- Age Range: 8 - 12 years
- Grade Level: 3 - 7
- Lexile Measure: 1030 (What's this?)
- Series: Books of Wonder
- Hardcover: 272 pages
- Publisher: HarperCollins; Anniversary edition (October 3, 2000)
- Language: English
- ISBN-10: 0060293233
- ISBN-13: 978-0060293239
- Product Dimensions: 6.8 x 0.2 x 9 inches
- Shipping Weight: 2.1 pounds (View shipping rates and policies)
- Average Customer Review: 3,447 customer reviews
- Amazon Best Sellers Rank: #59,484 in Books (See Top 100 in Books)
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The Wonderful Wizard of Oz: 100th Anniversary Edition (Books of Wonder) Hardcover – Deluxe Edition, October 3, 2000
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Gr. 4-up, younger for reading aloud. As Mark Evan Swartz comments in Oz: Before the Rainbow [BKL O 15 00], L. Frank Baum's The Wonderful Wizard of Oz "occupies a unique position in the cultural fabric of this country." Editor Peter Glassman (Oz: The Hundredth Anniversary Celebration) calls the story "quintessentially American." Yet it has a universal appeal--which may account for its translation into many different languages. Although children are often first introduced to the Land of Oz by the classic 1939 movie, the original novel and its many sequels have enchanted both young and old over the years. Published for the centennial, several new books commemorate the beloved story. Readers unacquainted with Oz are sure to find a pleasing version; readers who already know the story will find something to delight them all over again.In Oz: The Hundredth Anniversary Celebration, Peter Glassman presents art and words from children's book authors and illustrators who are big fans of Oz and here pay homage to "the enchanted land that inspired them and helped shape their imaginations." The paintings, in each artist's recognizable style, lovingly convey the essence of Oz, making this truly wonderful. Contributions come from Tomie dePaola, who imagines himself going down the yellow brick road instead of Dorothy; Paul O. Zelinsky, who shared the Oz experience with his children; Uri Shulevitz, who escaped from hunger and war during the 1940s in the pages of The Wonderful Wizard of Oz ; Richard Egielski, whose childhood defense against the ghastly flying monkeys was to lie absolutely still in bed; Natalie Babbitt, Peter Sis, Bruce Degen, Lloyd Alexander, and many others. Proceeds from the sale of the book will be donated to Reading Is Fundamental (RIF).Then there's Robert Sabuda's extraordinary pop-up version. On the first double-page spread, the fearful cyclone whirls up to loom over the tiny farm house in Kansas; in the next spread, the house stands squarely on top of the Wicked Witch of the East. And so it goes, spread after spread. The story itself is condensed and told on foldout booklets attached to the pages. The standout pop-ups are prints created from cut blocks of linoleum, with sparkling touches of colored foil that add pizzazz. Sabuda's art evokes that of Denslow, including the silver, rather than ruby, slippers, and once again, his mastery of his craft enhances and enchants. A good selection for story hours.Also now available is Henry Holt's reissue of its 1982 version of the book, with artwork by the well-known children's book illustrator Michael Hague. It contains several new pictures and a slightly longer profile of Baum. It's certainly not an essential purchase, but it's a gorgeous edition for collections that don't have the earlier volume.Last, but certainly not least, is The Wonderful Wizard of Oz, the "100th Anniversary Edition," part of the HarperCollins Books of Wonder imprint. For those who want the look and feel of the 1900 publication, this fills the bill. It's a very handsome facsimile, printed on high-quality paper and containing all of W. W. Denslow's 24 original colorplates and 130 two-color drawings. Long live Dorothy and her stalwart companions. Sally Estes
Copyright © American Library Association. All rights reserved
From the Back Cover
One of the true classics of American literature, The Wonderful Wizard of Oz has stirred the imagination of young and old alike for over four generations. Originally published in 1900, it was the first truly American fairy tale, as Baum crafted a wonderful out of such familiar items as a cornfield scarecrow, a mechanical woodman, and a humbug wizard who used old-fashioned hokum to express that universal theme, "There's no place like home."
Follow the adventures of young Dorothy Gale and her dog, Toto, as their Kansas house is swept away by a cyclone and they find themselves in a strange land called Oz. Here she meets the Munchkins and joins the Scarecrow, Tin Woodman, and the Cowardly Lion on an unforgettable journey to the Emerald City, where lives the all-powered Wizard of Oz.
This lavishly produced facsimile of the rare first edition contains all 24 of W. W. Denslow's original color plates, the colorful pictorial binding, and the 130 two-color illustrations that help make The Wonderful Wizard of Oz so special and enduring.
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Also, I really hate the person who told me about the gold standard subtheme, because it was really annoying to think about it all the time and never see it pay off in a satisfying way.
And while it delivers on that, the quality of the printing, formatting, and layout is poor.
But the story itself was pretty funny and a bit morbid IMO. If you have watched the movie but not read the book, lemme tell you; they are similar but by no means are they the same. The tin man’s reason for being tin was…..bordering on the ridiculous. My daughter and I kept laughing at each time he lost a limb.
And the Lion didn’t really come off as cowardly so much as bratty. But I’m sure that’s just our modern interpretation. I did love the flying monkeys. They played a much bigger part in the book. Each chapter was like a mini adventure, always something new that happened and was resolved by the end of it. It kept us engaged in that aspect.
One thing I will spoil for you….her shoes are NOT red.
And did you know, there’s like 13 books in this series? I had no idea. Anyway, it was a fun read. I definitely recommend it, especially if you had kids.