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The Divine Comedy, Part 2: Purgatory (Penguin Classics) Paperback – August 30, 1955
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Beginning with Dante's liberation from Hell, Purgatory relates his ascent, accompanied by Virgil, of the Mount of Purgatory - a mountain of nine levels, formed from rock forced upwards when God threw Satan into depths of the earth. As he travels through the first seven levels, Dante observes the sinners who are waiting for their release into Paradise, and through these encounters he is himself transformed into a stronger and better man. For it is only when he has learned from each of these levels that he can ascend to the gateway to Heaven: the Garden of Eden. The second part of one of the greatest epic poems, Purgatory is an enthralling Christian allegory of sin, redemption and ultimate enlightenment.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Print length400 pages
- LanguageEnglish
- PublisherPenguin Classics
- Publication dateAugust 30, 1955
- Reading age18 years and up
- Dimensions5.1 x 0.7 x 7.8 inches
- ISBN-100140440461
- ISBN-13978-0140440461
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Editorial Reviews
Review
“Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths.” –Robert Fagles, Princeton University
“A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry.” –Henri Peyre, Yale University
About the Author
Product details
- Publisher : Penguin Classics; Reprint edition (August 30, 1955)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 0140440461
- ISBN-13 : 978-0140440461
- Reading age : 18 years and up
- Item Weight : 9.9 ounces
- Dimensions : 5.1 x 0.7 x 7.8 inches
- Best Sellers Rank: #123,793 in Books (See Top 100 in Books)
- #19 in Italian Poetry (Books)
- #106 in Ancient & Classical Poetry
- #153 in Epic Poetry (Books)
- Customer Reviews:
About the authors
Dante Alighieri was born in 1265 in Florence. His family, of minor nobility, was not wealthy nor especially distinguished; his mother died when he was a child, his father before 1283. At about the age of 20 he married Gemma Donati, by whom he had three children. Little is known of Dante's formal education-it is likely to have included study with the Dominicans, the Augustinians, and the Franciscans in Florence, and at the university in Bologna. In 1295 he entered Florentine politics and in the summer of 1300 he became one of the six governing Priors of Florence. In 1301, the political situation forced Dante and his party into exile. For the rest of his life he wandered through Italy, perhaps studied at Paris, while depending for refuge on the generosity of various nobles. He continued to write and at some point late in life he took asylum in Ravenna where he completed the Divine Commedia and died, much honoured, in 1321.
Anthony Esolen is a professor of English and a writer in residence at Magdalen College of the Liberal Arts in Warner, New Hampshire. He is a senior editor of Touchstone magazine, and a contributing editor of Crisis and Chronicles. A poet in his own right, Professor Esolen is known for his verse translations of epic poetry, including the three volumes of Dante's Divine Comedy (Random House, Modern Library), Tasso's Jerusalem Delivered (Johns Hopkins), and Lucretius' On the Nature of Things (Johns Hopkins). His sacred work, The Hundredfold: Songs for the Lord, is a book length sacred poem centered on the life of Christ. A noted essayist and social commentator, Anthony Esolen has published books on a broad range topics from literature, to theology, to education and culture, ancient to modern.
Books by Anthony Esolen
On the Nature of Things
(Verse translation of Lucretius’ De rerum natura, with scholarly commentary)
Johns Hopkins, 1995
Jerusalem Delivered
(Verse translation of Tasso's Gerusalemme Liberata, with scholarly commentary)
Johns Hopkins, 2000
Ironies of Faith: The Laughter at the Heart of Christian Literature
ISI, 2007
Inferno (verse translation of Dante’s Inferno)
Random House, Modern Library Edition, 2002
Purgatory (verse translation of Dante's Purgatorio)
Random House, Modern Library Edition, 2003
Paradise (verse translation of Dante's Paradiso)
Random House, Modern Library Edition, 2005
The Beauty of the Word: A Running Commentary on the Roman Missal
Magnificat, 2012
Reclaiming Catholic Social Teaching (treatise on the social teaching of Pope Leo XIII)
Sophia Instute Press, 2014
The Politically Incorrect Guide to Western Civilization
Regnery, 2008
Ten Ways to Destroy the Imagination of your Child
ISI, 2010
Roman Missal Companion
Magnificat, 2011
Reflections on the Christian Life
Sophia Institute Press, 2012
Living the Days of Advent and the Christmas Season
Paulist Press, 2013
Defending Marriage: Twelve Arguments for Sanity
St. Benedict Press, 2014
Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child
ISI, 2015
Real Music: A Guide to the Timeless Hymns of the Church
Tan Books, 2016
Angels, Barbarians, & Nincompoops
Tan Books, 2017
Out of the Ashes: Rebuilding American Culture
Regnery, 2017
Nostalgia: Going Home in a Homeless World
Regnery, 2018
No Apologies: How Civilization Depends on the Strength of Men
Regnery, 2022
Defending Boyhood
Tan Books, 2018
How the Church Has Changed the World,
Magnificat, Volume One, 2019; Volume Two, 2020; Volume Three 2022
In the Beginnng Was the Word
Angelico Press, 2021
The Hundredfold: Songs for the Lord
Ignatius, 2018
Peppers
New Poets Series, 1991
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And it is Canticle II, the poet's ascent through Purgatory, which stirs so deeply the soul and inspires the very penitence and hope of purgation which Dante describes there. One need not be a Roman Catholic or ascribe to Purgatory as doctrine in order to recognize and appreciate what Dante has done in describing the landscape of repentance and hope. (Being a Christian may help, but even on this point one suspects that the divine poet may well perform the function of evangelist, as well as exegete, and lead the searching soul to beatific vision of its own.) Clearly his purpose is not merely to describe what sinners of the past are doing in the afterlife to purify their souls for Paradise, but also to inspire his contemporary readers (who are, of course, yet living when the poem is published in 1321) to examine themselves just as the joyful penitents do on the cornices of Mount Purgatory. It is refreshing--a sort of glorious wound, the healing of which leaves one stronger and more whole than he had been before the hurt.
But what of the translation? We who do not (yet) enjoy the privilege of reading the Commedia in Italian must read the poem in translation--and there are plenty to choose from! Given its primacy among the works of Western Literature in the Middle Ages, the poem has been translated by everyone from Dryden and Pope to Allen Mandelbaum and John Ciardi. So first of all, without question one MUST insist on a verse translation! Prose translations can hardly suffice to communicate the rhythm and terseness of Dante's terza rima which is so integral to the poem. Nor can the majesty of the subject, the grandeur of the poet's climb toward Paradise with all its anticipation and awe be fully communicated in a prose rendering. How well various attempts at verse have succeeded in doing so is the big debate.
In this reviewer's humble opinion, Dorothy L Sayers has succeeded to a degree which surpasses any extant English translation. Are there occasional awkwardnesses? Yes. Is the literal meaning of some lines lost from time to time? Yes, but always for the sake of a gain in some other important respect and always with explanation. Sayers' is the only translation of note which manages to render in English the full terza rima rhyme scheme employed by Dante--and even that feat is worth a few awkward passages or archaisms, it seems to me. One feels much closer to the Divine Poet reading Sayers' translation aloud than, say, Ciardi's half-attempted rhymes, lucid as he can often be.
Whatever else you do, read the Commedia--all of it! It is rather unfortunate that it has become common practice to publish the poem in three volumes rather than presenting it as an integrated whole. Though the familiarity of many ends with Inferno, those who press on I suspect will love Purgatorio best (but fortunately one is not forced to choose), and I am confident readers will be well rewarded for reading Sayers' brilliant translation. One would be hard pressed to find a translator who was more passionate about her subject and who labored more lovingly and meticulously over her rendering of this beloved work than Dorothy L Sayers.
Fortunately, I consulted a friend who is a Classicist. I told him I wanted to read Dante for spiritual value, not just as great literature (I'm no poetry expert, nor do I speak a word of Italian). He recommended Dorothy Sayer's translation.
Wow. Reading Dante during Lent is one long, detailed examination of conscience! It is great, and Sayers' explanations and commentaries are terrific: erudite, informative, drily witty, and full of spiritual insight.
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Great price!
Book arrived in great condition and seemed tobe compltely untouched.
Stood against leading book stores, the price of this book beats any other ive seen. Bargain!
Recommended!

I am now looking forward to Paradiso,the next task,although this book has taken more than one month already.

this guy pretty muched shaped the Italian language as we know it today.
cannot wait to sink my teeth into.