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The Divine Comedy (Oxford World's Classics) Illustrated Edition
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About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
- ISBN-100199535647
- ISBN-13978-0199535644
- EditionIllustrated
- PublisherOxford University Press
- Publication dateMay 15, 2008
- LanguageEnglish
- Dimensions8.1 x 1.7 x 5.2 inches
- Print length752 pages
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Editorial Reviews
Review
`What is amazing about Dante's language is the fluency, the plainness, the simplicity - the sheer approachability - of his words. The sheer formal mastery of the man is quite amazing.' Michael Glover, New Statesman & Society
About the Author
Charles H. Sisson is a well-known poet and translator, and editor of Poetry Nation Review. David Higgins is Head of Italian Studies at the University of Bristol, and is the author of Dante and the Bible (1992).
Product details
- Publisher : Oxford University Press; Illustrated edition (May 15, 2008)
- Language : English
- Paperback : 752 pages
- ISBN-10 : 0199535647
- ISBN-13 : 978-0199535644
- Reading age : 13 years and up
- Item Weight : 1.31 pounds
- Dimensions : 8.1 x 1.7 x 5.2 inches
- Best Sellers Rank: #445,244 in Books (See Top 100 in Books)
- #60 in Italian Poetry (Books)
- #11,913 in Classic Literature & Fiction
- #23,952 in Literary Fiction (Books)
- Customer Reviews:
About the author

Dante Alighieri was born in 1265 in Florence. His family, of minor nobility, was not wealthy nor especially distinguished; his mother died when he was a child, his father before 1283. At about the age of 20 he married Gemma Donati, by whom he had three children. Little is known of Dante's formal education-it is likely to have included study with the Dominicans, the Augustinians, and the Franciscans in Florence, and at the university in Bologna. In 1295 he entered Florentine politics and in the summer of 1300 he became one of the six governing Priors of Florence. In 1301, the political situation forced Dante and his party into exile. For the rest of his life he wandered through Italy, perhaps studied at Paris, while depending for refuge on the generosity of various nobles. He continued to write and at some point late in life he took asylum in Ravenna where he completed the Divine Commedia and died, much honoured, in 1321.
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Reviewed in the United States on September 6, 2019
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With the advent of word processors, end notes are an unnecessary nuisance. Footnotes would be preferable, especially in a work like "The Divine Comedy" where the notes are so important. On a recent trip to Florence, I found (in the Museum of the Opera of the Duomo bookstore, the best bookstore in Florence) a copy of "The Divine Comedy" in Italian that used footnotes. Unfortunately there appears to be none in English.
By the way, on that same trip, we visited Ravenna (the site of Dante's tomb) to see the beautiful mosaics. Highly recommended.

Reviewed in the United States 🇺🇸 on September 6, 2019

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With both the illustrations and the poem itself there is something very mystical, ethereal, surreal, dreamlike and yet realistic about the way it reads (which is a great credit to C. H. Sisson's translation & David Higgins notes, diagrams and maps in this edition). It's as if you as the reader has discovered or been given Dante's personal diary after his passing, which has been left, written from the spiritual world for you to find and be read as a guide and preparation for the afterlife in itself. The first line speaks to you immediately, with no introduction of who, where, how or why; just Dante's personal expression of waking up and finding himself lost in an unknown world, yet accepting of his own death.
I have currently only finished reading Dante's Inferno, which was at times an intense read in itself and a lot to take in and understand at times when concerning the political subtext especially, but in this edition there is plenty of historical context, appendix and notes that help you to understand and appreciate the text more so. I also found it effective to read the poem alongside Gustave Dore's superlative illustrations for the poem, which seem to capture the atmosphere perfectly from the prose.
I would highly recommend this Oxford World Classics edition to any newcomer; as Sisson's translation and Higgins notes help you to greatly understand and appreciate this epic poem for what it is; a metaphysical study, political / social commentary of it's time and literary, artistic masterpiece.




While the Vita Nuova is a sequence of sonnets forming a story of private mystical love, the Divine Comedy is a sequence of massive sonnets manifesting the story of God's love for society and the earth.
Dante belonged to Italy, what he saw as the centre of the world. In the dream of making it perfect, he joined the struggles of the political factions to realise the best human polity. He was exiled. A brave and homeless man thereafter, he took revenge on his enemies in his poem. Note that he reserves his most fierce scorn for the money lenders and those who took possession of the Empire and Church for private gain.
Today, such a thing could also be written - perhaps by a dissident, as he was.
TS Eliot could not determine whether Dante actually saw what he says that he did. Did Dante really see Hell underground, then Purgatory, and finally Paradise? Are you willing to deny that the spiritual world is real? A lot of people today deny that other worlds, fully formed, after death, exist.
But I can imagine a 'dissident', exiled, outcast, who is exiled because he could see the other world with his own eyes, and because he held in the highest contempt those who use the creations of God (i.e., people) for their own private ends, and have perverted the Church and the Empire for their private ends.
Dante will always be the poet of resistance and truth - his work was neglected or denied veracity even by the Catholic Church until recently. He is not the poet of Catholicism, but freedom and the power of the unchained mind, fortitude in the face of mute power and enslavement by the establishment.