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Zone One: A Novel Hardcover – October 18, 2011
This month's Book With Buzz: "Little Fires Everywhere" by Celeste Ng
From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture - perfect Richardson family and the enigmatic mother and daughter who upend their lives. See more
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Guest Reviewer: Justin Cronin on Zone One by Colson Whitehead
In a nutshell: Zone One is a story of three days in the life of one Mark Spitz and his squad of three “sweepers” moving through the eponymous Zone One of lower Manhattan, a walled-off enclave scheduled for resettlement in the aftermath of a zombie plague. The great masses of the undead, known as “skels” for their skeleton-like appearance, have been violently dispatched by a Marine detachment. It falls to Spitz and his fellows to take care of the handful that remain, as well as a second-tier of the infected known as “stragglers”: zombies who have bypassed the cannibalistic urges of their more lethal fellows in favor of a hollow-eyed, eerily nostalgic repetition of some mundane act. Surfing a vanished web. Switching the channels of a dead remote. Filling helium balloons in a ransacked party supply store. Running a photocopy machine, presumably for all eternity.
These trapped souls, like much in Whitehead’s novel, evoke a pure pathos. But Whitehead’s tale is as much a chronicle of the living as the dead. Survivorship is his true subject, and with its lower-Manhattan setting, Zone One’s suggestive nod to a post-9/11 New York is no accident. Part of the novel’s power flows from the reader’s uncomfortable sense that Whitehead’s apocalypse, for all its strangeness, also feels strangely familiar.
But what truly sets Zone One apart from the literary and filmic zombie hordes is the sheer quality of the writing. Whitehead’s language zings and soars. The zombie genre is an intrinsically playful blend of horror and slapstick, but Whitehead takes this maxim to vertiginous new heights, producing a shockingly full-throttle immediacy in the process. The distance between the real world of the reader and the imagined world of Whitehead’s skel-infested New York, in all its aching pity and graveyard comedy, collapses to nothing. In these pages, the world of the undead is brought vibrantly to life. Friends, you are there.
Readers of Whitehead’s previous novels may be surprised to find him traveling the halls of zombie horror. They shouldn’t. For a long time Whitehead has strutted his stuff as one of our smartest young writers, and Zone One is every inch the book he was born to write, a pop-culture thriller of the first order. It will make you think. It will make you want to bar the door and weapon up. It will make you miss the obliterated, lovely world for the duration of its reading, and for some time after. It’s that kind of book: a zombie novel with brains.
PRAISE FOR ZONE ONE:
"THE BEST BOOK OF THE FALL...provides the chilling, fleshy pleasures of zombies who lurch, pursue, hunger...while brilliantly reformulating an old-hat genre."
“If you’re going to break down and read a zombie novel, make it this one.”
--The Wall Street Journal
“[Whitehead] takes the genre of horror fiction, mines both its sense of humor and self-seriousness, and emerges with a brilliant allegory of New York living.”
-- New York Observer
"A zombie story with brains...Readers who wouldn't ordinarily creep into a novel festooned with putrid flesh might be lured by this certifiably hip writer who can spine gore into macabre poetry...Everything comes to life in this perfectly paced, horrific, 40-page finale shot through with grim comedy and desolate wisdom about the modern age in all its poisonous, contaminating rage. It's a remarkable episode, but elevated by the power of Whitehead's prose to the level of those other ash-covered nightmares imagined by T.S. Eliot, F. Scott Fitzgerald and Cormac MacCarthy.
--Ron Charles, The Washington Post
“Whitehead writes with a sharp, descriptive power, reeling off one pithy observation after the next in a way that invests this post-apocalyptic world with a surprisingly tactile presence.”
--The Associated Press
“Whitehead, himself a New Yorker, writes about Spitz’s travails in the brooding, vertical metropolis with a dark poetry, which makes this harrowing tale not just a juicy experiment in genre fiction but a brilliantly disguised meditation on a “flatlined culture” in need of its own rejuvenating psychic jolt.”
--The Seattle Times
"Highbrow novelist Colson Whitehead plunges into the unstoppable zombie genre in this subtle meditation on loss and love in a post-apocalyptic Manhattan, which has become the city that never dies."
"For-real literary -- gory, lyrical, human, precise."
"A satirist so playful that you often don't even feel his scalpel, Whitehead toys with the shards of contemporary culture with an infectious glee. Here he upends the tropes of the zombie story in the canyons of lower Manhattan. Horror has rarely been so unsettling, and never so grimly funny."
--The Daily Beast
"Whitehead's uncommonly assured style and his observational gifts make the book a pleasure to read."
"Whitehead writes with economy, texture and punch. He has a talent for sardonic aphorism and an ear for phonetic intrigue...[Zone One] is a cool, thoughtful and, for all its ludic violence, strangely tender novel, a celebration of modernity and a pre-emptive wake for its demise."
--Glen Duncan, for The New York Times Book Review
“As much as Whitehead was inspired by and occasionally references the ‘70s disaster movies that share DNA with Zone One, it’s his remarkable turns of phrase that lift the story above the gory rublle of a midday matinee. Whether charged with bleak sadness or bone-dry humor, sentences worth savoring pile up faster than the body count.”
--Los Angeles Times
“Zone One takes in all the classic tropes of the zombie novel and blends them to create a novel both melancholy and feverishly exciting, one that is as much about our past and our present as any possible future.”
“Whitehead writes in cinematic images, with a lucid command of language, a knack for comic invention and a blithe freedom.”
--The Kansas City Star
“Zone One is an off-kilter love letter to a post-apocalypse Manhattan. It’s loaded with gallows survivor humor and absolutely stunning descriptions.”
“Cinematic in scope and nimble in its use of hard-core gore, [Zone One] is an absorbing read, crammed with thoughtful snapshots of the world the survivors have left behind…a sharp commentary on the rat race of contemporary life.”
"Colson Whitehead's ZONE ONE isn't your typical zombie novel; it trades fright-night fodder for empathy and chilling realism...yielding a haunting portrait of a lonely, desolate, and uncertain city."
“A great read that’s snarky, scary, and profound.”--Parade
"Zone One is a smart, strange, engrossing novel about the end of metaphors and the way that, as Mark Spitz knows all to well, no barrier can hold forever against the armies of death."
“The kind of smart, funny, pop culture-filled tale that would make George Romero proud…[Whitehead] succeeds brilliantly with a fresh take on survival, grief, 9/11, AIDS, global warming, nuclear holocaust, Katrina, Abu Ghraib, Pol Pot’s Year Zero, Missouri tornadoes, and the many other disasters both natural and not that keep a stranglehold on our fears.”
-- Publishers Weekly, starred review
"This diabolically smart, covertly sensitive, ruminative, and witty zombie nightmare prods us to think about how we dehumanize others, how society tramples and consumes individuals, how flimsy our notions of law and order are, and how easily deluded and profoundly vulnerable humankind is. A deft, wily, and unnerving blend of pulse-elevating action and sniper-precise satire."
--Booklist, starred review
"[Whitehead] sinks his teeth into a popular format and emerges with a literary feast, producing his most compulsively readable work to date...Whitehead transforms the zombie novel into an allegory of contemporary Manhattan (and, by extension, America)."
--Kirkus, starred review
"[Zone One] achieves a kind of miracle of tone. A fragile hope permeates these pages, one so painful and tender, it's heartbreaking...Colson Whitehead is in fresh, appealing and often very fine voice."
"The stylistic exuberance on display would be overwhelming if it weren't so well controlled, shifting weightlessly from M*A*S*H-style battle narrative to a melancholic Blade Runner-like vision of Urban devastation...The smallest of details is marked by originality of language."
--The New Statesman
"Zone One is not the work of a serious novelist slumming it with some genre-novel cash-in, but rather a lovely piece of writing...Whitehead picks at our nervousness about order's thin grip, suggesting just how flimsy the societal walls are that make possible our hopes and dreams and overly complicated coffee orders. Pretty scary."
“Colson Whitehead is quickly becoming one of the country’s most exciting young writers.”
--Rachel Syme for Monkey See, NPR.org
PRAISE FOR COLSON WHITEHEAD:
“[Whitehead’s] writing does what writing should do; it refreshes our sense of the world.”
– John Updike, The New Yorker
“Colson Whitehead…[is] a large and vibrant talent…This is the voice of a writer who is watching America carefully.”
–The New York Observer
“Whitehead is making a strong case for a new name of his own: that of the best of the new generation of American novelists.”
“No novelist writing today is more engaging and entertaining when it comes to questions of race, class, and commercial culture than Colson Whitehead.”
“Whitehead has a David Foster Wallace-esque knack for punctuating meticulously figurative constructions with deadpan slacker wit….You can’t help but admire Whitehead’s writerly gifts.”
–The Los Angeles Times
“Whitehead can write sentences like nobody’s business.”
“Whitehead’s engaged eyes and precise prose show us the small details we overlook and the large ones we fail to absorb.”
—The Miami Herald
“[Whitehead] writes wonderfully, commanding a lush, poetic, mellifluous prose instrument.”
“Whitehead [is] one of the city’s and country’s finest young writers.”
“Ebullient, supremely confident.”
–San Diego Union Tribune
“A scientist of metropolitan encounters, he surveys places where the masses collide, knitting together hundreds of observations and calculations that usually remain unspoken.”
—The Village Voice
Top customer reviews
Very basic description: the zombie apocalypse has been underway for a few years and reconstruction is happening. We follow one guy who's part of a militia-like group connected to the newly formed government in Buffalo. His job is to clear out and reclaim Manhattan, Zone One.
So, yeah, it's also a New York book. It's so New York.
I think the two "problems" I would offer up are also its strengths.
First, the writing is powerhouse. Almost every sentence is a work of art. This is no exaggeration. Every. Sentence. Why is this a problem? It's a tough, tough read. It takes forever to read a page. This isn't because it's slow; rather, it's slow going. One has to pause and navigate and consider these blow-you-away sentences. Also, I assigned it to my Eng 101 class, thinking, Famous Writer! Zombie Novel! I was in search of, um, description. I hadn't read it. I wanted to do so.
Well, they're dying. The description part paid-off: he's amazing. But it's a hard read. This actually is a bit of a problem. Chock it up to several things: anti-intellectualism in America? Kids don't read? Or all of these things, plus Whitehead needs to bring it down a notch, make it a little more accessible. I think he actually did with THE UNDERGROUND RAILROAD. He is clearly a great writer, and I'd love to know how long it takes for him to write a single sentence.
Second, there is zero cheesiness in this book. It's moody and contemplative and philosophical and smart. Again, why might this be a problem? Its philosophical conclusion is not my own philosophical conclusion. If Colson would like to talk about it, I've got a different--dare I say better--end.
Alas, he's the author, not me. And I loved this book.
It's a time in the distant future and the world has been hit by a pandemic (referred to as the Last Night) which divided its citizens into two classes--the living and the living dead. While an initial military operation killed many of those who turned into zombies following the Last Night, brigades of citizen soldiers, at the behest of the provisional government in Buffalo, have been tasked with clearing out the rest of New York City so it can eventually be resettled. Mark Spitz is one of those citizen soldiers, and over the course of three surreal days, Zone One follows his efforts and those of his fellow recruits as they sweep city buildings and kill any remaining zombies that had been able to hide, or were trapped when the plague hit. The book cuts between the present day and accounts of Mark's attempts to survive in the early days of the pandemic.
I've referred to this as an "intellectual zombie novel," because while there is no shortage of lurid violence as the zombies attack and are captured, the book spends more time exploring themes of survival, courage, mediocrity, and the fight to distinguish yourself in a world characterized by unique people. Whitehead is a tremendously gifted writer and his use of language is mesmerizing at times, but I felt at times that the book moved very slowly, because despite the action, everything unfolds at a fairly meditative pace. This is a book worth reading, but it's important you keep in mind that this is a book much heavier on contemplation than action. But Colson Whitehead has made a worthy, if somewhat unique, contribution to the zombie "genre."