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The Writer's Journey - 3rd edition: Mythic Structure for Writers Library Binding – November 1, 2007
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- Print length450 pages
- LanguageEnglish
- PublisherMichael Wiese Productions
- Publication dateNovember 1, 2007
- Dimensions6 x 1.13 x 9 inches
- ISBN-101615931708
- ISBN-13978-1615931705
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About the Author
Product details
- Publisher : Michael Wiese Productions; 3rd edition (November 1, 2007)
- Language : English
- Library Binding : 450 pages
- ISBN-10 : 1615931708
- ISBN-13 : 978-1615931705
- Item Weight : 1.68 pounds
- Dimensions : 6 x 1.13 x 9 inches
- Best Sellers Rank: #2,048,983 in Books (See Top 100 in Books)
- #2,241 in Movie Direction & Production
- #4,672 in Writing Skill Reference (Books)
- #20,393 in Performing Arts (Books)
- Customer Reviews:
About the author

Christopher Vogler is a veteran story consultant for major Hollywood film companies and a respected teacher of filmmakers and writers around the globe.
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Reviewed in the United States on December 21, 2019
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This edition is at least three times the size, and even more overloaded with useful information for fiction writers, and some nonfiction writers. (Biographies and personal stories could benefit from the insights in this book.)
This book pioneered the "hero's journey" as a plotting template, based on Joseph Campbell's study of mythology and archetypes.
However, this edition of the book takes readers (and fellow writers) far beyond the hero's journey concepts. In fact, this book is tremendously useful for all fiction writers, not just those following the "hero's journey" plot structure. (In other words, it will work with the three-act model, Aristotle's incline, and so on.)
For example, there's a wonderful chapter about polarity. It shows you ways to improve your characters and their conflicts. Polarity helps engage your readers, increase tension, and helps with that dreaded mid-book slump where the plot can drag.
In addition, the author has drawn on all kinds of cross-cultural examples of different elements of any story, fiction and nonfiction alike. Those insights are tremendously useful.
Also, this book is so well-organized and broken into headings, you can open the book to almost any page and find something useful for your story. When I read it -- even after all these years -- I discover about three "ah-HA!" ideas on every page.
Though this book may be almost overwhelming for beginning writers, it's a book every writer should own. No matter where you are on your writing journey, there's something to learn -- and benefit from -- even if you only read one page (or part of a page) at a time.
In addition, the both the table of contents and the subject index at the back of the book are thorough and useful, so you can find what you're looking for, quickly.
Every fiction writer (and most nonfiction writers) should own a copy of this book, and browse its pages, regularly. It's that good... and that important, to help you understand your best writing, and bring that to every story.
If you are already a Jungian or a Joseph Campbell scholar, this book is not for you. Anyone else, writer or not, should give Vogler's work a try. If he challenges and inspires you to find out more about Campbell and Jung, he has done a noble thing indeed.
And, along the way, you will learn some things about why some stories fly off with our collective imagination and others...well, just don't. And if you are a writer and you've struggled with this problem in selling your own works, you can get some help here. Unless you don't care about what readers feel and think and you just want to write for you. That's cool. If that's the case, this book is not for you, either.
But there are several chapters beyond the "formulaic" bulk of the book that are worth a look even if you catch yourself looking down your nose at this text. The appendix entitled "Stories are Alive" underscores the importance of your character's initial wish for a change, but also emphasizes that WILL is at least as important as wish (quick, somebody call Rhonda Byrne...oh, never mind). And I did enjoy "The Wisdom of the Body"--yes, men can write about that, too! Although this man actually writes that your story should make at least two of your readers' organs "squirt fluids." Oh yes he did. But all kidding aside, The final section "Trust the Path" was a moving one for me and most likely the reason why, in the end, this accessible, amusing and very approachable book is a 5 star read for me.
The book's concept is that the mythological/psychological theories of Joseph Campbell (_The Hero with a Thousand Faces_) provide a helpful tool for modern story-telling - and also for the lives led by writers. The second item is not a strong theme in the book, but does put in the occasional appearance. The first theme has led some to disparage the book for suggesting writers take a formula-istic approach to their tales. The author himself repeatedly states what he discusses is not to be used as formula. Regarding this "controversy," my opinion is that you'll get out the book what you read into it.
The book is written by someone in the movie industry, and it offers a host of "screenwriting" examples, from _The Wizard of Oz_ up to _Star Wars_ and _Titanic_, the majority of which most people will have at least passing knowledge of. The book is written in a clear and easy-to-read style. It has one annoying stylistic fault (perhaps in an attempt to be "PC," it always uses the feminine pronoun for a "hero"), but that is a rather minor complaint. Each chapters ends with a Summary & series of Questions, which help reinforce the discussion. The book discusses such topics as story structures, the different "acts" and elements of a tale, archetypal characters, and more. Even the Appendices of this book are quite interesting, discussing how a story is "alive," the concept of catharsis, and more.
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It wouldn't be an exaggeration to say that you can also use the book as a guide through life. Not in the same way as a self-help book but you can see how the people that you encounter through life, the challenges etc, it's all there.
It makes me want to read Carl Jung's work and I will at some point.
Not a book that you can rush through, if you really want to absorb it and to understand it properly. Definitely a book that you will need to go back to, dipping in and out of. What he talks about, really connects with being a human being and finding yourself on your own journey.
If you're human and a writer of stories, you can't help but get a better understanding of yourself and how and why stories work.

It is a very interesting and stimulating read - laying out the HJ as a useful model for all writers. He breaks everything down into bite sized chunks, and throws in examples to illustrate. There is an over-reliance on The Wizard of Oz and Red River in the examples but you get it. He also refers to Star Wars and Lucas a lot, but while generally very precise and accurate, makes silly mistakes, such as saying the Emperor cuts of Luke's hand (it is, of course Vader). There is a reluctance to provide the overview this book needs, and there are a few unrelated chapters added to the end, which are perceptive but don't entirely fit the book.
Overall, Vogler had a great original notion and the reader will learn a lot from him. But it's not the knockout success I was expecting - it is both over-ambitious and over-cautious.


As the title suggests, Vogler borrows a lot from ancient mythology and says every story is a hero's journey through 12 stages from the Ordinary World – through adventures and ordeals in the Special World – to return victorious with the Elixir. Each stage is developed in depth, introducing nine standard character Archetypes – Hero, Mentor, Shapeshifter, Trickster, etc.
I think this is a Must-read for any aspiring novel author, even more valuable than Robert McKee's Story.
