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The Year of Magical Thinking: National Book Award Winner Paperback – February 13, 2007
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One of The New York Times’s 100 Best Books of the 21st Century
Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later—the night before New Year’s Eve—the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma.
This powerful book is Didion’ s attempt to make sense of the “weeks and then months that cut loose any fixed idea I ever had about death, about illness ... about marriage and children and memory ... about the shallowness of sanity, about life itself.
- Print length227 pages
- LanguageEnglish
- Publication dateFebruary 13, 2007
- Dimensions5.16 x 0.62 x 7.95 inches
- ISBN-101400078431
- ISBN-13978-1400078431
Book recommendations, author interviews, editors' picks, and more. Read it now.
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From the Publisher
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| Let Me Tell You What I Mean | South and West | Blue Nights | The Year of Magical Thinking | We Tell Ourselves Stories in Order to Live | The Last Thing He Wanted | |
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| From one of our most iconic and influential writers: a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. | Here are two extended excerpts from notebooks Joan Didion kept in the 1970s; read together, they form a piercing view of the American political and cultural landscape. | "A New York Times Notable Book and National Bestseller From one of our most powerful writers, a work of stunning frankness about losing a daughter." | A stunning book of electric honesty and passion that explores an intensely personal yet universal experience: a portrait of a marriage—and a life, in good times and bad—that will speak to anyone who has ever loved a husband or wife or child. | Includes seven books in one volume: the full texts of Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From. | An incisive and chilling look at a modern world where things are not working as they should—and where the oblique and official language is as sinister as the events it is covering up. |
Editorial Reviews
Review
—Robert Pinsky, The New York Times Book Review
“Stunning candor and piercing details. . . . An indelible portrait of loss and grief.”
—Michiko Kakutani, The New York Times
“I can’t think of a book we need more than hers. . . . I can’t imagine dying without this book.”
—John Leonard, New York Review of Books
“Achingly beautiful. . . . We have come to admire and love Didion for her preternatural poise, unrivaled eye for absurdity, and Orwellian distaste for cant. It is thus a difficult, moving, and extraordinarily poignant experience to watch her direct such scrutiny inward.”
—Gideon Lewis-Kraus, Los Angeles Times
“An act of consummate literary bravery, a writer known for her clarity allowing us to watch her mind as it becomes clouded with grief. . . . It also skips backward in time [to] call up a shimmering portrait of her unique marriage. . . . To make her grief real, Didion shows us what she has lost.”
—Lev Grossman, Time
About the Author
Didion’s first volume of essays, Slouching Towards Bethlehem, was published in 1968, and her second, The White Album, was published in 1979. Her nonfiction works include Salvador (1983), Miami (1987), After Henry (1992), Political Fictions (2001), Where I Was From (2003), We Tell Ourselves Stories in Order to Live (2006), Blue Nights (2011), South and West (2017) and Let Me Tell You What I Mean (2021). Her memoir The Year of Magical Thinking won the National Book Award for Nonfiction in 2005.
In 2005, Didion was awarded the American Academy of Arts & Letters Gold Medal in Criticism and Belles Letters. In 2007, she was awarded the National Book Foundation’s Medal for Distinguished Contribution to American Letters. A portion of National Book Foundation citation read: "An incisive observer of American politics and culture for more than forty-five years, Didion’s distinctive blend of spare, elegant prose and fierce intelligence has earned her books a place in the canon of American literature as well as the admiration of generations of writers and journalists.” In 2013, she was awarded a National Medal of Arts and Humanities by President Barack Obama, and the PEN Center USA’s Lifetime Achievement Award.
Didion said of her writing: "I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means.” She died in December 2021.
Excerpt. © Reprinted by permission. All rights reserved.
Product details
- Publisher : Vintage; Reprint edition (February 13, 2007)
- Language : English
- Paperback : 227 pages
- ISBN-10 : 1400078431
- ISBN-13 : 978-1400078431
- Item Weight : 8.8 ounces
- Dimensions : 5.16 x 0.62 x 7.95 inches
- Best Sellers Rank: #3,650 in Books (See Top 100 in Books)
- #5 in Author Biographies
- #6 in Love & Loss
- #75 in Memoirs (Books)
- Customer Reviews:
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Quick review of Joan Didion The Year of Magical Thinking
George Poulos

About the author

Joan Didion was born in Sacramento in 1934 and graduated from the University of California, Berkeley, in 1956. After graduation, Didion moved to New York and began working for Vogue, which led to her career as a journalist and writer. Didion published her first novel, Run River, in 1963. Didion’s other novels include A Book of Common Prayer (1977), Democracy (1984), and The Last Thing He Wanted (1996).
Didion’s first volume of essays, Slouching Towards Bethlehem, was published in 1968, and her second, The White Album, was published in 1979. Her nonfiction works include Salvador (1983), Miami (1987), After Henry (1992), Political Fictions (2001), Where I Was From (2003), We Tell Ourselves Stories In Order to Live (2006), Blue Nights (2011), South and West (2017) and Let Me Tell You What I Mean (2021). Her memoir The Year of Magical Thinking won the National Book Award for Nonfiction in 2005.
In 2005, Didion was awarded the American Academy of Arts & Letters Gold Medal in Criticism and Belles Letters. In 2007, she was awarded the National Book Foundation’s Medal for Distinguished Contribution to American Letters. A portion of National Book Foundation citation read: "An incisive observer of American politics and culture for more than forty-five years, Didion’s distinctive blend of spare, elegant prose and fierce intelligence has earned her books a place in the canon of American literature as well as the admiration of generations of writers and journalists.” In 2013, she was awarded a National Medal of Arts and Humanities by President Barack Obama, and the PEN Center USA’s Lifetime Achievement Award.
Didion said of her writing: "I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means.” She died in December 2021.
For more information, visit www.joandidion.org
Photo credit: Brigitte Lacombe
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book easy to read and well-written. They describe it as heartbreaking, emotional, and accurate. Readers appreciate the insightful observations and enlightening insights. The writing is described as honest, raw, and straightforward. However, some customers feel the narrative can be repetitive or disorganized at times.
AI-generated from the text of customer reviews
Customers find the book engaging and worth reading. They say it gives hope and courage, and is a beautiful homage to John Gregory Dunne. The events are vivid, making you feel like you're there.
"Moving, engaging, thoughtful, clear." Read more
"Excellent Book" Read more
"...control or somehow change the events of that year, at times, makes fascinating reading because one senses that her emotions, her sens of loss are..." Read more
"...This perfectly walks through the stages of grief. It is magnificent." Read more
Customers appreciate the writing quality of the book. They find the prose exquisite and well-crafted, with a straightforward style that conveys the story effectively. The writing is personal yet not too intimate, allowing readers to connect with the author's experience. Readers describe the book as easy to read yet deeply engaging, providing a comforting balm for their broken hearts.
"Moving, engaging, thoughtful, clear." Read more
"...Such skill with words. The words in the book told a story and seemed to parallel her own emotional journey through the year after her husband's..." Read more
"...I am still amazed that she was able to produce such a beautifully written book in the throes of so much pain." Read more
"...Overall, the book was very well written and tightly crafted...." Read more
Customers find the book honest and emotional. They say it's accurate about grief and mourning. It allows them to sympathize and walks through the stages of grief. While it may be dark and depressing at first, the book becomes comforting as you begin to feel it.
"Moving, engaging, thoughtful, clear." Read more
"...It was simply honest, heartwrenchingly so, and Didion doesn't deviate from communicating, in absolute striking detail, the sense of alienation and..." Read more
"...There were moments of raw emotion, but in some ways the memoir seemed constrained and guarded to me...." Read more
"...Raw. Relatable. Normal...." Read more
Customers find the book insightful and helpful. They appreciate the author's observations that put the experience in perspective. The book is described as an important personal account of loss and grief that helped them heal. Readers also mention that the interpretation of events is interesting and the conclusion is helpful.
"...Reading it was both painful and cathartic and strangely comforting, with an intensity that left me awestruck...." Read more
"...is very different than mine, she was very human and the window into her life was appreciated and something I embraced...." Read more
"In an extraordinary exposition, Ms. Didion describes her experiences during the year after her husband's untimely demise...." Read more
"...the death scene, they leave it better than they came to it: it is that human and that instructive...." Read more
Customers appreciate the author's honest and accurate descriptions of the grieving process. They find the writing raw, frank, and rewarding for its honesty.
"...It was simply honest, heartwrenchingly so, and Didion doesn't deviate from communicating, in absolute striking detail, the sense of alienation and..." Read more
"...Simple, honest, and brave are the words I would use to describe this book...." Read more
"Beautifully written and authentic about her experience with tremendous loss. Never sappy or melodramatic-just real." Read more
"...I was afraid it would make my grief worse, but it has been rewarding in its honesty and in its exploration of the deep grief...." Read more
Customers find the book engaging and well-written. They describe it as captivating, intense, and personal. Readers praise the author's writing style as raw, real, and inspiring.
"Moving, engaging, thoughtful, clear." Read more
"...Raw. Relatable. Normal...." Read more
"This book was raw and real and well written. It was a heavy read as you can imagine but moving." Read more
"...the greatest American writers of all time and this is probably her most intense and personal work, which saying a lot...." Read more
Customers have different views on the book's pain level. Some find it tender and sensitive, evoking compassion. Others describe it as painful, uncomfortable, and clinical.
"...Reading it was both painful and cathartic and strangely comforting, with an intensity that left me awestruck...." Read more
"...It felt clinical, academic, distracted, and often read like a medical essay, with *way* too much medical detail...." Read more
"A sensitive book and a must read. My fascination with Joan Didion arrived in this book...." Read more
"...Though it will pull intensely at the heartstrings, it is beautifully painful, evoking a level of compassion that humanity desperately needs." Read more
Customers find the narrative repetitive and disorganized. They mention the musings are disorganized, with few emotional descriptions. The story is told too dispassionately, with narrow descriptions of facts. There is also too much name-dropping and place-mentioning. Overall, readers feel the book lacks coherence and is poorly thought-through.
"...There were moments of raw emotion, but in some ways the memoir seemed constrained and guarded to me...." Read more
"...was happening with Quintana that took up about half the book and became very boring...." Read more
"...These long excerpts just fill the space and do not meaningly propel the narrative forward. Overall, I've found this to be very distracting...." Read more
"...Sometimes "just the facts" are just that--narrowly descriptive and not much more...." Read more
Reviews with images
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Top reviews from the United States
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- Reviewed in the United States on November 12, 2024Moving, engaging, thoughtful, clear.
- Reviewed in the United States on October 18, 2005Joan Didion's _The Year of Magical Thinking_ says so right on the cover, with 'Joan' getting the biggest font and 'The Year of' the smallest. There's a nice family picture on the back, the author and her daughter both glancing sideways, her husband gazing at the camera dead-on, an interesting, moon-faced sort of man in a tweed jacket, the kind of guy with whom I'd like to drink a scotch. Malibu is one hell of a zipcode, the book writing business surely has been kind to Ms. Didion.
"Life changes fast / Life changes in the instant / You sit down to dinner and life as you know it ends." This is one of those little quotes that strikes with the force of truth the moment you read it, that's why they put it on the back of the book. It's like that book re the theory of incompleteness, how can you not buy it, you know nothing's ever complete. Turns out, the thing is a whole lot of teutonic philosophy and math, yuck. Same thing with life changing in an instant, on the back of a book about disease death grief & loss, it's must-see tv, it says take me to the check-out, you're out of the store with it in a bag before you remember that you were looking for the feel good dvd of the century.
Life doesn't change in the instant, however. Those clever jacket designers at Knopf saw fit to leave off the epigram's last line, "The question of self-pity." Self-pity and its questions tend tb the kiss of death when it comes to selling books. Me, living an unwritten cancer memoir as I am, let me tell you, self-pity is the corpse at the feast, it's the pedophile uncle at the wedding, it's the AOL prepended to Time-Warner.
The middle part of the book requires further reading. The journey ends, as so many others do, with a note on the type. The book was set in Bodoni, a typeface named after Giamattista Bodoni, although how it differs from Times New Roman is a mystery to me.
Notes on the type always make me feel a bit sad. It's like learning that every single lover you've ever had was faking from the word go, all that earth-moving was a pathetic lie. Admit it, you were unaware of the Bodoni typeface the whole damn time, reading in bed, reading on the train, broad daylight, the red shades of twilight and dawn, the stolen sideways glances as you cruise down the commuter lanes of this great land: not a once did the great hand of Bodoni reveal itself to you. It's as if you are at dinner, a piece of chicken in your windpipe, watching your life drifting drifting away from you like a cliff from a suicide... as your vision ebbs and your brief moment on stage fades to black, you plantively look from spouse to offspring: they hold their forks poised above their meals as if interrupted, watching blandly, as if you are of no real concern, a dropped napkin, a spilled glass -- thankfully, only water! -- nothing more than an after-image by now. So the hovering is-everything-okay waiter saves your day, the half-chewed morsel fires across the room like the punchline of a bad joke, the light returns with the blood to your brain, and now you know the question if not the answer, the question of self-pity, you don't need no friggin Bodoni to answer this one.
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This review was set in MS-Unicode Courier New, handcrafted by the famous patriot Sam Adams, whose typefacing career was tragically abbreviated by liver troubles up the wazoo.
- Reviewed in the United States on September 12, 2024I'm not sure what I expected after all the rave reviews but it was not this memoir. I have not read Didion's work before but am now curious to read more. Such skill with words. The words in the book told a story and seemed to parallel her own emotional journey through the year after her husband's sudden death. I will one day need to revisit this with to savor it more.
- Reviewed in the United States on October 6, 2005I stayed up almost all might just to finish reading it, unable to put this down, although I confess I had to keep a box of tissues nearby. I've lost 5 people in the last few years and, just recently, another friend and so I related very strongly to this book.
Didion's unflinching account of the sudden loss of her husband (which occurred while their only child was in a coma in a hospital (!)) deserves to be a classic in the genre of books written by and for those who are grieving. It is hard to find books like this, which are both honest but not overly sentimental, not resorting to the tropes which seem to surround death. She doesn't offer vague platitudes or advice. She simply relates her very personal experience, including the inevitable vulnerability, unexpected moments of being blindsided by memories and sudden tears, etc.
She covers all the bases, including the kind of insanity that can seize one in the throes of grief, those moments when you forget the person is actually dead, when you turn to speak to him or her as you normally would at a certain part of the day or reach for the phone to share the latest news.
The book is raw. If you're looking for religous or spiritual guidance and inspiration, this is not the book for you. As Didion herself noted, writing about the book recently, it was intentionally written "raw". I assume she didn't want to wait, to distance herself from the intensity of the experience as she wrote it down, quite unlike many other books she has written. Raw or not, it wasn't sloppy, overly sentimental or complete despairing.
It was simply honest, heartwrenchingly so, and Didion doesn't deviate from communicating, in absolute striking detail, the sense of alienation and disorientation that separates mourners from those who seem to be living "normal" lives. Grief is its own territory, separate from so-called normalcy. In so many ways, it is an illness, an affliction of the spirit and not one that can be cured in any one way.
An aside- the photo of Didion inside the dustjacket is haunting. No question that those are the eyes of someone who has been scraped to the core, wounded and, presumably, still recovering. There is something beautiful in that portrait and, oddly, comforting. It is the face of a survivor, however hard it might be to live as one.
This book will remain on my bookshelf and I expect I'll be thumbing through it for solace time and again. Reading it was both painful and cathartic and strangely comforting, with an intensity that left me awestruck. I am still amazed that she was able to produce such a beautifully written book in the throes of so much pain.
Top reviews from other countries
TitaReviewed in Brazil on November 20, 20235.0 out of 5 stars It's grief in a nutshell!
It's raw, poetic and chaotic. Didion bares her soul candidly about such a harrowing moment in her life, that we can't help but join her in this experience. It's spellbinding. I just couldn't put it down. Highly recommended for all those who have gone through or wish to further understand the grieving process.
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Adriana CortesReviewed in Mexico on May 18, 20235.0 out of 5 stars Una visión lúcida de la muerte y la vida
La narrativa enigmatica de Didion nos invita a lo más íntimo de su relación y de su duelo.
Llegó un poco maltratado.
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rcavestaReviewed in Spain on September 17, 20245.0 out of 5 stars Precioso relato
Un libro muy interesante y una historia preciosa, aunque muy trágica
Amazon CustomerReviewed in the United Kingdom on August 20, 20245.0 out of 5 stars Wide ranging exploration of grief, love and 'self'
She is a wonder of a writer. Unafraid, connected and able to draw comparisons and thoughts across many subjects. This books charts the messy nature of love and mutual dependence in long-term relationships and how grief is something you grow around but never really goes away.
Ria SinghReviewed in India on August 7, 20245.0 out of 5 stars One of the best
I once read a review that said Joan Didion was a narc just talking about herself, nothing could be further away from the truth, this is an amazing book of grief and so simply written, if you have experienced grief aka loos of someone, all these thoughts and more have already raced through your mind but reading this feels like comfort, to know you are not alone .























