- Series: Writers on Writing (Times Books Hardcover) (Book 1)
- Hardcover: 256 pages
- Publisher: Times Books; 1st edition (May 1, 2001)
- Language: English
- ISBN-10: 0805067418
- ISBN-13: 978-0805067415
- Product Dimensions: 5.7 x 1 x 8.6 inches
- Shipping Weight: 9.6 ounces
- Average Customer Review: 34 customer reviews
- Amazon Best Sellers Rank: #1,532,007 in Books (See Top 100 in Books)
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Writers on Writing: Collected Essays from The New York Times (Writers on Writing (Times Books Hardcover)) 1st Edition
Use the Amazon App to scan ISBNs and compare prices.
The Amazon Book Review
Author interviews, book reviews, editors picks, and more. Read it now
Customers who bought this item also bought
What other items do customers buy after viewing this item?
After 30 years as a journalist, John Darnton decided to try his hand at writing a novel. If he wrote 1,000 words a day, he discovered, he'd have a book in a matter of months. But wouldn't it be nice to learn a few tricks of the trade from other writers as well? Thus was born The New York Times's Monday-morning Writers on Writing series. In embarking on the series, says Darnton, he learned that the writers he most wanted to hear from were not necessarily the same ones who most wanted to hear from him. But there couldn't have been too many who turned him down. The 46 columns collected in Writers on Writing are by the likes of Saul Bellow, Mary Gordon, David Mamet, Annie Proulx, Carol Shields, and Paul West. Though many of them have not much more than the occupation "writer" in common, Darnton says that in one way he found them all to be alike: "They wanted to hear, right away, what you thought of their work."
Here, Richard Ford explains why he finds not writing to be a terrific thing. Alice Hoffman describes the effect illness (her own and that of others) has had on her work. Barbara Kingsolver grapples with writing an "unchaste" novel. Louise Erdrich explores the effect a second language, Ojibwe in her case, can have on one's involvement with the first. And Russell Banks learns the hard way that "when you meet a witness to your distant past, your memory tends to improve." The most hilarious piece is Carolyn Chute's "How Can You Create Fiction When Reality Comes to Call?" In it, she describes one day, in which "X-rated stuff happens," the cuckoo clock goes off incessantly, dirty dishes beckon, political cohorts come calling, a dog has a couple of seizures, laundry needs doing, and guests constantly arrive. Once Chute finally does get down to writing, the "n" breaks off the daisy wheel. But at least the phone doesn't ring. "Its bell is broken. It never rings. Thank heavens." --Jane Steinberg
From Publishers Weekly
Unlike many assemblages of previously published works, this collection of 41 essays from the New York Times's "Writers on Writing" column is more than the sum of its parts. Just as Times culture editor Darnton hoped when he devised the series for writers to "talk about their craft," the result is a thoughtful examination of writers' concerns about the creative process and the place of literature in America. Appropriately for works commissioned for a major newspaper, the essays are immediately engaging and compelling all the way through. Some writers accomplish these ends through a good story, as does Russell Banks writing on the limits of memory and his lost chance at a career in crime. Or they are darkly entertaining, as is Carolyn Chute as she talks about obstacles in trying to switch from "life mode to writer mode." Sara Paretsky compels with her Dickensian belief in the value of writing for people "who feel powerless and voiceless in the larger world." There's also the sheer comfort of recognizing known voices: the seriousness of Mary Gordon, the combativeness of Kurt Vonnegut Jr., the sting of Joyce Carol Oates. As steeped in writing as this book is, it is not a manual: advice includes only general rules to observe well and write regularly and axioms from writers like William Saroyan, who counsels, "There is no how to it, no how do you write, no how do you live, how do you die." Overall, the writers' pensiveness and amity make for a thought-provoking yet reassuring read a good bedside book. Fans of writers-on-writing anthologies and close readers of the New York Times who may have bypassed these essays for the immediate payoff of a front-page headline should pause to enjoy this rich collection.
Copyright 2001 Cahners Business Information, Inc.
Browse award-winning titles. See more
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
Get this book and you'll not regret it.