dbx 160A Professional Audio Compressor/Limiter Dynamic Processor
- OverEasy or classic hard knee compression with dbx's ultra-musical program dependent attack and release times
- Compression ratio variable from 1:1 through infinity :1 to negative compression
- Precision dual RMS LED display monitors input or output and gain reduction over a wide range and calibrates for different operating levels
- Over 60dB of gain reduction available
- Exclusive Infinity+ compression allows negative compression
- Inputs: ¼” TRS, floating balanced XLR, and pin 2 hot XLR
- Outputs: ¼” TRS, floating balanced XLR, and pin 2 hot XLR
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Since its introduction in the mid 1970's, the dbx 160 series has been the world's most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios), came the 165, the 160X and the 160XT. The 160X/XT were the models that truly became the industry standard. Solid construction, fool proof operation, great sound, at-a-glance metering and a bulletproof output stage all contributed to its popularity with musicians, recording studios, consultants and installers, and broadcast media production people alike. The dbx 160A is a legendary dbx 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough. Featuring switch-selectable OverEasy and Hard Knee compression curves along with extremely wide-ranging threshold, ratio and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to "brick wall" peak limiting. Choose low ratios and OverEasy compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160A's Hard Knee compression and high ratios (up to and beyond :1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment, switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance.
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with all legacy of dbx 160's there is not doubt that is a good one
great Signal to Noise Ratio, very quiet to record
particular good to process bass lines and drums
trs patch for stero summing and processing
neutrik's xlr connectors
no power button
need attack and realese to take all the potencial of the unit
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