin, and brings them to live with her and her own children at the castle. Later, she discovers Ania Grabarek, the wife of a conspirator named Pietre Grabarek, and her two sons in a displaced persons camp. Despite her feelings of loss at not actually locating women she was formerly close to, she gathers those she feels responsible for and attempts to re-build some kind of life from the ruins.
It is soon clear that Marianne does not only feel responsible for those she gathers up. She also feels the weight of German guilt, despite the fact her husband fought against the regime. As the women form an unlikely trio, this book weaves their stories, from before the war, through it, and beyond, to look at their experiences and how they cope with the weight of events. This is also an interesting picture of Germany at this time and of how people were forced to face the truth of what had happened. Benita’s son, Martin, talks of walking through the small town and seeing the posters placed there of Holocaust victims. While the locals avert their eyes, Marianne insists they stand in front of them and confront the truth of the war crimes committed by their country. It is soon apparent that the townsfolk do not appreciate Marianne’s insistence that they tackle problems head on and, indeed, she is often very heavy handed in her approach to events, and those in her care. Her feeling that she is always right often means she lacks sensitivity to others feelings, even if she means well.
This is a very well written novel. I found it utterly absorbing, extremely interesting and thought it dealt with some very difficult themes extremely well. All three women are given equal time, but, for me, it was Marianne who dominated the pages of this novel and her presence loomed over events. This would be an excellent choice for book clubs, with lots to discuss, as well as being a fascinating personal read.
The story focuses on three women, Marianne, Aina and Benita. All three of them were the wives’ of resisters, men who resisters the Nazi's and the book is their story. Marianne is the leader and organizer of the group, she also has money, Aina is more practical and knows how to cook, keep a house, sew etc. While Benita is a bit of dreamer who likes nice things and doesn’t ask too many questions. The women form a strong bond as they try to survive in the new Germany after the destruction after the war.
As you can probably guess from the subject manner, the book does deal with some heavy issues, it's about the personal effect the Second World War had on people and that is what this story is about at its heart. It does touch on the heavy stuff, the women are in Germany throughout the war and it is implied they see and hear of some truly horrendous stuff. But the focus is not what has happened in the war, it's about the people it's affected and it's refreshing. I've not read a book like this before and it was interesting.
The author has German grandparents and i think she's half German herself and to me this shone through in the book, there were a lot of little references to German culture in the book and it really enriched the story. She's also done quite a lot of research and that too can be seen in the book.
I did like the book; I really enjoyed it in actual fact. I just didn't enjoy the last part of the book. I don't want to spoil it for others, so I won't say too much. But we jumped forward to 1991 and it just all felt awkward to me. There was a time jump from where we saw the characters last and the author had a lot to catch us up with and everyone was older and it just felt awkward and crammed full of information.
But other than that little niggle; I did thoroughly enjoy the book. It was a very interesting read, which I feel showed us another perhaps hidden layer of what life was like in Germany if you were German. It did a great job of exploring the idea of having morals; how they make you a good person, how they make you value what is right, but then at the same time how they can make you see the world as black and white, that they make you blind to somethings and ultimately that you may have to sacrifice those very morals to survive.
The book also had some lovely insights into what make us human and what mattered in the grand scheme of things, there is a lovely little section that just sums that all up and I will leave you with that:
"Years later, as a professor, Martin would try to find the words to articulate the power of togetherness in a world where togetherness had been corrupted – and to explore the effect of the music, the surprising lengths the people had gone to to hear it and to play it, as evidence that music, and art in general, are basic requirements of the human soul. Not a luxury but a compulsion. He will think of it every time he goes to a museum or a concert or a play with a long queue of people waiting to get inside."
Sorry I cannot be more helpful.
This book is the story of three widows and both how they were impacted by and how they impacted upon Nazi Germany. While I found the book to be an interesting read and liked that it was from a different viewpoint from other books I have read, I struggled to connect with the main characters - the widows. There was a warmth and depth of character missing which meant that I really didn't care too much what happened to the women. Oddly enough, there is an extra chapter at the back of the book which the author explains they chose not to include in the main story as it was too upsetting however she felt it should still be available for the reader to finish off a particular storyline. I would argue that this was a mistake to leave out of the main book as it was the most powerful and humanizing chapter of the entire read.
I enjoyed this book well enough and would not go so far as to say that i wouldn't recommend it, however I would recommend reading The Alice Network by Kate Quinn and also The Nightingale by Kristen Hannah over this if you are looking for books set during this period of history.









