“Fascinating… Readers can discover [The Yamamba’s] many dimensions and multiple layers as seen through the words of an impressive group of authors.”

—Books on Asia

"These are evocative and timely writings that foreground the protean presence and multifaceted dynamism of the yamamba (mountain witch) beyond place and before time. The authors dismantle the misogynist treatment of the yamamba in masculinist canons and resurrect her powerful voice and the silenced voices of all independent women."

—Jennifer Robertson, author of Robo Sapiens Japanicus: Robots, Gender, Family, and the Japanese Nation

“Yamamba: In Search of the Japanese Mountain Witch exemplifies the ways creative minds can upend sexist images to craft new engaging stories of female empowerment.”

—Mari Boyd, Professor Emeritus, Sophia University

"Deftly unmasking the iconic Japanese witch through creative, scholarly, and speculative approaches, this collection is as enchanting and compelling as the yamamba herself."

—Kristen J. Sollée, author of Witches, Sluts, Feminists

"Yamamba bursts with life, being that rare balance of both a scholarly and poetic celebration of Japan’s woman of the woods. A combination of essays and interviews with new art, stories, and poems; I would love to see more books like this.”

—Zack Davisson, author of Kaibyo: The Supernatural Cats of Japan

Copeland and Ehrlich’s inventive Yamamba offers vibrant responses to Japan’s beguiling Mountain Witch. Encompassing dance, poetry, fiction, essays, and the visual arts, this collection takes readers on imaginative paths of inquiry. Entertaining and intriguing, it will enhance readers' appreciation of Japanese arts, lore, and literature, inviting their own creativity.

—Jan Bardsley, Professor Emerita (UNC Chapel Hill) and author of Maiko Masquerade: Crafting Geisha Girlhood in Japan

"Through poems, stories, and interviews with dancers of Noh and modern plays, this book gives a fascinating take on the Yamamba in Japanese folklore."

—Hiroaki Sato, award winning translator and poet, and author of On Haiku and others

“This bewitching collection weaves together myth, scholarship and creative arts to reveal little-known truths about Japanese culture, gender relations, and the whole human condition. The Japanese mountain witch comes from folklore but lives on in contemporary pop culture and on the Noh stage. She is everywhere that female voices have been suppressed and independent women accused of being witches. Smart yet accessible, Yamamba casts a powerful spell.”

—Kittredge Cherry, author of Womansword: What Japanese Words Say About Women

"A really fresh and innovative approach to a fascinating subject. The yamamba will always remain a figure of mystery, but the consistently provocative think pieces, short stories, poems, and interviews presented in Yamamba: In Search of the Japanese Mountain Witch capture her multifaceted appeal."

—Susan Napier, author of Miyazakiworld: A Life in Art and The Fantastic in Modern Japanese Literature: The Subversion of Modernity

"This volume offers a splendid journey through multiple literary genres and a few visual media in pursuit of the many faces of Yamamba. We meet her as the withered old woman who is perhaps her most popular guise; we hear of the “young, alluring, and maternal Yamamba”; and we encounter her posing as a human, using her powers of clairvoyance to satisfy her family’s everyday expectations. Collectively, the authors plumb the depths of these expressions to contemplate what Yamamba represents. Is she a specter spurred by ancient misogynistic attitudes? Is she a phantasm celebrating liberated, independent women? Or can she be a salve for society? But, as one author reminds us, “Yamamba can always be reimagined.” This multi-faceted collection will undoubtedly prompt further contemplation."

—Julia Sapin, Professor of Art History, Western Washington University

Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis, a writer of fiction and literary criticism, and a translator of Japanese literature. Her stories travel between Japan and the American South and touch on questions of identity, belonging, and self-discovery. The Kimono Tattoo, her debut work, takes readers on a journey into Kyoto’s intricate world of kimono design, and into a mystery that interweaves family dynamics, loss, and reconciliation.

Linda C. Ehrlich is an independent scholar who has published extensively about world cinema and traditional theater. Her recent publication, The Films of Kore-eda Hirokazu: An Elemental Cinema (Palgrave Macmillan, 2020), is the first book in English on this influential Japanese director. She has published poetry in International Poetry Review, The Bitter Oleander, Southern Poetry Review, Literary Arts Hawaii, Pinesong, and other literary journals. Dr. Ehrlich has taught at Duke University, Case Western Reserve University, the University of Tennessee/Knoxville, and on two Semester-at-Sea voyages.