Enjoy fast, FREE delivery, exclusive deals and award-winning movies & TV shows with Prime
Try Prime
and start saving today with Fast, FREE Delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Instant streaming of thousands of movies and TV episodes with Prime Video
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$14.95$14.95
FREE delivery: Saturday, Sep 9 on orders over $25.00 shipped by Amazon.
Payment
Secure transaction
Ships from
Amazon.com
Sold by
Amazon.com
Returns
Eligible for Return, Refund or Replacement within 30 days of receipt
Buy used: $6.13
Other Sellers on Amazon
+ $4.22 shipping
96% positive over last 12 months
FREE Shipping
98% positive over last 12 months
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
You Are Not a Stranger Here: Stories Paperback – August 12, 2003
| Price | New from | Used from |
|
Audible Audiobook, Unabridged
"Please retry" |
$0.00
| Free with your Audible trial | |
|
Digital
"Please retry" |
—
| — | — |
Purchase options and add-ons
An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.
- Print length256 pages
- LanguageEnglish
- PublisherAnchor
- Publication dateAugust 12, 2003
- Dimensions5.2 x 0.6 x 8 inches
- ISBN-100385720726
- ISBN-13978-0385720724
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Frequently bought together

Customers who viewed this item also viewed
Editorial Reviews
From The New Yorker
Copyright © 2005 The New Yorker
Review
“Extraordinary. . . . Frighteningly tender. . . . Displays an order as natural as a tree branch in winter—lithe and achingly austere.” —The Boston Globe
“Haslett possesses a rich assortment of literary gifts: an instinctive empathy for his characters and an ability to map their inner lives in startling detail; a knack for graceful, evocative prose; and a determination to trace the hidden arithmetic of relationships.” —The New York Times
“Fascinating. . . . Haslett is an eloquent, precise miniaturist.” —The New Yorker
“Elegant. . . . Invigorating. . . . [Haslett has an] assured, almost democratic empathy for his admirably varied characters. . . . These are graceful, mature, witty stories.” —San Francisco Chronicle
From the Inside Flap
An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.
From the Back Cover
An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Two things to get straight from the beginning: I hate doctors and have never joined a support group in my life. At seventy-three, I'm not about to change. The mental health establishment can go screw itself on a barren hill top in the rain before I touch their snake oil or listen to the visionless chatter of men half my age. I have shot Germans in the fields of Normandy, filed twenty-six patents, married three women, survived them all and am currently the subject of an investigation by the IRS, which has about as much chance of collecting from me as Shylock did of getting his pound of flesh. Bureaucracies have trouble thinking clearly. I, on the other hand, am perfectly lucid.
Note for instance how I obtained the Saab I'm presently driving into the Los Angeles basin: a niece in Scotsdale lent it to me. Do you think she'll ever see it again? Unlikely. Of course when I borrowed it from her I had every intention of returning it and in a few days or weeks I may feel that way again, but for now forget her and her husband and three children who looked at me over the kitchen table like I was a museum piece sent to bore them. I could run circles around those kids. They're spoon fed ritalin and private schools and have eyes that say give me things I don't have. I wanted to read them a book on the history of the world, its migrations, plagues, and wars, but the shelves of their outsized condominium were full of ceramics and biographies of the stars. The whole thing depressed the hell out of me and I'm glad to be gone.
A week ago I left Baltimore with the idea of seeing my son Graham. I've been thinking about him a lot recently, days we spent together in the barn at the old house, how with him as my audience ideas came quickly and I don't know when I'll get to see him again. I thought I might as well catch up with some of the other relatives along the way and planned to start at my daughter Linda's in Atlanta but when I arrived it turned out she'd moved. I called Graham and when he got over the shock of hearing my voice, he said Linda didn't want to see me. By the time my younger brother Ernie refused to do anything more than have lunch with me after I'd taken a bus all the way to Houston, I began to get the idea this episodic reunion thing might be more trouble than it was worth. Scotsdale did nothing to alter my opinion. These people seem to think they'll have another chance, that I'll be coming around again. The fact is I've completed my will, made bequests of my patent rights, and am now just composing a few notes to my biographer who, in a few decades when the true influence of my work becomes apparent, may need them to clarify certain issues.
*Franklin Caldwell Singer, b.1924, Baltimore, Maryland.
*Child of a German machinist and a banker's daughter.
*My psych discharge following "desertion" in Paris was trumped up by an army intern resentful of my superior knowledge of the diagnostic manual. The nude dancing incident at the Louvre in a room full of Rubens had occurred weeks earlier and was of a piece with other celebrations at the time.
*BA, PhD Engineering, Johns Hopkins University.
*1952. First and last electro-shock treatment for which I will never, never, never forgive my parents.
*1954-1965 Researcher, Eastman Kodak Laboratories. As with so many institutions in this country, talent was resented. I was fired as soon as I began to point out flaws in the management structure. Two years later I filed a patent on a shutter mechanism that Kodak eventually broke down and purchased (then Vice-President for Product Development, Arch Vendellini WAS having an affair with his daughter's best friend, contrary to what he will tell you. Notice the way his left shoulder twitches when he's lying).
*All subsequent diagnoses--and let me tell you there have been a number--are the result of two forces, both in their way pernicious. 1) The attempt by the psychiatric establishment over the last century to redefine eccentricity as illness, and 2) the desire of members of my various families to render me docile and if possible immobile.
*The electric bread slicer concept was stolen from me by a man in a diner in Chevy Chase dressed as a reindeer whom I could not possibly have known was an employee of Westinghouse.
*That I have no memories of the years 1988-90 and believed until very recently that Ed Meese was still the Attorney General is not owing to my purported paranoid black-out but on the contrary to the fact my third wife took it upon herself to lace my coffee with tranquilizers. Believe nothing you hear about the divorce settlement.
When I ring the buzzer at Graham's place in Venice, a Jew in his late twenties with some fancy looking musculature answers the door. He appears nervous and says, "We weren't expecting you 'til tomorrow," and I ask him who we are and he says, "Me and Graham," adding hurriedly, "we're friends, you know, only friends. I don't live here, I'm just over to use the computer."
All I can think is I hope this guy isn't out here trying to get acting jobs, because it's obvious to me right away that my son is gay and is screwing this character with the expensive looking glasses. There was a lot of that in the military and I learned early on that it comes in all shapes and sizes, not just the fairy types everyone expects. Nonetheless, I am briefly shocked by the idea that my twenty-nine year old boy has never seen fit to share with me the fact that he is a fruitcake--no malice intended--and I resolve right away to talk to him about it when I see him. Marlon Brando overcomes his stupor and lifting my suitcase from the car leads me through the back garden past a lemon tree in bloom to a one room cottage with a sink and plenty of light to which I take an instant liking.
"This will do nicely," I say and then I ask him, "How long have you been sleeping with my son?" It's obvious he thinks I'm some brand of geriatric homophobe getting ready to come on in a religiously heavy manner and seeing that deer-caught-in-the-headlights look in his eye I take pity and disabuse him. I've seen women run down by tanks. I'm not about to get worked up about the prospect of fewer grandchildren. When I start explaining to him that social prejudice of all stripes runs counter to my Enlightenment ideals--ideals tainted by centuries of partial application--it becomes clear to me that Graham has given him the family line. His face grows patient and his smile begins to leak the sympathy of the ignorant: poor old guy suffering from mental troubles his whole life, up one month, down the next, spewing grandiose notions that slip like sand through his fingers to which I always say, you just look up Frank Singer at the U.S. Patent Office. In any case, this turkey probably thinks the Enlightenment is a marketing scheme for General Electric; I spare him the seminar I could easily conduct and say, "Look, if the two of you share a bed, it's fine with me."
"That drive must have worn you out," he says hopefully. "Do you want to lie down for a bit?"
I tell him I could hook a chain to my niece's Saab and drag it through a marathon. This leaves him nonplussed. We walk back across the yard together into the kitchen of the bungalow. I ask him for pen, paper, and a calculator and begin sketching an idea that came to me just a moment ago--I can feel the presence of Graham already--for a bicycle capable of storing the energy generated on the downward slope in a small battery and releasing it through a handle bar control when needed on the up hill--a potential gold mine when you consider the aging population and the increase in leisure time created by early retirement. I have four pages of specs and the estimated cost of a prototype done by the time Graham arrives two hours later. He walks into the kitchen wearing a blue linen suit, a briefcase held to his chest, and seeing me at the table goes stiff as a board. I haven't seen him in five years and the first thing I notice is that he's got bags under his eyes. When I open my arms to embrace him he takes a step backwards.
"What's the matter?" I ask. Here is my child wary of me in a strange kitchen in California, his mother's ashes spread long ago over the Potomac, the objects of our lives together stored in boxes or sold.
"You actually came," he says.
"I've invented a new bicycle," I say but this seems to reach him like news of some fresh death. Eric hugs Graham there in front of me. I watch my son rest his head against this fellow's shoulder like a tired solider on a train. "It's going to have a self-charging battery," I say sitting again at the table to review my sketches.
With Graham here my idea is picking up speed and while he's in the shower I unpack my bags, rearrange the furniture in the cottage, and tack my specs to the wall. Returning to the house, I ask Eric if I can use the phone and he says that's fine and then he tells me, "Graham hasn't been sleeping so great lately, but I know he really does want to see you."
"Sure no hard feelings fine."
"He's been dealing with a lot recently. Maybe some things you could talk to him about . . . and I think you might--"
"Sure, sure no hard feelings," and then I call my lawyer, my engineer, my model builder, three advertising firms whose numbers I find in the yellow pages, the American Association of Retired Persons--that market will be key, an old college friend whom I remember once told me he'd competed in the Tour de France figuring he'll know the bicycle industry angle, my bank manager to discuss financing, the Patent Office, the Cal Tech physics lab, the woman I took to dinner the week before I left Baltimore and three local liquor stores before I find one that will deliver a case of Don Perignon.
"That'll be for me!" I call out to Graham as he emerges from the bedroom to answer the door what seems only minutes later. He moves slowly and seems sapped of life.
"What's this?"
"We're celebrating! There's a new project in the pipeline!"
Graham stares at the bill as though he's having trouble reading it. Finally, he says, "This is twelve-hundred dollars. We're not buying it."
I tell him Schwinn will drop that on donuts for the sales reps when I'm done with this bike, that Oprah Winfrey's going to ride it through the half-time show at the Super Bowl.
"There's been a mistake," he says to the delivery guy.
I end up having to go outside and pay for it through the window of the truck with a credit card the man is naive enough to except and I carry it back to the house myself.
"What am I going to do?" I hear Graham whisper.
I round the corner in to the kitchen and they fall silent. The two of them make a handsome couple standing there in the gauzy, expiring light of evening. When I was born you could have arrested them for kissing. There ensues an argument that I only half bother to participate in concerning the champagne and my enthusiasm, a recording he learned from his mother; he presses play and the fraction of his ancestry that suffered from conventionalism speaks through his mouth like a ventriloquist: your-idea-is-fantasy-calm-down-it-will-be-the-ruin-of-you-medication-medication-medication. He has a good mind my son, always has, and somewhere the temerity to use it, to spear mediocrity in the eye, but in a world that encourages nothing of the sort the curious boy becomes the anxious man. He must suffer his people's regard for appearances. Sad. I begin to articulate this with Socratic lucidity, which seems only to exacerbate the situation.
"Why don't we just have some champagne," Eric interjects. "You two can talk this over at dinner."
An admirable suggestion. I take three glasses from the cupboard, remove a bottle from the case, pop the cork, fill the glasses and propose a toast to their health.
My niece's Saab does eighty-five without a shudder on the way to dinner. With the roof down, smog blowing through my hair, I barely hear Graham who's shouting something from the passenger's seat. He's probably worried about a ticket, which for the high of this ride I'd pay twice over and tip the officer to boot. Sailing down the freeway I envision a lane of bicycles quietly recycling efficiencies once lost to the simple act of pedaling. We'll have to get the environmentalists involved which could mean government money for research and a lobbying arm to navigate any legislative interference. Test marketing in L.A. will increase the chance of celebrity endorsements and I'll probably need to do a book on the germination of the idea for release with the first wave of product. I'm thinking early 2003. The advertising tag line hits me as we glide beneath an overpass: Make Every Revolution Count.
There's a line at the restaurant and when I try to slip the maitre'd a twenty, Graham holds me back.
"Dad," he says, "you can't do that."
"Remember the time I took you to the Ritz and you told me the chicken in your sandwich was tough and I spoke to the manager and we got the meal for free? And you drew a diagram of the tree fort you wanted and it gave me an idea for storage containers."
He nods his head.
"Come on, where's your smile?"
I walk up to the maitre'd but when I hand him the twenty he gives me a funny look and I tell him he's a lousy shit for pretending he's above that sort of thing. "You want a hundred?" I ask and am about to give him an even larger piece of my mind when Graham turns me around and says, "Please don't."
"What kind of work are you doing?" I ask him.
"Dad," he says, "just settle down." His voice is so quiet, so meek.
"I asked you what kind of work you do?"
"I work at a brokerage."
Product details
- Publisher : Anchor; First Edition (August 12, 2003)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 0385720726
- ISBN-13 : 978-0385720724
- Item Weight : 6.7 ounces
- Dimensions : 5.2 x 0.6 x 8 inches
- Best Sellers Rank: #722,824 in Books (See Top 100 in Books)
- #7,823 in Contemporary Literature & Fiction
- #13,326 in Short Stories (Books)
- #34,589 in Literary Fiction (Books)
- Customer Reviews:
Important information
To report an issue with this product, click here.
About the author

Adam Haslett is the author of the novel Union Atlantic and the New York Times best-selling short story collection You Are Not a Stranger Here, which was a finalist for a Pulitzer Prize and a National Book Award and has been translated into fifteen languages. The collection was one of Time Magazine’s Five Best Books of the Year, a selection of Today’s book club, and the winner of the 2006 PEN/Malamud Award. Haslett has received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the Provincetown Fine Arts Work Center and his work has appeared in The New Yorker, The Nation, The Atlantic Monthly, Esquire, Best American Short Stories, The O'Henry Prize Stories, and National Public Radio's Selected Shorts. A graduate of the Iowa Writers’ Workshop and Yale Law School, he currently lives in New York City.
Photo copyright Brigitte Lacombe
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonRead reviews that mention
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
They are also really, really well written (which explains the visceral reaction). The dialogue, especially, is great (“I used to cast fire from the tips of my fingers some weeks and burn everything in my path and it was all progress and it was all incredibly, incredibly beautiful.”).
The stories are character-driven and made more interesting by their characters’ complex, conflicted relationships. Haslett pulls you in multiple directions emotionally—you understand a kid’s desire to feel something (anything) after his parents have died, but you hate the outlets he chooses and the relationship dynamics he creates. Haslett elicits deep empathy for characters that are flawed and hurt and ill.
The first two stories are the strongest in the collection. I raced through them, and they left me a little breathless and exhausted. None of the rest of the stories quite live up to those first two, but they are all pretty darn good.
In case you haven’t gleaned this yet, allow me to be explicit: this is not light reading.
-- “Notes to My Biographer”: A 73-year-old father is in the throes of a manic episode. The father decides to make a cross-country trip to visit family members he hasn’t seen in years, but his visits are not well received. 4.5/5
-- “The Good Doctor”: A young, new doctor is working for a small-town clinic. A patient, who has been getting her prescriptions auto-refilled for too long, has missed several appointments at the clinic. The doctor decides to make a house call, and the patient opens up to him about her son’s meth addiction and tragic death. 4.5/5
-- “The Beginnings of Grief”: A high-school kid has recently become an orphan—his mother committed suicide and, soon thereafter, his father died in a car accident. Now, he’s living with his neighbors (an old lady and her even older mother), coming and going as he pleases. He finds solace in an unhealthy relationship with a kid in his shop class. 3.5/5
-- “Devotion”: A British brother and sister live together in their parents’ house. An old friend, whom they haven’t seen for many years, is coming for dinner. The visit dredges up long-buried secrets. 4/5
-- “War’s End”: The title of the book comes from a line in this story. A guy suffering from depression goes with his wife on a research trip. He find the perfect place to commit suicide, but his plan is thwarted by a weird grandmother who invites him to tea at her house that smells like rotting flesh. 3/5
-- “Reunion”: A man dying of AIDS leaves his job (telling his boss he’s going on vacation), wallows, and writes letters to his father. 2.5/5
-- “Divination”: An eleven-year-old at boarding school is playing soccer with a friend when he has an odd realization: his Latin teacher has just died. Another teacher finds the dead teacher the next morning. Later, the kid has a nightmare and realizes that someone else will die. He tells his parents in an effort to stop it, but he does not get the reaction from them he wants. 3.5/5
-- “My Father’s Business”: Another story of mania. We see a man’s mania through his patient file, which he has requested and reviews on the train. He has checked himself out of a treatment facility and is headed home. 3.5/5
-- “The Volunteer”: As part of a volunteer program, a high-school student makes regular visits to a woman in a voluntary treatment facility. She suffers from schizophrenia but has been on effective drugs for decades. She decides that she shouldn’t be taking the drugs anymore and begins to flush them. Once off the drugs, she begins to feel and experience things more distinctly again . . . and she is revisited by her old companion, Hester. 4/5
This is a beautifully written collection of short stories that explore mental illness, death, depression, homosexuality, and how we experience our own pain, as well as the pain of others. The descriptions are sparse yet powerfully compelling, and the stories that work will stay with you, pulling you in and forcing you to feel the turmoil the characters are experiencing. Though there are some weak stories here and there, the powerful stories are more than worth the purchase price of the collection as a whole. One of my favorites… though it is a bit of an exercise in misery, with all of the stories being tragic, tragic, tragic..
Greater Detail:
As always, here are a few of the summaries so you can get a better idea about the collection as a whole:
“Notes to My Biographer” — is about this eccentric, mentally ill older man who visits his younger son and has all these great new ideas/inventions. He’s paranoid, thinks everyone is out to steal his ideas, and trying to reconnect with his family via a long road trip.
“War’s End” — the story from which the collection gets its title, a man who is very depressed, and now that he is thinking more clearly, feels like death is the only option… right before he jumps off a cliff, he meets an old woman, who invites him back to her house to meet her grandson
“The Good Doctor” = a recently graduated psychiatrist finds himself in a rural, slightly backwater America. Though he took the post because of a loan forgiveness, he has since found out that funding has been cut and he meets one of his most compelling patients who shows him how painful life can be.
“The Beginnings of Grief” — a young teenage boy has just lost his mother to suicide and his father to a car accident within the same year. Now he struggles with both that and having a crush on a boy who is struggling with his homosexuallity.
“Devotion” — a slower paced tragedy about sibling devotion, the sacrifices each sibling has made for the other, and also, the ways in which they’ve both inadvertently ruined one another’s lives…
“Divination” — this is one of the ones that fell a little flatter for me; it deals with a younger brother who’s initially at a boarding school and believes that he’s having premonitions about when people might die…
“My Father’s Business” — most of the story takes place via a series of transcribed interviews between a bipolar man who’s struggling (during his more manic phases) to learn to deal with his father by conducting a series of interviews questioning how people got interested in the idea of philosophy.
Comparison to Other Authors:
Compared to other Pulitzer winning collections (like Lahiri’s The Interpreter of Maladies), it does feel a little less finely tuned — there are definitely stories here that really work, and ones that don’t work as well. So, as a collection, I can understand why it was a finalist as opposed to the final winner… but as I said in the review, the ones that work are heartbreakingly amazing.
Top reviews from other countries
So glad I did. There are interesting and varied narrators in this collection. The themes and ideas aren't that varied - such as mental illness, sexuality, loss, but they are explored in depth.
Some of my favourite parts were the way a Bruegel painting in 'The Good Doctor' becomes so alive, but sinister because of the story relayed around it. There are some supernatural/inexplicable tales in this volume too, which were interesting. In 'Divination' we experience the strange with the main character in alls its subtlety:
"It had stilled a part of Samuel's mind he'd never realised hd been moving. A tiny ball in the middle of his brain had spun to a halt. It scared him. He'd always thought fear would be something fast, a thing that pushed you forwards."
My favourite though was 'The Volunteer' in seeing the world through the eyes of Elizabeth, where her family's history collides with her present in such an intense and disturbing way.
"Elizabeth begged for the doctor to give her something to blunt the vicious pain in her abdomen. In the moments of reprieve, she'd open her eyes and from the walls of her bedroom see the dead generations staring down at her: daguerreotypes of gaunt women and Simian-faced men, stiff as iron in Sunday black, posed as if to meet their maker."








