Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the author
OK
Worlds of Exile and Illusion: Three Complete Novels of the Hainish Series in One Volume--Rocannon's World; Planet of Exile; City of Illusions Paperback – October 15, 1996
Worlds of Exile and Illusion contains three novels in the Hainish Series from Ursula K. Le Guin, one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards.
Her career as a novelist was launched by the three novels contained here. These books, Rocannon's World, Planet of Exile, and City of Illusions, are set in the same universe as Le Guin's groundbreaking classic, The Left hand of Darkness.
Tor is pleased to return these previously unavailable works to print in this attractive new edition.
- Print length370 pages
- LanguageEnglish
- Publication dateOctober 15, 1996
- Dimensions5.69 x 1.01 x 8.28 inches
- ISBN-100312862113
- ISBN-13978-0312862114
Similar items that ship from close to you
Ursula K. Le Guin: The Hainish Novels and Stories: A Library of America Boxed Set (Library of America, 296-297)Hardcover$18.26 shippingOnly 1 left in stock - order soon.

Editorial Reviews
Review
“Le Guin writes in quiet, straightforward sentences about people who feel they are being torn apart by massive forces in society--technological, political, economic--and who fight courageously to remain whole.” ―The New York Times Book Review
“As good as any contemporary at creating worlds, imaginary or our own...Le Guin writes with painstaking intelligence. Her characters are complex and haunting, and her writing is remarkable for its sinewy grace.” ―Time Magazine
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Worlds of Exile and Illusion
Three Complete Novels of the Hainish Series in One Volume--Rocannon's World; Planet of Exile; City of IllusionsBy Le Guin, Ursula K.Orb Books
Copyright © 1996 Le Guin, Ursula K.All right reserved.
ISBN: 9780312862114
PART ONE: The Starlord
I
So ends the first part of the legend; and all of it is true. Now for some facts, which are equally true, from the League Handbook for Galactic Area Eight.
* * *
Number 62: FOMALHAUT II.
Type AE—Carbon Life. An iron-core planet, diameter 6600 miles, with heavy oxygen-rich atmosphere. Revolution: 800 Earthdays 8 hrs. 11 min. 42 sec. Rotation: 29 hrs. 51 min. 02 sec. Mean distance from sun 3.2 AU, orbital eccentricity slight. Obliquity of ecliptic 27° 20’ 20” causing marked seasonal change. Gravity .86 Standard.
Four major landmasses, Northwest, Southwest, East and Antarctic Continents, occupy 38% of planetary surface.
Four satellites (types Perner, Loklik, R-2 and Phobos). The Companion of Fomalhaut is visible as a superbright star.
Nearest League World: New South Georgia, capital Kerguelen (7.88 lt. yrs.).
History: The planet was charted by the Elieson Expedition in 202, robot-probed in 218.
First Geographical Survey, 235-6. Director: J. Kiolaf. The major landmasses were surveyed by air (see maps 3114-a, b, c, 3115-a, b.). Landings, geological and biological studies and HILF contacts were made only on East and Northwest Continents (see description of intelligent species below).
Technological Enhancement Mission to Species I-A, 252-4. Director: J. Kiolaf (Northwest Continent only.)
Control and Taxation Missions to Species I-A and II were carried out under auspices of the Area Foundation in Kerguelen, N.S.Ga., in 254, 258, 262, 266, 270; in 275 the planet was placed under Interdict by the Allworld HILF Authority, pending more adequate study of its intelligent species.
First Ethnographic Survey, 321. Director: G. Rocannon.
* * *
A high tree of blinding white grew quickly, soundlessly up the sky from behind South Ridge. Guards on the towers of Hallan Castle cried out, striking bronze on bronze. Their small voices and clangor of warning were swallowed by the roar of sound, the hammerstroke of wind, the staggering of the forest.
Mogien of Hallan met his guest the Starlord on the run, heading for the flightcourt of the castle. “Was your ship behind South Ridge, Starlord?”
Very white in the face, but quiet-voiced as usual, the other said, “It was.”
“Come with me.” Mogien took his guest on the postillion saddle of the windsteed that waited ready saddled in the flightcourt. Down the thousand steps, across the Chasmbridge, off over the sloping forests of the domain of Hallan the steed flew like a gray leaf on the wind.
As it crossed over South Ridge the riders saw smoke rise blue through the level gold lances of the first sunlight. A forest fire was fizzling out among damp, cool thickets in the streambed of the mountainside.
Suddenly beneath them a hole dropped away in the side of the hills, a black pit filled with smoking black dust. At the edge of the wide circle of annihilation lay trees burnt to long smears of charcoal, all pointing their fallen tops away from the pit of blackness.
The young Lord of Hallan held his gray steed steady on the updraft from the wrecked valley and stared down, saying nothing. There were old tales from his grandfather’s and great-grandfather’s time of the first coming of the Starlords, how they had burnt away hills and made the sea boil with their terrible weapons, and with the threat of those weapons had forced all the Lords of Angien to pledge them fealty and tribute. For the first time now Mogien believed those tales. His breath was stuck in his throat for a second. “Your ship was…”
“The ship was here. I was to meet the others here, today. Lord Mogien, tell your people to avoid this place. For a while. Till after the rains, next coldyear.”
“A spell?”
“A poison. Rain will rid the land of it.” The Starlord’s voice was still quiet, but he was looking down, and all at once he began to speak again, not to Mogien but to that black pit beneath them, now striped with the bright early sunlight. Mogien understood no word he said, for he spoke in his own tongue, the speech of the Starlords; and there was no man now in Angien or all the world who spoke that tongue.
The young Angya checked his nervous mount. Behind him the Starlord drew a deep breath and said, “Let’s go back to Hallan. There is nothing here.…”
The steed wheeled over the smoking slopes. “Lord Rokanan, if your people are at war now among the stars, I pledge in your defense the swords of Hallan!”
“I thank you, Lord Mogien,” said the Starlord, clinging to the saddle, the wind of their flight whipping at his bowed graying head.
The long day passed. The night wind gusted at the casements of his room in the tower of Hallan Castle, making the fire in the wide hearth flicker. Coldyear was nearly over; the restlessness of spring was in the wind. When he raised his head he smelled the sweet musty fragrance of grass tapestries hung on the walls and the sweet fresh fragrance of night in the forests outside. He spoke into his transmitter once more: “Rocannon here. This is Rocannon. Can you answer?” He listened to the silence of the receiver a long time, then once more tried ship frequency: “Rocannon here…” When he noticed how low he was speaking, almost whispering, he stopped and cut off the set. They were dead, all fourteen of them, his companions and his friends. They had all been on Fomalhaut II for half one of the planet’s long years, and it had been time for them to confer and compare notes. So Smate and his crew had come around from East Continent, and picked up the Antarctic crew on the way, and ended up back here to meet with Rocannon, the Director of the First Ethnographic Survey, the man who had brought them all here. And now they were dead.
And their work—all their notes, pictures, tapes, all that would have justified their death to them—that was all gone too, blown to dust with them, wasted with them.
Rocannon turned on his radio again to Emergency frequency; but he did not pick up the transmitter. To call was only to tell the enemy that there was a survivor. He sat still. When a resounding knock came at his door he said in the strange tongue he would have to speak from now on, “Come in!”
In strode the young Lord of Hallan, Mogien, who had been his best informant for the culture and mores of Species II, and who now controlled his fate. Mogien was very tall, like all his people, bright-haired and dark-skinned, his handsome face schooled to a stern calm through which sometimes broke the lightning of powerful emotions: anger, ambition, joy. He was followed by his Olgyior servant Raho, who set down a yellow flask and two cups on a chest, poured the cups full, and withdrew. The heir of Hallan spoke: “I would drink with you, Starlord.”
“And my kin with yours and our sons together, Lord,” replied the ethnologist, who had not lived on nine different exotic planets without learning the value of good manners. He and Mogien raised their wooden cups bound with silver and drank.
“The wordbox,” Mogien said, looking at the radio, “it will not speak again?”
“Not with my friends’ voices.”
Mogien’s walnut-dark face showed no feeling, but he said, “Lord Rokanan, the weapon that killed them, this is beyond all imagining.”
“The League of All Worlds keeps such weapons for use in the War To Come. Not against our own worlds.”
“Is this the War, then?”
“I think not. Yaddam, whom you knew, was staying with the ship; he would have heard news of that on the ansible in the ship, and radioed me at once. There would have been warning. This must be a rebellion against the League. There was rebellion brewing on a world called Faraday when I left Kerguelen, and by sun’s time that was nine years ago.”
“This little wordbox cannot speak to the City Kerguelen?”
“No; and even if it did, it would take the words eight years to go there, and the answer eight years to come back to me.” Rocannon spoke with his usual grave and simple politeness, but his voice was a little dull as he explained his exile. “You remember the ansible, the machine I showed you in the ship, which can speak instantly to other worlds, with no loss of years—it was that that they were after, I expect. It was only bad luck that my friends were all at the ship with it. Without it I can do nothing.”
“But if your kinfolk, your friends, in the City Kerguelen, call you on the ansible, and there is no answer, will they not come to see—” Mogien saw the answer as Rocannon said it:
“In eight years.…”
When he had shown Mogien over the Survey ship, and shown him the instantaneous transmitter, the ansible, Rocannon had told him also about the new kind of ship that could go from one star to another in no time at all.
“Was the ship that killed your friends an FTL?” inquired the Angyar warlord.
“No. It was manned. There are enemies here, on this world, now.”
This became clear to Mogien when he recalled that Rocannon had told him that living creatures could not ride the FTL ships and live; they were used only as robot-bombers, weapons that could appear and strike and vanish all within a moment. It was a queer story, but no queerer than the story Mogien knew to be true: that, though the kind of ship Rocannon had come here on took years and years to ride the night between the worlds, those years to the men in the ship seemed only a few hours. In the City Kerguelen on the star Forrosul this man Rocannon had spoken to Semley of Hallan and given her the jewel Eye of the Sea, nearly half a hundred years ago. Semley who had lived sixteen years in one night was long dead, her daughter Haldre was an old woman, her grandson Mogien a grown man; yet here sat Rocannon, who was not old. Those years had passed, for him, in riding between the stars. It was very strange, but there were other tales stranger yet.
“When my mother’s mother Semley rode across the night…” Mogien began, and paused.
“There was never so fair a lady in all the worlds,” said the Starlord, his face less sorrowful for a moment.
“The lord who befriended her is welcome among her kinfolk,” said Mogien. “But I meant to ask, Lord, what ship she rode. Was it ever taken from the Clayfolk? Does it have the ansible on it, so you could tell your kinfolk of this enemy?”
For a second Rocannon looked thunderstruck, then he calmed down. “No,” he said, “it doesn’t. It was given to the Clayfolk seventy years ago; there was no instantaneous transmission then. And it would not have been installed recently, because the planet’s been under Interdict for forty-five years now. Due to me. Because I interfered. Because, after I met Lady Semley, I went to my people and said, what are we doing on this world we don’t know anything about? Why are we taking their money and pushing them about? What right have we? But if I’d left the situation alone at least there’d be someone coming here every couple of years; you wouldn’t be completely at the mercy of this invader—”
“What does an invader want with us?” Mogien inquired, not modestly, but curiously.
“He wants your planet, I suppose. Your world. Your earth. Perhaps yourselves as slaves. I don’t know.”
“If the Clayfolk still have that ship, Rokanan, and if the ship goes to the City, you could go, and rejoin your people.”
The Starlord looked at him a minute. “I suppose I could,” he said. His tone was dull again. There was silence between them for a minute longer, and then Rocannon spoke with passion: “I left you people open to this. I brought my own people into it and they’re dead. I’m not going to run off eight years into the future and find out what happened next! Listen, Lord Mogien, if you could help me get south to the Clayfolk, I might get the ship and use it here on the planet, scout about with it. At least, if I can’t change its automatic drive, I can send it off to Kerguelen with a message. But I’ll stay here.”
“Semley found it, the tale tells, in the caves of the Gdemiar near the Kiriensea.”
“Will you lend me a windsteed, Lord Mogien?”
“And my company, if you will.”
“With thanks!”
“The Clayfolk are bad hosts to lone guests,” said Mogien, looking pleased. Not even the thought of that ghastly black hole blown in the mountainside could quell the itch in the two long swords hitched to Mogien’s belt. It had been a long time since the last foray.
“May our enemy die without sons,” the Angya said gravely, raising his refilled cup.
Rocannon, whose friends had been killed without warning in an unarmed ship, did not hesitate. “May they die without sons,” he said, and drank with Mogien, there in the yellow light of rushlights and double moon, in the High Tower of Hallan.
Rocannon’s World copyright © 1966 by Ace Books, Inc., © 1994 by Ursula K. Le Guin.
Continues...
Excerpted from Worlds of Exile and Illusion by Le Guin, Ursula K. Copyright © 1996 by Le Guin, Ursula K.. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Orb Books; Reprint edition (October 15, 1996)
- Language : English
- Paperback : 370 pages
- ISBN-10 : 0312862113
- ISBN-13 : 978-0312862114
- Item Weight : 15.2 ounces
- Dimensions : 5.69 x 1.01 x 8.28 inches
- Best Sellers Rank: #1,034,382 in Books (See Top 100 in Books)
- #18,994 in Science Fiction Adventures
- #23,791 in Epic Fantasy (Books)
- #24,075 in Classic Literature & Fiction
- Customer Reviews:
About the author

Ursula Kroeber Le Guin (US /ˈɜːrsələ ˈkroʊbər ləˈɡwɪn/; born October 21, 1929) is an American author of novels, children's books, and short stories, mainly in the genres of fantasy and science fiction. She has also written poetry and essays. First published in the 1960s, her work has often depicted futuristic or imaginary alternative worlds in politics, the natural environment, gender, religion, sexuality and ethnography.
She influenced such Booker Prize winners and other writers as Salman Rushdie and David Mitchell – and notable science fiction and fantasy writers including Neil Gaiman and Iain Banks. She has won the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, each more than once. In 2014, she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters. Le Guin has resided in Portland, Oregon since 1959.
Bio from Wikipedia, the free encyclopedia.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the book great, fun, and compelling. They describe the stories as wonderfully crafted, substantial tales of exploration, and adventure. Readers praise the imagination as intellectual, clever, and amazing. They appreciate the masterful writing style, which shows the author's evolution as an author.
AI-generated from the text of customer reviews
Customers find the book great, incredible, and fun. They say it's compelling, worthwhile, and a nice combination of Le Guin's work.
"...But, as things unfold, you realize how purposeful and well-crafted everything is. It's brilliant that way, like a folk tale...." Read more
"All 3 of these novels were very compelling, though I was more satisfied by the first 2 than the third...." Read more
"...LeGuin's anthropologist's eye; deft hand for character; and talent to create unknown, fully detailed worlds together as well as any of her other..." Read more
"...poetry, is amongst the best of American writing and is always both entertaining and deeply informative...." Read more
Customers find the stories in the book wonderful, substantial tales of exploration and adventure. They say it's an amazing combination of legend and science fiction. Readers also mention that the three stories build a world that is believable.
"...They're an amazing combination of science fiction and fantasy. The first book, Rocannon's World, was Le Guin's first big book...." Read more
"...The rest of the novel is an intriguing combination of fantasy and sf, with substantial elements of both...." Read more
"Huge Ursula K. Le Guin fan. Her stories are so beautifully written - otherworldly and yet familiar. This trilogy is one of my favorites." Read more
"...Rocannon's World is incredibly weak. It begins in an interesting fashion with a medieval air, but she seems not to have really given her mind to..." Read more
Customers find the book incredibly imaginative, intellectual, and clever. They appreciate the author's amazing imagination for inventing new cultures and worlds. Readers also appreciate the unbelievable amount of detail in every mythical culture.
"...Le Guin had an amazing imagination for inventing new cultures, new worlds, etc, all based on interesting premises...." Read more
"...deft hand for character; and talent to create unknown, fully detailed worlds together as well as any of her other novels...." Read more
"...the best of American writing and is always both entertaining and deeply informative...." Read more
"...The Enemy is poorly drawn and unpleasant. The world drawn is excellent, though, and the continuity with another of her books is a nice touch...." Read more
Customers find the writing style masterful, amazing, and concise. They say the characters and descriptions are much stronger than in the other two novels. Readers also mention the author's command of the English language is insane.
"...kind of writing that seems at first to be, on the surface, simple and concise...." Read more
"...by a true master of human psychology and a possessor of a truly masterful writing style...." Read more
"...Characterization and description are much stronger than in the other two novels in this book...." Read more
"...Such a fine writer and thinker." Read more
Customers have mixed opinions about the character development. Some mention the stories are engaging, while others say the characters are shallow.
"...These stories bring LeGuin's anthropologist's eye; deft hand for character; and talent to create unknown, fully detailed worlds together as well as..." Read more
"...But, I couldn't finish these stories. The character development was so shallow that I just didn't care what happened next...." Read more
"...stories in this book build a world that is believable and populate it with characters that we can understand. I highly recommend this book." Read more
"...It seems derivative of Lord of the Rings and the characters are not quite compelling yet." Read more
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
These are the first three books of the Hainish Cycle. They're an amazing combination of science fiction and fantasy. The first book, Rocannon's World, was Le Guin's first big book. It is perfectly distilled fantasy adventure; every paragraph is fast-moving amazing fun. The second book, Planet of Exile, is the source from which George RR Martin stole half of his ideas for the setting of Game of Thrones: a world where each season lasts for way longer than they do on earth, and Winter is Coming. Le Guin's original world is complete with wildlings and ghouls that come down from the north when winter comes. Yeah, Le Guin imagined all that in the 1960s, but of course she doesn't get any credit on HBO's Game of Thrones TV show. :P And, City of Illusions, the third book, is great too, bringing her world-inventing imagination back to a post-apocalyptic earth. Connections among the books in the Hainish Cycle are mysterious but real, because they're sometimes separated by thousands, or tens of thousands, of years, which is really fascinating as well. I'm reading her 4th Hainish Cycle book, Left Hand of Darkness, now (the most acclaimed one), and I'd recommend reading these three first if you want the full sci fi perspective on her universe before going on to Left Hand of Darkness.
The only thing that doesn't hold up to modern times is the hetero-male-normative attitudes and social structures of the 1960s. But, if you recognize while reading these books that Le Guin wrote them in the 1960s, you can appreciate the things that she does include in order to push back against sexism while still creating a book that the hetero-male-normative people of the 1960s would feel comfortable reading. Compared to ANY of Le Guin's peers of the 60s, she was leaps and bounds ahead; at least she wrote characters who were women. It's just so hard, now in 2018, to read science fiction books about a future that has outdated Leave It To Beaver gender roles, written none the less by an author who was noted for her feminist themes.
Rocannon's World: I read the preface, "Semley's Necklace", many years ago, and it had a great impact on me. Such an amazing combination of legend and science fiction!
The rest of the novel is an intriguing combination of fantasy and sf, with substantial elements of both.
If you care, this is reportedly her first novel, and the first one in her "Hainish Cycle".
Planet of Exile: Two cultures collide- being very different- but having a common foe. Both personal and political aspects make the two mutually-dubious cultures make some sort of common ground with each other, especially when the common foe attacks both. And while it stands alone, it is also a preface to:
City of Illusions: personally, I think this is the weakest of the 3 novels in this compilation. I did not care for the all-or-nothing plot; it does not have the nuance that UKLG usually creates. I was hoping for something more complex- though, as a "heroic" sf novel, it's quite satisfying.
All in all, very recommended! -but her later stuff is better... except for "Semley's Necklace".
My hesitation was misplaced. These stories bring LeGuin's anthropologist's eye; deft hand for character; and talent to create unknown, fully detailed worlds together as well as any of her other novels. The opener, Rocannon's World, shows what happens when an anthropological expedition to a new planet gets tangled in bureaucracy before going suddenly wrong. Planet in Exile, set 600 years later, follows a tale of two cultures - one alien, one human - forced to meld into one. Finally, World of Illusion closes the circle, showing us the final confrontation between humankind and the mysterious race variously known as the Shing, the Lords of Es Toch, the Enemy, and the Liars of Earth.
Like all LeGuin's work, the thrill-ride is subtle; some of the themes hit you late, sort of like the heat from a chipotle pepper that's been simmering in soup for a couple hours. The reward of reading LeGuin is a pleasure not to be missed and I'd recommend this book for any SF fan.
Top reviews from other countries
City of Illusions in the last in Ekumen chronology, after the Ekumen has been destroyed. It is about the rediscovery of Earth by two men from a far planet - one of whom is mind-wiped and dumped in the forest by the Shing. The Shing are aliens who have conquered or destroyed the Ekumen because of their ability to lie telepathically.
The Exile novella is the direct predecessor to City of Illusions - about an Ekumen settlement that gets cut off and learns to make common cause with the local people, finally uniting with them.
The unifying factor in these three stories is telepathy - or 'bespeaking', as Le Guin puts it. Rocannon's World introduces telepathy to humanity, and City of Illusions studies the effects of an alien race that are able to exploit it. Like the Old Tongue in the Earthsea quartet, Bespeaking binds a human to the truth. Like the dragons in Earthsea, the Shing are able to misuse it - with the 'mindlie'.
None of these stories reach the visionary level of the Left Hand of Darkness, which should still be seen as one of the masterpieces of SF. Rocannon's World is a journey-adventure which begins with a powerfully evocative demythology of a Rip-van-Winkel type story, entitled 'Semley's Necklace'. It finishes with one of the finest endings in SF, which still brings a tear to my eye.
Planet of Exile is a slighter work. It's better than 'the Word for World is Forest', but not up to the level Rocannon's World. It forms a pleasing introduction to City of Illusions.
City of Illusions is the main work in this collection. It begins from the same premise as Asimov's 'The Currents of Space' - about an adult who has been mindwiped and tries to rediscover his identity and his destiny. The context, though, is much more compelling. LeGuin again returns to the idea of a sparsely populated world where mankind must struggle to survive. It is woven together with a strong backstory which is only gradually made clear as the novel develops. Like Rocannon's World, and the main section of The Left Hand of Darkness, it is a journey-adventure.
All in all, these stories are a very enjoyable read. In my opinion LeGuin's best books are the first two of the Earthsea Quintet, the Left Hand of Darkness and the Lathe of Heaven. This collection does not quite reach these heights. There's no denying, though, that LeGuin is a major artist, even in the minor works.


