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How to Build a Girl: A Novel Hardcover – September 23, 2014
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Now a major motion picture starring Beanie Feldstein!
The New York Times bestselling author hailed as “the UK’s answer to Tina Fey, Chelsea Handler, and Lena Dunham all rolled into one” (Marie Claire) makes her fiction debut with a hilarious yet deeply moving coming of age novel.
What do you do in your teenage years when you realize what your parents taught you wasn’t enough? You must go out and find books and poetry and pop songs and bad heroes—and build yourself.
It’s 1990. Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde—fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer—like Jo in Little Women, or the Bröntes—but without the dying young bit.
By sixteen, she’s smoking cigarettes, getting drunk and working for a music paper. She’s writing pornographic letters to rock-stars, having all the kinds of sex with all kinds of men, and eviscerating bands in reviews of 600 words or less.
But what happens when Johanna realizes she’s built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks, enough to build a girl after all?
Imagine The Bell Jar written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.
- Print length352 pages
- LanguageEnglish
- PublisherHarper
- Publication dateSeptember 23, 2014
- Dimensions1.3 x 6 x 9.1 inches
- ISBN-100062335979
- ISBN-13978-0062335975
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Editorial Reviews
Review
“Rowdy and fearless ... sloppy, big-hearted and alive in all the right ways…. Ms. Moran is often compared to Tina Fey and Lena Dunham, which is fair so far as it goes, though I’d add Amy Winehouse and the early Roseanne Barr to the mix.” — Dwight Garner, New York Times
“Vivid and full of truths…. There’s a point in midlife, when you’re already built, as it were, when the average coming-of-age story starts to feel completely uninteresting. But Moran is so lively, dazzlingly insightful and fun that “How to Build a Girl” transcends any age restrictions.” — San Francisco Chronicle
“Wonderfully wise and flat-out hilarious.” — People, Book of the Week
“Very funny.... Moran never loses touch with what seemed to me an authentic and believable teenage voice…. The joy of this easy-read novel is not just the scrappy protagonist…. Moran makes strong statements about social inequality and gender throughout.” — Ellah Allfrey, NPR's Fresh Air
“I have so much love for Caitlin Moran.” — Lena Dunham
“The earnestness with which Johanna goes about constructing a new persona gives the novel an almost irresistible verve, and the reader continues to root for her even during the most embarrassing episodes.” — The New Yorker
“A smart, splendid, laugh-out-loud-funny novel.” — Boston Globe
“A feminist coming-of-age tale…. Johanna is an irrepressible narrator, telling a mostly-true and funny tale of survival and success.” — Joanna Scutts, Washington Post Book World
“Brilliantly observed, thrillingly rude and laugh-out-loud funny.” — Helen Fielding, author of Mad About the Boy and Bridget Jones's Diary
“Binge-read all of How To Build a Girl in one sitting. Even missed supper. A first. Rose petals where ‘ere you walk, Caitlin.” — Nigella Lawson
“Rallying cries will always have a place in a yet-unfinished movement like feminism, but sometimes storytelling is more effective. The fictional Johanna Morrigan never drops the F-word, but readers can see she’s asking all the right questions.” — New York Times Book Review
“If anyone knows how to build a girl, it’s Moran-she’s put adolescence on the page in a book that’s humming with authenticity.” — NPR Best Book of the Year selection
“Very funny.” — Megan Gibson, Time
“I crammed every word down like Cinnabon!” — Joss Whedon
“A funny book, heartfelt, silly, profane, insightful…. This is human stuff, a smile or laugh in almost every sentence-―ften a snort, giggle, or guffaw―and you learn a lot about how girls get built.” — Philadelphia Inquirer
“Brash, biting, comic…. Less a novelistic rendering of Moran’s particularly gritty and appealing brand of feminism than an incisive and yet entertaining assessment of class dynamics in post-Thatcher Britain.” — Chloe Schama, New Republic
“A funny, filthy and ultimately touching coming-of-age story…. Raunchy, wry and thoughtful-much like its vivacious heroine.” — Minneapolis Star Tribune
From the Back Cover
What do you do in your teenage years when you realize what your parents taught you wasn't enough? You must go out and find books and poetry and pop songs and bad heroes—and build yourself.
It's 1990. Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there's no point in being Johanna anymore and reinvents herself as Dolly Wilde—fast-talking, hard-drinking gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer—like Jo in Little Women, or the Brontës—but without the dying-young bit.
By sixteen, she's smoking cigarettes, getting drunk, and working for a music paper. She's writing pornographic letters to rock stars, having all the kinds of sex with all the kinds of men, and eviscerating bands in reviews of 600 words or less.
But what happens when Johanna realizes she's built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks enough to build a girl after all?
Imagine The Bell Jar—written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.
About the Author
Caitlin Moran’s debut book, How to Be a Woman, was an instant New York Times bestseller. Her first novel, How to Build a Girl, received widespread acclaim. She lives in London. You can follow Caitlin on Twitter: @caitlinmoran
Product details
- Publisher : Harper; First Edition (September 23, 2014)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0062335979
- ISBN-13 : 978-0062335975
- Item Weight : 1.85 pounds
- Dimensions : 1.3 x 6 x 9.1 inches
- Best Sellers Rank: #384,773 in Books (See Top 100 in Books)
- #2,920 in Humorous Fiction
- #3,448 in Coming of Age Fiction (Books)
- #16,865 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Caitlin Moran had literally no friends in 1990, and so had plenty of time to write her first novel, The Chronicles of Narmo, at the age of fifteen. At sixteen she joined music weekly, Melody Maker, and at eighteen hosted the pop show Naked City. Following this precocious start she then put in eighteen solid years as a columnist on the Times—both as a television critic and also in the most-read part of the paper, the satirical celebrity column “Celebrity Watch”—winning the British Press Awards’ Columnist of The Year award in 2010 and Critic and Interviewer of the Year in 2011. The eldest of eight children, Caitlin read lots of books about feminism—mainly in an attempt to be able to prove to her brother, Eddie, that she was scientifically better than him. Caitlin isn’t really her name. She was christened ‘Catherine.’ But she saw ‘Caitlin’ in a Jilly Cooper novel when she was thirteen and thought it looked exciting. That’s why she pronounces it incorrectly: ‘Catlin.’ It causes trouble for everyone.
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moving on. so, i probably picked it about three weeks later and read the first page. and i stopped. i felt dirty. i felt wrong. i felt like i could not finish this book. there were less than 300 hundred words or so on the page and i could not read a 301st word. i closed the book and decided that, after less than 2 minutes, i was going not going to read the rest of this book.
it haunted me - that first page. it haunted me so much that i actually had other people read that first page and i read that first page to even others. i needed to validate that my initial reaction was correct. that i shouldn't read it. i was validated several times.
but that was the hook, you see. i had to read it. what could be so great about someone who made me feel so dirty after 300 words? exactly. she made me feel. i didn't have to LIKE what i was feeling, but i was feeling. so, today, today i picked it up and DEVOURED it. it was raw and dirty and embarrassing and shame filled and humiliating and guilty. all of these things i remember feeling as a young person. and as me. today. it reminded me that we make mistakes. and that our mistakes do not define us. our mistakes don't take away what we were supposed to be. that they are just mistakes and they can be forgiven and they can be overcome. and you can be redeemed even though you don't need to feel redeemed. because you are worthy. you are good. and you intend to do the right thing. sometimes. . . sometimes needing to belong feels like the right thing, but it isn't always. and, that's ok. it's ok that you become new again and again.
thank you caitlin - i will now commence binge eating the rest of your writing. i may not survive without it.
This book is seriously funny, thanks to Johanna's way with words, and her lack of a filter. If you like raunchy humour, British pop culture references, and vulnerable and flawed adolescent narrators, this is your book! But, it's absolutely not for anyone who is put off by dirty words and over-sharing around sexual experiences. Personally, I appreciated the candour and laugh out loud moments. I was always routing for Johanna, even when she showed terrible judgement. Recommended!
And adult who gives this book to 9-year-old Felicia is a perv and a groomer, and you shouldn't let him or her into your house.
It's mostly women who will read this, and that's fine; I think it has some great, truly great things to offer us. But I wish to hell some men would read it. I would some men had read it when I was younger. I can't remember the last time I read anything that seemed to me so jaw-droppingly truthful about what it's like to be a young woman, or at least a young woman with less luck than others but more brains and moxie.
Gollies but I love this book.
Top reviews from other countries
At the end of this book, I wanted to run out of my flat, find and hug teenage girls - inappropriate at any time, let alone in Camberwell at half eleven at night. Johanna Morrigan is a teenager who wants to be something. Or someone, she hasn't figured out who, but she knows it will involve writing, the one activity other than gloriously masturbating at any opportunity that she, as a properly poor girl, can do.
After assiduously listening to every music tape in her local library, she creates a new identity for herself as the elaborately eyelinered and mean Dolly Wilde, sends in sample reviews to the music magazine D&ME, and ends up as a completely naive stringer, filing reviews and, as she thinks it, supporting her family with work. But as Dolly's mean streak takes over, Johanna finds that her new persona might not be her ideal after all.
There is a no-nonsense disclaimer at the start that while Johanna Morrigan and Caitlin Moran share biographical details in common - Wolverhampton, large family on benefits, disabled father, precocious music journalism career, fatness, fondness for hats and having a lovely time wanking and shagging around - this is total fiction. That in itself feels like a whopper: I've read a number of interviews since in which Moran reveals great chunks of her own life that additionally match with Johanna's (the wearing of top hats, merrily declaring herself to be a "swashfuckler", giant, implausible penises), and while it would be amazing to have more Johanna and less Moran, there is still plenty to make it a hugely entertaining novel rather than a roman à fucklef.
Not least is the fact that Moran is just such a bloody good writer. As someone said recently, she's more than put in her 10,000 hours, and as a result some of the descriptions and lines are so beautiful you could sigh. And when she gets properly lost in her characters and forgets to Moranify them, it's a fantastic book, filled with humour, pathos and delightful characters - her family are wonderfully written, with a running gag that Johanna continually fails to identify her clearly gay brother's sexuality.
This feels like a bridging work between How To Be A Woman, her TV show Raised By Wolves and another, future novel that doesn't have Moran popping up behind the narrator to ask "How am I doing? Are you having fun?" In writing this, I hope she has found the confidence to go further, and leave what have become to feel like her security blankets behind. In the meantime, this book is a rare one that celebrates female coming of age without having sex as the demon in the corner.
How to Build a Girl has an autobiographical feel to it, which works perfectly for the story. Caitlin Moran holds nothing back as the reader joins Johanna coming of age in the 1990s. Her family are a great bunch of characters, helping her out and tripping her up as she tries to find her place in the world. Johanna is strong-willed and insecure at the same time, solving and causing her own problems in equal measure.
Caitlin Moran's style makes the story flow with the wit and sarcasm of a young woman trying to escape the poverty and despair of family life on benefits in the 1990s. Sometimes I felt sympathy for Johanna, sometimes I laughed with her, and other times I cringed. All believable teenage stuff! As her life expands into the wider world, everything gets more outrageous and the sympathy, laughing and cringing multiply.
I do agree somewhat with some other reviewers that the story sagged a bit towards the end, but overall this was a very entertaining read. With all the vulgarity, How to Build a Girl isn't for everyone, but I loved Moran's no-holds-barred style and attitude. A great read, well worth its 4 stars.
So overall, I have very mixed opinions on this book.
Don’t get me wrong it is a good book; however I don’t necessarily think it was the book for me. I had expected some of the ‘mature themes’ that appeared in the book because I had done my research on Moran and this novel but sometimes it felt like there wasn’t a chapter in which a vividly rude and sexual joke couldn’t be found multiple times. This also meant that I felt like I couldn’t relate to her as well, which was emphasised by the references to the time which – although I found really interesting, like looking in a history textbook – I had no idea what the majority were. Again I’m just going to say that this doesn’t make it a bad book – it’s just my own personal opinion and how my brain worked with the story.
The writing style was really good and appropriate to the story and setting – probably due to the fact Moran had grown up in a similar place! Part Three -Rip It Up and Start Again- I really enjoyed. This part was just so good for reasons I don't want to say as I don't want to spoil anything for potential readers. It was moving and inspiring and awesome! In particular Chapter 24 – yes I know that it’s weird to be reviewing a chapter! Chapter 24 felt like a letter from Moran directly to me; a life lesson straight to me.
The character of Dolly was definitely… illuminating. I wish we had spent more time with Johanna as she was very much overshadowed by her counterpart Dolly. The only times I was really fond of Dolly’s character was when she was with John Kite. They really did bring out the best in each other; it was almost like John was the door that Dolly could pass through to return to Johanna and when her character felt totally honest. Another character who I loved was Krissi – Johanna’s brother. He was so lovely and his relationship with his sister was the perfect balance of love and annoyance! I would have loved for him to have played a larger role in the story.
So yeh, I don't know how I feel about this book. I can definitely appreciate that it is a good book, the writing and plot itself was well done. It just was not my kind of thing!









