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Wordslut: A Feminist Guide to Taking Back the English Language Paperback – June 2, 2020
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“As funny as it is informative, this book will have you laughing out loud while you contemplate the revolutionary power of words.” —Camille Perri, author of The Assistants and When Katie Met Cassidy
A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.
The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean “a female canine,” bitch didn’t refer to women at all—it originated as a gender-neutral word for “genitalia.” A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant “housewife”; and slut, which meant “an untidy person” and was also used to describe men. These are just a few of history’s many English slurs hurled at women.
Amanda Montell, reporter and feminist linguist, deconstructs language—from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns—to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don’t? Or where stereotypes of how women and men speak come from in the first place?
Montell effortlessly moves between history, science, and popular culture to explore these questions—and how we can use the answers to affect real social change. Her irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.
- Print length304 pages
- LanguageEnglish
- PublisherHarper Paperbacks
- Publication dateJune 2, 2020
- Dimensions5.31 x 0.68 x 8 inches
- ISBN-100062868888
- ISBN-13978-0062868886
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There are two types of semantic change: pejoration is where a word starts out with a neutral or positive meaning and eventually devolves to mean something negative. The opposite is called amelioration.Highlighted by 662 Kindle readers
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Editorial Reviews
Review
“Amanda Montell has given validation and tools to those of us who have always felt wrong in our guts about the way gender permeates our means of communication and the criticisms often lobbed at women for how we talk. Wordslut is brilliant fun and empowers all women to give ourselves a voice.” — Gaby Dunn, author of Bad with Money
“As funny as it is informative, this book will have you laughing out loud while you contemplate the revolutionary power of words. Who knew sociolinguistics could be so damn entertaining? Leave it to a master of language like Amanda Montell to pull off this semantic magic trick.” — Camille Perri, author of The Assistants and When Katie Met Cassidy
"Grounded in decades of innovative feminist scholarship, full of witty personal stories, and written with the pragmatic aim of disrupting and changing the status quo, this is a humorous and important book for anyone interested in gender equality, wordplay, or fostering precise communication. Just the kind of sharp, relevant scholarship needed to continue to inspire the next generation of feminist thought." — Kirkus Reviews
“I get so jazzed about the future of feminism knowing that Amanda Montell’s brilliance is rising up and about to explode worldwide.” — Jill Soloway
“As a bitch who says bitch and loves to talk about bitches, this smart and freakishly entertaining book awakens parts of my brain I didn’t know existed while tickling all my foul-mouthed, feminist, word-obsessed fancies. If you’re a human who speaks English and aren’t reading this, then what on earth are you doing.”
— Samantha Irby
“This feisty, fascinating critique of the English language will make you feel smarter after every paragraph. Amanda Montell’s analyses are sharp and provocative but also funny and accessible. She’s the cool feminist nerd we need.” — Whitney Cummings, creator of 2 Broke Girls
“At its heart, this work reflects a tenet of sociolinguistic study: language is not divorced from culture; it both reflects and creates beliefs about identity and power. Modern stylings situated within foundational research will hopefully bring a new audience to the field of language and gender studies.”
— Library Journal
“Wordslut is filled with fascinating info about the sexist history of our language: I literally said ‘whoa’ multiple times while reading this book. It is so witty and brilliant. Men and women both need to read it.” — Blyth Roberson
From the Back Cover
A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us
The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean “a female canine,” bitch didn’t refer to women at all—it originated as a gender-neutral word for “genitalia.” A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant “housewife”; and slut, which meant “an untidy person” and was also used to describe men. These are just a few of history’s many English slurs hurled at women.
Amanda Montell, reporter and feminist linguist, deconstructs language—from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns—to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don’t? Or where stereotypes of how women and men speak come from in the first place?
Montell effortlessly moves between history, science, and popular culture to explore these questions—and how we can use the answers to affect real social change. Montell’s irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.
About the Author
Amanda Montell is a New York Times-bestselling author and iHeart Radio Award-winning podcaster. Her nonfiction books Wordslut, Cultish, and The Age of Magical Overthinking have been praised by the Atlantic, the Economist, NPR, and others. Along with hosting two top-charting podcasts, Sounds Like A Cult and Magical Overthinkers, Amanda’s writing has been published in the New York Times, the Guardian, Esquire, Harper’s Bazaar, and elsewhere. Amanda holds a degree in linguistics from NYU and lives in California.
Product details
- Publisher : Harper Paperbacks; Reprint edition (June 2, 2020)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 0062868888
- ISBN-13 : 978-0062868886
- Item Weight : 2.31 pounds
- Dimensions : 5.31 x 0.68 x 8 inches
- Best Sellers Rank: #65,545 in Books (See Top 100 in Books)
- #70 in Linguistics Reference
- #101 in Feminist Theory (Books)
- #140 in Communication & Media Studies
- Customer Reviews:
About the author

Amanda Montell is a writer, linguist, and podcast host living in Los Angeles. She is the critically acclaimed author of three nonfiction books, Cultish: The Language of Fanaticism, Wordslut: A Feminist Guide to Taking Back the English Language, and The Age of Magical Overthinking: Notes on Modern Irrationality (forthcoming April 9, 2024 from OneSignal). She is also a creator and host of the hit podcast, Sounds Like A Cult. Amanda’s books have earned praise from The Washington Post, The Atlantic, Kirkus Reviews, and more. Cultish was named a best book of 2021 by NPR, was shortlisted for several prizes including the Goodreads Choice Awards and getAbstract International Book Award, and is currently in development for television. Sounds Like A Cult won “Best Emerging Podcast” at the 2023 iHeart Radio Podcast Awards and was named a best podcast of 2022 by Vulture, Esquire, Marie Claire, and others.
Amanda’s essays and reporting have appeared in The New York Times, Harper’s Bazaar, Marie Claire, and elsewhere. She was born and raised in Baltimore, MD and holds a degree in linguistics from NYU. Find her on Instagram @amanda_montell.
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Customers find the book great, approachable, and excellent for both men and women. They praise the writing style as brilliant, in a conversational tone. Readers also mention the book has good insights and is thought-provoking.
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Customers find the book to be a great, joyous read. They say it's approachable and excellent for both men and women. Readers also mention the book is highly entertaining and informative.
"...This book is brilliantly written in a conversational tone that engages the reader, making one feel respected and understood, like a conversation..." Read more
"...to make its claims, which ultimately provides for an engaging, approachable read—though one that tends to lack a degree of nuance in some areas...." Read more
"...This is an excellent book club read - and I'd love to be a fly on the wall to listen to the discussions. It deserves 10 stars out of 5...." Read more
"This was really interesting while also being very white and imperialistic. Few mentions of AAVE but absolutely no look at intersectionality." Read more
Customers find the writing style brilliant, conversational, and easy to read. They say the book provides a great stance on word reclamation and is witty and thought-provoking.
"...This book is brilliantly written in a conversational tone that engages the reader, making one feel respected and understood, like a conversation..." Read more
"What an easy, humorous, and educational read! Planning to purchase more books from this author" Read more
"Amanda Montell’s Wordslut serves as both an impressively comprehensive overview of the intersections between sociolinguistics and feminist theory in..." Read more
"...It's easy to read, doesn't bash or blame men, and has a light-hearted tone even while talking about some of the more intransigent problems with..." Read more
Customers find the book thought-provoking, fascinating, and educational. They say it's well-researched and empowering. Readers also mention the author does a great job educating readers of any gender about the inherent misogyny of the world.
"...in a conversational tone that engages the reader, making one feel respected and understood, like a conversation between friends...." Read more
"What an easy, humorous, and educational read! Planning to purchase more books from this author" Read more
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"Just discovered this author. She is wonderful, full of humor and interesting info. I would read anything else she wrote." Read more
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"Just discovered this author. She is wonderful, full of humor and interesting info. I would read anything else she wrote." Read more
"I am IN LOVE with this book! Amanda Montell is an incredible feminist who gives such interesting and IMPORTANT insight into the English language and..." Read more
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This book is brilliantly written in a conversational tone that engages the reader, making one feel respected and understood, like a conversation between friends.
I don't have the words to adequately describe how significant this book is to our world, but the author has chosen all the perfect words to show us how our language is male-focused and patriarchal. This is a must-read!
Don’t get me wrong, I think it is fantastic that Wordslut makes digestible important discussions typically confined to academic settings—it is vital that these issues reach more ears. But when a piece of writing seeks to introduce a new set of ideas to people—especially when greatly relying on personal cultural observations for evidence—it is important to use sharp, precise language and to avoid oversimplifying concepts. Wordslut struggles with this at times, I feel. To give a sense of the anticipated novelty of some of these ideas, Montell ostensibly introduces the reader to the nature-versus-nurture debate, differences between the terms gender and sex, and the process of exchanging pronouns when meeting someone new. Moreover, it seems that when the linguistic practices of non-heteropatriarchal cultures are considered, the linguistic feature being discussed is quickly and neatly summed up and explained away within a paragraph or two, only to serve as a brief foil to a normative linguistic practice under the patriarchy.
In other places, Montell’s imprecise language just seems dangerous. For example, when discussing a feature of AAVE called “signifyin’,” she mentions how “this ingenious technique has caught on beyond Black communities” (39). It did not catch on; it was appropriated and should be written about as such. Similarly, bold, unsupported claims like, “no one ever posed a semantic distinction between sex and gender until the 1960s, when folks began to realize that our bodies and social behaviors might not be intrinsically linked” (60), seem somewhat reckless, when considering that these uses of “no one” and “folks” only apply to those situated within the framework of institutionalized Western knowledge. She also asserts that in our society, “we’ve come far enough that queer people don’t have to use secret codes anymore to survive” (251), which downplays the significance of violence against queer people, in my opinion. In sections where she relies more on interviews that she conducted with some of the most renowned scholars of feminist sociolinguistics—such as Deborah Cameron, Jennifer Coates, Robin Lakoff, and Deborah Tannen—Montell is a lot more convincing. I was a little disappointed, though, that Tannen’s research on cooperative overlapping—interrupting someone in a conversation—among East Coast Jewish communities was not included in Montell’s discussion of collaboration within women’s speech, despite Tannen’s being mentioned here.
Ultimately, I do think that Wordslut advances the causes of language-related social justice if it is acknowledged for what it is: a fun starting point that may help draw people into more nuanced discussions about gender and language. The book seems to encounter tension in its propensity to generalize about the language ideologies of large groups of people (i.e., women or women living under patriarchal cultures), yet Montell still calls upon the individual to effect change within broader, dominant cultural structures. As I was reading Wordslut, there were many points at which I thought a different perspective might prove invaluable—for example, medical anthropology when talking about the human body and genitals. I will not go through a list of those perspectives, but I do want to end this review by recommending one particular lens which might have tied together some loose ends in Wordslut: Feminist-vegetarian critical theory—also called vegetarian ecofeminism—a big part of the thesis I am currently working on (The Sexual Politics of Meat by Carol J. Adams is a good place to start). Montell recognizes how the English language has been used “to systematically reduce women to edible, nonhuman, and sexual entities…” (30), but this argument is not taken much further. Feminist-vegetarian perspectives draw deep parallels between the oppression of women and animals in patriarchal societies. Overall, Wordslut is an entertaining and easy read which can serve as an informative introduction to issues regarding language and gender.
I loved the discussion of code-switching, without the pejorative judgment that code switchers were guilty of "cultural appropriation." But this book was about sexism in language and how the backlash against vocal fry or "like" or the singular "they" was simply a backlash against the underlying cultural movement that was shifting power away from white men (or even the subset of "NORMS" as they are sometimes known).
I appreciated the way the author argued that directing women to change their vocal style was akin to policing their appearance and telling them to "get in their lane," and the dissection of how middle-aged male as the norm and how that infuses our entire conception of the sex act -- from cursing to "locker room talk" was really fascinating. I had read bits and pieces of these arguments in magazine articles before, but seeing them laid out together in a book was a much better way to understand the enormous structural issues we face in language. I liked the suggestions the author made about how to make English slightly less misogynistic, and, like the author, I'm going to look for an occasion to use one of her coined curse words.
I recommend this book for anyone who loves language. I also really want to read a cross-cultural analysis of some of the other languages mentioned by the author as counterpoints to how English is structured.
I especially loved the part about one language spoken in Nigeria. How fascinating that this society views age-hierarchies as far more important than gender! I laughed out loud when I read how a Yoruba-speaker would have to say "my big sister" (e.g. "my older sibling, the one with the vagina"). Unfortunately, I'm not sure the lack of gendered words makes the Nigerian society any less misogynistic. I'd love to see a book analyzing the embedded misogyny in a culture's language against how misogynistic the society is as a whole.
Because I'm just not sure the cause/effect is there. While neutralizing language (e.g. preventing the male from being the default) is a good thing to do on the margins, I'm just not convinced that a "neutral" or even "pro-female" language structure will effect change more rapidly. It's perhaps just one more tiny step that can be taken. What's much more interesting is the overwhelming backlash that happens with any tiny step towards equality. The author's example of the crowdsourced, utterly-false definition of "mansplaining" was a great case in point. This points more to the disproportionate response misogynists have to any tiny step towards gender (sex?)-equality than to the power of language to change society for the better.
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Reviewed in Italy on December 29, 2023


