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Zeus: King of the Gods (Olympians) Hardcover – Bargain Price, January 5, 2010
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From School Library Journal
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Top Customer Reviews
"In the time before time, there was nothing, Kaos. From out of Kaos came Ge, or Gaea, our Mother Earth." So begins a tale of how the Titans and, subsequently, the Greek Gods came to be. The world is formed, and the Titan Kronos eats each of his children as they are born. However, he misses Zeus, the youngest child, and as a result that particular god is able to grow up, free his siblings, and take arms against the Titans for control of the earth itself. In an exciting comic book style, George O'Connor accurately depicts the tale of Zeus, leaving off the story to continue with Athena, the next in the series, published as a separate book. Endmatter includes an Author's Note, G(r)eek Notes as they apply to specific panels and pages, Greek myth character trading card-type pages, a Bibliography, recommended reads, amusing discussion questions (#1: "Zeus's dad tries to eat him. Has your dad ever tried to eat you?"), and an accurate but complex Olympians Family Tree on the front cover that you'll find yourself poring over again and again.
George O'Connor may be best known to some of us as the bloke behind "Journey Into Mohawk Country" and Adam Rapp's "Ball Peen Hammer". On the picture book side of things, he did "Kapow!" (yet another comic-inspired title, and a popular one in my library at that). With this book he had one big hurdle to leap: Make the myths logical. The thing about the Greek myths is that you can read them on paper all you like but some things are just not gonna make a whole lot of sense. For example, we hear that Hestia has been so long on the stomach of Kronos that she has nearly been digested and barely has a form of her own. All right, smart guys. Go illustrate that. More difficult still is that if you're making these myths into a single concrete understandable story, how do you explain Zeus falling in love with his sister? The author finds a way, and his words are not without their own rhythm and beauty. I liked little things, like Rhea feeding her husband a stone baby instead of Zeus and the consequent line, "If Lord Kronos noticed his newborn son had less warmth than the rest, he gave no sign." On top of that, O'Connor tells the story with a structure that makes sense. The repeated line that "Mother Earth was still unhappy, for she loved all her children," is what leads to the defeat of the Titans and the rise of the gods on the one hand, and perhaps the eventual destruction of the gods later on down the road.
The art is heavily inspired by O'Connor's beloved comic books of yore. He explains in his Author's Note his love of "The Mighty Thor" as a kid. "I remember staring at it, trying to comprehend whether I loved it or hated it. The story was full of all those enormous, bigger-than-life beasts I remembered from my copy of Edith Hamilton's mythology." If Greek gods are our original superheroes (or super villains) then it's natural to draw them as such. We've already seen some children's books do this ("The Mighty 12: Superheroes of Greek Myth" by Charles R. Smith, illustrated by P. Craig Russell comes instantly to mind), so it makes a certain amount of sense. One difference from comic books is the fact that while the men tend to go around shirtless and ripped, the ladies aren't all that busty. Fair play to O'Connor, then. And I did enjoy the fact that comic book facts keep working their way into the notes at the end of this book. We're told that the Adamantine that Kronos's sickle is made out of is where Wolverine in X-Men get his adamantium claws. Or that the Cyclopes are like Cyclops the X-Men leader. Actually... thinking about it now, all the comic facts seem to be about X-Men. I suppose the Wonder Woman facts will have to wait for a later volume in the series when we finally meet the Amazons.
The actual art in this book has all kinds of small details as well. Kronos cut open his father the sky, so his eyes and mouth show only the cosmos. His wife, Rhea, is also the daughter of the sky and the earth, but her pupils are crescent moons, blue on blue. Baby Zeus, meanwhile, is raised in a cave and in one panel looks out at the sky. One cannot help but notice that the stalactites lining the image look like teeth, reminding you of Kronos who has eaten Zeus's kin. So without a word you are reminded that Zeus has temporarily exchanged one mouth for another.
Admittedly, there is zippo racial diversity in the images here. O'Connor isn't challenging any preconceived notions of what one god or another looks like. By the end Zeus even has a white beard. The closest you get to a change is a brown-haired Aphrodite. I suppose the argument for keeping them white was that Greek gods are generally pretty scummy people, and would you really want to diversify their flaws? Still, in this day and age it's hard to do an all-white cast for anything, even a children's graphic novel.
Greek myths are many things, but child friendly? I think all of us can remember hearing one myth or another as a child that didn't quite make sense. Apollo chased a girl to get a kiss and she was so freaked out she asked to be turned into a tree. Huh? And how exactly did Zeus turning into a swan lead to Leda giving birth anyway? And don't even get me started on the changes Disney made to that lamentable "Hercules"! Hera is Hercules' loving mom? Puh-leeze. In this first Olympian title, O'Connor therefore has the unenviable job of telling a story straight without making it, uh, explicit. Zeus, after all, is the original letch. So you do see him chasing girls without seeing them get caught. That's how O'Connor plays it, and it works pretty well. Admittedly he pokes fun at the material sometimes, and there is a line in "Zeus" that adults will raise an eyebrow at, but kids won't get at all. At one point Zeus says that as a kid he used to think he could reach into the sky and take the moon. Metis informs him that Selene, the moon, is much bigger than he is. His response? "I don't know... I can grow pretty big." You don't need to even see Metis's "Heh" in response to get that one. Accurate characters and personalities. Still pretty kid-friendly in the end.
What I love about this is that not only is O'Connor releasing one book per god, but he's doing it so that the story from one book carries on into the next. This must have taken a fair bit of wrangling and shifting on his part. I'm sure O'Connor's natural inclination was to place "Hera" after "Zeus", but for reasons that we will learn soon enough he made "Athena" #2. It will probably have something to do with the fact that Athena's mother, Metis, has a relatively large role in this book, and that storyline has not been wrapped up yet.
When she was quizzing me on this new series, my young patron asked desperately, "I love Hestia. No one ever pays any attention to Hestia. Will there be a book about Hestia?" There will be, I assured her. There will be a book on each of the twelve gods and kids will be allowed to find their favorites instantly. Comics aren't for everyone, and there are plenty of folks content with what the D'Aulaires have to offer, but definitely keep an eye out for O'Connor's series just the same. Exciting, accurate, and intense, it's bound to be instantly beloved of kids, all thanks to its classic comic inspirations.
Ages 9 and up.
Plus, the Greek Pantheon has been the inspiration for more than a few superheroes, some more obviously than others. Artist and writer George O'Connor, however, has gone back (way back) to the original source material for his Olympians series. Like all myths, the story has changed substantially in some places throughout the centuries. But O'Connor's painstaking research delves into the more authentic original versions. He begins his series, naturally, with Zeus, king of the gods and the one charged with bringing about the downfall of his own father. The hardest tasks always fall to the youngest chidren, don't they?
Zeus is the only one of his siblings not swallowed whole by his father, Cronus. Instead, he is hiden away out of Cronus's sight until he reaches adulthood and begins to be spurred on to war against Cronus by his grandmother, Mother Earth herself. He does as she commands, and in doing so rescues the rest of Cronus's children, and the war between the Olympians and the Titans is waged in full, lasting years.
It's a fantastic adventure story, and O'Connor illustrates it beautifully. He also includes several handy texts that help flush out his work here: lineage charts, a guide to the spelling of the names, a history and recommended reading. All of it is extremely useful, for both casual readers and students who wish to learn more.
The book does have its share of violence, of course, and subsequent volumes focusing on the rest of the Pantheon no doubt will have much more. It's never too gory, though, and even matters of sexuality and romance are handled quite tamely. That is to say, younger readers will not see much at all to shock their sensibilities, and older readers will be able to take in the clues from the text in order to read between the lines.
-- John Hogan
Mr O'Connors' narration is simple, powerful, and pointed. The art, I assume by O'Connor, is very clear and cinematic. Some panels, all you need is the sound of thunder to make them complete. Coverwise, the lightening bolt held by Zeus shimmers with power!
O'Connor presents not only the story of Zeus, but the stories surrounding the imprisonment of the Titans, his brothers and sisters and despise for his father. Truly, this book reads almost like Hercules except there is not comedic relief! There is no Phil, nor Meg, but there is duty, sacrifice, honor, and a cosmic style battle that truly cracks the skies! Did I mention the art is top notch?
Being part I of 12, I look forward to the remaining books, Athena, Hera, and Hades.
Truly a stylish presentation of the story of Zeus.
Long may he rule!
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