Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.99 shipping
+ $3.99 shipping
The Year of the Flood Paperback – July 27, 2010
|New from||Used from|
The Amazon Book Review
Author interviews, book reviews, editors picks, and more. Read it now
Frequently bought together
Customers who bought this item also bought
“[Written with] energy, inventiveness, and narrative panache. . . . A gripping and visceral book that showcases [Atwood’s] pure storytelling talents.” —Michiko Kakutani, The New York Times
“[The Year of the Flood] shows the Nobel Prize-worthy Atwood . . . at the pinnacle of her prodigious creative powers.” —Elle
“A heart-pounding thriller.” —The Washington Post Book World
“Leave it to Atwood to find humor in a post-apocalyptic world as she covertly, and brilliantly, addresses questions of how we need to live on an imperiled planet.” —Kansas City Star
“Atwood is funny and clever, such a good writer and real thinker. . . . The Year of the Flood isn’t prophecy, but it is eerily possible.” —The New York Times Book Review
“Timely and gripping. . . . Atwood tells a good story, one filled with suspense and even levity.” —USA Today
“Enthralling. . . . Memorable characters, a tightly controlled pace and shockingly plausible scenes make it fly—to a mysterious, skin-prickling ending.” —San Francisco Chronicle
“Atwood renders this civilization and these two lives within it with tenderness and insight, a healthy dread, and a guarded humor.” —O, the Oprah Magazine
“Atwood spins the most arresting alternate mythologies to our hell-bent world. . . . The Year of the Flood is a slap-happy romp through the end times. Stuffed with cornball hymns, genetic mutations worth of Thomas Pynchon and a pharmaceutical company run amok, it reads like dystopia verging on satire. She may be imagining a world in flames, but she’s doing it with a dark cackle.” —The Los Angeles Times
“Thought-provoking, beautifully constructed, and rich with the imaginative flourishes for which [Atwood] is rightly famous. . . . A hugely entertaining and satisfying read.” —The Irish Independent
“Prodigiously imaginative and outrageously funny. . . . Atwood’s wit is biting. . . . Her brilliance dazzles.” —The Plain Dealer
“Heart-pounding, mysterious and surprisingly touching. . . . She enchants us so convincingly that after her spell is over, the ‘real’ world seems temporarily transformed. The Year of the Flood is both a warning and a gift.” —Jane Ciabattari, “Books We Like,” NPR.org
“Atwood is a wry wizard at world-building. . . . Fans . . . should grab a biohazard suit, crawl into a hermetically sealed fallout shelter, and dive right in.” —The Christian Science Monitor
“Funny. . . . Entertaining. . . . You fall into her intensely inventive world and find yourself carried happily along.” —Anthony Doerr, Orion Magazine
“Atwood scores a 10.” —Philadelphia Inquirer
“Atwood's latest is a fiercely imagined tale of suffering that rivals Job’s. . . . As dark as Atwood's vision may be, the bonds among her women give her work a bittersweet power.” —People
“Richly imagined. . . . Thought-provoking, unexpectedly funny and utterly original.” —The Denver Post
“Engrossing and suspenseful.” —The New York Review of Books
“Riveting. . . . Cunning, droll. . . . The intensity of her apocalyptic fantasy doesn’t prevent Atwood from giving free rein to her peppery and inventive humor. . . . So she courts us with her puckish wit, holds us spellbound with suspense, and then confronts us with harrowing and tragic scenarios.” —The Kansas City Star
“Atwood’s language remains as juicy and colorful as ever. . . . [She] allows her imagination to roam rudely, widely, and vigorously where lesser minds fear to tread.” —Barnes & Noble Review
“Vintage Atwood: It’s artfully edgy, casting a pitiless eye on her fellow creatures. . . . A powerful indictment of the way human beings have long treated the planet and themselves. . . . The book takes big risks.” —Chicago Tribune
“Mesmerizing. . . . Flood's relentlessly fabulous inventions and despondent predictions become almost unbearable, especially told in such gorgeously trenchant prose. In this way, the book recalls Atwood’s 1985 masterpiece, The Handmaid's Tale.” —Time Out New York (five out of five stars)
“Atwood unflinchingly holds aloft the sanctity of life—for all species—and the human quest for love.” —Chicago Sun-Times
“With Atwood’s characteristic brainy humor. . . . The Year of the Flood consistently does what one expects of any work by Margaret Atwood: It entertains, spins out suspense and rewards a reader's basic impulse, all the while subtly and expertly maintaining its literary respectability.” —Minneapolis Star Tribune
“[An] entertaining, often mesmerizing, consciousness-raising novel. . . . This is a work that amuses, informs, enlightens and, remarkably, also challenges its readers to be better persons.” —San Antonio Express-News
“[Atwood] is emerging as literature’s queen of the apocalypse. . . . Fine. . . . Illuminating. . . . Gripping and scary, provocative and quite humorous.” —Associated Press
“A marvelously absorbing novel. . . . Vivid and remarkably drawn.” —The A. V. Club
“[With] Atwood’s trademark wit and clarity of vision.” —The Dallas Morning News
“Atwood's mischievous, suspenseful, and sagacious dystopian novel follows the trajectory of current environmental debacles to a shattering possible conclusion with passionate concern and arch humor.” —Booklist, starred review
About the Author
Margaret Atwood, whose work has been published in over thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid’s Tale, her novels include Cat’s Eye, shortlisted for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; and her most recent, Oryx and Crake, shortlisted for the 2003 Booker Prize. She lives in Toronto with writer Graeme Gibson.
Browse award-winning titles. See more
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
Out of the trilogy, this is by far the best read, and the best plot. Oryx and Crake was at times hard to deal with, as the protagonist is at times irritating, but in this novel you actually begin to feel for some of the characters.
Welcome to the world of Margaret Atwood. It is the year of the Flood — not Noah’s watery world of the Ark but the Waterless Flood long predicted by God’s Gardeners that will, it is foretold, wipe out humanity.
Is this our future? We can hope not, but the picture Atwood paints is based on trends that are easy to see today. As a cautionary tale, The Year of the Flood is a sobering look at one scenario for the future of the human race.
This is the second book in the MaddAddam Trilogy. Confusingly, it’s not a sequel to Oryx and Crake, the first book, but ranges through the same period of time, with the perspective shifted from the corporate elite to the masses of pleebs outside the walls. Characters casually introduced in Oryx and Crake come to life in The Year of the Flood, while the principals in the first book take a back seat in the second.
Now, in the quarter-century leading up to the Flood, we’re focused on three unfortunate young women whose paths cross in God’s Gardeners: Brenda (Ren), Amanda, and Toby. Short chapters written from their individual points of view alternate throughout the book, gradually illuminating the connections to Oryx and Crake (which I reviewed here).
Margaret Atwood is one of Canada’s most celebrated writers. She has won both the Man Booker Prize and the Arthur C. Clarke Award for science fiction, among many others.
I think that the overarching ship of religion that this story sailed on was fascinating. I thoroughly enjoyed the idea of religion being used to convey the major themes and ideas of the book. The religious group in this story is referred to as the “Gardeners”, they are a sect of people who live a very modest life. They are vegetarian because of their belief system, and they also grow almost everything they consume. Their entire policy is about reducing their environmental impact and only using what they need at all times. They get almost all for eh materials they use in their day to day lives from the world around them, and teach this kind of conservationist lifestyle to their children. This lifestyle may seem great and wonderful, but it can certainly have its shortfalls. The main one that I can find is that this society has completely eliminated meat. This is a major issue nutritionally for any society that wishes to not only survive but also to prosper. A vegetarian diet can be incredibly nutritious, but there are certain vitamins and minerals that one simply cannot get from fruits and vegetables alone. There are visible signs of the malnutrition of the Gardeners in their descriptions. The only one who is ever described as anything other than thin is Zeb, and that is because he eats meat on the side. I would imagine that him introducing meat into his diet is what has allowed him to be so strong in the first place. I only know so much about the negative impacts of not eating meat at all because of some research I did after considering a vegetarian society.
The gardeners also believe in the complete reuse of everything. This is an interesting concept to me because it seems incredibly practical, especially in a post apocalyptic wasteland, like the one described after the “waterless flood”. There is definitely some utility in the ability to utilize products for different purposes, and there is certainly no harm in repurposing something to make it into something else. The Gardeners take it to a new extreme when they are simply reusing everything. They sleep on husks from dead plants, now that is a little extreme. Their entire society fascinates me simply because it is so different from the one that I am accustomed to living in. There are just so many fundamental differences between the world today and the cult that the Gardener’s live in. Which, I do believe them to be a cult. I had not thought of them that way until Lucerne started to tell people she had been abducted, and while that story was not truthful, there are many aspects of the Gardener way of life that are very cultish. I’m sure that in a time of incredible environmental change doomsday cults would pop up everywhere, and I’m sure there would be plenty of able bodied men and women waiting to join.
The final aspect of this book that needs to be discussed is how it relates to the class as a whole. This book is definitely about a changing environment. Which does relate to the climate element of our class, thankfully so because these books tend not to. There is also an interesting “end of the world scenario” element to this book, which allows us to test what we believe about our own faith and morals. Would you be able to carry a belief system with you even past the proverbial ‘end of days’. I think this book asks in a lot of ways what faith is, what belief is, and makes fun of those people who are overly prepared for climate change, the few who are doing all the work, and those who are woefully unprepared, the many who have not even changed their lightbulbs yet.