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A Women’s History of the Beatles Paperback – February 24, 2022

4.6 out of 5 stars 23

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Editorial Reviews

Review

"This much-needed book shows us the mission-critical role of women in transforming four talented and ambitious young men into the Beatles, and the myriad ways the Beatles have, in turn, inspired and transformed the lives of women across three generations ... This book enhances our understanding of the entire phenomenon―how it happened, what it meant, and why it will continue―by showing us three generations of women who heard, saw, felt, and embraced the permission and possibility the Beatles embodied." - Culture Sonar

A Women's History of the Beatles illuminates and stresses that how we tell stories matters, and the positions from which we tell them can affect the narratives that come forth ... [It's] historically minded, drawing on recollections from women whose lives both shaped and were shaped by the band, as well as forward-looking, considering the careers of women in various parts of the globe for whom The Beatles became a starting point for their own life's work.” ―Louder Than War

“[A]ll serious students of Beatles history should add this book to their reading lists. It is engaging and illuminating, shining new light on the underappreciated role that girls and women played in the history and legacy of The Beatles.” ―
Beatlefan Magazine

“With
A Women's History of the Beatles, Christine Feldman-Barrett has authored arguably the most significant title in Beatles scholarship since Tune In (2013), the first volume in Mark Lewisohn's groundbreaking biographical study of the group. ... A Women's History of the Beatles represents a fundamental, albeit long-neglected aspect of Beatles scholarship that, thanks to Feldman-Barrett's trailblazing work, will be the fount of a host of new inquiries to come.” ―Rock and Music Studies

“From fans to female Beatles-inspired bands, we see the powerful exchange of energy between the Beatles and the women who engaged with them internationally. Original interviews are interleaved with significant moments in the Beatles' history, giving a unique perspective into the way the band 'worked' as cultural figureheads.” ―
Helen Reddington, Senior Lecturer in Music Production, University of East London, UK

“Women's history often involves a re-framing of the past, and in the field of popular music, curation, and analysis of the canon has usually been done by men. With this rich study across three generations, Feldman-Barrett shows how over time Beatlemania and Beatles culture has created a space for women's self-reflection, identity formation, and creative experimentation. An exciting contribution to women's history, popular music studies and our understanding of the Beatles.” ―
Lucy O'Brien, author of She Bop: The Definitive History of Women in Popular Music

“In this exciting and illuminating account, Christine Feldman-Barrett looks beneath the surface of Beatlemania to uncover the multiple interlocking ways in which women were shaped by, and helped to shape, the story of pop's most famous group. Understanding Beatles fandom less in terms of a top-down relationship than of a two-way street full of liberatory possibilities,
A Women's History of the Beatles reveals the hitherto overlooked role of the Beatles in opening the space for multiple emancipations of women in the 1960s and beyond.” ―Timothy Scott Brown, Professor and Chair of History, Northeastern University, USA

“With
A Women's History of the Beatles, Christine Feldman-Barrett has authored arguably the most significant title in Beatles scholarship since Tune In (2013), the first volume in Mark Lewisohn's groundbreaking biographical study of the group. ... A Women's History of the Beatles represents a fundamental, albeit long-neglected aspect of Beatles scholarship that, thanks to Feldman-Barrett's trailblazing work, will be the fount of a host of new inquiries to come.” ―Rock Music Studies

“The number of existing texts on John, Paul, George, and Ringo is far too voluminous to list ... Feldman-Barrett's contribution nonetheless leaps out as indispensable amidst the broad and in-depth stories that have already been told about The Beatles.” ―
Louder Than War

“[H]er book is distinctive in charting both the band's role in women's lives and women's impact on the Beatles from the 1960s to the present. ... Christine Feldman-Barrett makes a compelling case that the Beatles belong to girls and women across social lines in distinct and important ways.” ―
H-Soz-Kult

“Christine Feldman-Barrett makes a compelling case that the Beatles belong to girls and women across social lines in distinct and important ways. Her book persuasively argues that to understand fully the Beatles phenomenon – one of the defining cultural episodes of the twentieth century – we must read it through the lens of gender.” ―
H-Soz-Kult

About the Author

Christine Feldman-Barrett is a Senior Lecturer in the School of Humanities, Languages and Social Science at Griffith University, Australia, and is a member of the Griffith Centre for Social and Cultural Research. She is the author of 'We are the Mods': A Transnational History of a Youth Subculture (2009), the first scholarly book dedicated to the history and global reach of Mod culture, and the editor of Lost Histories of Youth Culture (2015). She has published on topics of youth culture history in various collected volumes and in the Journal of Youth Studies, Space and Culture, Feminist Media Studies, and Popular Music and Society.

Product details

  • Publisher ‏ : ‎ Bloomsbury Academic (February 24, 2022)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 272 pages
  • ISBN-10 ‏ : ‎ 1501375946
  • ISBN-13 ‏ : ‎ 978-1501375941
  • Item Weight ‏ : ‎ 12.9 ounces
  • Dimensions ‏ : ‎ 6 x 0.57 x 9 inches
  • Customer Reviews:
    4.6 out of 5 stars 23

Customer reviews

4.6 out of 5 stars
4.6 out of 5
23 global ratings

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Reviewed in the United States on May 24, 2022
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Top reviews from other countries

BeatleSig
5.0 out of 5 stars Finally a book about the girl power behind The Beatles
Reviewed in Canada on March 18, 2023