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Woody Allen on Woody Allen Paperback – Illustrated, July 10, 2005
Purchase options and add-ons
- Print length376 pages
- LanguageEnglish
- PublisherGrove Press
- Publication dateJuly 10, 2005
- Dimensions5.75 x 1.25 x 8.75 inches
- ISBN-100802142036
- ISBN-13978-0802142030
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Product details
- Publisher : Grove Press; Revised edition (July 10, 2005)
- Language : English
- Paperback : 376 pages
- ISBN-10 : 0802142036
- ISBN-13 : 978-0802142030
- Item Weight : 1.02 pounds
- Dimensions : 5.75 x 1.25 x 8.75 inches
- Best Sellers Rank: #1,213,952 in Books (See Top 100 in Books)
- #528 in Movie Director Biographies
- #1,750 in Television Performer Biographies
- #9,793 in Actor & Entertainer Biographies
- Customer Reviews:
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About the author

Woody Allen’s prolific career as a comedian, writer, and filmmaker has now spanned more than six decades and multiple award winning films. Mr. Allen’s first screenplay was for What’s New Pussycat?, which was released in 1965. He has written and directed more than 45 feature films, including Annie Hall, Manhattan and more recently, Midnight in Paris, Blue Jasmine & Rainy Day in New York. Woody Allen is the author of Getting Even, Without Feathers, and Side Effects, among numerous other books.
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In addition the book makes a complete and deep revision of each Allen's movie in which Woody provides a detailed explanation and description of the movie itself. The subject, the locations where they were film, the election of the movie cast, as well as his relationship with the whole staff that has accompanied him along the years in the movies making process.
If you like Woody Allen you will love this book because it is entertaining, it provides a lot of insight about Allen and while you are reading it, you feel you are part of the interview as well, like you had the chance to sit there discussing life and movies with him.
I liked the structure of the interviews in that they started with his first film and then discussed each subsequent film in chronological sequence. The interviewer, Stig Bjorkman, is a Swedish filmmaker and critic who is obviously well-versed in Allen's films since many of his questions and observations reflected a detailed knowledge of various scenes and characters in Allen's films. It certainly helped the rapport between interviewer and interviewee that they both shared a love of Bergman films. Allen acknowledges that, by and large, the studios have given him a great deal of creative freedom with his films, but that European audiences may have sustained his autonomy in recent years.
As mentioned, Allen comes across in these interviews as a dedicated, hard-working and creative filmmaker, and although he resembles the stock character he so often portrayed in his films in certain ways, in many other ways he is different from that character, e.g., he was a reasonably athletic adolescent. Nonetheless, some of those "neurotic" features are much in evidence in these interviews. He's obsessed with death and has a morbid fear of "perishing" (perhaps it's why he's such a workaholic). On numerous occasions, he cites Ernest Becker's "The Denial of Death" as a book that's shaped him both intellectually and emotionally. Of course, Woody always said that he "didn't want to achieve immortality through his work, but by not dying." He also reveals that he's not the hypochondriac he's portrayed but instead he's an "alarmist"; that is, he doesn't think he's always sick, but instead, when he does get sick, he thinks it's fatal!
One irritant in these interviews is that Bjorkman, a typical left-wing European intellectual, makes numerous anti-American observations to Allen, presumably trying to get him to follow up and agree. To his credit, Woody (a liberal), doesn't take the bait, and instead makes reasoned and balanced observations on American politics and society. If you enjoy Woody's films, these revealing interviews should be worth your while.
I don't know if the fault lies with the interviewer for not asking the right questions and follow-ups, or if Allen is simply being tight-lipped. But of all the volumes in the "X on X" famous director series, this one is the most disappointing. (This is especially surprising, since Stig Bjorkman, the interviewer here, also edited the volume Bergman on Bergman, which was quite good.)* I'd recommend Sam Girgus' The Films of Woody Allen if one wants to know something about why Allen does what he does as a director.
Two and a half stars.
_________
* Although Bergman later claimed that he lied his way through the entire book.
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Insight to a great & very funny man








