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Writing a Novel with Scrivener Kindle Edition
- Kindle
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Hewson, a Scrivener user for years who's written five of his popular novels in the app, takes users through the basic processes of structuring a full-length novel, writing and developing the story, then delivering it either as a manuscript for an agent or publisher or as an ebook direct to Kindle or iBook.
Alongside the practical advice, he offers a working novelist's insight into the process of writing popular fiction. And this book is, of course, created entirely within Scrivener itself, from development through to publication on Kindle, a process followed in detail in the book. Please read the reviews to see what users think of this unique book, produced entirely from within Scrivener itself.
PRAISE FOR DAVID HEWSON'S NOVELS
The Fallen Angel, book nine in the Costa series
The Washington Post says, ‘…perhaps his finest novel. It’s hard to see how the author could have made his dark tale more fascinating, entertaining and yet entirely serious than he has.’
The New York Times, ‘Mr. Hewson’s crime novel, the ninth in a series, is like a satisfying “Law & Order” episode set in modern-day Rome… the ending is the rich tiramisu we’ve waited for.’
Bookreporter, ‘I cannot imagine anyone picking up a book authored by David Hewson and not falling in love with the subject matter within the first 50 pages or so. The Fallen Angel, his latest and arguably best work, continues the practice while upping his own ante by a notch or three.’
Jeffery Deaver...
Hewson is a daunting talent — a writer who is a master stylist.
Steve Berry...
David Hewson is one of the finest thriller writers working today. A born stylist.
Lee Child...
(Dante's Numbers)...is easily the best yet in a really terrific series.
Peter James...
Hewson is one of our finest crime writers. Absorbing, intelligent, and with a staggeringly vivid sense of place.
- LanguageEnglish
- Publication dateJuly 28, 2011
- File size2211 KB
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Product details
- ASIN : B004ZG7BMU
- Publisher : David Hewson; 3rd edition (July 28, 2011)
- Publication date : July 28, 2011
- Language : English
- File size : 2211 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 128 pages
- Best Sellers Rank: #355,912 in Kindle Store (See Top 100 in Kindle Store)
- #38 in Editing Writing Reference (Kindle Store)
- #148 in Editing Writing Reference (Books)
- #1,758 in Fiction Writing Reference (Books)
- Customer Reviews:
About the author

David Hewson's novels have been translated into a wide range of languages, from Italian to Japanese, and his debut work, Semana Santa, set in Holy Week Spain, was filmed with Mira Sorvino. His work has embraced Italy, Spain, Denmark and Amsterdam with the Nic Costa series based in Rome, the Pieter Vos books in Amsterdam, his adaptations of The Killing TV series in Copenhagen and, most recently, the Arnold Clover history mysteries in Venice.
David was born in Yorkshire in 1953 and left school at the age of seventeen to work as a cub reporter on one of the smallest evening newspapers in the country in Scarborough. Eight years later he was a staff reporter on The Times in London, covering news, business and latterly working as arts correspondent. He worked on the launch of the Independent and was a weekly columnist for the Sunday Times for a decade before giving up journalism entirely in 2005 to focus on writing fiction.
Semana Santa won the WH Smith Fresh Talent award for one of the best debut novels of the year in 1996 and was later made into a movie starring Mira Sorvino and Olivier Martinez. Four standalone works followed before A Season for the Dead, the first in a series set in Italy. There are now nine Costa titles published in numerous languages around the world including Chinese and Japanese... and Italian.
David followed these books with three acclaimed adaptations of the award-winning Copenhagen TV crime series The Killing. In 2014 he debuted a new series set in Amsterdam with The House of Dolls. With A.J. Hartley he has also authored two popular adaptations of Shakespeare's Macbeth and Hamlet, originally for audio now out in ebook. In 2018 he won the prized Audie for best original audio work for Romeo and Juliet: A Novel, narrated by Richard Armitage, an Audible exclusive.
The Medici Murders saw the start of an acclaimed new series based in Venice featuring the archivist Arnold Clover.
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First of all, don't expect this to be "the missing manual." The author is clear in his introduction that there is a lot more to Scrivener than what he manages to cover-for instance, tools for researchers and screenwriters-but he's just covering what the novelist needs to know, after all. Another caveat to mention is that the book is aimed primarily at Mac, Scrivener 2.0 users, so us Windows kiddies will need to translate some of the commands*, improvise, and resign ourselves to the fact that it is still in Beta, and though it's come a long way, it still has a ways to go before it's ready for prime time. (*But we're PC people, so we don't need to be spoon-fed everything anyway.)
He quickly goes over the basic parts of the program, the Binder, the Editor, and Inspector, covering just as much ground in four or so "pages" (a loose term, given the fluidity of Kindle displays) than what takes the tutorial over a thousand words. I don't need the Header and Footer described at length. I've used word processors before, after all. And there's the manual for everything I want elaboration on.
Next Hewson talks about the Corkboard and Outliner views in terms of their usefulness to novelists, again touching on them just enough to make the writer familiar without having to list every single capability available. As a Windows user, I noticed that the Unplaced Scenes folder he talks about doesn't yet appear in the Beta, but I've gone ahead and added my own folder by the name. It doesn't have the cute little thought cloud icon next to it, but it'll still serve the purpose of a general reservoir of ideas, and a springboard for those times when I'm hitting against a blockage of some sort.
In the next section he shows you how to minimize distractions and maximize ease of access to other parts at the same time. Want to reference another document? Would you like split-screen or a pop-up window? How about a hyperlink inserted right into the text? Hop back to the last document you viewed? Hewson covers it all, and quickly.
Most useful, perhaps, out of the entire book, was the section on Keywords. It would have taken me a while to figure out the applications otherwise, but he suggests using these customizable tags to track POV or Time to ensure continuity-a huge issue for complex novels with multiple narrators and time streams, like the one I'm writing. Meanwhile, the official tutorial makes only a passing reference to the Search/Keywords capability, while elaborating on things obvious to any intermediate computer user.
Essential to any discussion of writing are backups: that is to say, those pesky little things that allow you to not lose your project-and your mind. Did you know that Scrivener can automatically schedule backups of your work? Did you ever think to incorporate Dropbox, so that you'd have an automatic web backup without the hassle of syncs? Yeah, pretty useful, that. If it means saving your work from a hard-drive failure or virus attack, then that $6 just saved you hours and hours of work. Which can be fair valuable, when you're writing for publication.
Once you've written a first draft, it's time to get down to the real work-revision. Writing a Novel with Scrivener compares the advantages of re-reading on your iPad, eReader, or good ol' paper, and discusses the options you have for commenting on each. Moreover, it talks about ways your initial readers and critters can comment, whether it be through Word or another program, and warns against some common pitfalls of formatting and syncing them together. After you know what you need to rewrite, this book shows you how to save multiple versions of your draft quickly, and how to compare each revision (using colors, or not), so you can track what's changed and even go back to a prior "snapshot" if need be.
Finally, Hewson provides a step-by-step guide not only to compiling your manuscript for agents and editors, but to publishing as a Kindle .mobi or .epub file! Though I'm not there yet, I may use it for future projects if I go the self-publishing route.
I'll admit, if it were the standard price of a book about writing, I wouldn't have gotten it. But it's considerably cheaper than the Writer's Digest books you'll find at your Barnes & Noble. A $6 asking price is quite reasonable given the breadth, deapth, and practicality of the tips he provides. If you're a novelist and you've ever thought about jumping on the Scrivener bandwagon, but didn't know where to start, this book will take you through the same steps as the tutorial, only faster, and give you a lot more to use besides.
Hewson also glosses over some of the trickier aspects of Scrivener by advising the reader to "fix them in Word." It's easier to add chapter headings, he says, in Word. No, actually, it's not. I've struggled for years and have never been able to get this function to work in Word (though other writers say I'm doing it the right way--argh!). I just think Hewson already knows how to do it in Word and doesn't want to learn how to do it in Scrivener, frankly. Come on, no fair. This is a Scrivener book!
In the end, I think Hewson wrote this for the first time, hobbyist writer--a worthy group, but even they are not going to enjoy his condescending tone. But I think he should have also considered how hard all novelists--experienced ones, new ones--will need to use this program. Novels are big and messy. I've had Scrivener a week and already found bugs, glitches, impasses, you name it. It's great, but I have a big black hole of a manuscript; I'm sure a lot of people do. I wish Hewson had explained how I could print out the Outliner screen, rather than going on and on about what sort of formatting editors expect. Anyone can learn the latter in ten seconds with a Google search; printing the Outliner? Good luck.
I chose Scrivener as my tool of choice, bought this book, and I really appreciated his succinct no nonsense approach when writing fiction in Scrivener.
Caveats? The screenshots are taken from an older version of Scrivener and he doesn’t mention, nor discuss, Scrivener for iPad. Not a surprise really, as he’s made it perfectly clear in his blogs that he prefers writing in Ulysses these days. I don’t think he’s used Scrivener for a good couple of years, just guessing here.
SUMMARY
If you’re looking for an easy kickstart to get you going with Scrivener - whatever version you may have of the software - then buy this book. It’s all you need. Highly recommended.
Now, if you’ll excuse me, I have a story to write.
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David uses some of his novels as examples, which helps to explain how Scrivener can be used by an author. This can be particularly useful if you haven't played around with the software yet.
I already have Scrivener and have been using it for a few months now. My own personal tip to anyone getting hold of a copy of the software for the first time is to start by importing an existing manuscript into the software and playing around with your text that way. (You don't have to do this, but I found it a great way to explore and try out many of Scrivener's features. It enabled me to get a far better understanding of my novel, it's structure (and its weaknesses) and has helped me to edit it into a much more superior document.)
If you don't have a manuscript to import into Scrivener, David's book is a great way of getting a better understanding in your own mind about how Scrivener can help with the authoring process. I've picked up several tips from this book and I was really pleased to see David explaining the benefits and drawbacks of using Scrivener and the Dropbox service (a different product entirely, but an immensely useful one for writers).
If you're thinking about whether Scrivener is worth the (very modest) investment, or have just purchased it and wondered whether it was the right step, then I would recommend Hewson's guide. It's an author telling other authors how he finds the software useful. And he should know - he's written several novels with it!
However, a few days ago I bought and read David Hewson's Writing a Novel with Scrivener and discovered that I didn't really know much at all. So I took some time out from the second draft to implement some of David's suggestions, and in a matter of days I fundamentally changed the way I work with Scrivener and, in effect, the way I plan, write and edit.
I restructured the Manuscript Binder, created some Collections and added various Keywords, and now I can't believe how logically easier my work flow has become. It has enabled me to look at the novel in a totally different light.
Writing a Novel with Scrivener contains all sorts of valuable advice to help not only the newbie or inexperienced Scrivener user, but also the aspiring novelist and even the self-publisher on Kindle - and it's all based on Hewson's vast and practical experience of trialling different technologies to simplify his writing life.
So if you're thinking of using Scrivener, have been using it, or are looking for a writing tool to optimise your writing techniques - then Writing a Novel with Scrivener by David Hewson is an absolute must-read and worth every penny for the tips alone.
Highly recommended!
As a Scrivener ‘newbie’, I get the impression that this package is very similar to Photoshop. There are a lot of functions and you can certainly do a lot with it. But do you really need to know everything? David Hewson tells you what you need to know if you are trying to write a novel or a non-fiction book, and when he thinks that something could be achieved more easily by other means - perhaps by playing around with the Word document you have just produced. I really, really liked this approach - instead of learning dry facts about the various functions available, I understood the examples that the author offered. Confused about ‘Labels’ and ‘Keywords’? After reading Hewson’s relevant chapters, I labelled all my chapters by Point of View, and tagged them with keywords so that I can easily create collections based on what secondary characters appear in my story. In other words, if you think like a writer, and not like a software developer, this is the book for you.
I will admit that I got a little bit stuck at the ‘Compile’ section, but apparently that is the hardest function in the package to grasp. I am still working on this and it might take me a little while to really understand how it all works. But this book gave me the tools to get started without wasting too much time, so that I can focus on what I actually want to do: write.
I've been working in Scrivener for a few months now, ever since my friend Karen Traviss recommended it as a useful tool for writers. It doesn't help the creativity, but it does help you to organise what you write and to revise it and tease out separate threads for revision purposes.
I've grasped enough to use it, but Mr Hewson pointed out some of the features I'd missed and I've already put some of his ideas into use.
If at times this book seems a little Mac-centric, it's because there are features for the Mac version of Scrivener which have not made it as far as the PC platform yet.
This book showed me how, it helped me separate `cool' and `useful for my project' out of the many features offered. I particularly liked the added scrivener template to look at and get you started.
I only criticism would be that this is an adapted book from the mac version of the software which has been out far longer. There are some sections where you read about a feature that would be great for your project and then find "not currently available on Windows". Still, it is early days for scrivener, maybe these features will be added at a later day
This book is worth a read to get you on track with your writing rather than feature exploration





