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The World According to Garp (Modern Library) Hardcover – April 20, 1998
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"Garp was a natural storyteller," says the narrator of John Irving's incandescent novel, referring to the book's hero, the novelist Garp, who has much in common with Irving himself. "He could make things up one right after the other, and they seemed to fit."
Irving packs wild characters and weird events into his classic--officially recognized as such in a Modern Library edition with a new introduction by the author--while amazingly maintaining the rough feel of realism in every scene and the pulse of life in every heart. Many novelists of his time might have populated a novel with a novelist protagonist whose life and books comment on each other and the novel we're reading. Transsexual football players, ball turret gunners lobotomized in battle, multiple adultery, unicycling bears, mad feminists who amputate their tongues in sympathy with the celebrated victim of a horrifying rape--Irving made them all people. Even the bear is a fitting character.
In a crucial episode, Garp's wife's seduction of a young man coincidentally occurs at the moment when Garp is delighting their young sons with a reckless car trick (one of the few scenes beautifully, eerily, heartbreakingly captured in the film version as well). Many authors would have been content with the harsh comedy of the scene, but Irving respects its integrity, and he builds the rest of the book on the consequences of the event. How does he get away with his killer cocktail of slapstick and horror? Because it's simply what we all face daily, rearranged into soul-satisfying art. "Life is an X-rated soap opera," according to Garp, and who can contradict him?
Rereading Garp 20 years later, one is struck by how elegantly Irving structures his bizarre and complex story. Take the two most celebrated bits in the book, the Under Toad and Garp's story "The Pension Grillparzer," which shimmers like an exquisite Kafkaesque insect in the amber of the novel. When Garp warns his son about the "undertow" at the beach, the boy imagines a monster out of Beowulf who lurks beneath the waves to suck you under: the "Under Toad." It's funny at first, but we soon find that the Under Toad is a metaphor with teeth--he connects with a prophetic dream of death in "The Pension Grillparzer," set in Vienna. Garp's son's last words are, "It's like a dream!" And as Irving--who studied at the University of Vienna--can certainly tell you, the German word for "death" sounds precisely like the English word "toad."
All that death, and yet Garp is mainly exuberant. This story is, as Garp's stuttering writing teacher puts it, "rich with lu-lu-lunacy and sorrow." It enriches literature, and our lives. --Tim Appelo
From Library Journal
"In the world according to Garp, we're all terminal cases." This sentence ends both Irving's comic and tragic novel and its wonderful audio adaptation, read disarmingly by Michael Prichard. We hear the familiar story of T.S. Garp; his mother, Jenny Fields; and Garp's wife, family, friends, and lovers. We also see Garp's efforts to establish himself as a serious author and his involvement in sexual politics. In contrast, Jenny's memoirs establish her as a feminist leader. This work is funny, sexual, serious, and sad. Prichard's narration adds a wonderful dimension to the story. Plus, Irving opens with a terrific introduction to mark the novel's 20th anniversary. This wise and unique tale is as fresh today as it was when first published in 1978. Obviously, a required purchase for all audio collections and required listening for all Irving fans. Irving's (A Son of the Circus, Audio Reviews, LJ 12/94) new novel echoes Garp through tracing the complicated life of novelist Ruth Cole. Divided into three parts, the book views Ruth's life and relationships at age four in 1958, age 36 in 1990, and age 41 in 1995. In the first part, Ruth's mother, devastated by the loss of two sons, leaves her daughter and womanizing husband after a brief love affair with a teenage boy. Part 2 focuses on Ruth's book tour in Europe while coming to grips with a poor love life and considering marriage to an older man. Part 3 traces Ruth's short widowhood and her marriage to the Dutch policeman who solves the murder to which she was a witness. Like Garp, this is a complex, sad, and quite compelling tale. Narrator George Guidall's reading adds to the texture of the story. And like the audio adaptation of Garp, this wonderful novel is a required purchase for all audio collections.?Stephen L. Hupp, Univ. of Pittsburgh at Johnstown Lib., PA
Copyright 1998 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.
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Top customer reviews
We follow Garp from his conception until late adulthood with all the triumphs and tragedies along the way. This is very funny and even the tragic parts are so over the top that I laughed. The penalty his wife's lover pays is a high point. He pays a terrible price!
Several good shots by Irving at modern society with his mad feminists who have cut out their tongues in a supposed show of "solidarity"with a young rape victim who suffers this fate.
Then there is the uni-cycling bear and short novels within a novel.
This is outstanding, I was entertained from start to finish.
I was able to fully immerse myself in the novel. It is a long book and I tried not to rush through it too quickly as I felt this is a sort of sipping whiskey novel rather than a shooter.
There are many themes concealed within the writing and many of the topics are still highly relevant today. I have given this a full 5 stars and plan to further explore this author.
T.S. Garp, the only child of the influential feminist icon, is a writer; he marries his first and only love Helen Holm, who teaches at a university. His first story (which you read in the novel) is wonderfully imaginative, absurd, and sad. Though he has so much promise to be a great name in literature, Garp slowly gets bogged down with everyday life. His novels begin to reflect his personal experiences rather than being purely imaginative and they suffer from it. Helen, his most revered critic, refuses to read the novel that wins him both fame and infamy, because it hits too close to home. Garp and Helen have a singular relationship that is tested throughout the book by lovers, children, death, and Garp's writing/not writing.
Sexuality is a raging presence in the novel. From Jenny's lack of sexual desire, to Garp's insatiable lust the reader is often thrown from side to opposing side. Rape, transgender, sex changes, lesbianism, affairs, and marital relations all play large roles in the novel and in Garp's life as he tries to figure out where he stands. Quick to anger but charmingly quirky, Garp's character is one that you can't help but love and empathize with despite his faults (and there are many!).
This story reveals character flaws sympathetically and hilariously. More than once I laughed out loud at the absurd and/or embarrassing situations! I felt very god-like while reading, because the narrator reveals so much about the ultimate end of the characters-there is even an epilogue!
The novel also spans over 30 years, so I think I can say "it was pretty epic."