Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$39.99$39.99
FREE delivery:
Thursday, April 18
Ships from: Amazon.com Sold by: Amazon.com
Buy used: $32.99
Other Sellers on Amazon
+ $3.99 shipping
90% positive over last 12 months
Usually ships within 4 to 5 days.
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
A Women’s History of the Beatles Paperback – February 24, 2022
Purchase options and add-ons
A Women's History of the Beatles is the first book to offer a detailed presentation of the band's social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group's history.
Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women's lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.
- Print length272 pages
- LanguageEnglish
- PublisherBloomsbury Academic
- Publication dateFebruary 24, 2022
- Dimensions6 x 0.57 x 9 inches
- ISBN-101501375946
- ISBN-13978-1501375941
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Customers who viewed this item also viewed
Editorial Reviews
Review
"This much-needed book shows us the mission-critical role of women in transforming four talented and ambitious young men into the Beatles, and the myriad ways the Beatles have, in turn, inspired and transformed the lives of women across three generations ... This book enhances our understanding of the entire phenomenon―how it happened, what it meant, and why it will continue―by showing us three generations of women who heard, saw, felt, and embraced the permission and possibility the Beatles embodied." - Culture Sonar
“A Women's History of the Beatles illuminates and stresses that how we tell stories matters, and the positions from which we tell them can affect the narratives that come forth ... [It's] historically minded, drawing on recollections from women whose lives both shaped and were shaped by the band, as well as forward-looking, considering the careers of women in various parts of the globe for whom The Beatles became a starting point for their own life's work.” ―Louder Than War
“[A]ll serious students of Beatles history should add this book to their reading lists. It is engaging and illuminating, shining new light on the underappreciated role that girls and women played in the history and legacy of The Beatles.” ―Beatlefan Magazine
“With A Women's History of the Beatles, Christine Feldman-Barrett has authored arguably the most significant title in Beatles scholarship since Tune In (2013), the first volume in Mark Lewisohn's groundbreaking biographical study of the group. ... A Women's History of the Beatles represents a fundamental, albeit long-neglected aspect of Beatles scholarship that, thanks to Feldman-Barrett's trailblazing work, will be the fount of a host of new inquiries to come.” ―Rock and Music Studies
“From fans to female Beatles-inspired bands, we see the powerful exchange of energy between the Beatles and the women who engaged with them internationally. Original interviews are interleaved with significant moments in the Beatles' history, giving a unique perspective into the way the band 'worked' as cultural figureheads.” ―Helen Reddington, Senior Lecturer in Music Production, University of East London, UK
“Women's history often involves a re-framing of the past, and in the field of popular music, curation, and analysis of the canon has usually been done by men. With this rich study across three generations, Feldman-Barrett shows how over time Beatlemania and Beatles culture has created a space for women's self-reflection, identity formation, and creative experimentation. An exciting contribution to women's history, popular music studies and our understanding of the Beatles.” ―Lucy O'Brien, author of She Bop: The Definitive History of Women in Popular Music
“In this exciting and illuminating account, Christine Feldman-Barrett looks beneath the surface of Beatlemania to uncover the multiple interlocking ways in which women were shaped by, and helped to shape, the story of pop's most famous group. Understanding Beatles fandom less in terms of a top-down relationship than of a two-way street full of liberatory possibilities, A Women's History of the Beatles reveals the hitherto overlooked role of the Beatles in opening the space for multiple emancipations of women in the 1960s and beyond.” ―Timothy Scott Brown, Professor and Chair of History, Northeastern University, USA
“With A Women's History of the Beatles, Christine Feldman-Barrett has authored arguably the most significant title in Beatles scholarship since Tune In (2013), the first volume in Mark Lewisohn's groundbreaking biographical study of the group. ... A Women's History of the Beatles represents a fundamental, albeit long-neglected aspect of Beatles scholarship that, thanks to Feldman-Barrett's trailblazing work, will be the fount of a host of new inquiries to come.” ―Rock Music Studies
“The number of existing texts on John, Paul, George, and Ringo is far too voluminous to list ... Feldman-Barrett's contribution nonetheless leaps out as indispensable amidst the broad and in-depth stories that have already been told about The Beatles.” ―Louder Than War
“[H]er book is distinctive in charting both the band's role in women's lives and women's impact on the Beatles from the 1960s to the present. ... Christine Feldman-Barrett makes a compelling case that the Beatles belong to girls and women across social lines in distinct and important ways.” ―H-Soz-Kult
“Christine Feldman-Barrett makes a compelling case that the Beatles belong to girls and women across social lines in distinct and important ways. Her book persuasively argues that to understand fully the Beatles phenomenon – one of the defining cultural episodes of the twentieth century – we must read it through the lens of gender.” ―H-Soz-Kult
About the Author
Product details
- Publisher : Bloomsbury Academic (February 24, 2022)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 1501375946
- ISBN-13 : 978-1501375941
- Item Weight : 12.9 ounces
- Dimensions : 6 x 0.57 x 9 inches
- Best Sellers Rank: #1,523,086 in Books (See Top 100 in Books)
- #350 in The Beatles
- #3,881 in Music History & Criticism (Books)
- #16,158 in Women's Biographies
- Customer Reviews:
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Some of the writing seems like filler in a college thesis (so I skimmed a bit), but there is plenty of value for the Beatles fan who has read the usual rack of books. One female researcher in Liverpool found herself upset because she felt that everybody she encountered there was like the Beatles, so the Beatles weren't really special. I assume she wasn't talking about musical ability, but it's interesting that there could be a Liverpool personality that molded them.
Astrid Kirchherr's photography and influence are featured near the end of the book. It even mentions a woman in Hamburg who has made a career out of giving Beatle tours there.
Another interesting point gives examples of women who became fans after the 1960s. When the hysteria was gone, and cooler, hipper bands existed, women still found something to like and to inspire them. I can relate to that, because even though I was fully aware of the Beatles during the 1960s, I was only a casual fan of the hits. A friend got me into buying the albums in high school and I came to appreciate the songs that were not hits. It was quite a shock to hear so many good songs on each album. I had come to assume that the non-hits were merely filler, like with other groups. Oh how wrong that was!
One question I have that was not explored is: how/why did so many girls grow up actually believing that they might marry a Beatle? I've read another female fan's book and it surprised me that she was actually hoping to marry one, not just wishing. This despite the fact that she had only seen them in person from theater seats. Despite living in another city, in another country, on another continent.
Kudos to the book for mentioning the Go-Go's and the rarer group The Like, which had a 1960s-tinged album ten years ago. Yes, the Beatles influence is still present.
The definition of “aca-fan” or academic fan stems from Feldman-Barrett’s research into how we define the span of women (either first generation or beyond) who were deeply affected by The Beatles impact on their lives. Through countless interviews that range from women who saw the band during their brief lifespan or who discovered them through recordings and film or from family members, Feldman-Barrett brings into focus the multi-layered emotions felt by each discovery and life-changing course of action.
However, Feldman-Barrett begins by discussing The Beatles unique understanding of the female fan, especially those they befriended in Liverpool. These girls were their stalwart supporters at a time when ‘young women’ were still expected to finish school, get married and raise a family. Although many did go down that avenue, so too did many seek to break out of the norm, establish an identity and pursue a career. The Beatles in many respects, through their performances or correspondences, helped them to achieve what was considered a fairly lofty, nearly unattainable goal. In return, these working girls from Liverpool (who the group considered friends) set the pattern for years to come: whether they were fan club secretaries (like Liverpudlian Freda Kelly) or journalists (such as the Evening Standard’s Maureen Cleave), these smart women were there from the start and stayed the course helping to spread The Word.
The Beatles also broke rank with how they chose to interact with an audience and the choices of songs they played. While there is considerable knowledge about their upbringing and how their generation viewed women’s role in society (as noted above), the stage presence they achieved through showcasing ‘girl group’ songs (The Shirelles, The Cookies, The Marvelettes) gave them a devoted female following amidst the perception of the rough and tumble atmosphere of club-going, heretofore thought to be a taboo ritual. Although these perceptions proved to be barrier-breaking, Feldman-Barrett ironically notes that although The Beatles showcased these songs to a wide audience, their eventual stratospheric rise in effect caused the demise of this genre.
Another interesting angle that Feldman-Barrett explores is the internal relationships of The Beatles: most notably with Astrid Kirchherr in Hamburg and then their early pairings (Cynthia Powell, Maureen Cox, Pattie Boyd, Jane Asher) and consequently as the band starts to disintegrate, the rise of the two most prominent partners: Yoko Ono and Linda Eastman. How these two strong female personalities become inextricably tied to their spouses’ outlook on women’s role in society as the 70s begin is examined in detail. Ono in particular was and has been unfairly portrayed in the media and Feldman-Barrett seeks to rectify that trope in these pages.
The dominant narrative that permeates this history though, are the multi-generational women who Feldman-Barrett interviewed; as either a first generation fan (one who was there during The Beatles lifespan) or into later years and even past the death of John Lennon, what comes across is the same passionate involvement they all have: whether they became professional musicians during the 60s (such as the all-girl Nursery Rhymes and The Pleasure Seekers who fought against stereotypical male-dominated ‘rock bands’) or parlayed their interest in The Beatles into a professional vocation (as tour guides in Hamburg, Liverpool and New York City) or as Feldman-Barrett points out, pursued higher education in the actual study of The Beatles, via university courses devoted to their cultural impact on society, and pop culture in particular.
These women gained tremendous insight into what had been up to that time (and even into the 70s, 80s and 90s) a love of The Beatles that moved past the mislabeling of ‘hysterical screaming teenager’ or ‘obsessed fan’ and have turned it into their life’s work. ‘A Women’s History of The Beatles’ is a deep dive scholarly approach that is informative, thought-provoking and should create more open dialogue not only for academia-minded individuals, but also for those who seek unique perspectives on how The Beatles shaped their (and our) generation.

