- Hardcover: 350 pages
- Publisher: Algonquin Books; 1st edition (January 1, 1997)
- Language: English
- ISBN-10: 1565121570
- ISBN-13: 978-1565121577
- Product Dimensions: 5.4 x 1.1 x 7.3 inches
- Shipping Weight: 13.6 ounces (View shipping rates and policies)
- Average Customer Review: 3.8 out of 5 stars See all reviews (39 customer reviews)
- Amazon Best Sellers Rank: #2,473,333 in Books (See Top 100 in Books)
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Yo! Hardcover – January 1, 1997
See the Best Books of the Month
Want to know our Editors' picks for the best books of the month? Browse Best Books of the Month, featuring our favorite new books in more than a dozen categories.
Customers who viewed this item also viewed
What other items do customers buy after viewing this item?
The heroine of Julia Alvarez's Yo! is an author who writes what she knows--much to the chagrin of her close-knit immigrant family. During the first chapter, one of Yolanda (Yo) Garcia's sisters explains the basic problem: "I always was a reader, but now, whenever I open a book, even if it's something by someone dead, all I can do is shake my head and think oh my god, I wonder what their family thought of this story." Yo's friends and family members, many of whom appeared in Alvarez's earlier novel, How the Garcia Girls Lost Their Accents, take turns narrating this book. They draw a vivid portrait of the writer, describing her big mouth and high-strung nature as well as the details of her youth in the Dominican Republic. They're often more keenly aware of class, gender, and racial divisions than is Yo herself. When Yo returns to the Dominican Republic to spend a summer reconnecting with her roots, for instance, the servants at the family estate regard her as a very strange (but likeable) foreigner. In another segment, Yo's landlord, whose husband beats her, describes the writer's efforts to save her from the abusive relationship. In these episodes and others, Yo comes across as a woman who doesn't quite fathom the complexity of the events going on around her but has so much good will and verve that people forgive her small transgressions. It is a pleasure to hear all these diverse voices; some are funny, some wistful, but all of them seem to think Yolanda Garcia is the bee's knees. Yo! is a thoughtful, entertaining novel about the immigrant experience and the impact writers have on the lives of their peers. --Jill Marquis --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
The opening chapter of Alvarez's splendid sequel to her first novel, How the Garcia Girls Lost Their Accents, is so exuberant and funny, delivered in such rattle-and-snap dialogue, that readers will think they are in for a romp. It is narrated by Sandi, one of the four Garcia sisters whom we encounter again three decades after they emigrated to the States from the political dictatorship of the Dominican Republic. As will all the other narrators in this richly textured narrative, Sandi focuses on her sister Yolanda, "Yo," the object of much bitterness and resentment in the family since she has begun to use their lives as material for the books she writes. In the succeeding sections, we flash back to Yo's first years in America, her school and college days, when she exuded pizzazz and potential as a brilliant, if capricious, student obviously destined for a spectacular career. Slowly the canvas darkens, as various people in her life (a cousin on "the island," the daughter of the family's maid, a college professor who is her mentor) create a composite picture of a clever, impetuous, initially strong-willed-but progressively self-doubting and insecure-woman who has lost her early promise. Instead of achieving emotional and professional fulfillment, at 33 Yo is lonely, unfocused, twice divorced, childless and still searching for her identity. Then come several surprising plot twists that leave Yo free to find her destiny. In addition to revealing the details of Yo's complicated life, the 15 chapters are also fully nuanced portraits of their quite varied narrators, whose own experiences range from adventurous to quietly heart-wrenching. Alvarez's's command of Latino voices has always been impeccable, but here she is equally adept at conveying the personalities of a geographically diverse group of Americans as well: an obese woman abused by her blue-collar husband, an ex-football player and an aging Southern hippy, among others. But it is Yo, rocketing among lovers, husbands, self-doubts, shortlived enthusiasms, dead-end jobs and the first tentative satisfactions of a career, whom we get to know obliquely but fully as she belatedly finds the center of her existence. Though her sisters have become fully Americanized, Yo has been the victim of cultural dislocation and of a submerged childhood memory revealed only in the last chapter; she has become a stranger to herself. Alvarez's canny, often tart-tongued appraisals of two contrasting cultures, her inspired excursions into the hearts of her vividly realized characters, are a triumph of imaginative virtuosity. This is an entrancing novel, at once an evocation of a complex heroine and a wise and compassionate view of life's vicissitudes and the chances for redemption. Author tour.
Copyright 1996 Reed Business Information, Inc.
Browse award-winning titles. See more
If you are a seller for this product, would you like to suggest updates through seller support?