
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.

All Art Is Propaganda: Critical Essays Hardcover – October 13, 2008
Price | New from | Used from |
Library Binding
"Please retry" | $28.10 | $53.01 |
Hardcover, October 13, 2008 | $8.72 | — | $7.96 |
- Print length416 pages
- LanguageEnglish
- PublisherHoughton Mifflin Harcourt
- Publication dateOctober 13, 2008
- Dimensions5.75 x 1.5 x 8.5 inches
- ISBN-100151013551
- ISBN-13978-0151013555
"Bright Winter Night" by Alli Brydon
On one bright winter night, a group of woodland creatures emerges from the forest... | Learn more
Customers who viewed this item also viewed
- Dickens seems to have succeeded in attacking everybody and antagonizing nobody.Highlighted by 174 Kindle readers
- Political language—and with variations this is true of all political parties, from Conservatives to Anarchists—is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.Highlighted by 173 Kindle readers
- The great enemy of clear language is insincerity. When there is a gap between one’s real and one’s declared aims, one turns as it were instinctively to long words and exhausted idioms, like a cuttlefish squirting out ink.Highlighted by 152 Kindle readers
Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
GEORGE ORWELL (1903–1950) served with the Imperial Police in Burma, fought with the Republicans during the Spanish Civil War, and was a member of the Home Guard and a writer for the BBC during World War II. He is the author of many works of nonfiction and fiction.
GEORGE PACKER is a staff writer for the New Yorker and author of The Assassin's Gate: America in Iraq and other works. He lives in Brooklyn.
Keith Gessen was born in Russia and educated at Harvard. He is a founding editor of n+1 and has written about literature and culture for Dissent, the Nation, the New Yorker, and the New York Review of Books. He is the author of the novel All the Sad Young Literary Men.Excerpt. © Reprinted by permission. All rights reserved.
Product details
- Publisher : Houghton Mifflin Harcourt; 1st edition (October 13, 2008)
- Language : English
- Hardcover : 416 pages
- ISBN-10 : 0151013551
- ISBN-13 : 978-0151013555
- Item Weight : 1.18 pounds
- Dimensions : 5.75 x 1.5 x 8.5 inches
- Best Sellers Rank: #3,437,230 in Books (See Top 100 in Books)
- #7,264 in European Literature (Books)
- #12,484 in Essays (Books)
- Customer Reviews:
About the author

George Orwell is one of England's most famous writers and social commentators. Among his works are the classic political satire Animal Farm and the dystopian nightmare vision Nineteen Eighty-Four. Orwell was also a prolific essayist, and it is for these works that he was perhaps best known during his lifetime. They include Why I Write and Politics and the English Language. His writing is at once insightful, poignant and entertaining, and continues to be read widely all over the world.
Eric Arthur Blair (George Orwell) was born in 1903 in India, where his father worked for the Civil Service. The family moved to England in 1907 and in 1917 Orwell entered Eton, where he contributed regularly to the various college magazines. From 1922 to 1927 he served with the Indian Imperial Police in Burma, an experience that inspired his first novel, Burmese Days (1934). Several years of poverty followed. He lived in Paris for two years before returning to England, where he worked successively as a private tutor, schoolteacher and bookshop assistant, and contributed reviews and articles to a number of periodicals. Down and Out in Paris and London was published in 1933. In 1936 he was commissioned by Victor Gollancz to visit areas of mass unemployment in Lancashire and Yorkshire, and The Road to Wigan Pier (1937) is a powerful description of the poverty he saw there.
At the end of 1936 Orwell went to Spain to fight for the Republicans and was wounded. Homage to Catalonia is his account of the civil war. He was admitted to a sanatorium in 1938 and from then on was never fully fit. He spent six months in Morocco and there wrote Coming Up for Air. During the Second World War he served in the Home Guard and worked for the BBC Eastern Service from 1941 to 1943. As literary editor of the Tribune he contributed a regular page of political and literary commentary, and he also wrote for the Observer and later for the Manchester Evening News. His unique political allegory, Animal Farm was published in 1945, and it was this novel, together with Nineteen Eighty-Four (1949), which brought him world-wide fame.
It was around this time that Orwell's unique political allegory Animal Farm (1945) was published. The novel is recognised as a classic of modern political satire and is simultaneously an engaging story and convincing allegory. It was this novel, together with Nineteen Eighty-Four (1949), which finally brought him world-wide fame. Nineteen Eighty-Four's ominous depiction of a repressive, totalitarian regime shocked contemporary readers, but ensures that the book remains perhaps the preeminent dystopian novel of modern literature.
Orwell's fiercely moral writing has consistently struck a chord with each passing generation. The intense honesty and insight of his essays and non-fiction made Orwell one of the foremost social commentators of his age. Added to this, his ability to construct elaborately imaginative fictional worlds, which he imbued with this acute sense of morality, has undoubtedly assured his contemporary and future relevance.
George Orwell died in London in January 1950.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon
Reviewed in the United States on July 20, 2018
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Orwell’s essay on Charles Dickens introduces this theme: “But every writer, especially every novelist, has a ‘message,’ whether he admits it or not, and the minutest details of his work are influenced by it. All art is propaganda.” (p. 47) That the Dickens message is not always clear is illustrated by the fact that people of many conflicting political leanings have, as Orwell puts it, “stolen” Dickens. Both Marxists and Catholics have latched onto him as a spokesman. This essay seeks to understand the real Dickens.
Some other literary heavyweights get a thorough Orwell examination in ths volume: Henry Miller, Shakespeare, Kipling, T.S. Eliot, and Leo Tolstoy. Tolstoy is known to have rejected Shakespeare as not even “an average author.” Orwell finds the root of Tolstoy’s displeasure with the Bard to be “the quarrel between the religious and the humanist attitudes toward life.” (p. 326) He sees in Tolstoy a writer whose religious orthodoxy makes it impossible to appreciate the sensuality and joy in living that we find in Shakespeare.
But Orwell’s critical eye is not only focused on the literary greats. “Boys’ Weeklies” takes a look at the amazing popularity of twopenny weeklies aimed a boys (sometimes called “penny dreadfuls”). These too, he finds, have a propagandistic motive. It is a motive more sinister than one might have suspected until you look into who owned and published these weeklies.
In “Raffles and Miss Blandish,” Orwell examines another popular genre: crime fiction. He decries their “vulgarisation of ideas,” “fearful intellectual sadism,” and “power-worship,” and he wonders what these trends say about British society.
Orwell does not limit himself to the art of writing. In “The Art of Donald McGill,” he examines the post card drawings of this popular artist. He looks at the obscenity of the post cards and wonders what it says about marriage and the stability of society. “Benefit of Clergy” is an analysis of the work of Salvador Dali. He sees in Dali’s work “a direct, unmistakable assault on sanity and decency,” and concludes that “a society in which they [artists like Dali] can flourish has something wrong with it” (p. 215).
Walt Whitman, Charlie Chaplin, Uncle Tom’s Cabin, Gulliver’s Travels, the Catholic Church, Soviet Russia, Gandhi, H. G. Wells, Hitler, Voltaire, Graham Greene, India and British colonialism, fascism, communism, and democracy, and, of course, boys’ magazines and detective stories. Orwell’s range of topics is seemingly endless. He was a man who hated orthodoxy and cant, who thought deeply about the act of writing and how the written word affected people, and who then wrote about all these things clearly, simply, and powerfully.
I bought both books of this set somewhat blindly since I had higher hopes for two themed and edited books. I was wrong. As with almost every "selected xx" situation, mediocre essays were included and so many more worthy pieces were not. I'd put the books down remembering another title and scour the internet trying to figure out how to read "the one I'm missing right now..." In a two-book series, one with so much promise, I found myself driven to distraction by what was missing, especially from the earlier work, and wondering why on earth others were given what was apparently prime real estate. The combination pushed things beyond the pale.
All of that could have been solved had Amazon, another bookstore, the publisher or editor bothered to list the table of contents somewhere. Perhaps they sell more with hopeful blind purchasers like me - someone who already owned 90% of what came between these four covers, albeit in various folders, books, booklets and every other conceivable way. Given the COMPLETE essays only have two more books, and they also include his letters and "journalism," the paucity here is unforgivable at times - particularly in this critical volume.
I may come back to this set in future and list the contents so others don't go through the same drama of scrolling all over the web whilst holding a list in one hand and 2 open books on the floor. At the end of the day, this set is lovely to look at, but they are not the best Orwell collection, and we really are still without a currently published and easily read full set. For some it might be worth it to bite the bullet and spend a great deal on now out of print “The Collected Essays, Journalism and Letters of George Orwell” - the four book series mentioned above - or have less ease in reading but spend far less money and get the complete hardback. That's a personal taste and financial choice. Someone with the means to put together a nice multi-volume paperback complete set could be a blessing to the literary world.
Without trying Orwell fans will end up with countless copies of about 25 essays, some of which are also found in his longer works, some which are just not as compelling when compared with wonderful but lesser-known unincluded pieces that would flesh out collections, particularly a two-volume themed series. I found myself wondering why one thing was included over another to the point of distraction.
Top reviews from other countries


Um ponto bem interessante é perceber a evolução política do escritor, saindo de um defensor ferrenho do comunismo, para um dos maiores críticos do regime soviético, o que me levou a entender o de onde surgiu outras obras como 1984 e Animal Farm.
