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Writers Workshop of Horror Paperback – July 5, 2009
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In the chapter "Once upon a Scary Time: Creating Effective Beginnings" Elizabeth Massy explains how to craft a story opening that grabs the reader's attention and ignites his curiosity. With detailed instruction and examples from her own published fiction, she shows the writer how to create an opening that will keep the reader turning pages, hungry for more.
Michael Lamio continues with tips on constructing a strong middle, using the time factor and other elements to build suspense. He explains the use of foreshadowing and how to keep reader interest high as the story moves toward a satisfying conclusion. J. F. Gonzalez describes the different types of endings, what each accomplishes and how to create it.
These three chapters alone are worth the price of the book, but it includes so much more. Every aspect of fiction writing is covered. Gary Braunbeck instructs on building believable characters, Tim Waggoner writes about plot, Scott Nicholson describes different points of view, Thomas F. Monteleone covers writing successful dialogue, G. Cameron Fuller details the use of setting and description, Rick Hautala explains tone, style and voice and Michael A. Arnzen analyzes scene and structure.
In addition to chapters on handling basic story elements, writers like Ramsey Campbell, Jonathan Maberry, Tom Piccirilli, Mort Castle, Jeff Strand, Joe R.Read more ›
I bought this book because I wanted to be well informed. And I did not come into this skeptically at all (IT HAS 5 STARS ON AMAZON, BOO YA!). This book is full of advice and some of it is bad; but out of the advice that isn't bad, it leaves only casual advice--not necessarily good advice (and if it is "good" advice, it really is not "great" advice). Originally when I bought this, I literally thought this was going to be a workshop-style book; for instance, try this exercise, try that exercise, read these books if you're interested in this genre, yadda yadda yadda--none of that is in it (and that's not so bad, really).
What this book tries to be is an On Writing Horror book, but there's already been a book called that, so the editor, Michael Knost, named it something different. Since different authors wrote different chapters, I will specifically reviewed certain chapters that stand out for various reasons (because there are some chapter's that I literally wanted to punch the author(s) in the face--and then there are some chapters that have genuinely okay advice).
These chapters are very "blah"--I didn't get much out of it except for confidence in my own writing (because these people were apparently published and Stoker award winning/nominated authors!).
Connecting the DOTS, Gary Braunbeck - 2/5
Have you ever had a teacher who thought that asking question after question of rhetorical, semi-thought provoking subjects were productive?Read more ›
Covering every aspect involved in writing, and writing well, the contributors share their secrets, their tips, and their invaluable experience with the reader. Even if you have no interest in writing whatsoever, this book will still entertain and enthrall, just due to the sheer infectious fun each contributor appears to be having, talking about a subject near and dear to their hearts. With a contributors' list including names like Monteleone, Campbell, Lansdale, Barker, Castle, and Piccirilli, you know you've got something special in your hands.
Writers Workshop Of Horror belongs on the bookshelf of anyone who is serious about their writing. Entertaining, informative, and just plain old fun, this book will not only make you want to write more, it will give you the tools to write better. This should be mandatory reading in creative writing classes.
Several sections overlap, and that's to be expected, but the advice is solid.
This book deals mainly with the problems involved in writing horror. If you're new to writing but aspire to being a horror writer, then this book in conjunction with a general guide for writing fiction.
Be prepared--this book pulls no punches. Some sections will not pander to the writer's preconceived notions about gender, politics, and the usual political correctness that hounds fantasy and science-fiction today. Rather, the authors of these essays get down and dirty, in some cases personal, to deliver much needed information on the art and craft of the oldest form of fiction-writing in the English language.
(What? You thought Beowulf wasn't about a monster?)
Most Recent Customer Reviews
This one is another great book. I improved my writing skills and was entertained at the same time.Published 13 months ago by Brian H
After buying it, I ended up reading it three times in a row! As a horror writer in his early stages, it is some of the best advise I have found! Read morePublished 22 months ago by Joel Hunter Gun
In a world of instant gratification, it's good to know you don't have to pay for a class to obtain the quick cure for writer's block. Read morePublished on July 26, 2013 by Erica Michelle Manrique
This is a boring mish-mash of the "duh! obvious!" and "who cares about your stupid opinions?" kind. Any book with this many authors is going to suck. Read morePublished on April 20, 2013 by Baron Von Cool
Writers Worhshop of Horrors edited by Michael Knost is an excellent book. I come to know this book at a book signing and it was suggested to me from an author. Read morePublished on April 29, 2012 by Bobby J. Cooper
This has great examples of how your horror fiction writing should be and they are from published horror fiction writers. Read morePublished on August 29, 2011 by snow
I have to say, I bought this book not knowing on how good or bad it was going to be. And coming across a charm like this one, is one of the reason I enjoy taking risk from time to... Read morePublished on August 25, 2010 by Black Dreamer
Reviewed for […]
Imagine taking a college writing class where each day a new, experienced writer shuffles in, lectures the class on a new aspect of storytelling and... Read more