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Wonderbook: The Illustrated Guide to Creating Imaginative Fiction Paperback – October 15, 2013
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Praise for Wonderbook:
“Jammed with storytelling wisdom.” —Fast Company’s Co.Create blog
“This is the kind of book you leave sitting out for all to see . . . and the kind of book you will find yourself picking up again and again.” —Kirkus Reviews online
“If you’re looking for a handy guide to not just crafting imaginative fiction like sci-fi, fantasy, and horror, but to writing in general, be sure to pick up a copy of Steampunk Bible author Jeff Vandermeer’s lovingly compiled Wonderbook." —Flavorwire
“Jeff Vandermeer and Jeremy Zerfoss have created a kaleidoscopically rich and beautiful book about fiction writing.” —Star Tribune
“Because it is so layered and filled with text, tips, and links to online extras, this book can be read again and again by both those who want to learn the craft of writing and those interested in the process of others.” —Library Journal
- Print length352 pages
- LanguageEnglish
- PublisherAbrams Image
- Publication dateOctober 15, 2013
- Dimensions7 x 1 x 10 inches
- ISBN-101419704427
- ISBN-13978-1419704420
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About the Author
Product details
- Publisher : Abrams Image; First Edition (October 15, 2013)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 1419704427
- ISBN-13 : 978-1419704420
- Item Weight : 2.38 pounds
- Dimensions : 7 x 1 x 10 inches
- Best Sellers Rank: #275,269 in Books (See Top 100 in Books)
- #260 in Words, Language & Grammar Reference
- #426 in Writing Skill Reference (Books)
- #651 in Fiction Writing Reference (Books)
- Customer Reviews:
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About the author

Called “the weird Thoreau” by the New Yorker, NYT bestseller Jeff VanderMeer has been a published writer since age 14. His most recent fiction is the critically acclaimed novel BORNE, which has received raves from the NYTBR, Los Angeles Times, Washington Post, and many more. Paramount Pictures has optioned BORNE for film.
VanderMeer's Southern Reach trilogy was one of the publishing events of 2014, the trilogy made more than thirty year’s best lists, including Entertainment Weekly’s top 10. Paramount Pictures has made a movie out of the first volume of the Southern Reach, Annihilation, slated for release in 2018 and starring Tessa Thompson, Oscar Isaac, Gina Rodriguez, Natalie Portman, and Jennifer Jason Leigh.
His nonfiction appears in the New York Times, Los Angeles Times, the Guardian, and the Atlantic.com. VanderMeer also wrote the world’s first fully illustrated creative-writing guide, Wonderbook. With his wife, Ann VanderMeer, he has edited may iconic anthologies. He lives in Tallahassee, Florida, with two wonderful cats. His hobbies include hiking, reading, and bird watching.
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I've taught creative writing for 20+ years, and have books published in another genre. But I am new to writing speculative fiction, and am a bit stuck on a novel I'm working on, so I hoped to be "jump-started" by this book, or at least get some help on plotting and what to do when you get stuck in the middle. This book, unfortunately, did not help me with that. In fact, my only real criticism of the book (leaving aside for a moment that this was simply not aimed at someone like me, which is really more my mistake than the author's) was the section I most looked forward to, Middles, was virtually nonexistent. As in there was a cool image, but then it seemed to be over. A page or two which seemed more about endings but did relate to middles too, and then, nothing. I actually went back several times to see if I had missed something, but I did not. This is probably my most serious criticism of the book--what happened to the "middle" section, the section I suspect most new novelists struggle with?
If you're an experienced writer or have had good basic creative writing classes, a lot of the information in this book is going to be old hat for you. It explains scenes and exposition, use of dialogue, what constitutes a good opening, etc. There is some information on plotting which was too basic for me, but was well done. In fact, all the information on scene, exposition, etc. was succinct and well done, so I applaud the author for his ability to write about the basics of craft and to do it well and also, to apply it to speculative fiction, because he's absolutely correct--there are few basic books that go over this but use examples from speculative fiction. In other words, the basic information in this book is very strong and engagingly presented, and I was delighted to see all the concerns I have as a teacher covered in this book. If I ever get to teach a class in writing speculative fiction--which I'd love to do someday!--then I would use this book in heartbeat. It really is quite good in that way.
It's also a beautiful book. I sat down with it last night and basically went through it straight through, not reading everything, but most of it. I enjoyed reading it--which can't always be said of regular guides to creative writing. The images are lovely, and while I didn't actually think having visuals of some of the information in the text was necessary, it certainly was enjoyable, and perhaps more visual learners would find some of the diagrams very useful for them. (By then I was reading as teacher, not writer, because it was clear the book would be of more use to me using that lens). I also loved the brief interviews with a variety of writers, and I got a bunch of new names of writers to read, which is always a plus for me. I also really liked that Vandermeer used part of his own novel, Finch (which I must read!), as an example. I find it very useful to have writers talk about the choices they made, and why, and he dissected his own work very well. This was also a part that was useful for me as a writer (rather than a teacher) and some of the discussion on revision did, I think, work well for more advanced writers. Some readers may think the book is worth it just for the parts written by George R.R. Martin and Ursula Le Guin, and I did very much enjoy those parts!
I see that the book is aimed at beginners/intermediate writers. I'd say it's more for beginners, but there are gems to be found for more advanced writers as well. It also would be an excellent book for teaching creative writing, and it is so beautiful a book, so that anyone who collects guides to writing or who loves speculative fiction might find it an enjoyable book to have, even if you are not a beginning writer.
If, however, you already know the basics of fiction, and are looking for more of a "how-to" aimed at more advanced writers, this probably is not going to be the book for you. However, I applaud the author for doing something so different, and so beautiful, and I think a lot of people will really enjoy this book!
And then you spot "Wonderbook: The Illustrated Guide to Creating Imaginative Fiction". Whoa, just what you need, right? Another writing book! *facepalm*. But, gosh, it looks pretty and didn't you love " The Third Bear " by Jeff VanderMeer and don't you always want the anthologies ( The New Weird , Steampunk II: Steampunk Reloaded ) edited by Ann and Jeff VanderMeer over at Tachyon Publications (coolest books ever)! And, wow, is that one pretty looking book and check out the website, wonderbooknow.com.
So, you get the book. You have to, right? But you don't read it right away because, c'mon.
Then, one day, the writing maybe isn't flowing so well and you're feeling discouraged, but, hey, pretty book. Cheered up. And, wow, is the best book ever? It is! Just what you need. And, was it mentioned? Very pretty.
So, yes, a lot of this information sounded familiar (and no matter what, you always have a tendency to read the chapters about fun stuff like character carefully and then skim the ones you really need like point of view), but it was presented in new ways (and sometimes it's hearing something just in the right way, at the right time that makes it click). It uses examples from some of the most interesting writers (Karen Joy Fowler, Ursula K. Le Guin, Rikki Ducornet, Elizabeth Hand) and it gets you adding to your to-read list wildly. And if you like writing prompts, it's got those. Fun ones.
It's also unique among craft books in that it actually generates creativity as well as giving writers the info and tools. It does not bore. It does inspire.
For a new writer (who maybe has not read every other how to writing book under the sun) and particularly those interested in fabulist, spec fic, sf, fantasy, wild, surreal, audacious, wonderful, imaginative fiction (American realism *yawn* so last week) this is a slam dunk.
And it really gets the "read this for all writers" recommendation because it's entertaining and inspiring as well as delivering the goods. And, it was mentioned: very, very pretty. If Jeff VanderMeer is not your editor *alas*, here's the next best thing. Happy writing.
Top reviews from other countries
Enter Wonderbook by Jeff VanderMeer (and friends).
A list of its contents might sound like the same old same old, but a quick flick through its pages shows immediately that this is something different – it’s a wonderful looking book, with lots of colour, diagrams, and fantastical illustrations. Do a Google image search and you’ll see what I mean. It’s frankly beautiful in places, and the pictures and photos are designed to be a spur to your creativity as well as illustrating the idea being discussed. The idea being that pictures stimulate a different part of your brain to words.
But enough of the style, lovely as it is – what of the substance?
Wonderbook doesn’t disappoint; it’s a kaleidoscopic but perfectly-structured journey through all aspects of writing, from the initial inspiration, via scene-setting, characterisation, and world-building, to finding the right beta-readers and beyond. Although it’s broken into sections by necessity, Wonderbook is keen to stress that stories are organic wholes, rather than something you can pull apart to see what the bits do, and then reassemble. You can read it all in order, but you’re probably better flicking back and forth, finding your own route.
Rather than dogmatically asserting how he writes, VanderMeer discusses different approaches and counter arguments on the various topics, and invites guest authors (including Neil Gaiman, Lauren Beukes and George R R Martin) to give their own point of view as well. In addition, a series of surreal characters offer their own advice during the book, sometimes Devil’s advocate-style down the sidebar of the pages.
You don’t have to agree with the points VanderMeer makes, he seems to be saying, but you do have to think about them. You do have to engage.
And really, that’s what you want from a book about writing – not to be told what to do and then blindly follow, but to react, to nod or shake your head at what is being suggested, to be stimulated and confused and maybe even annoyed. And to use those feelings and thoughts to understand what you want to write, what distinguishes you from a VanderMeer or a Beukes or the weird alien creatures populating Wonderbook. To be spurred, goaded or propelled into writing something better than you ever have before.
And then you’ll read it again, and change your mind, and write something even better.
Because ultimately, this book treats learning to write as a journey (one VanderMeer admits he’s still on), a process of constantly refining and rethinking your approach. For that reason, although the blurb says its aimed at new and inexperienced writers, I imagine even old hands would get some benefit from it. Similarly, although the book mainly explores speculative fiction, most of its lessons and ideas apply equally to ‘realistic’ fiction.
This won’t be the only book on writing you’ll ever need, but I suspect it will be the one you’ll return to the most often – not to look up some dry point of grammar, but to feel enthused all over again about the journey you are on.
I don’t do well with instructions, normally and I can’t stand the idea of writing – which I consider to be a form of art – taught like math or physics would be. Honestly, I don’t even know how writing could be taught, or even if it could be taught.
Jeff Vandermeer’s Wonderbook doesn’t aim to teach you. Rather, with colorful illustrations, quirky ‘guides’ and insightful essays, the book tries to show you of the multitudes of ways that you can make your writing better. With repeating illustrations of large fishes (I don’t understand the stylistic choice either, but it is quite funny), it shows you to tighten your narrative, your plot and improve it considerably.
The essays in the book too are very well written and are entertaining to read and everyone has more than one tip and trick to offer to you, the reader.
In addition to all this, the book is wonderfully bright and is brimming with colors. There are many other books out there that are good and useful to a budding writer, but the fact that Wonderbook manages to be colorful adds another layer to it’s usefulness to anyone who writes. You will no doubt, while reading this book, be hit with inspiration simply because of one of the illustrations.
Top it all off, it doesn’t hurt that the book is surprisingly cheap for something so densely packed with material and overflowing with the potential to kickstart a writer’s creative process and carefully guide it in the right direction.
This is just my opinion, but; Whatever you’re writing, Wonderbook is one that will definitely be of great use to you.
1) El autor es un escritor sobresaliente; sus consejos tienen el sustento de alguien que sabe de lo que habla.
2) El libro va dirigido a los autores de género fantástico (horror y ciencia ficción también), por lo que los temas tratados se enfocan en cómo resolver situaciones específicas de este género.
3) Mientras que los autores de obras de ficción literaria miran con recelo a las obras de género, los autores de género se sienten tan cómodos en un mundo como en otro. Jeff Vandermeer es un ejemplo de lo anterior, y este libro te permitirá analizar tus obra desde una visión (supuestamente) más literaria, y desde el género que practiques.
4) Cuando Jeff Vandermeer sugiere una forma de resolver cierto tipo de situaciones, también ofrece las alternativas de otros autores, incluso más importantes y sobresalientes que él, lo que no es poca cosa.
5) El libro está organizado de forma que te permite trabajar cada parte del proceso de creación sin perderte ni confundirte, desde la idea de tu relato hasta el diseño narrativo, pasando por la elección de la voz narrativa y el estilo.
6) El libro es tan grande que te obligará a considerar elementos que ni siquiera habías pensado que existían durante el proceso de creación literaria.
Eso no es todo. A lo largo del libro, encontraremos ilustraciones y esquemas que nos permitirán apreciar los temas desde un punto de vista novedoso, pero siempre claro, así como cientos de dibujos y pinturas que dispararán nuestra imaginación hacia terrenos inesperados.
Wonderbook es un libro básico para el escritor, incluso para autores realistas que no temen usar su imaginación.
As a professional writer, I read a lot of writing manuals, and probably will continue to do so. But most of them deal with literary fiction and discuss technique rather than creativity. There are manuals out there on creativity and inspiration, but they usually read a little like self-help titles.
Wonderbook, then, is great precisely because it combines the two and focuses on more fabulous and fantastical modes of writing. As well as essays and guides to the mechanics of writing, there are inspirational pictures, exercises, tips and a whole lot of focus on creativity as a way of thinking. This, I think, is absolutely important. I think writing can be taught, but many people don't. I think the reason many people think writing can't be taught is because many teachers of creative writing don't quite know how to establish creativity as a mode of being. Jeff absolutely excels at this. Reading Wonderbook is like discovering the Willy Wonka's Chocolate Factory of writing practice. There's loads you'll love here, whether you write 'literary' or genre fiction, or even if you just want to be inspired.








