- Paperback: 276 pages
- Publisher: BiblioBazaar (July 17, 2006)
- Language: English
- ISBN-10: 1897454597
- ISBN-13: 978-1426412141
- ASIN: 1426412142
- Product Dimensions: 5 x 0.6 x 8 inches
- Shipping Weight: 11.4 ounces (View shipping rates and policies)
- Average Customer Review: 6 customer reviews
- Amazon Best Sellers Rank: #9,556,352 in Books (See Top 100 in Books)
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A Zola Dictionary: the Characters of the Rougon-Macquart Novels of Emile Zola;
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Top customer reviews
The bulk of A Zola Dictionary consists of an alphabetical listing of characters explaining who each individual is and what roles they play in each novel. Even the most insignificant members of the supporting cast--horses, dogs, and cows included--are given brief listings, while the main characters get detailed mini-biographies that often span the plots of more than one novel. Patterson pays particular attention to each family member's place in Zola's overall evolutionary vision of the series and the specific personality traits handed down from generation to generation. He also provides helpful context for how the plots relate to the actual events of French history. At the back of the book there is also an alphabetical list of places where the novels are set, but this section is tiny in comparison to the much deeper study of the myriad characters.
In addition to the book's encyclopedic content, the introduction provides a brief biography of Zola, along with an overview of his works and the critical reception they received. Because A Zola Dictionary was published in 1912, Patterson's take on Zola's writing is a bit antiquated and prudish. While he praises Zola for his development of Naturalism, he nevertheless heralds the author's most Romantic works, like The Sin of Father Mouret and The Dream, as his best, while the far more Naturalistic novel The Earth, one of Zola's true masterpieces, he regards as offensive. While 21st century readers probably won't see eye-to-eye with Patterson's critical views, the introduction is valuable nonetheless as a biographical overview. Patterson also includes a Rougon-Macquart genealogical tree, in which brief descriptions of the family members are arranged in generational order. In addition, Patterson provides short synopses of all twenty novels. These are not arranged in order of publication, but rather in the order in which Zola revisits them in the final novel, Doctor Pascal, which corresponds more closely to the order of the family tree.
If you're new to Zola, it's probably best if you stay away from this dictionary, because it will spoil the endings of all the novels for you. The best audience for this book are avid readers of Zola with some degree of familiarity with at least his major novels. For such readers this work will not only serve as a helpful field guide for keeping everyone straight but also as an awesome tribute to the genius of Zola and the impressive scale and depth of his monumental undertaking.
The only magnum opus that really compares to Zola's Rougon-Macquart cycle is Honoré de Balzac's Comédie Humaine. Fans of the latter author will enjoy Repertory of the Comédie Humaine by Anatole Cerfberr and Jules François Christophe, a reference work very similar in style and structure to A Zola Dictionary. My guess is that Patterson patterned his encyclopedic volume after this earlier book.
I find keeping track of the 100's of characters in each of Zola's novels difficult, they are non-English names that don't "stick" and are easily confused between similar sounding names, and many characters have more than one name depending on family relations. Even the primary characters have complex histories that it is helpful to have a summary for. Zola wrote "crowded novels" with characters showing up only once or twice. It's easy to skip over them if you don't remember who they are, perhaps briefly introduced 200 pages back and mentioned only once again, they are not central to the plot, but one misses the depth of Zola's intent.
`A Zola Dictionary` is the only comprehensive list of characters I have found. It is so comprehensive, for `La Terre` ("The Earth"), it contains the name of every cow, plus 4 or 5 historical brigands mentioned only once in passing - it seems as if every name has an entry. The downside is they are all listed alphabetically in one giant list without regard to which novel they are from (although this is noted at the end of each description) - so it's a chore to search the dictionary looking up a name - it would be better to have a single-page reference list of all characters within a particular novel to avoid page flipping through the dictionary. To that end I created such a list for `La Terre` and posted it on the web with descriptions extracted from this dictionary (see Comment for link). Another problem is it contains serious and unnecessary plot spoilers. However, the plot spoilers are towards the end of each entry, so if one is in the middle of reading the novel and want a reminder of who a character is, just read the first sentence or two of the entry (this is not always easy!). Finally, the descriptions were written with the values of a Victorian moralist and will occasionally be laughable to the modern reader. I found this to be a bonus in helping understand the perspective of the age and what the English censors were so concerned about. For example in `La Terre`, a novel which contains incest as a central plot device, it is never mentioned in the dictionary at all, presumably bowdlerized from the English translations of the day.