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World War Z: An Oral History of the Zombie War Hardcover – September 12, 2006
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We survived the zombie apocalypse, but how many of us are still haunted by that terrible time? We have (temporarily?) defeated the living dead, but at what cost? Told in the haunting and riveting voices of the men and women who witnessed the horror firsthand, World War Z is the only record of the pandemic.
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
THE INSPIRATION FOR THE MAJOR MOTION PICTURE
“Will spook you for real.”—The New York Times Book Review
“Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone. . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”—USA Today
“Will grab you as tightly as a dead man’s fist. A.”—Entertainment Weekly, EW Pick
“Probably the most topical and literate scare since Orson Welles’s War of the Worlds radio broadcast . . . This is action-packed social-political satire with a global view.”—Dallas Morning News
- Print length342 pages
- LanguageEnglish
- PublisherCrown
- Publication dateSeptember 12, 2006
- Dimensions9.58 x 6.36 x 1.17 inches
- ISBN-100307346609
- ISBN-13978-0307346605
- Lexile measure960L
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| The Zombie Survival Guide | Devolution | The Harlem Hellfighters | Minecraft: The Island | Minecraft: The Mountain | |
| More from Max Brooks: | Fully illustrated and exhaustively comprehensive, The Zombie Survival Guide is your key to survival against the hordes of undead who may be stalking you right now. | Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it. | The riveting story of the highly decorated, barrier-breaking, historic black regiment—the Harlem Hellfighters | The first official Minecraft novel! Max Brooks tells the story of a hero—stranded in the world of Minecraft—who must unravel the secrets of a mysterious island in order to survive. | In the thrilling sequel to Minecraft: The Island, a stranded hero stumbles upon another castaway—and discovers that teamwork might just be the secret to survival. |
Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Copyright © American Library Association. All rights reserved
Review
“Max Brooks has charted the folly of a disaster response based solely on advanced technologies and brute force in this step-by-step guide to what happened in the Zombie War. He details with extraordinary insight how in the face of institutional missteps and greed, people in unexpected ways achieve unique, creative, and effective strategies to survive and fight back. Brooks’s account of the path to recovery and reconstruction after the war is fascinating, too. World War Z provides us with a starting point, at least, a basic blueprint from which to build a popular understanding of how, when, and why such a disaster came to be, and how small groups and individuals survived.” —Jeb Weisman, Ph.D.,Director of Strategic Technologies, National Center for Disaster Preparedness
“Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”
- USA TODAY
“Prepare to be entranced by this addictively readable oral history of the great war between humans and zombies. . . . Will grab you as tightly as a dead man’s fist. A.”
- Entertainment Weekly, EW Pick
“Probably the most topical and literate scare since Orson Welles' War of the Worlds radio broadcast. . . . This is action-packed social-political satire with a global view.”
- Dallas Morning News
“Brooks [is] America’s most prominent maven on the living dead. . . . Chilling. . . . It is gripping reading and a scathing indictment of weak responses to crises real and over-hyped.”
- Hartford Courant
“A sober, frequently horrifying and even moving account. . . . Brooks has delivered a full-blown horror novel, laced with sharp social and political observations and loads of macabre, gruesome imagery. . . . The real horror of World War Z comes from the all-too-plausible responses of human beings and governments to the menace.”
- Fangoria
“A horror fan’s version of Studs Terkel’s The Good War. . . . Like George Romero’s Dead trilogy, World War Z is another milestone in the zombie mythology.”
- Booklist
“Brooks commits to detail in a way that makes his nightmare world creepily plausible. . . . Far more affecting than anything involving zombies really has any right to be. . . . The book . . . opens in blood and guts, turns the world into an oversized version of hell, then ends with and affirmation of humanity’s ability to survive the worst the world has to offer. It feels like the right book for the right times, and that’s the eeriest detail of all.”
- A.V. Club, The Onion
“The best science fiction has traditionally been steeped in social commentary. World War Z continues that legacy. . . . We haven’t been this excited about a book without pictures since–well, since ever.”
- Metro
“Each story locks together perfectly to create a wonderful, giddy suspense. Brooks also has the political savvy to take advantage of any paranoia a modern reader might feel. . . . The perfect book for all us zombie junkies.”
- Paste
“This infectious and compelling book will have nervous readers watching the streets for zombies. Recommended.”
- Library Journal
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
WARNINGS
GREATER CHONGQING, THE UNITED FEDERATION OF CHINA
[At its prewar height, this region boasted a population of over thirty-five million people. Now, there are barely fifty thousand. Reconstruction funds have been slow to arrive in this part of the country, the government choosing to concentrate on the more densely populated coast. There is no central power grid, no running water besides the Yangtze River. But the streets are clear of rubble and the local "security council" has prevented any postwar outbreaks. The chairman of that council is Kwang Jingshu, a medical doctor who, despite his advanced age and wartime injuries, still manages to make house calls to all his patients.]
The first outbreak I saw was in a remote village that officially had no name. The residents called it "New Dachang," but this was more out of nostalgia than anything else. Their former home, "Old Dachang," had stood since the period of the Three Kingdoms, with farms and houses and even trees said to be centuries old. When the Three Gorges Dam was completed, and reservoir waters began to rise, much of Dachang had been disassembled, brick by brick, then rebuilt on higher ground. This New Dachang, however, was not a town anymore, but a "national historic museum." It must have been a heartbreaking irony for those poor peasants, to see their town saved but then only being able to visit it as a tourist. Maybe that is why some of them chose to name their newly constructed hamlet "New Dachang" to preserve some connection to their heritage, even if it was only in name. I personally didn't know that this other New Dachang existed, so you can imagine how confused I was when the call came in.
The hospital was quiet; it had been a slow night, even for the increasing number of drunk-driving accidents. Motorcycles were becoming very popular. We used to say that your Harley-Davidsons killed more young Chinese than all the GIs in the Korean War. That's why I was so grateful for a quiet shift. I was tired, my back and feet ached. I was on my way out to smoke a cigarette and watch the dawn when I heard my name being paged. The receptionist that night was new and couldn't quite understand the dialect. There had been an accident, or an illness. It was an emergency, that part was obvious, and could we please send help at once.
What could I say? The younger doctors, the kids who think medicine is just a way to pad their bank accounts, they certainly weren't going to go help some "nongmin" just for the sake of helping. I guess I'm still an old revolutionary at heart. "Our duty is to hold ourselves responsible to the people." Those words still mean something to me . . . and I tried to remember that as my Deer bounced and banged over dirt roads the government had promised but never quite gotten around to paving.
I had a devil of a time finding the place. Officially, it didn't exist and therefore wasn't on any map. I became lost several times and had to ask directions from locals who kept thinking I meant the museum town. I was in an impatient mood by the time I reached the small collection of hilltop homes. I remember thinking, This had better be damned serious. Once I saw their faces, I regretted my wish.
There were seven of them, all on cots, all barely conscious. The villagers had moved them into their new communal meeting hall. The walls and floor were bare cement. The air was cold and damp. Of course they're sick, I thought. I asked the villagers who had been taking care of these people. They said no one, it wasn't "safe." I noticed that the door had been locked from the outside. The villagers were clearly terrified. They cringed and whispered; some kept their distance and prayed. Their behavior made me angry, not at them, you understand, not as individuals, but what they represented about our country. After centuries of foreign oppression, exploitation, and humiliation, we were finally reclaiming our rightful place as humanity's middle kingdom. We were the world's richest and most dynamic superpower, masters of everything from outer space to cyber space. It was the dawn of what the world was finally acknowledging as "The Chinese Century" and yet so many of us still lived like these ignorant peasants, as stagnant and superstitious as the earliest Yangshao savages.
I was still lost in my grand, cultural criticism when I knelt to examine the first patient. She was running a high fever, forty degrees centigrade, and she was shivering violently. Barely coherent, she whimpered slightly when I tried to move her limbs. There was a wound in her right forearm, a bite mark. As I examined it more closely, I realized that it wasn't from an animal. The bite radius and teeth marks had to have come from a small, or possibly young, human being. Although I hypothesized this to be the source of the infection, the actual injury was surprisingly clean. I asked the villagers, again, who had been taking care of these people. Again, they told me no one. I knew this could not be true. The human mouth is packed with bacteria, even more so than the most unhygienic dog. If no one had cleaned this woman's wound, why wasn't it throbbing with infection?
I examined the six other patients. All showed similar symptoms, all had similar wounds on various parts of their bodies. I asked one man, the most lucid of the group, who or what had inflicted these injuries. He told me it had happened when they had tried to subdue "him."
"Who?" I asked.
I found "Patient Zero" behind the locked door of an abandoned house across town. He was twelve years old. His wrists and feet were bound with plastic packing twine. Although he'd rubbed off the skin around his bonds, there was no blood. There was also no blood on his other wounds, not on the gouges on his legs or arms, or from the large dry gap where his right big toe had been. He was writhing like an animal; a gag muffled his growls.
At first the villagers tried to hold me back. They warned me not to touch him, that he was "cursed." I shrugged them off and reached for my mask and gloves. The boy's skin was as cold and gray as the cement on which he lay. I could find neither his heartbeat nor his pulse. His eyes were wild, wide and sunken back in their sockets. They remained locked on me like a predatory beast. Throughout the examination he was inexplicably hostile, reaching for me with his bound hands and snapping at me through his gag.
His movements were so violent I had to call for two of the largest villagers to help me hold him down. Initially they wouldn't budge, cowering in the doorway like baby rabbits. I explained that there was no risk of infection if they used gloves and masks. When they shook their heads, I made it an order, even though I had no lawful authority to do so.
That was all it took. The two oxen knelt beside me. One held the boy's feet while the other grasped his hands. I tried to take a blood sample and instead extracted only brown, viscous matter. As I was withdrawing the needle, the boy began another bout of violent struggling.
One of my "orderlies," the one responsible for his arms, gave up trying to hold them and thought it might safer if he just braced them against the floor with his knees. But the boy jerked again and I heard his left arm snap. Jagged ends of both radius and ulna bones stabbed through his gray flesh. Although the boy didn't cry out, didn't even seem to notice, it was enough for both assistants to leap back and run from the room.
I instinctively retreated several paces myself. I am embarrassed to admit this; I have been a doctor for most of my adult life. I was trained and . . . you could even say "raised" by the People's Liberation Army. I've treated more than my share of combat injuries, faced my own death on more than one occasion, and now I was scared, truly scared, of this frail child.
The boy began to twist in my direction, his arm ripped completely free. Flesh and muscle tore from one another until there was nothing except the stump. His now free right arm, still tied to the severed left hand, dragged his body across the floor.
I hurried outside, locking the door behind me. I tried to compose myself, control my fear and shame. My voice still cracked as I asked the villagers how the boy had been infected. No one answered. I began to hear banging on the door, the boy's fist pounding weakly against the thin wood. It was all I could do not to jump at the sound. I prayed they would not notice the color draining from my face. I shouted, as much from fear as frustration, that I had to know what happened to this child.
Product details
- Publisher : Crown; First Edition (September 12, 2006)
- Language : English
- Hardcover : 342 pages
- ISBN-10 : 0307346609
- ISBN-13 : 978-0307346605
- Lexile measure : 960L
- Item Weight : 1.22 pounds
- Dimensions : 9.58 x 6.36 x 1.17 inches
- Best Sellers Rank: #89,447 in Books (See Top 100 in Books)
- #961 in Fiction Satire
- #1,430 in War Fiction (Books)
- #3,268 in Science Fiction Adventures
- Customer Reviews:
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About the author

Max Brooks is the author of World War Z, the Zombie Survival Guide, Minecraft: The Island, and Devolution: A Firsthand Account of the Rainier Sasquatch Massacre. His graphic novels include GI Joe: Hearts and Minds, The Extinction Parade, Germ Warfare: A Graphic History, and The Harlem Hellfighters.
Brooks holds dual fellowships at the Atlantic Council’s Brent Scowcroft Center for Strategy and Security and the Modern War Institute at West Point.
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First off, there is no attempt whatsoever to explain the scientific basis for zombies, which is just as well. We know only that they came out of mainland China, strongly implying an avian influenza-type mutation, or at worse military medical-chemical experimentation gone really wrong. Coming up with some kind of zombie science, of course, would be a self-defeating exercise, inventing necessarily ridiculous and bogus medical/scientific descriptions, which in the end would subtract from the true power of these (fictional) oral histories. This book is not about the origins and rise of the global zombie threat, it's about how mankind reacted. It really doesn't matter why/how the zombies emerged; they did, and the far more interesting story is how mankind couldn't imagine it, ignored it, initially failed to address it, and eventually rose to the challenge.
This book takes on most of the big-picture issues of what a global zombie war would involve and affect. It talks strategic decision-making, unpleasant sacrifices, economic effects, military strategy, operations and tactics, as well as communications and the role of propaganda, politics and international relations, with some unanticipated nuclear exchange thrown in for fun. But the one issue I was really hoping Brooks would take on, that he would have some of his narrators latch onto and wrestle with, was religion. Disappointingly, religion didn't get a thorough treatment. Brooks touches on it here and there, but never fully confronts and tackles it. World War Z sure as hell ain't The Rapture, but it's a resurrection, and not the good kind. So what does this do the Big Three belief systems, and how do they fare? What new beliefs come about, and how do they evolve and then grow/fade?
I really enjoyed Brooks' deep exploration on the true nature of the zombie enemy, and how to beat him. He's not bright, fast, or thinking rationally, but he never ever stops, with no pain, remorse, ethics, morals or fear, so our humano-centric military doctrine goes right out the window. The zombie is a "...self-contained, automated unit...;" there is no reasoning with him, and no single or collective will to fight to target and cripple. The only option is eradication, and it has to be done with proper training and equipment. Brooks spends lots of time on this, and it is very engaging reading.
And because they're already dead, water is no problem for zombies. They can't swim, so they sink, or more correctly, sort of wander around the bottom, and if the water gets shallow, they can come on up and grab you. I never thought of that before, but Brooks sure does explore it, in a number of fascinating ways. But the narrative went a bit off the rails here. We saw on land that animals would not go zombie (zombie raccoons, bears, coyotes, deer would have made it really interesting), so it was unclear--and not addressed--if sharks or other sea predators would have a carnivorous go at zombies, and if you would then end up with Great White zombies (isn't that a Danish thrash-metal band?). Wouldn't that be awesome, a horde of zombie sharks? I see a wide-open opportunity for the zombie fiction oceanographer...and an enterprising B-movie producer...
Lots of people and organizations get a grilling, and some folks get good press. The underfunding of the FDA is decried. Vapid celebrities like a certain unnamed "...little rich, spoiled, tired-looking whore," and her idiot-ilk get what they deserve, from zombies and an enraged human populace. Military greats MacArthur, Halsey and LeMay are called "...insipid, egocentric clowns..." Political decisions are implicitly criticized, such as any number of US "brushfire wars." A certain Vermont "whacko" (Howard Dean, mayhaps?) gets a lot of time, most of it positive. Colin Powell (apparently) comes through as The Man, President of the United States, and REM's Michael Stipe apparently makes it through.
Brooks is good on his terms and equipment, getting the use of "ChiCom," "maskirovka" and many others right, as well as just about perfect descriptions of almost every modern weapon system and their employment. His geography is spot-on.
Great to see a name-check of the 3rd Battalion, Princess Patricia's Canadian Light Infantry. I played rugby with and against these guys in Germany in the 80s. We even get a mention of the Tri-Nations tournament and a notional trouncing of the All Blacks by the Springboks, and later another All Black mention. Good on ya, Mr. Brooks.
And in the end, what did it all mean? For those who survived, it was a forced return to the vitality and reward of life, having to be aware and alert, having had to defend globally against a common enemy for survival, and a forced return to a simpler, significantly more empty planet. It wasn't about starting over, but still a fundamental re-set. In the end, it was a cleansing, with the weak and ignorant culled without mercy, an undead Malthusian solution.
Bottom line: this book is surprisingly inventive, creative, and fun, and the value-added is that it's really well thought out, an almost scholarly meditation on what it really would be like if the dead were to rise. This book does not read like some idiotic first-person shooter video game; instead it's a thoughtful exploration of what it would really be like if the zombies came.
I am not a fan of the zombie genre that seemed to me to have taken over popular media well in excess of its categorical rights, but I found this book, although amusingly slightly dated, to be a refreshing approach to the genre and an excellent way to present a number of interesting and clever ideas and small facts of interest while engaging in entertaining world building. While reading this, it was very clear it would be difficult to translate into a typical Hollywood movie, and I was a bit surprised it was not instead made into a limited streaming series.
Overall, an entertaining read and deserving of its reputation in the genre.
I am a damn fool. If I’d listened to those who told me I must read World War Z by Max Brooks a couple of years ago and since sooner, I could have had the incredible, exhilarating, heart-wrenching, fist-clenching, teeth-grinding, anxiety-provoking experience reading it was much, much earlier.
Would I have wanted that? Hell. Yeah.
I may as well get it out of the way upfront; World War Z was not what I expected. I knew it was a “zombie story” and, having read and loved Mira Grant’s Newsflesh trilogy (again, a recommended “must-read” that didn’t disappoint me one iota) and being absolutely enthralled by the Walking Dead Compendium by Robert Kirkman et. Al (and TV show), I shouldn’t have stereotyped Brooks’ novel (no relation BTW) as a lighter-weight version of what had already been done magnificently – but I did. More fool me. Admittedly, seeing shorts for the Brad Pitt film fuelled that notion and, while I love that type of full-scale action-adventure in my film, I desire something a little more intelligent, psychological, challenging and probing in my zombie novels.
Enter World War Z – from stage right left and every other conceivable direction. I finally bought it and began reading it… Well. This book grasped me by the imagination, throat and soul and didn’t let me go. To call it remarkable is to undersell it. Brooks’ work is an erudite, humane, political, emotional and psychological reckoning of what happens when humanity turns on itself – when the enemy is already dead and killing fellow humans who might not agree with your religion, ideology, culture, sexual preferences or anything else, simply adds to their ranks and places the future of the planet at greater risk.
Let me explain without spoilers. The book is set ten years after a decade-long war with zombies has all but finished and is basically the remnants (the humanity component) of a report that was commissioned by an organisation to record for posterity what occurred in the lead up to mass infection, during the outbreak and consequently. The lead investigator has taken it upon himself to include unique stories from all the people and countries he visits, much to the chagrin of his boss who feels that history wants facts only. But, as the investigator (who is largely absent from the novel) states: “what’s history without humanity?” Indeed.
So, World War Z is what’s been left out of the official report. As such, it’s a collection of very personal accounts and opinions, a memory bank if you like, of a huge variety of people. From an astronaut stranded in a space station, to a marketeer looking to profit from fear, to Japan, China, Uruguay, Russia, the United States, Mexico, and many, many other countries big and small; from veterans, to teachers to blind gardeners and everything in between, this other report is the voices of those who aren’t normally heard. It’s a testimony, their testimonies of what they feared, endured, survived and their memories of the times and those who didn’t. It’s what they were forced to do to simply survive, to recognise what they could either raise or lower themselves to do when everything, absolutely everything is at stake.
It’s also about how individuals from different cultures, backgrounds, ages and occupations, with different needs, wants and desires, respond to a threat that has never before been imagined or experienced.
I found this way of writing, the whole concept behind this book, utterly extraordinary. While the threat of zombies underpins the action and is the narrative drive, it’s also about so much more. Brooks manages to inhabit every character, no matter who they are, where they’re from or how brief their story. There’s a gravitas and respect for what’s being shared, what’s being exposed and this is felt in every word and page. I didn’t want this to end and yet, I did. It’s harrowing, amazing, thrilling and above all, it’s humane.
Now I am joining the ranks of those who say, “you must read this book”. It doesn’t matter if you think you “like” zombies or not. In this instance, it’s irrelevant. If you’re reticent like I was to start with, I do understand but all I can do is urge you to ignore this feeling so you don’t have any regrets – the regret I didn’t “know” this book sooner.
For now, I am going to read it again.
Top reviews from other countries
Overall, ranging from paper quality to font size and reader experience, its a 5 out of 5.
WW Z is a fun, easy read and for me the standard against which to judge zombie novels ( and somewhat, zombie films though the epic Brad Pitt film is largely unrelated, having fast British-style 28 Days Later Zs).
The journalist interviewing survivors from all over the world narrative works well: each telling a different part or stage of the apocalypse from official denial and cover-up, outright lying by many countries' rulers (with noble exceptions) ,through to disastrous or non-existent countermeasures, defeat, slaughter, panicked flight, exile and eventual stalemate, and thereafter on to counter attack and human resurgence. Lots of different characters, situations and ideas to enjoy. And if the American Brooks gets his ideas of the British from a Hollywood view of us, well who can blame him?
It's a relaxing book to reread on holiday and with maybe one eye on the weather.
And as we start to come out of internal exile as Corvid19 sputters to some kind of constant low rolling tragedy I'm not sure the pre WW Z leaders come out as quite the dolts and crooks (and clearly Noughties Republicans in the States) that progressive Brooks made them out to be: imagined them way back when. At least they tried NOT to crash the world economy in a panic over their pandemic.
And yes, Brooks'' postwar world is mostly liberal,.globalist, and basically written as if Bill Clinton and Colin Powell had saved the world,.with a little help from moderate communists and Silicon Valley Democrats. Also, it's very much a pre-internet world and so it's Spielberg? or Tarantino? who keep civilian morale up rather than Amazon Prime and Netflix might try to do today.. Might.
Brookes tries to be fair to people (even Americans) not like himself., so it's
not much of a torment to read his preachy Greens or New Dealers gloating about their triumphs- patriots and professional soldiers and monarchists get a fair whack. Great fun for all the English-speaking folk apart from the then-extreme bookends of Left and Right.
But it's now the summer of 2020 and with western cities in flame, the police on their knees and the statues of soldiers who defeated the Confederacy and Hitler vandalised,destroyed or locked away for safety, who knows? -perhaps Brooks' exciting fantasy of postwar poverty, unnecessary food rationing, Tsarism peace and Social Democracy may soon seem like a dream of paradise.
Five stars for a fiver well spent way back when . Treat yourself to what may very well be numerous re-reads. And it's got to be nicer than living in Seattle right now..




















