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Words of Radiance (The Stormlight Archive, Book 2) (The Stormlight Archive, 2) Hardcover – Lay Flat, March 4, 2014
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From #1 New York Times bestselling author Brandon Sanderson, Words of Radiance, Book Two of the Stormlight Archive, continues the immersive fantasy epic that The Way of Kings began.
Expected by his enemies to die the miserable death of a military slave, Kaladin survived to be given command of the royal bodyguards, a controversial first for a low-status "darkeyes." Now he must protect the king and Dalinar from every common peril as well as the distinctly uncommon threat of the Assassin, all while secretly struggling to master remarkable new powers that are somehow linked to his honorspren, Syl.
The Assassin, Szeth, is active again, murdering rulers all over the world of Roshar, using his baffling powers to thwart every bodyguard and elude all pursuers. Among his prime targets is Highprince Dalinar, widely considered the power behind the Alethi throne. His leading role in the war would seem reason enough, but the Assassin's master has much deeper motives.
Brilliant but troubled Shallan strives along a parallel path. Despite being broken in ways she refuses to acknowledge, she bears a terrible burden: to somehow prevent the return of the legendary Voidbringers and the civilization-ending Desolation that will follow. The secrets she needs can be found at the Shattered Plains, but just arriving there proves more difficult than she could have imagined.
Meanwhile, at the heart of the Shattered Plains, the Parshendi are making an epochal decision. Hard pressed by years of Alethi attacks, their numbers ever shrinking, they are convinced by their war leader, Eshonai, to risk everything on a desperate gamble with the very supernatural forces they once fled. The possible consequences for Parshendi and humans alike, indeed, for Roshar itself, are as dangerous as they are incalculable.
Other Tor books by Brandon Sanderson
The Cosmere
The Stormlight Archive
The Way of Kings
Words of Radiance
Edgedancer (Novella)
Oathbringer
The Mistborn trilogy
Mistborn: The Final Empire
The Well of Ascension
The Hero of Ages
Mistborn: The Wax and Wayne series
Alloy of Law
Shadows of Self
Bands of Mourning
Collection
Arcanum Unbounded
Other Cosmere novels
Elantris
Warbreaker
The Alcatraz vs. the Evil Librarians series
Alcatraz vs. the Evil Librarians
The Scrivener's Bones
The Knights of Crystallia
The Shattered Lens
The Dark Talent
The Rithmatist series
The Rithmatist
Other books by Brandon Sanderson
The Reckoners
Steelheart
Firefight
Calamity
- Print length1088 pages
- LanguageEnglish
- PublisherTor Books
- Publication dateMarch 4, 2014
- Dimensions6.7 x 2.1 x 9.5 inches
- ISBN-100765326361
- ISBN-13978-0765326362
- Lexile measureHL680L
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- Jasnah had once defined a fool as a person who ignored information because it disagreed with desired results.Highlighted by 7,964 Kindle readers
- Expectation wasn’t just about what people expected of you. It was about what you expected of yourself.Highlighted by 6,482 Kindle readers
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Editorial Reviews
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Review
“I loved this book. What else is there to say?” ―Patrick Rothfuss, New York Times bestselling author of The Name of the Wind on The Way of Kings
“This is a great choice for fans of Robert Jordan and Terry Brooks.” ―Voice of Youth Advocates on The Way of Kings
“The best part…is the compelling, complex story of Dalinar, Kaladin, and Shallan as they struggle though emotional, physical, and moral challenges. Fans and lovers of epic fantasy…will eagerly await the next volume.” ―Library Journal on The Way of Kings
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
SANTHID
To be perfectly frank, what has happened these last two months is upon my head. The death, destruction, loss, and pain are my burden. I should have seen it coming. And I should have stopped it.
—From the personal journal of Navani Kholin, Jeseses 1174
Shallan pinched the thin charcoal pencil and drew a series of straight lines radiating from a sphere on the horizon. That sphere wasn’tquite the sun, nor was it one of the moons. Clouds outlined in charcoal seemed to stream toward it. And the sea beneath them … A drawing could not convey the bizarre nature of that ocean, made not of water but of small beads of translucent glass.
Shallan shivered, remembering that place. Jasnah knew much more of it than she would speak of to her ward, and Shallan wasn’t certain how to ask. How did one demand answers after a betrayal such as Shallan’s? Only a few days had passed since that event, and Shallan still didn’t know exactly how her relationship with Jasnah would proceed.
The deck rocked as the ship tacked, enormous sails fluttering overhead. Shallan was forced to grab the railing with her clothed safehand to steady herself. Captain Tozbek said that so far, the seas hadn’t been bad for this part of Longbrow’s Straits. However, she might have to go below if the waves and motion got much worse.
Shallan exhaled and tried to relax as the ship settled. A chill wind blew, and windspren zipped past on invisible air currents. Every time the sea grew rough, Shallan remembered that day, that alien ocean of glass beads …
She looked down again at what she’d drawn. She had only glimpsed that place, and her sketch was not perfect. It—
She frowned. On her paper, a pattern had risen, like an embossing. What had she done? That pattern was almost as wide as the page, a sequence of complex lines with sharp angles and repeated arrowhead shapes. Was it an effect of drawing that weird place, the place Jasnah said was named Shadesmar? Shallan hesitantly moved her freehand to feel the unnatural ridges on the page.
The pattern moved, sliding across the page like an axehound pup under a bedsheet.
Shallan yelped and leapt from her seat, dropping her sketchpad to the deck. The loose pages slumped to the planks, fluttering and then scattering in the wind. Nearby sailors—Thaylen men with long white eyebrows they combed back over their ears—scrambled to help, snatching sheets from the air before they could blow overboard.
“You all right, young miss?” Tozbek asked, looking over from a conversation with one of his mates. The short, portly Tozbek wore a wide sash and a coat of gold and red matched by the cap on his head. He wore his eyebrows up and stiffened into a fanned shape above his eyes.
“I’m well, Captain,” Shallan said. “I was merely spooked.”
Yalb stepped up to her, proffering the pages. “Your accouterments, my lady.”
Shallan raised an eyebrow. “Accouterments?”
“Sure,” the young sailor said with a grin. “I’m practicing my fancy words. They help a fellow obtain reasonable feminine companionship. You know—the kind of young lady who doesn’t smell too bad an’ has at least a few teeth left.”
“Lovely,” Shallan said, taking the sheets back. “Well, depending on your definition of lovely, at least.” She suppressed further quips, suspiciously regarding the stack of pages in her hand. The picture she’d drawn of Shadesmar was on top, no longer bearing the strange embossed ridges.
“What happened?” Yalb said. “Did a cremling crawl out from under you or something?” As usual, he wore an open-fronted vest and a pair of loose trousers.
“It was nothing,” Shallan said softly, tucking the pages away into her satchel.
Yalb gave her a little salute—she had no idea why he had taken to doing that—and went back to tying rigging with the other sailors. She soon caught bursts of laughter from the men near him, and when she glanced at him, gloryspren danced around his head—they took the shape of little spheres of light. He was apparently very proud of the jape he’d just made.
She smiled. It was indeed fortunate that Tozbek had been delayed in Kharbranth. She liked this crew, and was happy that Jasnah had selected them for their voyage. Shallan sat back down on the box that Captain Tozbek had ordered lashed beside the railing so she could enjoy the sea as they sailed. She had to be wary of the spray, which wasn’t terribly good for her sketches, but so long as the seas weren’t rough, the opportunity to watch the waters was worth the trouble.
The scout atop the rigging let out a shout. Shallan squinted in the direction he pointed. They were within sight of the distant mainland, sailing parallel to it. In fact, they’d docked at port last night to shelter from the highstorm that had blown past. When sailing, you always wanted to be near to port—venturing into open seas when a highstorm could surprise you was suicidal.
The smear of darkness to the north was the Frostlands, a largely uninhabited area along the bottom edge of Roshar. Occasionally, she caught a glimpse of higher cliffs to the south. Thaylenah, the great island kingdom, made another barrier there. The straits passed between the two.
The lookout had spotted something in the waves just north of the ship, a bobbing shape that at first appeared to be a large log. No, it was much larger than that, and wider. Shallan stood, squinting, as it drew closer. It turned out to be a domed brown-green shell, about the size of three rowboats lashed together. As they passed by, the shell came up alongside the ship and somehow managed to keep pace, sticking up out of the water perhaps six or eight feet.
A santhid! Shallan leaned out over the rail, looking down as the sailors jabbered excitedly, several joining her in craning out to see the creature. Santhidyn were so reclusive that some of her books claimed they were extinct and all modern reports of them untrustworthy.
“You are good luck, young miss!” Yalb said to her with a laugh as he passed by with rope. “We ain’t seen a santhid in years.”
“You still aren’t seeing one,” Shallan said. “Only the top of its shell.” To her disappointment, waters hid anything else—save shadows of something in the depths that might have been long arms extending downward. Stories claimed the beasts would sometimes follow ships for days, waiting out in the sea as the vessel went into port, then following them again once the ship left.
“The shell is all you ever see of one,” Yalb said. “Passions, this is a good sign!”
Shallan clutched her satchel. She took a Memory of the creature down there beside the ship by closing her eyes, fixing the image of it in her head so she could draw it with precision.
Draw what, though? she thought. A lump in the water?
An idea started to form in her head. She spoke it aloud before she could think better. “Bring me that rope,” she said, turning to Yalb.
“Brightness?” he asked, stopping in place.
“Tie a loop in one end,” she said, hurriedly setting her satchel on her seat. “I need to get a look at the santhid. I’ve never actually put my head underwater in the ocean. Will the salt make it difficult to see?”
“Underwater?” Yalb said, voice squeaking.
“You’re not tying the rope.”
“Because I’m not a storming fool! Captain will have my head if…”
“Get a friend,” Shallan said, ignoring him and taking the rope to tie one end into a small loop. “You’re going to lower me down over the side, and I’m going get a glimpse of what’s under the shell. Do you realize that nobody hasever produced a drawing of a live santhid? All the ones that have washed up on beaches were badly decomposed. And since sailors consider hunting the things to be bad luck—”
“It is!” Yalb said, voice growing more high pitched. “Ain’t nobody going to kill one.”
Shallan finished the loop and hurried to the side of the ship, her red hair whipping around her face as she leaned out over the rail. The santhid was still there. How did it keep up? She could see no fins.
She looked back at Yalb, who held the rope, grinning. “Ah, Brightness. Is this payback for what I said about your backside to Beznk? That was just in jest, but you got me good! I…” He trailed off as she met his eyes. “Storms. You’re serious.”
“I’ll not have another opportunity like this. Naladan chased these things for most of her life and never got a good look at one.”
“This is insanity!”
“No, this is scholarship! I don’t know what kind of view I can get through the water, but I have to try.”
Yalb sighed. “We have masks. Made from a tortoise shell with glass in hollowed-out holes on the front and bladders along the edges to keep the water out. You can duck your head underwater with one on and see. We use them to check over the hull at dock.”
“Wonderful!”
“Of course, I’d have to go to the captain to get permission to take one.…”
She folded her arms. “Devious of you. Well, get to it.” It was unlikely she’d be able to go through with this without the captain finding out anyway.
Yalb grinned. “What happened to you in Kharbranth? Your first trip with us, you were so timid, you looked like you’d faint at the mere thought of sailing away from your homeland!”
Shallan hesitated, then found herself blushing. “This is somewhat foolhardy, isn’t it?”
“Hanging from a moving ship and sticking your head in the water?” Yalb said. “Yeah. Kind of a little.”
“Do you think … we could stop the ship?”
Yalb laughed, but went jogging off to speak with the captain, taking her query as an indication she was still determined to go through with her plan. And she was.
What did happen to me? she wondered.
The answer was simple. She’d lost everything. She’d stolen from Jasnah Kholin, one of the most powerful women in the world—and in so doing had not only lost her chance to study as she’d always dreamed, but had also doomed her brothers and her house. She had failed utterly and miserably.
And she’d pulled through it.
She wasn’t unscathed. Her credibility with Jasnah had been severely wounded, and she felt that she had all but abandoned her family. But something about the experience of stealing Jasnah’s Soulcaster—which had turned out to be a fake anyway—then nearly being killed by a man she’d thought was in love with her …
Well, she now had a better idea of how bad things could get. It was as if … once she had feared the darkness, but now she had stepped into it. She had experienced some of the horrors that awaited her there. Terrible as they were, at least she knew.
You always knew, a voice whispered deep inside of her. You grew up with horrors, Shallan. You just won’t let yourself remember them.
“What is this?” Tozbek asked as he came up, his wife, Ashlv, at his side. The diminutive woman did not speak much; she dressed in a skirt and blouse of bright yellow, a headscarf covering all of her hair except the two white eyebrows, which she had curled down beside her cheeks.
“Young miss,” Tozbek said, “you want to go swimming? Can’t you wait until we get into port? I know of some nice areas where the water is not nearly so cold.”
“I won’t be swimming,” Shallan said, blushing further. What would she wear to go swimming with men about? Did people really do that? “I need to get a closer look at our companion.” She gestured toward the sea creature.
“Young miss, you know I can’t allow something so dangerous. Even if we stopped the ship, what if the beast harmed you?”
“They’re said to be harmless.”
“They are so rare, can we really know for certain? Besides, there are other animals in these seas that could harm you. Redwaters hunt this area for certain, and we might be in shallow enough water for khornaks to be a worry.” Tozbek shook his head. “I’m sorry, I just cannot allow it.”
Shallan bit her lip, and found her heart beating traitorously. She wanted to push harder, but that decisive look in his eyes made her wilt. “Very well.”
Tozbek smiled broadly. “I’ll take you to see some shells in the port at Amydlatn when we stop there, young miss. They have quite a collection!”
She didn’t know where that was, but from the jumble of consonants squished together, she assumed it would be on the Thaylen side. Most cities were, this far south. Though Thaylenah was nearly as frigid as the Frostlands, people seemed to enjoy living there.
Of course, Thaylens were all a little off. How else to describe Yalb and the others wearing no shirts despite the chill in the air?
They weren’t the ones contemplating a dip in the ocean, Shallan reminded herself. She looked over the side of the ship again, watching waves break against the shell of the gentle santhid. What was it? A great-shelled beast, like the fearsome chasmfiends of the Shattered Plains? Was it more like a fish under there, or more like a tortoise? The santhidyn were so rare—and the occasions when scholars had seen them in person so infrequent—that the theories all contradicted one another.
She sighed and opened her satchel, then set to organizing her papers, most of which were practice sketches of the sailors in various poses as they worked to maneuver the massive sails overhead, tacking against the wind. Her father would never have allowed her to spend a day sitting and watching a bunch of shirtless darkeyes. How much her life had changed in such a short time.
She was working on a sketch of the santhid’s shell when Jasnah stepped up onto the deck.
Like Shallan, Jasnah wore the havah, a Vorin dress of distinctive design. The hemline was down at her feet and the neckline almost at her chin. Some of the Thaylens—when they thought she wasn’t listening—referred to the clothing as prudish. Shallan disagreed; the havah wasn’t prudish, but elegant. Indeed, the silk hugged the body, particularly through the bust—and the way the sailors gawked at Jasnah indicated they didn’t find the garment unflattering.
Jasnah was pretty. Lush of figure, tan of skin. Immaculate eyebrows, lips painted a deep red, hair up in a fine braid. Though Jasnah was twice Shallan’s age, her mature beauty was something to be admired, even envied. Why did the woman have to be so perfect?
Jasnah ignored the eyes of the sailors. It wasn’t that she didn’t notice men. Jasnah noticed everything and everyone. She simply didn’t seem to care, one way or another, how men perceived her.
No, that’s not true, Shallan thought as Jasnah walked over. She wouldn’t take the time to do her hair, or put on makeup, if she didn’t care how she was perceived. In that, Jasnah was an enigma. On one hand, she seemed to be a scholar concerned only with her research. On the other hand, she cultivated the poise and dignity of a king’s daughter—and, at times, used it like a bludgeon.
“And here you are,” Jasnah said, walking to Shallan. A spray of water from the side of the ship chose that moment to fly up and sprinkle her. She frowned at the drops of water beading on her silk clothing, then looked back to Shallan and raised her eyebrow. “The ship, you may have noticed, has two very fine cabins that I hired out for us at no small expense.”
“Yes, but they’re inside.”
“As rooms usually are.”
“I’ve spent most of my life inside.”
“So you will spend much more of it, if you wish to be a scholar.”
Shallan bit her lip, waiting for the order to go below. Curiously, it did not come. Jasnah gestured for Captain Tozbek to approach, and he did so, groveling his way over with cap in hand.
“Yes, Brightness?” he asked.
“I should like another of these … seats,” Jasnah said, regarding Shallan’s box.
Tozbek quickly had one of his men lash a second box in place. As she waited for the seat to be ready, Jasnah waved for Shallan to hand over her sketches. Jasnah inspected the drawing of the santhid, then looked over the side of the ship. “No wonder the sailors were making such a fuss.”
“Luck, Brightness!” one of the sailors said. “It is a good omen for your trip, don’t you think?”
“I shall take any fortune provided me, Nanhel Eltorv,” she said. “Thank you for the seat.”
The sailor bowed awkwardly before retreating.
“You think they’re superstitious fools,” Shallan said softly, watching the sailor leave.
“From what I have observed,” Jasnah said, “these sailors are men who have found a purpose in life and now take simple pleasure in it.” Jasnah looked at the next drawing. “Many people make far less out of life. Captain Tozbek runs a good crew. You were wise in bringing him to my attention.”
Shallan smiled. “You didn’t answer my question.”
“You didn’t ask a question,” Jasnah said. “These sketches are characteristically skillful, Shallan, but weren’t you supposed to be reading?”
“I … had trouble concentrating.”
“So you came up on deck,” Jasnah said, “to sketch pictures of young men working without their shirts on. You expected this tohelp your concentration?”
Shallan blushed, as Jasnah stopped at one sheet of paper in the stack. Shallan sat patiently—she’d been well trained in that by her father—until Jasnah turned it toward her. The picture of Shadesmar, of course.
“You have respected my command not to peer into this realm again?” Jasnah asked.
“Yes, Brightness. That picture was drawn from a memory of my first … lapse.”
Jasnah lowered the page. Shallan thought she saw a hint of something in the woman’s expression. Was Jasnah wondering if she could trust Shallan’s word?
“I assume this is what is bothering you?” Jasnah asked.
“Yes, Brightness.”
“I suppose I should explain it to you, then.”
“Really? You would do this?”
“You needn’t sound so surprised.”
“It seems like powerful information,” Shallan said. “The way you forbade me … I assumed that knowledge of this place was secret, or at least not to be trusted to one of my age.”
Jasnah sniffed. “I’ve found that refusing to explain secrets to young people makes themmore prone to get themselves into trouble, not less. Your experimentation proves that you’ve already stumbled face-first into all of this—as I once did myself, I’ll have you know. I know through painful experience how dangerous Shadesmar can be. If I leave you in ignorance, I’ll be to blame if you get yourself killed there.”
“So you’d have explained about it if I’d asked earlier in our trip?”
“Probably not,” Jasnah admitted. “I had to see how willing you were to obey me. This time.”
Shallan wilted, and suppressed the urge to point out that back when she’d been a studious and obedient ward, Jasnah hadn’t divulged nearly as many secrets as she did now. “So what is it? That … place.”
“It’s not truly a location,” Jasnah said. “Not as we usually think of them. Shadesmar is here, all around us, right now. All things exist there in some form, as all things exist here.”
Shallan frowned. “I don’t—”
Jasnah held up a finger to quiet her. “All things have three components: the soul, the body, and the mind. That place you saw, Shadesmar, is what we call the Cognitive Realm—the place of the mind.
“All around us you see the physical world. You can touch it, see it, hear it. This is how your physical body experiences the world. Well, Shadesmar is the way that your cognitive self—your unconscious self—experiences the world. Through your hidden senses touching that realm, you make intuitive leaps in logic and you form hopes. It is likely through those extra senses that you, Shallan, create art.”
Water splashed on the bow of the ship as it crossed a swell. Shallan wiped a drop of salty water from her cheek, trying to think through what Jasnah had just said. “That made almostno sense whatsoever to me, Brightness.”
“I should hope that it didn’t,” Jasnah said. “I’ve spent six years researching Shadesmar, and I still barely know what to make of it. I shall have to accompany you there several times before you can understand, even a little, the true significance of the place.”
Jasnah grimaced at the thought. Shallan was always surprised to see visible emotion from her. Emotion was something relatable, something human—and Shallan’s mental image of Jasnah Kholin was of someone almost divine. It was, upon reflection, an odd way to regard a determined atheist.
“Listen to me,” Jasnah said. “My own words betray my ignorance. I told you that Shadesmar wasn’t a place, and yet I call it one in my next breath. I speak of visiting it, though it is all around us. We simply don’t have the proper terminology to discuss it. Let me try another tactic.”
Jasnah stood up, and Shallan hastened to follow. They walked along the ship’s rail, feeling the deck sway beneath their feet. Sailors made way for Jasnah with quick bows. They regarded her with as much reverence as they would a king. How did she do it? How could she control her surroundings without seeming to do anything at all?
“Look down into the waters,” Jasnah said as they reached the bow. “What do you see?”
Shallan stopped beside the rail and stared down at the blue waters, foaming as they were broken by the ship’s prow. Here at the bow, she could see adeepness to the swells. An unfathomable expanse that extended not just outward, but downward.
“I see eternity,” Shallan said.
“Spoken like an artist,” Jasnah said. “This ship sails across depths we cannot know. Beneath these waves is a bustling, frantic, unseen world.”
Jasnah leaned forward, gripping the rail with one hand unclothed and the other veiled within the safehand sleeve. She looked outward. Not at the depths, and not at the land distantly peeking over both the northern and southern horizons. She looked toward the east. Toward the storms.
“There is an entire world, Shallan,” Jasnah said, “of which our minds skim but the surface. A world of deep, profound thought. A worldcreated by deep, profound thoughts. When you see Shadesmar, you enter those depths. It is an alien place to us in some ways, but at the same time we formed it. With some help.”
“We did what?”
“What are spren?” Jasnah asked.
The question caught Shallan off guard, but by now she was accustomed to challenging questions from Jasnah. She took time to think and consider her answer.
“Nobody knows what spren are,” Shallan said, “though many philosophers have different opinions on—”
“No,” Jasnah said. “What are they?”
“I…” Shallan looked up at a pair of windspren spinning through the air above. They looked like tiny ribbons of light, glowing softly, dancing around one another. “They’re living ideas.”
Jasnah spun on her.
“What?” Shallan said, jumping. “Am I wrong?”
“No,” Jasnah said. “You’re right.” The woman narrowed her eyes. “By my best guess, spren are elements of the Cognitive Realm that haveleaked into the physical world. They’re concepts that have gained a fragment of sentience, perhaps because of human intervention.
“Think of a man who gets angry often. Think of how his friends and family might start referring to that anger as a beast, as a thing that possesses him, as somethingexternal to him. Humans personify. We speak of the wind as if it has a will of its own.
“Spren are those ideas—the ideas of collective human experience—somehow come alive. Shadesmar is where that first happens, and it istheir place. Though we created it, they shaped it. They live there; they rule there, within their own cities.”
“Cities?”
“Yes,” Jasnah said, looking back out over the ocean. She seemed troubled. “Spren are wild in their variety. Some are as clever as humans and create cities. Others are like fish and simply swim in the currents.”
Shallan nodded. Though in truth she was having trouble grasping any of this, she didn’t want Jasnah to stop talking. This was the sort of knowledge that Shallanneeded, the kind of thing she craved. “Does this have to do with what you discovered? About the parshmen, the Voidbringers?”
“I haven’t been able to determine that yet. The spren are not always forthcoming. In some cases, they do not know. In others, they do not trust me because of our ancient betrayal.”
Shallan frowned, looking to her teacher. “Betrayal?”
“They tell me of it,” Jasnah said, “but they won’t say what it was. We broke an oath, and in so doing offended them greatly. I think some of them may have died, though how a concept can die, I do not know.” Jasnah turned to Shallan with a solemn expression. “I realize this is overwhelming. You will have to learn this, all of it, if you are to help me. Are you still willing?”
“Do I have a choice?”
A smile tugged at the edges of Jasnah’s lips. “I doubt it. You Soulcast on your own, without the aid of a fabrial. You are like me.”
Shallan stared out over the waters. Like Jasnah. What did it mean? Why—
She froze, blinking. For a moment, she thought she’d seen the same pattern as before, the one that had made ridges on her sheet of paper. This time it had been in the water, impossibly formed on the surface of a wave.
“Brightness…” she said, resting her fingers on Jasnah’s arm. “I thought I saw something in the water, just now. A pattern of sharp lines, like a maze.
“Show me where.”
“It was on one of the waves, and we’ve passed it now. But I think I saw it earlier, on one of my pages. Does it mean something?”
“Most certainly. I must admit, Shallan, I find the coincidence of our meeting to be startling. Suspiciously so.”
“Brightness?”
“They were involved,” Jasnah said. “They brought you to me. And they are still watching you, it appears. So no, Shallan, you no longer have a choice. The old ways are returning, and I don’t see it as a hopeful sign. It’s an act of self-preservation. The spren sense impending danger, and so they return to us. Our attention now must turn to the Shattered Plains and the relics of Urithiru. It will be a long, long time before you return to your homeland.”
Shallan nodded mutely.
“This worries you,” Jasnah said.
“Yes, Brightness. My family…”
Shallan felt like a traitor in abandoning her brothers, who had been depending on her for wealth. She’d written to them and explained, without many specifics, that she’d had to return the stolen Soulcaster—and was now required to help Jasnah with her work.
Balat’s reply had been positive, after a fashion. He said he was glad at least one of them had escaped the fate that was coming to the house. He thought that the rest of them—her three brothers and Balat’s betrothed—were doomed.
They might be right. Not only would Father’s debts crush them, but there was the matter of her father’s broken Soulcaster. The group that had given it to him wanted it back.
Unfortunately, Shallan was convinced that Jasnah’s quest was of the utmost importance. The Voidbringers would soon return—indeed, they were not some distant threat from stories. They lived among men, and had for centuries. The gentle, quiet parshmen who worked as perfect servants and slaves were really destroyers.
Stopping the catastrophe of the return of the Voidbringers was a greater duty than even protecting her brothers. It was still painful to admit that.
Jasnah studied her. “With regard to your family, Shallan. I have taken some action.”
“Action?” Shallan said, taking the taller woman’s arm. “You’ve helped my brothers?”
“After a fashion,” Jasnah said. “Wealth would not truly solve this problem, I suspect, though I have arranged for a small gift to be sent. From what you’ve said, your family’s problems really stem from two issues. First, the Ghostbloods desire their Soulcaster—which you have broken—to be returned. Second, your house is without allies and deeply in debt.”
Jasnah proffered a sheet of paper. “This,” she continued, “is from a conversation I had with my mother via spanreed this morning.”
Shallan traced it with her eyes, noting Jasnah’s explanation of the broken Soulcaster and her request for help.
This happens more often than you’d think, Navani had replied. The failing likely has to do with the alignment of the gem housings. Bring me the device, and we shall see.
“My mother,” Jasnah said, “is a renowned artifabrian. I suspect she can make yours function again. We can send it to your brothers, who can return it to its owners.”
“You’d let me do that?” Shallan asked. During their days sailing, Shallan had cautiously pried for more information about the sect, hoping to understand her father and his motives. Jasnah claimed to know very little of them beyond the fact that they wanted her research, and were willing to kill for it.
“I don’t particularly want them having access to such a valuable device,” Jasnah said. “But I don’t have time to protect your family right now directly. This is a workable solution, assuming your brothers can stall a while longer. Have them tell the truth, if they must—that you, knowing I was a scholar, came to me and asked me to fix the Soulcaster. Perhaps that will sate them for now.”
“Thank you, Brightness.” Storms. If she’d just gone to Jasnah in the first place, after being accepted as her ward, how much easier would it have been? Shallan looked down at the paper, noticing that the conversation continued.
As for the other matter, Navani wrote, I’m very fond of this suggestion. I believe I can persuade the boy to at least consider it, as his most recent affair ended quite abruptly—as is common with him—earlier in the week.
“What is this second part?” Shallan asked, looking up from the paper.
“Sating the Ghostbloods alone will not save your house,” Jasnah said. “Your debts are too great, particularly considering your father’s actions in alienating so many. I have therefore arranged a powerful alliance for your house.”
“Alliance? How?”
Jasnah took a deep breath. She seemed reluctant to explain. “I have taken the initial steps in arranging for you to be betrothed to one of my cousins, son of my uncle Dalinar Kholin. The boy’s name is Adolin. He is handsome and well-acquainted with amiable discourse.”
“Betrothed?” Shallan said. “You’ve promised him my hand?”
“I have started the process,” Jasnah said, speaking with uncharacteristic anxiety. “Though at times he lacks foresight, Adolin has a good heart—as good as that of his father, who may be the best man I have ever known. He is considered Alethkar’s most eligible son, and my mother has long wanted him wed.”
“Betrothed,” Shallan repeated.
“Yes. Is that distressing?”
“It’s wonderful!” Shallan exclaimed, grabbing Jasnah’s arm more tightly. “So easy. If I’m married to someone so powerful … Storms! Nobody would dare touch us in Jah Keved. It would solve many of our problems. Brightness Jasnah, you’re a genius!”
Jasnah relaxed visibly. “Yes, well, it did seem a workable solution. I had wondered, however, if you’d be offended.”
“Why on the winds would I be offended?”
“Because of the restriction of freedom implicit in a marriage,” Jasnah said. “And if not that, because the offer was made without consulting you. I had to see if the possibility was even open first. It has proceeded further than I’d expected, as my mother has seized on the idea. Navani has … a tendency toward the overwhelming.”
Shallan had trouble imagining anyone overwhelming Jasnah. “Stormfather! You’re worried I’d be offended? Brightness, I spent my entire life locked in my father’s manor—I grew up assuming he’d pick my husband.”
“But you’re free of your father now.”
“Yes, and I was so perfectly wise in my own pursuit of relationships,” Shallan said. “The first man I chose was not only an ardent, but secretly an assassin.”
“It doesn’t bother you at all?” Jasnah said. “The idea of being beholden to another, particularly a man?”
“It’s not like I’m being sold into slavery,” Shallan said with a laugh.
“No. I suppose not.” Jasnah shook herself, her poise returning. “Well, I will let Navani know you are amenable to the engagement, and we should have a causal in place within the day.”
A causal—a conditional betrothal, in Vorin terminology. She would be, for all intents and purposes, engaged, but would have no legal footing until an official betrothal was signed and verified by the ardents.
“The boy’s father has said he will not force Adolin into anything,” Jasnah explained, “though the boy is recently single, as he has managed to offend yet another young lady. Regardless, Dalinar would rather you two meet before anything more binding is agreed upon. There have been … shifts in the political climate of the Shattered Plains. A great loss to my uncle’s army. Another reason for us to hasten to the Plains.”
“Adolin Kholin,” Shallan said, listening with half an ear. “A duelist. A fantastic one. And even a Shardbearer.”
“Ah, so you were paying attention to your readings about my father and family.”
“I was—but I knew about your family before that. The Alethi are the center of society! Even girls from rural houses know the names of the Alethi princes.” And she’d be lying if she denied youthful daydreams of meeting one. “But Brightness, are you certain this match will be wise? I mean, I’m hardly the most important of individuals.”
“Well, yes. The daughter of another highprince might have been preferable for Adolin. However, it seems that he has managed to offend each and every one of the eligible women of that rank. The boy is, shall we say, somewhat overeager about relationships. Nothing you can’t work through, I’m sure.”
“Stormfather,” Shallan said, feeling her legs go weak. “He’s heir to a princedom! He’s in line to the throne of Alethkar itself!”
“Third in line,” Jasnah said, “behind my brother’s infant son and Dalinar, my uncle.”
“Brightness, I have to ask. Why Adolin? Why not the younger son? I—I have nothing to offer Adolin, or the house.”
“On the contrary,” Jasnah said, “if you are what I think you are, then you will be able to offer him something nobody else can. Something more important than riches.”
“What is it you think that I am?” Shallan whispered, meeting the older woman’s eyes, finally asking the question that she hadn’t dared.
“Right now, you are but a promise,” Jasnah said. “A chrysalis with the potential for grandeur inside. When once humans and spren bonded, the results were women who danced in the skies and men who could destroy the stones with a touch.”
“The Lost Radiants. Traitors to mankind.” She couldn’t absorb it all. The betrothal, Shadesmar and the spren, and this, her mysterious destiny. She’d known. But speaking it …
She sank down, heedless of getting her dress wet on the deck, and sat with her back against the bulwark. Jasnah allowed her to compose herself before, amazingly, sitting down herself. She did so with far more poise, tucking her dress underneath her legs as she sat sideways. They both drew looks from the sailors.
“They’re going to chew me to pieces,” Shallan said. “The Alethi court. It’s the most ferocious in the world.”
Jasnah snorted. “It’s more bluster than storm, Shallan. I will train you.”
“I’ll never be like you, Brightness. You have power, authority, wealth. Just look how the sailors respond to you.”
“Am I specifically using said power, authority, or wealth right now?”
“You paid for this trip.”
“Did you not pay for several trips on this ship?” Jasnah asked. “They did not treat you the same as they do me?”
“No. Oh, they are fond of me. But I don’t have your weight, Jasnah.”
“I will assume that did not have implications toward my girth,” Jasnah said with a hint of a smile. “I understand your argument, Shallan. It is, however, dead wrong.”
Shallan turned to her. Jasnah sat upon the deck of the ship as if it were a throne, back straight, head up, commanding. Shallan sat with her legs against her chest, arms around them below the knees. Even the ways theysat were different. She was nothing like this woman.
“There is a secret you must learn, child,” Jasnah said. “A secret that is even more important than those relating to Shadesmar and spren. Power is an illusion of perception.”
Shallan frowned.
“Don’t mistake me,” Jasnah continued. “Some kinds of power are real—power to command armies, power to Soulcast. These come into play far less often than you would think. On an individual basis, in most interactions, this thing we call power—authority—exists only as it is perceived.
“You say I have wealth. This is true, but you have also seen that I do not often use it. You say I have authority as the sister of a king. I do. And yet, the men of this ship would treat me exactly the same way if I were a beggar who hadconvinced them I was the sister to a king. In that case, my authority is not a real thing. It is mere vapors—an illusion. I can create that illusion for them, as can you.”
“I’m not convinced, Brightness.”
“I know. If you were, you would be doing it already.” Jasnah stood up, brushing off her skirt. “You will tell me if you see that pattern—the one that appeared on the waves—again?”
“Yes, Brightness,” Shallan said, distracted.
“Then take the rest of the day for your art. I need to consider how to best teach you of Shadesmar.” The older woman retreated, nodding at the bows of sailors as she passed and went back down belowdecks.
Shallan rose, then turned and grabbed the railing, one hand to either side of the bowsprit. The ocean spread before her, rippling waves, a scent of cold freshness. Rhythmic crashing as the sloop pushed through the waves.
Jasnah’s words fought in her mind, like skyeels with only one rat between them. Spren with cities? Shadesmar, a realm that was here, but unseen? Shallan, suddenlybetrothed to the single most important bachelor in the world?
She left the bow, walking along the side of the ship, freehand trailing on the railing. How did the sailors regard her? They smiled, they waved. They liked her. Yalb, who hung lazily from the rigging nearby, called to her, telling her that in the next port, there was a statue she had to go visit. “It’s this giant foot, young miss. Just a foot! Never finished the blustering statue…”
She smiled to him and continued. Did she want them to look at her as they looked at Jasnah? Always afraid, always worried that they might do something wrong? Was that power?
When I first sailed from Vedenar, she thought, reaching the place where her box had been tied,the captain kept urging me to go home. He saw my mission as a fool’s errand.
Tozbek had always acted as if he were doing her a favor in conveying her after Jasnah. Should she have had to spend that entire time feeling as if she’d imposed upon him and his crew by hiring them? Yes, he had offered a discount to her because of her father’s business with him in the past—but she’d still been employing him.
The way he’d treated her was probably a thing of Thaylen merchants. If a captain could make you feel like you were imposing on him, you’d pay better. She liked the man, but their relationship left something to be desired. Jasnah would never have stood for being treated in such a way.
That santhid still swam alongside. It was like a tiny, mobile island, its back overgrown with seaweed, small crystals jutting up from the shell.
Shallan turned and walked toward the stern, where Captain Tozbek spoke with one of his mates, pointing at a map covered with glyphs. He nodded to her as she approached. “Just a warning, young miss,” he said. “The ports will soon grow less accommodating. We’ll be leaving Longbrow’s Straits, curving around the eastern edge of the continent, toward New Natanan. There’s nothing of worth between here and the Shallow Crypts—and even that’s not much of a sight. I wouldn’t send my own brother ashore there without guards, and he’s killed seventeen men with his bare hands, he has.”
“I understand, Captain,” Shallan said. “And thank you. I’ve revised my earlier decision. I need you to halt the ship and let me inspect the specimen swimming beside us.”
He sighed, reaching up and running his fingers along one of his stiff, spiked eyebrows—much as other men might play with their mustaches. “Brightness, that’snot advisable. Stormfather! If I dropped you in the ocean…”
“Then I would be wet,” Shallan said. “It is a state I’ve experienced one or two times in my life.”
“No, I simply cannot allow it. Like I said, we’ll take you to see some shells in—”
“Cannot allow it?” Shallan interrupted. She regarded him with what she hoped was a look of puzzlement, hoping he didn’t see how tightly she squeezed her hands closed at her sides. Storms, but she hated confrontation. “I wasn’t aware I had made a request you had the power to allow or disallow, Captain. Stop the ship. Lower me down. That is your order.” She tried to say it as forcefully as Jasnah would. The woman could make it seem easier to resist a full highstorm than to disagree with her.
Tozbek worked his mouth for a moment, no sound coming out, as if his body were trying to continue his earlier objection but his mind had been delayed. “It is my ship…” he finally said.
“Nothing will be done to your ship,” Shallan said. “Let’s be quick about it, Captain. I do not wish to overly delay our arrival in port tonight.”
She left him, walking back to her box, heart thumping, hands trembling. She sat down, partially to calm herself.
Tozbek, sounding profoundly annoyed, began calling orders. The sails were lowered, the ship slowed. Shallan breathed out, feeling a fool.
And yet, what Jasnah said worked. The way Shallan acted created something in the eyes of Tozbek. An illusion? Like the spren themselves, perhaps? Fragments of human expectation, given life?
The santhid slowed with them. Shallan rose, nervous, as sailors approached with rope. They reluctantly tied a loop at the bottom she could put her foot in, then explained that she should hold tightly to the rope as she was lowered. They tied a second, smaller rope securely around her waist—the means by which to haul her, wet and humiliated, back onto the deck. An inevitability, in their eyes.
She took off her shoes, then climbed up over the railing as instructed. Had it been this windy before? She had a moment of vertigo, standing there with socked toes gripping a tiny rim, dress fluttering in the coursing winds. A windspren zipped up to her, then formed into the shape of a face with clouds behind it. Storms, the thing had better not interfere. Was it human imagination that had given windspren their mischievous spark?
She stepped unsteadily into the rope loop as the sailors lowered it down beside her feet, then Yalb handed her the mask he’d told her of.
Jasnah appeared from belowdecks, looking about in confusion. She saw Shallan standing off the side of the ship, and then cocked an eyebrow.
Shallan shrugged, then gestured to the men to lower her.
She refused to let herself feel silly as she inched toward the waters and the reclusive animal bobbing in the waves. The men stopped her a foot or two above the water, and she put on the mask, held by straps, covering most of her face including the nose.
“Lower!” she shouted up at them.
She thought she could feel their reluctance in the lethargic way the rope descended. Her foot hit the water, and a biting cold shot up her leg. Stormfather! But she didn’t have them stop. She let them lower her farther until her legs were submerged in the frigid water. Her skirt ballooned out in a most annoying way, and she actually had to step on the end of it—inside the loop—to prevent it from rising up about her waist and floating on the water’s surface as she submerged.
She wrestled with the fabric for a moment, glad the men above couldn’t see her blushing. Once it got wetter, though, it was easier to manage. She finally was able to squat, still holding tightly to the rope, and go down into the water up to her waist.
Then she ducked her head under the water.
Light streamed down from the surface in shimmering, radiant columns. There was life here, furious, amazing life. Tiny fish zipped this way and that, picking at the underside of the shell that shaded a majestic creature. Gnarled like an ancient tree, with rippled and folded skin, the true form of the santhid was a beast with long, drooping blue tendrils, like those of a jellyfish, only far thicker. Those disappeared down into the depths, trailing behind the beast at a slant.
The beast itself was a knotted grey-blue mass underneath the shell. Its ancient-looking folds surrounded one large eye on her side—presumably, its twin would be on the other side. It seemed ponderous, yet majestic, with mighty fins moving like oarsmen. A group of strange spren shaped like arrows moved through the water here around the beast.
Schools of fish darted about. Though the depths seemed empty, the area just around the santhid teemed with life, as did the area under the ship. Tiny fish picked at the bottom of the vessel. They’d move between the santhid and the ship, sometimes alone, sometimes in waves. Was this why the creature swam up beside a vessel? Something to do with the fish, and their relationship to it?
She looked upon the creature, and its eye—as big as her head—rolled toward her, focusing,seeing her. In that moment, Shallan couldn’t feel the cold. She couldn’t feel embarrassed. She was looking into a world that, so far as she knew, no scholar had ever visited.
She blinked her eyes, taking a Memory of the creature, collecting it for later sketching.
Copyright © 2014 by Dragonsteel Entertainment, LLC
Product details
- Publisher : Tor Books; First Edition (March 4, 2014)
- Language : English
- Hardcover : 1088 pages
- ISBN-10 : 0765326361
- ISBN-13 : 978-0765326362
- Lexile measure : HL680L
- Item Weight : 2.65 pounds
- Dimensions : 6.7 x 2.1 x 9.5 inches
- Best Sellers Rank: #11,214 in Books (See Top 100 in Books)
- #421 in Sword & Sorcery Fantasy (Books)
- #695 in Fantasy Action & Adventure
- #1,384 in Epic Fantasy (Books)
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About the author

I'm Brandon Sanderson, and I write stories of the fantastic: fantasy, science fiction, and thrillers.
In November 2020 we saw the release of Rhythm of War—the fourth massive book in the New York Times #1 bestselling Stormlight Archive series that began with The Way of Kings—and Dawnshard (book 3.5), a novella set in the same world that bridges the gaps between the main releases. This series is my love letter to the epic fantasy genre, and it's the type of story I always dreamed epic fantasy could be.
November 2018 marked the release of Skyward, the first book in a new YA quartet about a girl who dreams of becoming a pilot in a dangerous world under alien attack. The follow-up, Starsight, was released December 2019. Also out that year was the final volume of the Stephen Leeds saga, Legion: Lies of the Beholder, which was also published in an omnibus edition, Legion: The Many Lives of Stephen Leeds, that includes all three volumes.
Most readers have noticed that my adult fantasy novels are in a connected universe, called the Cosmere. This includes The Stormlight Archive, both Mistborn series, Elantris, Warbreaker, and various novellas available on Amazon, including The Emperor's Soul, which won a Hugo Award in 2013. In November 2016 all of the existing Cosmere short fiction including those novellas was released in one volume called Arcanum Unbounded: The Cosmere Collection. If you've read all of my adult fantasy novels and want to see some behind-the-scenes information, that collection is a must-read.
I also have three YA series: The Rithmatist (currently at one book), The Reckoners (a trilogy beginning with Steelheart), and Skyward. For young readers I also have my humorous series Alcatraz vs. the Evil Librarians. Many of my adult readers enjoy all of those books as well, and many of my YA readers enjoy my adult books, usually starting with Mistborn.
Additionally, I have a few other novellas that are more on the thriller/sci-fi side. These include the Legion series, as well as Perfect State and Snapshot. There's a lot of material to go around!
Good starting places are Mistborn (a.k.a. The Final Empire), Skyward, Steelheart, The Emperor's Soul, and Alcatraz vs. the Evil Librarians. If you're already a fan of big fat fantasies, you can jump right into The Way of Kings.
I was also honored to be able to complete the final three volumes of The Wheel of Time, beginning with The Gathering Storm, using Robert Jordan's notes.
Sample chapters from all of my books are available at https://www.brandonsanderson.com/books-and-art/—and check out the rest of my site for chapter-by-chapter annotations, deleted scenes, and more.
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Reviewed in the United States on May 1, 2023
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Over one year ago, I wrote up my thoughts concerning Brandon Sanderson's entry volume to the Stormlight Archive, "The Way of Kings" and had a blast lauding the book, not to mention infuriating fans of Dune everywhere. The Way of Kings was (and is, upon re-reading) one of the best fantasy novels I have ever read - heck, one of the most best books I've ever read, period - and I gave it a 9.5/10 (a 5/5 by Amazon's star system) after desperately pruning it down from the 10/10 I initially wanted to give it by taking off half a point for Kaladin Stormblessed's face palm worthy emo moments and Shallan Davar being...well, herself. In short, The Way of Kings was one of my favorite books of all time, in large part because of the series it promised.
So, the question I needed Words of Radiance to answer was, "Is the series still promising?" And the answer is "Yes." And that's a good, good thing - a relief, even. Following my tradition, the first paragraph of this review is about as closer to a spoiler as I'm going to get - fear not, wary reader. No spoilers follow for Words of Radiance...but if you haven't read the Way of Kings, I'd recommend not going any further than this. I will address subject matter you probably don't want to know. Come on back after you've read the first book and the series, and we'll talk.
For the rest of you, we'll go ahead and get the brass tax out of the way up front here - Words of Radiance is a good book. I'd give it an 8.8/10 on my scale, or about a 4.5/5 on Amazon's star scale. Amazon doesn't seem to see the need for half stars in their options, so in an effort to not under-represent this book, I'm marking it as a 5/5. Technically, it's closer to a 4/5, but that 4 star rating just looks bad, doesn't it? Frankly, I don't have the heart to mark Words of Radiance down that far. It is, by all accounts, a better book than its predecessor, and Sanderson has clearly grown as an author, his prose and descriptive power reaching very good levels. So why the negative hullabaloo from the Way of Kings' self-professed biggest fan?
Well, I guess it's just because I didn't like this book as much as the first one. Not by a long shot, actually. In fact, so long as we're being honest, I thought parts one and two of Words of Radiance were two of the bleakest, most "oh my God not Song of Ice and Fire syndrome please Sanderson no" pages I've ever trudged through. It was, for lack of a better word, a frightening time in my life, having been excited for this book since I first left Roshar so long ago. I had recently returned from a deployment to Afghanistan, and I had more wrapped up in the Stormlight Archive than a simple thirst for entertainment. It was the first book I read upon returning to the States, and there's something...special, maybe, about that. That, and this book series is going to be ten books long. I will grow up with it, in many ways, as will we all. I was pretty frightened that the Way of Kings might have been a fluke, and the nine books that followed it were destined to be more like the middle of the Wheel of Time or the last two iterations of Ice and Fire.
Be at peace, readers. Parts 3, 4 and 5 of Words of Radiance are all truly wonderful, and Sanderson seemed to get his mojo back by the time I hit them. The book earns the five star rating I've awarded it, and its because of its moments of sheer brilliance that I find myself disappointed and genuinely baffled by the unnecessary moments of tedium that drag the book as whole down away from its predecessor. Ultimately, the Stormlight Archive is, at the end of Words of Radiance, in very good shape. There are places for it to go, questions for it to answer, battles to be fought and mysteries to be unraveled. That's all that matters, really. This was Shallan's book, and thus the book most of us were most wary of to begin with. She was a frustrating character in the Way of Kings, and in some ways she's even more frustrating here, but for very different reasons. I didn't particularly like her in the first book, and I liked her even less by the end of this one. I can't help but wonder if my relationship with the book was in large part due to my relationship with her.
My biggest complaint about Words of Radiance is actually directly connected with its biggest strength. It is a massive tome - a sprawling behemoth of a book, and as a result we get to see more of Roshar than ever before. More of its politics, its mysteries, its religions, its cultures, its landscapes, its magic. Thank God for that, since I love this world and I never want to leave. But Sanderon's pacing here is...well, off. (The witty banter is also painful to read, at times, but it adds to the charm of the characters, in its own weird way.)
What I mean about the pacing is this - parts one and two trudge along at a snail's pace, getting bogged down by high prince politicking (that ends up being unimportant come book's end), Shallan lying to herself and to the world, and Kaladin returning to his fantastically emo roots, and Adolin channeling a G-rated Jaime Lannister minus Cersei. Dalinar recedes into the background a bit here, but I don't mind this as much as I thought I would, Jasnah continues to be a great character, Lopen gets funnier, and Shen proves to be more elaborate than he originally seemed. Rock remains a good cook.
We see much more of Parshendi culture, learn more about the lost city of Urithuru, and of Taravengian's evil plan to save the world. We learn about the nature of spren early on, and about the nature of shard blades late in the book. Part five of Words of Radiance is arguably the best part of the bunch, and is also the shortest - by a LONG shot - and could have easily been a hundred pages longer. Should have been, I'd venture to say, as the first 90% of the book leads up to the climactic final 10% - but when the revelations finally emerge, they're given maybe a page or two of attention. It startled me. The twists you came to find out - predictable or not - should have been given much, much more space to breathe. I would have loved that. In an effort to counterbalance this paragraph of nay saying, I will say that there are a couple of duels / battles in Words of Radiance that had me smiling like a blithering idiot. Sanderson still knows how to write a fight. Man oh man oh man.
So does Words of Radiance reveal too much or too little? Both, I think - Sanderson shows us so much in this book, yet it feels like he's trying to fit in as MUCH as humanly possible into a tiny space, which baffles me, since he just spent a thousand pages building up to those reveals. It was like he lost a little faith in the fact that his world is interesting enough as it is without having to try and elaborate what makes it interesting, and as a result he worked and worked and worked on parts of little consequence, exposing the clues too neatly, and when it came to the parts that really, actually mattered, he was out of both time and space.
There was no need to try and recreate the mind breaking ending of the Way of Kings, but I do appreciate the effort to do so. Maybe it'll be something we can expect in every book, a final hundred pages of twists and twists and twists. At best, this could set the Stormlight Archive aside from its contemporaries in wonderful fashion. At worst, Sanderson could...*lowers voice to a conspiratorial whisper* go the way of the Shyamalan. I know, blasphemy. Honestly, though, the Shyamalan effect is the deadliest enemy facing the Stormlight Archive on the whole right now. Hopefully the twists we find in book three of the Stormlight Archive are more satisfying.
I wonder, honestly, if Sanderson himself is very aware of the book he has wrought. He's a very perceptive man, and being a professor at Brigham Young University has allowed him to organize his thoughts on writing with the clear efficiency only someone who teaches writing could muster. I cannot help but assume that, post publication, he looks at Words of Radiance the way a professor might. The world of Roshar is still here, still full of surprises, still full of characters who will do things that surprise you. The characters are still (thankfully) themselves, and the magic is still really, really cool.
Yet something is lost when we come into this book expecting twists around every corner. It makes the moment when they finally come so much less remarkable - indeed, I actually predicted almost every twist before I ever cracked the book open, and I'm not always very good at that. I wonder, therefore, if part of the reason I didn't enjoy Words of Radiance as much as I had hoped I would is simply because I spent the whole book reading between the lines, searching for assassins in every shadow, for twists in every ambiguous statement. If it's possible for the quality of the book to lie in the reader, then that has been exemplified here. This brings me, at last, to the part of the book that astonished me most.
The character of Wit - who I am of the opinion acts almost as an avatar for Sanderson himself in the world of Roshar and Shadesmar - comments on the flaws and nature of the book surrounding him at the end of both the Way of Kings and Words of Radiance. He usually reveals the best twists in the midst of leaning on the fourth wall, and comments on what he perceives to be injustices in the world of art. In the Way of Kings, Wit argues that originality is what humanity values most, and in Words of Radiance, he argues that all art is subject to perspective.
"Give me an audience who have come to be entertained," Wit says in the epilogue, "but who expect nothing special. To them, I will be a god. That is the best truth I know."
Fellow readers, my advice is simple. Go into Words of Radiance looking to be entertained. Don't look for the twists. Looking for the twists is like sneaking a peek at presents the month before Christmas. Just wait, let the day come, and then tear the paper to pieces and scatter it all around, feeling the rush of not knowing what lies within. Sanderson is crafting for us a master series, and has eight more books to present. I for one am breathless for the continuation of the series, and have full faith in the author to turn this series into something very, very special. I'll see you all at the end of book three, which I am already hungry for. And, finally, to Mr. Sanderson himself.
Thank you, sir, for welcoming me home.
8.8/10
<b>Technical Aspects</b>
Sanderson's strength has never been the technical aspect of his writing. Now, that's certainly not an unforgivable sin. It is possible to have a compelling narrative with less-than-stellar writing, and technicality is not the soul of good fictino. But here, with such a long, drawn-out epic, the story just drags oftentimes and Sanderson's lackluster prose doesn't do much to liven things up between the bits of the story that actually matter, which seem few and far between as one wades through seemingly endless bland conversations and activities that might end up giving one or two small pieces of information that contribute toward the eventual meanderings of the plot or character development, but mostly just seem like filler...which this book certainly doesn't need.
His dialogue is hit or miss. I'll address this more later, but he CANNOT write witty banter, which is unfortunate...because I swear that half of the dialogue in this book, especially for some characters is <i>nothing</i> but "witty" banter. It just ends up coming across as dialogue that would perhaps be fitting between two eight-year-olds, but not between full-grown adults. I'll talk about that more in the Characters section.
His descriptions continue to be adequate but not spellbinding for the most part. We get the picture of the world well enough, though it does come across pretty generically in my mind. This series seems to have this thin layer of originality on the surface, but it ends up just coming out as a generic fantasy mishmash in my mind, at least from a visual point of view. I do like his Stormlight magic system and the order of the Knights Radiant (even if they're basicaly just Jedi knights), as well as some aspects of the spren and other god-like beings. The politics and human civilizations though are pretty bland, with pompous lords and dissatisfied peasants and armor and swords and battles and a distinctly almost-human OTHER to fight. Not that everything has to be original. I'm just saying that I don't find that many aspects of this series new and interesting in terms of setting/cultures/worldbuilding, with a few notable exceptions as I mentioned.
Some of the language used both for narrative and dialogue seems anachronistic or just out of place for the world we're in. Words like "awesome" (as used by a very annoying 13-year-old...I'll get to her later) just don't fit in with the epic fantasy setting we're in.
Most of what actually IS interesting in this book (and there are some things) comes from what happens in the plot, not from technical prowess or good dialogue, with a few notable exceptions, such as some of Dalinar's conversations with Kaladin.
All that said, the technical part of the writing isn't horrific. It's functional but not something you'll remember.
<b>Story</b>
Now, I don't want to judge story or plot too harshly because it's a very subjective thing but I'll put in my two cents about a few things at least.
One thing I really want to gripe about is the lack of any overarching conflict aside from that between nature and man. There are sort of accessory villains, each wanting to influence events in the world for their own ends, but none of them are really explored that much and there are so many different groups that it's hard to remember who wants to do what. In the end, it's really the storms that are the great threat to mankind.
In the first book, Sadeus was the big villain and I thought that was much more compelling. He seemed like a friend at first, if an uneasy one, and eventually everything led up to his big betrayal. That genuinely came as a shock! In this though...well...there's nothing really like that. The Parshendi are the bad guys and they stay the bad guys. They're not even <i>in</i> most of the book though, so the tension can't come from them and there's not really anyone else for it to come from except here and there scattered throughout the jumbled mess of plotlines. Fiction, especially epic fantasy, <i>is</i> conflict after all.
The Parshendi are there too, as I said, but it's unclear why they want what they want. We found in the last book that they assassinated Gavilar, the king of the Alethi and so they kind of become resigned to their fate as the prey of the Alethi as they are hunted on the Shattered plains until they suddenly decide that the Alethi are actually the bad guys...because they wanted to bring back the Parshendi gods or keep them from being brought back or...something...it's not really clear. In fact, <spoiler>Eshonai's entire plotline is literally pointless. Nothing we need to know comes out of it that couldn't have been supplied by Rlain in the end anyway and her decision to kill off half the population makes absolutely no sense whatsoever. And then she dies, along with all her other Stormform brethren! Pointless! We didn't even really get to see that much of what they can do!</spoiler>.
There are a lot of pointless little plot things here and there, as I've said. There's a scene (this isn't a spoiler at all) where Dalinar and company are going to meet the Parshendi out on the plateaus to discuss something. Adolin insists on going in his father's place and posing as Dalinar during the meeting while Dalinar tells him what to say via spanreed. Why? No reason...just no reason at all. They suspect assassins might take the opportunity to strike, but that's never really stopped Dalinar before and this meeting is pretty darn important. Also, NOTHING ends up happening anyway so it's not even justified from a narrative perspective. It seems like an attempt to add drama when it really isn't called for at all and I'd rather just see the story progress. That'a just one example of many.
Now, as I said, I could forgive a lot when it comes to story/plot if the characters are interesting and compelling. After all, characters and how they deal with their conflicts are what really drive compelling stories. Characters are what saved The Way of Kings for me after all (Well, Kaladin at least). Did they (he) save this one for me? Well...erm....
<b>Characters</b>
No. No they did not. I mean, they weren't terrible. I still gave the book three out of five stars because I do still relate somewhat with a few of them and I genuinely wanted to see what happened to them. It wasn't always a hate-read for me, mostly because I do like some of the characters, mostly Kaladin, Shallan, and Dalinar. That said, they were still pretty weak for the most part. I'll go through each of the major ones.
<i>Kaladin</i>
Kaladin was my favorite character of the last book. His struggle to unite his bridgeman companions and free them all from their oppression while discovering arcane powers was genuinely captivating at times. Aided by pretty great flashbacks to his younger days with his family at home and the events that led to his enslavement, his story sold the book to me even though the other characters had the personality of cement. He had a great arc, a compelling (if a bit cliché) personality, and genuine conflict to fight against.
As this book starts though, he already has all that he wants. He's in a really great place as Dalinar's bodyguard and his men are all taken care of and free. He quickly devolves into a moaning child and stays that way through most of the book. The colorful characters that accompanied him last time (like Rock, Teft, Sigzel, etc.) play a much more minor role and Kaladin has to cary this one by himself, which he kind of fails to do. He discovers more powers and masters them pretty effortlessly (boring).
The only real arc he has relates to one of his bridgemen and the king. This is a great subplot and I won't spoil it, but Kaladin learns some humility and also learns that the duty to protect extends farther than he thought. It's not perfect, but it was a good aside from the bunch of nothing he was doing before.
All in all, Kaladin comes across as a big pout in this book. Uninteresting, petty, and tortured by his inner demons, which also aren't that interesting.
<i>Adolin</i>
Mr. Boring McBlandypants himself. Comes across as a too-perfect idiot who is obviously just there for Shallan to fall in love with before she realizes that Kaladin is the one for her. That's not even a spoiler because it doesn't happen in this book but I just know it will...Next
<i>Shallan</i>
Shallan was boring in the last book...and she still is, but at least she's DOING something in this one. The beginning is just awesome for her but then quickly devolves into boringland again once she reaches the plains. Sanderson tries way too hard to make her witty and quirky but it just backfires and makes her really annoying. If that was the intention then it was effective...but not in a good way. Maybe it's supposed to be in her character that she's really bad at making witty jibes at people, but if that's the case then why do they actually seem hurt by her comments or jokes at times? There are only so many times a "your mom" or "your face" type of joke is funny...and that's not that many times. But that's basically the extent of her wit; "your mom" and "your face" jokes, as in Kaladin: "Ah, that chasmfiend is retreating!" Shallan: "It was probably your unfortunate face that did the job" Kaladin: "Well your mother probably looks even worse..." No, that's not an actual excerpt but I wouldn't have been surprised if it had. It's that bad at times.
There's also an odd moment or two when Shallan reacts very strongly and negatively to the suggestion that she needs to be protected. That was never really set up and comes out of nowhere, supposedly based on her history of being sequestered away by her father. Still, it feels random and out of nowhere and way too strong.
I do really like Pattern for the most part, even though he too has some dumb lines. Shallan discovers her powers pretty easily as well and has a lot of subplots relating to the ghostbloods that just kind of go on and on without paying off.
We do find out the big reveal about Shallan's past, but it's a huge letdown as we've already put the pieces together for ourselves at that point. Her flashback scenes are actually quite excellent though and old Shallan is way more interesting than present times Shallan. She had more of a conflict in the years leading up to the main story and the events that take place with her brothers and father are far more interesting than what she's doing with the ghostbloods or in her attempts to find the Oathgate. It's a good example of how small, character-based moments are far more interesting than overblown, epically fantastical things in the world without emotional engagement.
<i>Dalinar</i>
Dalinar is kind of the same bland soldier he was in the first book. I like some of his conversations with Kaladin and how he acts as a bit of a foster father to him, but I wish there was more of that. Most of his time is spent being gruffly speculative.
<b>Summary</b>
This isn't a bad book. It's just not for me. I like every scene and every chapter in a book to serve the overall plot while giving their exposition and character development. That is certainly not the case in this book. This book has plot threads and character stories weaving all over the place, not always moving the story forward. I like dialogue to feel real and in the vein of the world we're in. Lift talking about all her "awesomeness" and stuff like that really takes me out of a story. Lift, by the way, was really annoying. Anyone who has read the book knows who I'm talking about.
Anyway, if you were a big fan of the first one, you'll probably like this one too. I read this one begrudgingly because I like the first one more than I hated it. I think Sanderson may just not be up my alley. He seems like a perfectly nice guy from interviews and I enjoy his lectures. He's not even a bad writer. Just not for me. I'll probably end up reading more of his work, but I'll be taking a break for a while.
Top reviews from other countries

It's so massive, complex and absorbing and the depth is staggering. I just wish it was slightly more accessible; there are times when it makes Gardens of the moon look like paint by numbers.
I'm still unsure about the nature of Spren, shardblades, the heralds and so on but I think I understand what's going on slightly better. People have already mentioned that Sanderson would rather have you confused than bored and no doubt about it, you will not be bored.
As with the way of kings we follow Kaladin, Dalinar, Adolin and Shallan. It's such a pleasure seeing them all interact and we find out more about the latter's past. This is actually her book and she's great.
But complexity and ambiguity aside this is just amazing, the closing stages of the book are a revelation and I was stunned at some of the reveals.
What an amazing world. enjoy it.

After this pompous review let me continue with a more honest one. These books made me re-discover reading. I’d given up because I couldn’t find something at the level of Lord Of The Rings or Corum. Well, this writer created something at THAT level. Detailed, energetic and above all “realistic”(believable is maybe a better word?). What a journey, I don’t want it to end.



Much like the first it has ruined so many other series for me. Thankfully I started the series with the first and this title out, sadly I finished both within 4 days of back to back reading :/
Much like the first, its a continuation of the world and further development of the characters. The first titles very much focused on Kal and his back story, while this title focus's on the back ground of Shallan. That's not to say we see no development elsewhere, in fact a lot of the minor character from the first book have been expanded upon and characters such as Adolin and and his brother get a lot more detail fleshed out.
In this book we see the main cast coming to grips with who / what they are. The method and how it happens is intriguing as ever and very well written. We also see comprehensive detail on other totally independent characters who I suspect will play a bigger role going forward.
As ever, the world is well written and captured in such vivid detail, its easy to conjure how the places will look in your mind. The magic system is expanded upon and details are written and well fleshed out.
Much like the first, the traditional enemy's have logical and underlying motives for what there doing rather then being all out evil people which allows you to almost sympothaise with them.
Either way much like the first, this is a stunning entry into the series and I cannot wait for more. My only regret is learning about and picking up the series before we are even a quarter of the way through. Its going to keep me wanting more for the next half a decade I expect!