Woodstock: 3 Days of Peace & Music
Ultimate Collector's Edition, Amazon Exclusive Edition, Collector's Edition, Director's Cut 40th Anniversary Ultimate Collector's Edition
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This director's cut of Woodstock: 3 Days of Peace & Music, released to coincide with the 40th anniversary of that legendary concert event, has to be one of the most impressive Blu-ray releases of 2009 or any other year--and that's even before you put the discs in your player. The box is designed to resemble a faux fringe jacket (with an iron-on patch attached), and inside are all manner of shiny bells and whistles, including a lucite paperweight with images from the event, a reprint of LIFE Magazine's original festival feature, and reproductions of various Woodstock memorabilia, right down to notes left by concertgoers ("Please meet me in front of stage. I have your insulin pills") and a three-day ticket to the event. And hey, if you're looking for subtitles in Finnish, Thai, or Polish, you've come to the right place.
The movie itself now weighs in at nearly four hours long, and is presumably the way director Michael Wadleigh wanted it in the first place. The Blu-ray transfer is definitely an upgrade, as is the soundtrack, which was originally recorded on 8-track tape under less-than-ideal conditions. (Using modern digital technology, audio engineer Eddie Kramer, who was hunkered down in what passed for a recording booth at the Woodstock site, has painstakingly restored the soundtrack--even bringing in some of the musicians to re-play their original parts, as on Santana's "Evil Ways," one of the previously unreleased bonus performances. Considering that the event is something of a sacred cow by now, this trick may strike some as blasphemous. Then again, this is hardly the first time that a live concert recording has been sweetened, re-recorded, or otherwise enhanced. In fact, it'd be hard to find one that wasn't. And the additions would have gone largely unnoticed if we hadn't been told about them.) In the end, though, there’s only so much improvement possible, and Woodstock was never about technical brilliance anyway. Nor was it mostly about the music, either. Nor was it mostly about the music, either. There are some terrific performances, from acoustic numbers by Richie Havens and Crosby, Stills & Nash to powerful electric contributions from Santana, Sly & the Family Stone, and Joe Cocker. But the truth is that Monterey Pop, which happened two years earlier, was the more exciting concert, and of the several artists who appeared on both bills (including Jimi Hendrix, Janis Joplin, the Who, Jefferson Airplane, and others), all of them made better music at the California festival. But Woodstock was always less a concert than an overall cultural happening, and Wadleigh and his crew, often employing an effective split-screen technique, do a superb job of corralling and conveying the remarkable atmosphere and spirit of it; you didn't have to be there to recognize that this was the zenith of the Age of Aquarius (it was also the twilight; with Altamont looming, things would never be this peaceful and idealistic again).
Of principal interest on the second disc will be two hours of additional musical performances, including both additional tunes by those who are in the main feature and appearances by five artists who for various reasons (ego, money, quality, time) never made it into the film at all; of the latter, Creedence Clearwater Revival is excellent, Paul Butterfield and Johnny Winter are good, Mountain is mediocre, and the Grateful Dead, with an interminable (38 minutes!) "Turn on Your Love Light," are awful (a special Blu-ray-only feature lets users organize this material as they see fit). Meanwhile, "From Festival to Feature," a new, hour-long look at the making of the movie, is absorbing and minutely detailed. The Amazon-exclusive content (included on disc 2) is an additional 20 minutes of never-before-seen performance footage in high definition from Grateful Dead, Jefferson Airplane, and Country Joe and the Fish plus three bonus featurettes. --Sam Graham
1969 was a year unlike any other. Man first set foot on the moon. The New York Mets won the World Series against all odds. And for three days in the rural town of Bethel, New York, half a million people experienced the single most defining moment of their generation; a concert unprecedented in scope and influence, a coming together of people from all walks of life with a single common goal: Peace and music. They called it Woodstock. One year later, a landmark Oscar®-winning documentary captured the essence of the music, the electricity of the performances, and the experience of those who lived it. Newly remastered, the film features legendary performances by 17 best selling artists.
Stills from Woodstock: 3 Days of Peace & Music Director's Cut
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Anyway, the newly added footage of Janis Joplin, Jefferson Airplane and Canned Heat is pretty darn cool, and the Jimi Hendrix version of the Star Spangled Banner remains one of the greatest things ever captured on film. Woodstock was a legendary event which in many ways defined one of the most creative, turbulent and exciting periods in American history. "Gimme an F"!
For the rest of you, it gives you a glimpse into the whole blended music and peace movement, everyone wants a better world and music will help make that happen ethos of the time.
This version is not the 40th anniversary version. It is the director's cut. It is my understanding that the 40th anniversary edition will include "revisionism" that I find unacceptable.
I can't vouch, but I have heard that musicians are coming back and re recording parts to make them more "perfect", correcting mistakes and stuff. For example, I've heard that Santana supposedly is going to correct some bits that didn't come off right.
Folks, a concert is not a recording. It will not be perfect. Some of the best concerts I have ever been to have had mistakes sprinkled throughout. They did not detract from the performance.
Going in and screwing with a historic documentation of a historic event is sacriledge. Yes, I said it. We lose the essence of the event, we lose the substance, the immediacy of the time, the day, the moment. A lot of people were angry with George Lucas for messing with his films, which were actually just fine as they were.
So, what... Are we going to go into the document "Gimme Shelter" and remove the violence and murder that took place that day at Altamont? That concert, by contrast with Woodstock, was the polar oppposite, a horrible experience. But we need to see the dark underbelly of the movement we older folks often romanticize. It wasn't as great as we remember. One should never alter historic documents because they make you uncomfortable.
While the director's cut contains a bit more music and such, I think it is definitive as you can expect. And you just should never "change" history because you didn't like how it "turned out", how it "sounded". History is not clean and neat, it is often messy and tangled and fraught with errors.
Avoid the 40th, and get this one. It's more honest and true to the event that was pivotal to the whole "peace and love" movement of the 1960s. Sorry for the rant, but you need to be aware of what is being done to historic documentations, how they are being changed and no longer truly represent the moment - which cannot and should not be altered to suit some misguided sense of God know what they are thinking.