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Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype Mass Market Paperback – November 27, 1996
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Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. For though the gifts of wildish nature belong to us at birth, society’s attempt to “civilize” us into rigid roles has muffled the deep, life-giving messages of our own souls.
In Women Who Run with the Wolves, Dr. Clarissa Pinkola Estés unfolds rich intercultural myths, fairy tales, folk tales, and stories, many from her own traditions, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman, and hold her against our deep psyches as one who is both magic and medicine.
Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.
- Print length608 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateNovember 27, 1996
- Dimensions4.19 x 0.93 x 6.88 inches
- ISBN-100345409876
- ISBN-13978-0345409874
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Editorial Reviews
Review
“I am grateful to Women Who Run with the Wolves and to Dr. Clarissa Pinkola Estés. The work shows the reader how glorious it is to be daring, to be caring, and to be women. Everyone who can read should read this book.”—Maya Angelou
“An inspiring book, the ‘vitamins for the soul’ [for] women who are cut off from their intuitive nature.”—San Francisco Chronicle
“Stands out from the pack . . . a joy and sparkle in [the] prose . . . This book will become a bible for women interested in doing deep work. . . . It is a road map of all the pitfalls, those familiar and those horrifically unexpected, that a woman encounters on the way back to her instinctual self. Wolves . . . is a gift.”—Los Angeles Times
“A mesmerizing voice . . . dramatic storytelling she learned at the knees of her [immigrant] aunts.”—Newsweek
“The work of Clarissa Pinkola Estés, rooted in old and deep family rites and in archetypal psychology, recognizes that the soul is not lost, but has been put to sleep. This volume reminds us that we are nature for all our sophistication, that we are still wild, and the recovery of that vitality will itself set us right in the world.”—Thomas Moore, author of Care of the Soul
From the Inside Flap
From the Back Cover
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Singing Over the Bones
Wildlife and the Wild Woman are both endangered species.
Over time, we have seen the feminine instinctive nature looted, driven back, and overbuilt. For long periods it has been mismanaged like the wildlife and the wildlands. For several thousand years, as soon and as often as we turn our backs, it is relegated to the poorest land in the psyche. The spiritual lands of Wild Woman have, throughout history, been plundered or burnt, dens bulldozed, and natural cycles forced into unnatural rhythms to please others.
It’s not by accident that the pristine wilderness of our planet disappears as the understanding of our own inner wild natures fades. It is not so difficult to comprehend why old forests and old women are viewed as not very important resources. It is not such a mystery. It is not so coincidental that wolves and coyotes, bears and wildish women have similar reputations. They all share related instinctual archetypes, and as such, both are erroneously reputed to be ingracious, wholly and innately dangerous, and ravenous.
My life and work as a Jungian psychoanalyst, poet, and cantadora, keeper of the old stories, have taught me that women’s flagging vitality can be restored by extensive “psychic-archeological” digs into the ruins of the female underworld. By these methods we are able to recover the ways of the natural instinctive psyche, and through its personification in the Wild Woman archetype we are able to discern the ways and means of woman’s deepest nature. The modern woman is a blur of activity. She is pressured to be all things to all people. The old knowing is long overdue.
The title of this book, Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype, came from my study of wildlife biology, wolves in particular. The studies of the wolves Canis lupus and Canis rufus are like the history of women, regarding both their spiritedness and their travails.
Healthy wolves and healthy women share certain psychic characteristics: keen sensing, playful spirit, and a heightened capacity for devotion. Wolves and women are relational by nature, inquiring, possessed of great endurance and strength. They are deeply intuitive, intensely concerned with their young, their mates and their pack. They are experienced in adapting to constantly changing circumstances; they are fiercely stalwart and very brave.
Yet both have been hounded, harassed, and falsely imputed to be devouring and devious, overly aggressive, of less value than those who are their detractors. They have been the targets of those who would clean up the wilds as well as the wildish environs of the psyche, extincting the instinctual, and leaving no trace of it behind. The predation of wolves and women by those who misunderstand them is strikingly similar.
So that is where the concept of the Wild Woman archetype first crystallized for me, in the study of wolves. I’ve studied other creatures as well, such as bear, elephant, and the soul-birds—butterflies. The characteristics of each species give abundant metaphoric hints into what is knowable about the feminine instinctual psyche.
The wild nature passed through my spirit twice, once by my birth to a passionate Mexican-Spanish bloodline, and later, through adoption by a family of fiery Hungarians. I was raised up near the Michigan state line, surrounded by woodlands, orchards, and farmland and near the Great Lakes. There, thunder and lightning were my main nutrition. Cornfields creaked and spoke aloud at night. Far up in the north, wolves came to the clearings in moonlight, prancing and praying. We could all drink from the same streams without fear.
Although I did not call her by that name then, my love for Wild Woman began when I was a little child. I was an aesthete rather than an athlete, and my only wish was to be an ecstatic wanderer. Rather than chairs and tables, I preferred the ground, trees, and caves, for in those places I felt I could lean against the cheek of God.
The river always called to be visited after dark, the fields needed to be walked in so they could make their rustle-talk. Fires needed to be built in the forest at night, and stories needed to be told outside the hearing of grown-ups.
I was lucky to be brought up in Nature. There, lightning strikes taught me about sudden death and the evanescence of life. Mice litters showed that death was softened by new life. When I unearthed “Indian beads,” fossils from the loam, I understood that humans have been here a long, long time. I learned about the sacred art of self-decoration with monarch butterflies perched atop my head, lightning bugs as my night jewelry, and emerald-green frogs as bracelets.
A wolf mother killed one of her mortally injured pups; this taught a hard compassion and the necessity of allowing death to come to the dying. The fuzzy caterpillars which fell from their branches and crawled back up again taught single-mindedness. Their tickle-walking on my arm taught how skin can come alive. Climbing to the tops of trees taught what sex would someday feel like.
My own post-World War II generation grew up in a time when women were infantilized and treated as property. They were kept as fallow gardens . . . but thankfully there was always wild seed which arrived on the wind. Though what they wrote was unauthorized, women blazed away anyway. Though what they painted went unrecognized, it fed the soul anyway. Women had to beg for the instruments and the spaces needed for their arts, and if none were forthcoming, they made space in trees, caves, woods, and closets.
Dancing was barely tolerated, if at all, so they danced in the forest where no one could see them, or in the basement, or on the way out to empty the trash. Self-decoration caused suspicion. Joyful body or dress increased the danger of being harmed or sexually assaulted. The very clothes on one’s shoulders could not be called one’s own.
It was a time when parents who abused their children were simply called “strict,” when the spiritual lacerations of profoundly exploited women were referred to as “nervous breakdowns,” when girls and women who were tightly girdled, tightly reined, and tightly muzzled were called “nice,” and those other females who managed to slip the collar for a moment or two of life were branded “bad.”
So like many women before and after me, I lived my life as a disguised criatura, creature. Like my kith and kin before me, I swagger staggered in high heels, and I wore a dress and hat to church. But my fabulous tail often fell below my hemline, and my ears twitched until my hat pitched, at the very least, down over both my eyes, and sometimes clear across the room.
I’ve not forgotten the song of those dark years, hambre del alma, the song of the starved soul. But neither have I forgotten the joyous canto hondo, the deep song, the words of which come back to us when we do the work of soulful reclamation.
Like a trail through a forest which becomes more and more faint and finally seems to diminish to a nothing, traditional psychological theory too soon runs out for the creative, the gifted, the deep woman. Traditional psychology is often spare or entirely silent about deeper issues important to women: the archetypal, the intuitive, the sexual and cyclical, the ages of women, a woman’s way, a woman’s knowing, her creative fire. This is what has driven my work on the Wild Woman archetype for over two decades.
A woman’s issues of soul cannot be treated by carving her into a more acceptable form as defined by an unconscious culture, nor can she be bent into a more intellectually acceptable shape by those who claim to be the sole bearers of consciousness. No, that is what has already caused millions of women who began as strong and natural powers to become outsiders in their own cultures. Instead, the goal must be the retrieval and succor of women’s beauteous and natural psychic forms.
Fairy tales, myths, and stones provide understandings which sharpen our sight so that we can pick out and pick up the path left by the wildish nature. The instruction found in story reassures us that the path has not run out, but still leads women deeper, and more deeply still, into their own knowing. The tracks we all are following are those of the wild and innate instinctual Self.
I call her Wild Woman, for those very words, wild and woman, create llamar o tocar a la puerta, the fairy tale knock at the door of the deep female psyche. Llamar o tocar a la puerta means literally to play upon the instrument of the name in order to open a door. It means using words that summon up the opening of a passageway. No matter by which culture a woman is influenced, she understands the words wild and woman, intuitively.
When women hear those words, an old, old memory is stirred and brought back to life. The memory is of our absolute, undeniable, and irrevocable kinship with the wild feminine, a relationship which may have become ghosty from neglect, buried by over-domestication, outlawed by the surrounding culture, or no longer understood anymore. We may have forgotten her names, we may not answer when she calls ours, but in our bones we know her, we yearn toward her; we know she belongs to us and we to her.
Product details
- Publisher : Ballantine Books; Reissue edition (November 27, 1996)
- Language : English
- Mass Market Paperback : 608 pages
- ISBN-10 : 0345409876
- ISBN-13 : 978-0345409874
- Item Weight : 2.31 pounds
- Dimensions : 4.19 x 0.93 x 6.88 inches
- Best Sellers Rank: #1,292 in Books (See Top 100 in Books)
- #5 in Mental & Spiritual Healing
- #15 in Sociology Reference
- #47 in Personal Transformation Self-Help
- Customer Reviews:
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About the author

Clarissa Pinkola Estés, Ph.D. is an award-winning poet, diplomate senior jungian psychoanalyst, and a cantadora (keeper of the old stories) in the Hispanic tradition. She has been in private practice for twenty-five years and is former executive director of the C. G. Jung Center for Research and Education in the United States. The author of The Gift of Story and an eleven-volume series of bestselling audio works published by Sounds True in Boulder, Colorado, Dr. Estés heads the C. P Estés Guadalupe Foundation, a human rights organization that has as one of its nascent missions the broadcasting of strengthening stories via shortwave radio to trouble spots throughout the world.
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Customers find the book thought-provoking, inspiring, and uplifting. They enjoy the stories and myths from various cultures. Readers describe the book as a premier book for women to read and tap into their inner strength. However, some customers report that pages are falling out. Opinions are mixed on the writing quality, with some finding it wonderful and others saying it's wordy.
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Customers find the book enlightening, inspiring, and full of wisdom. They say it helps with difficult life experiences and is relevant. Readers also mention the book is filled with good instincts and passionate creativity.
"Great book so far! The author's work is amazing. Insightful and uplifting. However, the binding is terrible...." Read more
"...It’s life changing, full of wisdom and really helps with difficult life experiences...." Read more
"...is a “slow read”…… takes times to read and comprehend, but it is full of wisdom and nuggets of gold...." Read more
"...Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing...." Read more
Customers find the stories in the book interesting, spellbinding, and memorable. They also say the author uses these tales to teach the reader about hidden aspects. Readers also mention the writing is pithy and provocative.
"...She offers varied stories that every woman could relate to...." Read more
"...Certainly a classic read." Read more
"...Powerful natural strong shelter in the wild. Powerful natural magic takes place. It contains the power of the woman inside...." Read more
"...I enjoyed the stories and myths that were added to this book from various cultures...." Read more
Customers find the book readable. They say it's a literary treasure, inspiring many women. Readers also mention the author is amazing and brilliant.
"...She reveals many alluring stories of female triumph and chaos. She offers varied stories that every woman could relate to...." Read more
"...And I’m glad I did! It’s beautifully written and a great new edition to my library! 📚:) Loving it and the lessons it will continue to teach!..." Read more
"Love this book, the authors unique perspective & archetypes is what kept me interested." Read more
"...It was and is one of the most interesting, women empowering books I've ever read. I highly recommend it...." Read more
Customers have mixed opinions about the writing quality of the book. Some mention it's well-written and easy to understand, while others say it takes some brain power to read.
"...You may revisit it later and understand it more. Yes. The language is challenging but, to gain access to the gems this book offers, it is..." Read more
"Great book so far! The author's work is amazing. Insightful and uplifting. However, the binding is terrible...." Read more
"...Almost like a travel version. Even with my glasses I am struggling to read the font...." Read more
"...Women Who Run with the Wolves" is well written and makes you stop, look, listen, and pay attention with your soul...." Read more
Customers find the pages in the book to fall out. They say they're falling off like leaves. Readers also mention the book is a long read and can sometimes be hard to follow along with.
"...Insightful and uplifting. However, the binding is terrible. The pages fell out as I started reading the book!..." Read more
"...However, the binding started to break on page 2 and pages are already starting to fall out by page 8?!..." Read more
"...Like others said, find a different publisher. The pages are falling out the book. Absolutely horrible and should be taken off Amazon." Read more
"...My book started falling apart a couple of days in and now each page is falling out as I turn them. It’s absolutely maddening...." Read more
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Book quotes -
These include not only the encouraging of one woman to inform on another and therefore expose her to punishment for behaving in a feminine and integral manner, for registering appropriate horror or dissension to injustice, but also the encouraging of older women to collude in the physical, mental, and spiritual abuse of women who are younger, less powerful, or helpless, and the encouraging of young women to dismiss and neglect the needs of women who are far older than they. - Women Who Run With Wolves by Clarissa Pinkola Estés - Page 241
Trying to be good, orderly, and compliant in the face of inner or outer peril or in order to hide a critical psychic or real-life situation de-souls a woman. It cuts her from her knowing; it cuts her from her ability to act. Like the child in the tale, who does not object out loud, who tries to hide her starvation, who tries to make it seem as though nothing is burning in her, modern women have the same disorder, normalizing the abnormal. This disorder is rampant across cultures. - Women Who Run With Wolves by Clarissa Pinkola Estés - Page 243
Injury to instinct, normalizing the abnormal, is what allowed mothers to wipe the stains of that oil spill, and later, the further sins of factories, refineries, and smelters, off their little children, their laundry, the insides of their loved ones as best they could, and while confused and worried, the women effectively cut away their rightful rage. Not all but most had become used to not being able to intervene in shocking events. There were formidable punishments for breaking silence, for fleeing the cage, for pointing out wrongs, for demanding change. - Women Who Run With Wolves by Clarissa Pinkola Estés - Page 245
Introduction:
I must honestly confess that my partner advised me to read this book. To start with I had some doubts. I already knew a lot of the myths, legends and fairy tales that are used in this book but in another context and different explanation.
After reading I must say that it is true, that the book leads to a better and closer understanding of women. Now I can not only understand, but also ‘feel’ some of the ideas of my partner better.
Next to that I am also a father of two daughters. By reading this book I also gained a better understanding about my role as a father. Never before I say so clearly that it is a task of the father to guide his daughters in their contact with men and tell and explain to them about the nature of men.
So yes it was a very interesting (long) read.
I read the book with a special guide book (only as e-book on BookRags.com) next to it, that was very helpful. And it is certainly not necessary to read the book al at ones. Different chapters can easily be read separately.
Below you find some more information about the book and the used legends.
About the book:
Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. In Women Who Run With the Wolves, Dr. Estés unfolds rich intercultural myths, fairy tales, and stories, many from her own family, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.
“Woman who run with wolves isn't just another book. It is a gift of profound insight, wisdom, and love. An oracle from one who knows." Alice Walker.
This volume reminds us that we are nature for all our sophistication, that we are still wild, and the recovery of that vitality will itself set us right in the world." Thomas Moore (Author of Care of the Soul)
"I am grateful to Woman who run with wolves and to Dr. Clarissa Pinkola Estés. The work shows the reader how glorious it is to be daring, to be caring, and to be women. Everyone who can read should read this book." Maya Angelou
"An inspiring book, the 'vitamins for the soul'
The book presents woman as strong and healthy. The older woman can find great power and joy within herself. Pay the right attention (not too much and not to little) to periods of transformation (external reality of inner life)
Also for partners and fathers there is a lot to be found in this book.
Chapters of the guidebook and of 'Woman who run with wolves'
Guidebook Chapter 1 page 8 'Woman who run with wolves' Chapter 2 page 38
‘Bluebeard’
Story of Bluebeard, female naïveté towards men. It is a task of the father to guide his daughters there.
Also see Blue Beard p59.
Guidebook Chapter 2
(this chapter failed in my version of the study guide)
Guidebook Chapter 3 page 11 Noising out the facts. 'Woman who run with wolves' Chapter 3 page 76
Tendency towards obedience in an effort to be treated properly or pleasing others with correctness and kindness. Under many conditions this is an effective strategy.
But there are times when it pays off to not be nice, whether we like this truth or not.
Guidebook Chapter 4 page 14 The mate. 'Woman who run with wolves' Chapter 4 page 121
A man is courting twin daughters. The father simply wants the man to be interested in the true essence of his daughters. If he takes a deep interest they can be married with an enduring kind of real love.
Guidebook Chapter 5 page 16 Hunting: when the heart is a lonely hunter. 'Woman who run with wolves' Chapter 5 page 137
Circle of life.
‘Eros and Tanatos’
About relations:
Intimate relationships confront us also with feelings how have nothing to do with that relation.
Guidebook Chapter 6 page 18 Finding one’s pack. 'Woman who run with wolves' Chapter 6 page 177
Story of the ugly duckling.
Fitting in after not having done so for such a long time. One has learned much from being different, finding a ‘fit’ will all the more be gratifying.
Guidebook Chapter 7 page 21 Joyous body. 'Woman who run with wolves' Chapter 7 page 213
Discovering the beauty of the female form the position of strength. All marks (not only physical but also mental) of pregnancy and child birth are icons of natural female power.
Guidebook Chapter 8 page 23 Self preservation. 'Woman who run with wolves' Chapter 8 page 230
Part of what is being taught her is that development includes a long process of initiation. A multi-step process, where a set of tasks must be completed in order to arrive.
Guidebook Chapter 9 page 27 Homing: returning to oneself. 'Woman who run with wolves' Chapter 9 page 276
Story of the seal-woman.
Every woman has a ‘seal-skin’ or soul-skin. This is the true self. Return home does not necessarily mean divorce or separation, it can also be a powerful protection of a woman’s well-being.
The man who becomes her husband hides her skin in order to force her to stay in her human form and marry him. Her son later returns the skin to her and she can become her other aspect again, that of the seal.
Guidebook Chapter 10 page 29 Clear water. Nourishing the creative life. 'Woman who run with wolves' Chapter 10 page 322
This chapter is devoted to the flow of creative forces (a river) in a woman’s life. ‘the woman as life giver’ when the waters are pure there is plenty of life in the river.
The story of La Llorona ‘the weeping woman’
Guidebook Chapter 11 page 31 Heat: Retrieving sacred sexuality. 'Woman who run with wolves' Chapter 11 page 362
A sexually mature perspective of life can save a woman from depression.
Story of Demeter (the goddess of harvest) her daughter Persephone and Hades ( the god of the underworld)
Guidebook Chapter 12 page 33 Marking territory: The boundaries of rage and forgiveness. 'Woman who run with wolves' Chapter 12 page 375
The story of the war veteran and his wife.
The basic idea is learning to honour legitimate rage. It can be a great protector when in control.
Guidebook Chapter 13 page 37 Battle Scars. 'Woman who run with wolves' Chapter 13 page 404
Something’s on the surface seam unrelated, but are connected on a deeper level.
Story of the husband who commits suicide, this man had been treated extremely bad by his family, but his family did not admit that their cruelty had anything to do with his dead. It helped the woman when she finally did talk about that.
Woman can recognize and honour the scars and battles they came from as integral tot the lives of woman as a whole.
Guidebook Chapter 14 page 40 The initiation in the underground forest. 'Woman who run with wolves' Chapter 14 page 418
A story needs a receptive mind in order to make an impact.
Story of the Little Match Girl.
A story of gain, loss, redemption followed by real love, separation, living with grieve and sorrow and finally reunion and real happiness.
Guidebook Chapter 15 page 44 Shadowing: Canto Hondo. 'Woman who run with wolves' Chapter 15 page 493
Here Estés uses the metaphor of the ‘shadowing of wolves’ in a way of gathering vital information.
Later she tells about the power of dreams and the wisdom of the ‘one who knows’ together they can help naïveté girls to become woman who will let the right men close. Again the father is important here as an example for his daughters.
Readers are encourage to find out where they belong, to be the swan and not the outsider. See Chapter 6 page 18 Finding one’s pack.
Guidebook Chapter 16 page 47 The wolf’s eyelash. 'Woman who run with wolves' Chapter 16 page 499
Story of the woman and the wolf.
A woman helps a trapped wolf and receives a gift, an eyelash in return. This eyelash gives the woman the power to sense motives. Thanks to that power she is able to surround herself with kind and good people. All without losing sight of the truth that a wolf is a wolf.
Estés’ hope is clear: that readers have found the joy of many stories and a greater access to wisdom within themselves and the world.
Guidebook Chapter 17 page 49 Afterword story as medicine. 'Woman who run with wolves' Afterword page 504
Stories are a special kind of medicine designed to be used as such.
Storytelling is a skill and a profession with an extensive training, both as a medicine and as entertainment.
Stories also require the right audience.
Important People:
Estés is specialist in Jungian psychology and archetypes. The roots and branches of archetypes are from diverse sources; ethnic roots, daily life, the history of the pre urban or even contemporary rural life.
Archetypes can help us to heal on an emotional and mental level. Archetypes can point us directions for growth.
Guidebook p51 'Woman who run with wolves' Chapter 3 page 76 and many other places
Baba Yaga
This is the wild woman as the wise old woman, she is depicted as old, ugly, intimidating and extremely powerful. A girl child (also a version of the wild woman?) is sent to meet her.
Baba Yaga harbours all manner of wisdom and insight, knowledge and skills. She provides discipline and basic training for adulthood. She is protective as well as educational. The Baba Yaga is equally magical as realistic.
Guidebook p52 'Woman who run with wolves' page 8, 99, 209 and many other places
Spider woman
The Spider woman has transformative and healing powers.
Guidebook p53
La Que Sabe
The one how knows. She is the wild woman in the form of a wizard, the powerful and wise old lady. As the one who knows she is able to assist others in gaining knowledge and wisdom.
Guidebook p53 'Woman who run with wolves' Chapter 5 page 137 and many other places
Skeleton woman
The skeleton woman is all about the circle of life.
She is terrifying and deeply sad. She finds herself restored through a loving and intimate relationship with a man. Neither the man nor the woman expected this. After he surrenders to his inability to escape, he sets her in order, attends to her needs and when he relaxes enough to rest himself, she comes to life and becomes his companion.
Guidebook p54 'Woman who run with wolves' Chapter 3 page 76
Vasalisa
Vasalisa is a young girl. She suffers. She represents the hard childhood in contrast to the easy, idyllic one. The child suffers the disappointment that the step relatives may have been fine for her father but were not doing her any good at all.
Guidebook p54
Hidalgo
He is La Llorona’s lover and the father of her two children. He leaves her to return to his family.
Hidalgo is perhaps the archetype of the man who is never able to leave his mother/ family and transfer his loyalties to his female lover and their family.
Guidebook p55 'Woman who run with wolves' page 345 - 355
The little match girl
This unsupervised child is endeavouring to make her way in the world.
As a result the child in the fairy tale dies, freezing to death after the last flickering light of her matches fades away.
(also see Vasalisa p54 and Hidalgo p54 about parents/ adult who have no attention for the needs of children, while this should be our first responsibility)
Guidebook p55
Zeus
Here this Olympian is shown as ‘the bad guy’ how casts out his own son, because the boy stuck up for his mother, how is Zeus opponent in this argument.
Guidebook p55
Hephaestus
In an argument between his father and his mother het takes sides for his mother the goddess Hera. Therefor he is reminded that he is weaker and less powerful than his father. He is thrown out of the Olympus and granted his own realm below, where his great smiting skills will prosper and despite his ugliness wins fame an respect. (and marries the beautiful goddess Aphrodite, alto she is not very faithful to him)
Guidebook p56
Hera
In an argument with Zeus her sun agrees with her and is banished from the Olympus.
Guidebook p56
Pollutant
This is something with a poisoning effect rather than being truly nourishing or healthy.
Guidebook p57
Traps
These are talked about in the chapter on self-preservation. In this context they are intentionally used with an analogy or metaphor comparing them to traps set for animals.
Guidebook p57
The Devil
Famous for being Gods adversary and former right hand man.
In his confrontation with god he meets a similar fate to the one Zeus meted out for his son Hephaestus: Down and out he goes to get his very own realm within which to exercise the power that truly is his own.
Objects and places:
Guidebook p59
The caves
The cave is a natural strong shelter in the wild. Powerful natural strong shelter in the wild. Powerful natural magic takes place. It contains the power of the woman inside.
Guidebook p59 'Woman who run with wolves' Chapter 2 page 38
Blue Beard
It is the remains of a powerful man who is of exceptional danger to woman.
It is only to the violence other men that the man with the blue beard is defeated.
There is no explanation as to why his blue beard is kept by nuns, who live together in seclusion, mainly for reasons of mutual aid and protection.
Also see Chapter 1 page 8 ‘Bluebeard’
Woman who run with wolves: Myths And Stories Of The Wild Woman Archetype by Dr. Clarissa Pinkola Estés.
Top reviews from other countries
For me, it leads me to some serious reflection and deep insight work and I KNOW when I have to put it down. Truly, a book has never spoke to every chapter I've ever lived in my life while blowing to bits every question mark I've ever held over myself. Please read this book ladies. And in my opinion would be highly beneficial for men to read too. It's a book for life regardless of gender and a map in your hands that will guide you to all of the parts of your soul ever lost, ever dimmed or ever taken from you. Thank you a thousand times to the author for giving this unprecedented gift to the whole world.
A must read for everyone, especially for women trying to make sense of a world out to enslave them in small and big ways.





























