It has long been my fear as a Catholic teacher that history is our forgotten friend in the development of Faith. Not to belittle official catechisms and formularies, by any stretch of the imagination, but compelling and accurate creative writing throughout the Judeo-Christian Era—beginning with the Scriptures themselves—take believers and non-believers alike through the existential collision of belief and doubt. In James Carroll’s 2017 narrative of medieval dilemma carried forward to post World War II exhaustion and despair, the anguish and the militancy of troubled souls is exposed with the potential to compel any thoughtful reader to examine, perhaps for the first time, the bones of personal meaning and purpose, without which any religious expression loses its power to save.
The hero and heroine of this narrative are Peter Abelard [1079-1142 C.E.] and Heloise [1090-1164 C.E.], possibly the most intriguing couple of medieval times whose letters of love and philosophical pursuit have remarkably survived and remain in healthy circulation today. The circumstances of their personal relationship are problematic enough: Peter Abelard was a widely known Catholic scholar and teacher in Western Europe who lectured to college classes of over a thousand. His writings and his approach to “doing theology” [i.e., processing the nature of coming to truth] was revolutionary and quite unsettling to his academic peers, churchmen, and local officials. He is described today as a proud and ambitious figure with enemies in high places, perhaps best personified in the Church scholar St. Bernard of Clairvaux.
A very public figure coming into his most productive years, Abelard was introduced to the striking young Heloise, a scholar in her own right, about a decade Abelard’s junior but very much his equal in ego strength and erudition. Abelard took up residence in Heloise’s home, where she lived as a ward of a churchman named Fulbert, apparently her uncle. On paper, this was a tutorial arrangement, but in truth Carroll depicts the student as challenging her master to the logical conclusions of his writings on such matters as universal salvation and the nature of love.
Both parties found that their unity of spirit fed the desire for full consummation, and the wedding night, so to speak, is described in the atmosphere of a religious rubric. There is still scholarly debate over the participants’ understanding of their intimacy as a state of marriage. Carroll’s narrative strongly suggests that Heloise, at least, believed herself truly married and would eventually become pregnant with Abelard’s child. While a cleric’s marriage was not unheard of, Abelard’s high visibility would have made a formal marriage for him a career-ending decision, to say the very least. Placing the child with Abelard’s family, the couple faced the consequences of their union; Heloise was shunted to a convent, and Abelard was set upon and castrated, and later retired to monastic life.
Abelard’s castration was a symbolic blow to his radical theology as well, not least to his defense of Jews, and Carroll transports us from one scholarly pairing to another, eight centuries later in France. Having devoted a lifetime of work to Abelard’s lesser known texts on the possibility of amity between Christians and Jews, the elderly Jewish scholar Saul Vedette had lost his opportunity to escape the encroaching Nazi menace. He had remained behind at the insistence of his 20-year-old daughter Rachel who convinced him to finish his Abelard writings in France where his sources lie.
Rachel Vedette is this work’s most enigmatic figure. Her life’s work at this juncture was undertaking critical research for her father’s opus and nursing him daily through debilitating disease. The decision to remain in France was hers, and the reader will need to sort out the motivations behind her course of action. Given the parallel universe of Abelard and Eloise, was Rachel assuming the Heloise mission of bringing her partner’s mission to completion by the very gift of herself? Or, as was true with Heloise, did Rachel see in her work one of those rare opportunities for a woman to breath the rarified air of personal and professional fulfillment in a society where men held sway?
The reader must enter this dilemma and behold the gruesome consequences that follow Rachel and her father to the camps and the unthinkable things she and he must do to preserve any hope of life for herself. Having been broken in body and spirit under the Nazis and later the French resistance, she makes her way to New York where she finds work as a tour guide at the Cloisters Museum in upper Manhattan. Here she meets the one character in this tale who is not yet living under the shadow of Abelard, Father Michael Kavanaugh, a 38-year old parish priest assisting at a Broadway parish with five curates.
Carroll knows priests, as well as the ennui of church life prior to the Council Vatican II in 1962. Kavanaugh was innocent of Abelard because, truth be told, American Catholic academic life in the 1950’s had bottomed out. But the priest was not without his personal shadows, particularly several unfortunate dealings with Cardinal Spellman’s apparatchiks. His tank running near empty, Kavanaugh finds himself visiting the Cloisters more frequently and ever so gradually entering the pained histories of Rachel and Saul, and eventually Abelard and Heloise, over Rachel’s lunch breaks.
Having counseled abuse victims through my professional life, I am aware of the enormous burden of patient listening required of the hearer as trust is established in very uneven steps, and at times the process grinds to a halt altogether. Kavanaugh exercises this ministry exquisitely well with Rachel, though he never seems to think of the process as “ministry.” The irony—or perhaps the outcome to be expected—is that Kavanaugh’s entry into Rachel’s life makes him a better priest and awakens his long somnolent intellectual curiosity through—what else? –a reading of Abelard. Carroll does not connect future dots for Kavanaugh and Vedette, but leaves a hint of optimism, whatever the choice.
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The Cloister: A Novel Hardcover – Deckle Edge, March 6, 2018
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James Carroll
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James Carroll
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Print length384 pages
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LanguageEnglish
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PublisherNan A. Talese
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Publication dateMarch 6, 2018
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Dimensions6.7 x 1.3 x 9.6 inches
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ISBN-100385541279
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ISBN-13978-0385541275
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Editorial Reviews
Review
"In The Cloister, Carroll has produced a sweeping, beautifully crafted book--perhaps his best yet."
--Wall Street Journal
“The Cloister poetically pingpongs between Abélard’s abbey in Saint-Denis in the 1100s, elsewhere in France during and after World War II, and Upper Manhattan in the early 1950s . . . Carroll weaves a patchwork of disparate threads, threads unraveled from clerical vestments, that, when quilted together, spell out the single word that the book embodies . . . Incandescent.”
--New York Times
"A literary detective game . . . In pushing his readers--in both his fiction and nonfiction--to ponder tough religious topics . . . Carroll is continuing the important discussions made famous by Peter Abelard."
--New York Journal of Books
"With his familiar deftness and depth, James Carroll weaves a profound and compelling novel from diverse but overlapping narrative strands. From the conversations between a Catholic priest and a French Jewish woman in mid-twentieth century New York to the brutality of Nazi-occupied Paris to the great medieval love story of Abelard and Heloïse, The Cloister illuminates life's most vital questions and proposes inspiring, radical, and timely answers."
--Claire Messud, New York Times bestselling author of The Burning Girl and The Emperor’s Children
"James Carroll has written an enlightening, vitally important book, a necessity for our time."
-- Maxine Hong Kingston, author of I Love a Broad Margin to My Life
“James Carroll’s latest novel vibrates with deep compassion and religious intensity.”
--Christian Science Monitor
"I didn’t know I needed this novel until I read it. As unflinching about the Holocaust as it is about the Crusades, The Cloister is a fearless exploration of the violent foundations on which our own historical inheritance rests. And like all the best fiction, it commandeers the reader’s heart."
--Rachel Kadish, author of The Weight of Ink
"Carroll is a gifted writer of historical fiction . . . The medieval lovers foreshadow how the modern friends also seek freedom from their institutions."
--National Review
"A sweeping, heartbreaking blend of history and fiction. . . [its] entwined stories move at an engrossing rhythm, making this a very magnetic, satisfying novel."
--Publishers Weekly
"Fascinating in its evocation of the twelfth-century Catholic Church in France, this lavishly detailed historical novel serves as an education in historical philosophy, a poignant tale of devoted love, and a portrait of a postwar human crisis influenced heavily by both . . . This is definitely a thought-provoking book."
--Booklist
"Carroll blends his well-aired interests in history, theology, and literary fiction in this deftly told story that partakes richly of all . . . A rich, literate tale well told."
--Kirkus Reviews
"A novel that shifts seamlessly between epic love story, the anatomy of a crisis of faith, family tragedy and trauma survival saga . . . Both moving and enlightening, The Cloister will engross readers."
--Shelf Awareness
"This is a wonderful novel, and it's wonder-filled. James Carroll brings the twelfth-century lovers, Abelard and Heloïse, blazingly back to life, and he does so through the medium of a New York priest and a Parisian Jew. The present and the past illuminate each other, and the startling mysteries of prejudice, brutality, and love are made doubly vivid here. Like All the Light You Cannot See, The Cloister is a book of gravity and consequence that makes you need to turn and turn the page."
--Nicholas Delbanco, author of Curiouser and Curiouser: Essays
--Wall Street Journal
“The Cloister poetically pingpongs between Abélard’s abbey in Saint-Denis in the 1100s, elsewhere in France during and after World War II, and Upper Manhattan in the early 1950s . . . Carroll weaves a patchwork of disparate threads, threads unraveled from clerical vestments, that, when quilted together, spell out the single word that the book embodies . . . Incandescent.”
--New York Times
"A literary detective game . . . In pushing his readers--in both his fiction and nonfiction--to ponder tough religious topics . . . Carroll is continuing the important discussions made famous by Peter Abelard."
--New York Journal of Books
"With his familiar deftness and depth, James Carroll weaves a profound and compelling novel from diverse but overlapping narrative strands. From the conversations between a Catholic priest and a French Jewish woman in mid-twentieth century New York to the brutality of Nazi-occupied Paris to the great medieval love story of Abelard and Heloïse, The Cloister illuminates life's most vital questions and proposes inspiring, radical, and timely answers."
--Claire Messud, New York Times bestselling author of The Burning Girl and The Emperor’s Children
"James Carroll has written an enlightening, vitally important book, a necessity for our time."
-- Maxine Hong Kingston, author of I Love a Broad Margin to My Life
“James Carroll’s latest novel vibrates with deep compassion and religious intensity.”
--Christian Science Monitor
"I didn’t know I needed this novel until I read it. As unflinching about the Holocaust as it is about the Crusades, The Cloister is a fearless exploration of the violent foundations on which our own historical inheritance rests. And like all the best fiction, it commandeers the reader’s heart."
--Rachel Kadish, author of The Weight of Ink
"Carroll is a gifted writer of historical fiction . . . The medieval lovers foreshadow how the modern friends also seek freedom from their institutions."
--National Review
"A sweeping, heartbreaking blend of history and fiction. . . [its] entwined stories move at an engrossing rhythm, making this a very magnetic, satisfying novel."
--Publishers Weekly
"Fascinating in its evocation of the twelfth-century Catholic Church in France, this lavishly detailed historical novel serves as an education in historical philosophy, a poignant tale of devoted love, and a portrait of a postwar human crisis influenced heavily by both . . . This is definitely a thought-provoking book."
--Booklist
"Carroll blends his well-aired interests in history, theology, and literary fiction in this deftly told story that partakes richly of all . . . A rich, literate tale well told."
--Kirkus Reviews
"A novel that shifts seamlessly between epic love story, the anatomy of a crisis of faith, family tragedy and trauma survival saga . . . Both moving and enlightening, The Cloister will engross readers."
--Shelf Awareness
"This is a wonderful novel, and it's wonder-filled. James Carroll brings the twelfth-century lovers, Abelard and Heloïse, blazingly back to life, and he does so through the medium of a New York priest and a Parisian Jew. The present and the past illuminate each other, and the startling mysteries of prejudice, brutality, and love are made doubly vivid here. Like All the Light You Cannot See, The Cloister is a book of gravity and consequence that makes you need to turn and turn the page."
--Nicholas Delbanco, author of Curiouser and Curiouser: Essays
About the Author
James Carroll is a distinguished scholar in residence at Suffolk University and a columnist for The Boston Globe. He is the author of ten novels and seven works of fiction. He lives in Boston.
Excerpt. © Reprinted by permission. All rights reserved.
PROLOGUE
In the Duchy of Bourgogne in the year 1142, the largest church in Christendom stood on a hill above the tidy village of Cluny. That church, with its towering belfry, Corinthian columns, and massive rectangular pilasters, defined the pulse of the Benedictine Abbey of Cluny, a large walled complex itself the center of a vast monastic empire, counting ten thousand monks and nuns in foundations spread across the continent, from the Mediterranean to the British Isles. The sharply pointed Cluny belfry was visible for miles around, and had served, across the last phase of a long journey, as the locating focal point for the small band of horsemen that approached now, making its way up the final slope toward the monastery gate.
The palfrey on which a heavily cloaked rider sat, as it slowly ascended the hill, was a lighter-weight horse, and its unsteady gait suggested what a distance it had come. Trailing behind were four other ridden horses, and a hitched pair pulling a covered cart. The wind was howling from the valley spread below, and the sun was low at the distant ridge. The stout wooden gate banged open. The porter rushed out, going to the first horse, to take its headstall and stirrup. In a bustle of activity, others of the minor orders followed from within the monastic enclosure—the almoner, oblates, and lay brothers. A knot of black robes, they surrounded the riders and the cart. With the porter’s help, the first rider dismounted, throwing aside the covering woolen mantle, and being seen only then for the religious woman she was. The porter bowed, showing his tonsure, muttering, “My lady.”
Two others in the party were religious sisters, clothed, like the first, in a long gray belted tunic, scapular, white coif, and veil. Except that the fabric was the gray of rough, undyed wool, the garb was the habit of the Benedictine Order. They were nuns.
The party’s six accompanying men were the horse master, the marshal, two armed henchmen, and two stewards. As the first nun, walking erect and at an authoritative clip, led the way through the gate, the receiving monks bowed, even while stealing glances at her sharply concentrated face. With whispers, they had spoken of this arrival, although this woman of slight stature and medium height did not match the measure of the songs sung in her name. She was the Abbess Héloïse, Mother Superior of the Abbey of the Paraclete, a ranking convent several days’ journey by river and rough trail to the north. In those whispers, they had spoken of what she would be coming for. There would be further songs.
The porter had been instructed to show her at once into the main Cloister garden, to which women were ordinarily forbidden entrance, but the instruction had come from the Abbot Primate himself. At this time of year, the garden was still bare of fruit and berries, but twigs shone with the fresh scales of buds and shoots. The waters of the central fountain, drawing on the stream that ran below the monastic kitchens and toilet block, had quickened in recent weeks, but would not splash again until the coming spring rains replenished the flow. The normally bright marble of the arches and pillars of the surrounding arcade was dusky gray now, for the shadows of evening had settled on the place, like loneliness. The Vespers bell would be ringing soon.
The porter gestured at a garden bench, but did not wait to see if Mother Héloïse would sit. She watched him hurry away, as relieved to be alone as, after the day’s ride, she was to be standing.
It was not long before the Abbot Primate entered, coming from the chapel. Because his cowl was up, his face was shadowed. Across his chest was the leather strap of a pilgrim’s satchel, hanging at his side. The unfettered stride with which he crossed to her suggested the depth of feeling she knew was there. His arms were stretched toward her, but as he drew close, she genuflected, a proper obeisance. With her head bowed, she reached for his hand, pulled it to her mouth, and kissed his ring. Grasping her upper arms, he lifted her. He lowered his cowl, unveiling sadness.
“Where is he, Most Holy Father?” she asked.
The Abbot Primate turned slightly, gesture enough to indicate the Chapter House, the darkened room, close at hand, separated from the garden by a large arcaded gate of three stout arches, each one upheld by a clutch of fluted pillars. Mother Héloïse peered into the room. Under the interlacing of groined ceiling vaults, the open space was large enough to accommodate the professed members of the monastic family, with each monk sitting at the wall, on the stone bench that defined three sides of the rectangle. Now the room was vacant, but as her eyes adjusted, she made out the dark form of the catafalque standing in the center. She should have sought the Abbot Primate’s leave to move away from him, but did not. Instead, she simply walked out of the garden, crossing through the arcade, to enter the Chapter House, going directly to the one for whom she’d come.
Leaves of lavender and woodruff, and dried rose petals, were scattered on the floor; pots of rose water stood at the four corners of the bier; but still the fetid odor of his decomposition came to her. He was clothed in his black habit, and his hands were hidden under the folds of his scapular. But the sight of his sharp-featured face, with its distinctive brow and aquiline nose, made her stop. Oh, Peter.
Lifeless, yes. But also old. He had come into his seventh decade, yet she still thought of him as they had been before. The lids of his eyes were down, but his lips were slightly parted, the lips from which the most precious words had pierced her, the lips with which her own had been so sweetly caressed. His lips. She bent to them, touched them lightly with her cheek, then put her mouth on his. Oh, my Peter.
The Abbot Primate took up a place behind her. To her back, he said quietly, “When I sent for you, I assumed he would still be alive at your arrival. I am sorry.” He waited.
When, finally, she turned to him, she said, “They condemned him because of me.” Her voice was shot through with feeling, a mix of grief and anger. “Because I refused to renounce my love; because he remained mine through all calamity. I will publish his virtues across all the world, to punish the age that has not valued him.”
“It is true, Mother. They hated him for what he had in you. But he opposed them in their vain repudiations of God’s mercy. By the end, he was the exemplar of mercy. That is what he had from you. Mercy. Against all charges leveled at you, the measure of your love was mercy, not licentiousness.”
“He disowned our promiscuity. I did not.”
“He did what was necessary to keep his authority—as you yourself wanted. You flogged him with your writing, to re-enter the fray. And he did.”
“But look!” Her hand swept across the corpse. “What authority has he now? They betrayed him, all of them.”
“Not all.”
“You, my lord, were his only friend.”
“No, dear Mother. Many, many loved him.”
“Where were they, then? When the Damnamus was pronounced, and pronounced again, where was a hint of objecting murmur?”
“You were not there, Mother.”
“But I was.”
The Abbot looked at her aslant, as if to diagnose derangement. “Impossible. A Canonical Council? No women were present.”
“Enthroned beside King Louis? Does your monkish vow prevent even the perceiving of the female form?”
“The Queen? Yes, the Queen was there. Pro forma. But otherwise—”
“And the Queen’s party, the Ladies-in-Waiting, in the loggia, nearly out of sight.”
“Ladies-in-Waiting?”
With a half-curtsy, the nun mocked herself.
“You? A consecrated woman among the courtiers?” The Abbot checked his first reaction, and smiled. This Héloïse was indomitable.
“Disguised as the widowed cousin of Her Majesty,” she said. “A consecrated woman dressed, illicitly, in the mourning clothes of a widow. But a widow is what she is.” Héloïse turned back toward the bier, perhaps in part to face away, as she said then, “In the hour of his great test, I would not abandon him—unlike the others. It was as close to him as I could be. If the Abbot Primate is obliged to censure an undisciplined religious woman, so be it.”
“Mother, what the Abbot Primate does not know, the Abbot Primate is under no obligation to censure. I know nothing of the Queen’s Ladies.”
“Queen Eleanor, as you do know, is a patroness of the Paraclete.”
“Her Majesty is a devotee of the storied niece of Canon Fulbert. Your former notoriety defines her interest.”
“Not ‘former,’ ” the nun said, but quietly.
The Abbot Primate continued, “The Queen cares only for romance, nothing for theology. And at the Council of Sens, theology was at issue.”
“Romance and theology, Father. Only eunuchs would think they are unrelated.” Mother Héloïse raised her hand, a fist. Then she checked herself, biting her knuckles, letting her eyes fall again to the face of the dead man before her. “Despite what they had done to him because of me, and despite his palsy, Peter Abelard was the only one in that large nave with manliness. The only one, I mean, besides you.” She raised her eyes. “Your bold statement rang like the Word of Jehovah.”
“I could not save him. All I could do, as his canonical superior, was confirm his appeal to the Roman Pontiff, and guarantee it.”
“An appeal that was then promptly denied. The Pope excommunicated him, burned his books in front of Saint Peter’s Basilica, condemned all those who dare to follow in the way of Peter Abelard. Anathema sit! The greatest man in Christendom!”
“Yes. All of which I then myself appealed, with Peter’s approval. The Pope is reassessing, even now. I succeeded in getting Clairvaux to second my petition.”
“Bernard! That false prophet! It was he who betrayed Peter.”
“Yes. But he is remorseful. His support will help Pope Innocent overturn himself. The excommunication will be lifted. Now, more than ever, I will see to that.”
“But again, I ask: if so many others loved him, where were they when Clairvaux led that chorus of Damnamus?”
“Afraid. They were afraid, Mother. The winds from Rome are fierce. And not only Rome.” She knew this, of course. Peter Abelard, by the end, was tied by his enemies to the restlessness of the schools, but rowdy boy-geniuses were the least of it. Abelard and the thinking he promoted were blamed for the rebelliousness of burghers; he was faulted, even, for the deceptions of the Jews. In those days, princes challenged bishops; but, then, yeomen challenged princes. Peasants, obviously, would be next. Order was shaken—inside the Church, but outside, too. The King’s sworn duty was to restore that order—everywhere. Fierce winds, therefore, blew from his palace, too. The savvy Abbess understood. Alas, she had not understood soon enough. Yes, she had flogged him to re-enter the fray, entirely underestimating how lethal such an action might be.
She said, “Peter Abelard was an apostle of caritas, yet he was damned.”
“The excommunication will be lifted,” the Abbot said forcefully. “I will make it happen. Then the gates of heaven will be opened to him, we will be authorized to inter him in sacred ground, and we will do that here at Cluny.”
“No! I will have him at the Paraclete. I will have him with me. It’s why I’ve come. Any ground that receives this man will be sacred.”
The Abbot Primate began to object, but she raised her hand again, stopping him. He stared at her. She did not blink. Finally, he lowered his eyes. One of the most powerful men in Christendom—yet he yielded to this woman.
“As for tonight,” she said, “I will not have this Chapter House plunged into darkness. I want torches here until Matins. And the paschal candle.” The dynamic between Abbot and Abbess had reversed. Each saw it; each assumed it. “I want water brought in,” she continued. “Heated water, and cloths. Incense. And scented oil. I will bathe him.” The Abbot Primate bowed. She added, more quietly, “And perhaps a mat. Bundled straw will do.” She would not be leaving him.
“Yes,” the Abbot said.
“I will depart with him tomorrow, at first light. I will need fresh horses. He will be mine, at last.”
After a long silence, the Abbot pulled back the flap of his leather satchel and withdrew a sheaf of beribboned vellum sheets. He said, “Peter asked me to return these to you.”
Mother Héloïse received the bundle solemnly, knowing at once what it was. Her letters, all that she had written him. Once, Peter had said that it was womanly to save such letters, implying he never would. Yet he had.
And then the Abbot produced another pair of bundles. “These also. His Credo, a last explanation of himself.” Solemnly, he handed her the sheaf. “And one other . . .” He held the second, hesitating. “An unfinished treatise, what he called Dialogue with the Jew. I alone have read it. Guard these words—”
“Peter was never guarded with words.” Héloïse received the pages, but she was bristling.
“Guard these words, Mother! Clairvaux’s dark angels are everywhere—spies!—even here at Cluny. He joined with me in the petition to Rome only because he thinks he has heard the last from Peter Abelard. This treatise must not be published! They condemned him once because of the Jews. They will again.”
“Jews are being attacked, murdered. If Peter wrote of Jews now, despite the Council’s Damnamus, it was to defend our Lord’s own cousins, for was Jesus Christ not a Jew?”
“Mother! There are reports of Jews slaughtering Christian children, to get their blood.”
“That is nonsense.”
“Perhaps. But Jews murdered their own children in Mainz. That is certain.”
“To prevent their being kidnapped by the crossbearers and forcibly baptized. That was not murder; it was martyrdom.”
“Be careful of that! These are fires from which we must protect Peter Abelard’s name. Jews be damned. The battle now is for Peter’s eternal salvation. We must have the anathema voided. Guard those words if you want the papal rescript granted.” Father Abbot took hold of her forearm, fiercely. “For the sake of his eternal soul, Mother. Guard those words.”
She clung to the pages. Despite the hot rush of what she felt, she nodded. A promise.
The Abbot held on to her arm for a moment more than was seemly. He said, despite himself, “Your obstinacy is what Peter knew of you. But I see it, too. Beware of your obstinacy, Mother.”
To his surprise, she leaned against him. “Inside, Holy Father, I am anything but obstinate. I am egg custard, fallen.”
“The jongleurs sing otherwise.” The Abbot laughed, gave her one squeeze with his enclosing arm, and released her. “You, the infamous Héloïse,” he said, with a sudden rush of affection. “Their lyrics sing happily of your damning of the Church. An Abbess who damns the Church!”
“And you, the Abbot Primate, who receives her with a gentle hand.” She straightened her spine, an unconscious gesture of will. She clutched the vellum pages close, deliberately pushing the bundle against her breast, to feel the pressure of the small ring of gold, suspended on a chain, hidden beneath her habit, against her flesh.
The Abbot stepped back.
But now, with a bolt of feeling, she reached for him. “Will you be at the gate in the morning, my lord? I will pray your blessing.”
“You will have it, Mother. You will have it always. And now I must order your torches, the oils, and water.” His authority was back. “I will send in bread and fruit, a cup, and the holy image of our Lady.” With that, the Abbot Primate turned and walked out into the Cloister, the budding garden, over which darkness was soon to fall.
In the Duchy of Bourgogne in the year 1142, the largest church in Christendom stood on a hill above the tidy village of Cluny. That church, with its towering belfry, Corinthian columns, and massive rectangular pilasters, defined the pulse of the Benedictine Abbey of Cluny, a large walled complex itself the center of a vast monastic empire, counting ten thousand monks and nuns in foundations spread across the continent, from the Mediterranean to the British Isles. The sharply pointed Cluny belfry was visible for miles around, and had served, across the last phase of a long journey, as the locating focal point for the small band of horsemen that approached now, making its way up the final slope toward the monastery gate.
The palfrey on which a heavily cloaked rider sat, as it slowly ascended the hill, was a lighter-weight horse, and its unsteady gait suggested what a distance it had come. Trailing behind were four other ridden horses, and a hitched pair pulling a covered cart. The wind was howling from the valley spread below, and the sun was low at the distant ridge. The stout wooden gate banged open. The porter rushed out, going to the first horse, to take its headstall and stirrup. In a bustle of activity, others of the minor orders followed from within the monastic enclosure—the almoner, oblates, and lay brothers. A knot of black robes, they surrounded the riders and the cart. With the porter’s help, the first rider dismounted, throwing aside the covering woolen mantle, and being seen only then for the religious woman she was. The porter bowed, showing his tonsure, muttering, “My lady.”
Two others in the party were religious sisters, clothed, like the first, in a long gray belted tunic, scapular, white coif, and veil. Except that the fabric was the gray of rough, undyed wool, the garb was the habit of the Benedictine Order. They were nuns.
The party’s six accompanying men were the horse master, the marshal, two armed henchmen, and two stewards. As the first nun, walking erect and at an authoritative clip, led the way through the gate, the receiving monks bowed, even while stealing glances at her sharply concentrated face. With whispers, they had spoken of this arrival, although this woman of slight stature and medium height did not match the measure of the songs sung in her name. She was the Abbess Héloïse, Mother Superior of the Abbey of the Paraclete, a ranking convent several days’ journey by river and rough trail to the north. In those whispers, they had spoken of what she would be coming for. There would be further songs.
The porter had been instructed to show her at once into the main Cloister garden, to which women were ordinarily forbidden entrance, but the instruction had come from the Abbot Primate himself. At this time of year, the garden was still bare of fruit and berries, but twigs shone with the fresh scales of buds and shoots. The waters of the central fountain, drawing on the stream that ran below the monastic kitchens and toilet block, had quickened in recent weeks, but would not splash again until the coming spring rains replenished the flow. The normally bright marble of the arches and pillars of the surrounding arcade was dusky gray now, for the shadows of evening had settled on the place, like loneliness. The Vespers bell would be ringing soon.
The porter gestured at a garden bench, but did not wait to see if Mother Héloïse would sit. She watched him hurry away, as relieved to be alone as, after the day’s ride, she was to be standing.
It was not long before the Abbot Primate entered, coming from the chapel. Because his cowl was up, his face was shadowed. Across his chest was the leather strap of a pilgrim’s satchel, hanging at his side. The unfettered stride with which he crossed to her suggested the depth of feeling she knew was there. His arms were stretched toward her, but as he drew close, she genuflected, a proper obeisance. With her head bowed, she reached for his hand, pulled it to her mouth, and kissed his ring. Grasping her upper arms, he lifted her. He lowered his cowl, unveiling sadness.
“Where is he, Most Holy Father?” she asked.
The Abbot Primate turned slightly, gesture enough to indicate the Chapter House, the darkened room, close at hand, separated from the garden by a large arcaded gate of three stout arches, each one upheld by a clutch of fluted pillars. Mother Héloïse peered into the room. Under the interlacing of groined ceiling vaults, the open space was large enough to accommodate the professed members of the monastic family, with each monk sitting at the wall, on the stone bench that defined three sides of the rectangle. Now the room was vacant, but as her eyes adjusted, she made out the dark form of the catafalque standing in the center. She should have sought the Abbot Primate’s leave to move away from him, but did not. Instead, she simply walked out of the garden, crossing through the arcade, to enter the Chapter House, going directly to the one for whom she’d come.
Leaves of lavender and woodruff, and dried rose petals, were scattered on the floor; pots of rose water stood at the four corners of the bier; but still the fetid odor of his decomposition came to her. He was clothed in his black habit, and his hands were hidden under the folds of his scapular. But the sight of his sharp-featured face, with its distinctive brow and aquiline nose, made her stop. Oh, Peter.
Lifeless, yes. But also old. He had come into his seventh decade, yet she still thought of him as they had been before. The lids of his eyes were down, but his lips were slightly parted, the lips from which the most precious words had pierced her, the lips with which her own had been so sweetly caressed. His lips. She bent to them, touched them lightly with her cheek, then put her mouth on his. Oh, my Peter.
The Abbot Primate took up a place behind her. To her back, he said quietly, “When I sent for you, I assumed he would still be alive at your arrival. I am sorry.” He waited.
When, finally, she turned to him, she said, “They condemned him because of me.” Her voice was shot through with feeling, a mix of grief and anger. “Because I refused to renounce my love; because he remained mine through all calamity. I will publish his virtues across all the world, to punish the age that has not valued him.”
“It is true, Mother. They hated him for what he had in you. But he opposed them in their vain repudiations of God’s mercy. By the end, he was the exemplar of mercy. That is what he had from you. Mercy. Against all charges leveled at you, the measure of your love was mercy, not licentiousness.”
“He disowned our promiscuity. I did not.”
“He did what was necessary to keep his authority—as you yourself wanted. You flogged him with your writing, to re-enter the fray. And he did.”
“But look!” Her hand swept across the corpse. “What authority has he now? They betrayed him, all of them.”
“Not all.”
“You, my lord, were his only friend.”
“No, dear Mother. Many, many loved him.”
“Where were they, then? When the Damnamus was pronounced, and pronounced again, where was a hint of objecting murmur?”
“You were not there, Mother.”
“But I was.”
The Abbot looked at her aslant, as if to diagnose derangement. “Impossible. A Canonical Council? No women were present.”
“Enthroned beside King Louis? Does your monkish vow prevent even the perceiving of the female form?”
“The Queen? Yes, the Queen was there. Pro forma. But otherwise—”
“And the Queen’s party, the Ladies-in-Waiting, in the loggia, nearly out of sight.”
“Ladies-in-Waiting?”
With a half-curtsy, the nun mocked herself.
“You? A consecrated woman among the courtiers?” The Abbot checked his first reaction, and smiled. This Héloïse was indomitable.
“Disguised as the widowed cousin of Her Majesty,” she said. “A consecrated woman dressed, illicitly, in the mourning clothes of a widow. But a widow is what she is.” Héloïse turned back toward the bier, perhaps in part to face away, as she said then, “In the hour of his great test, I would not abandon him—unlike the others. It was as close to him as I could be. If the Abbot Primate is obliged to censure an undisciplined religious woman, so be it.”
“Mother, what the Abbot Primate does not know, the Abbot Primate is under no obligation to censure. I know nothing of the Queen’s Ladies.”
“Queen Eleanor, as you do know, is a patroness of the Paraclete.”
“Her Majesty is a devotee of the storied niece of Canon Fulbert. Your former notoriety defines her interest.”
“Not ‘former,’ ” the nun said, but quietly.
The Abbot Primate continued, “The Queen cares only for romance, nothing for theology. And at the Council of Sens, theology was at issue.”
“Romance and theology, Father. Only eunuchs would think they are unrelated.” Mother Héloïse raised her hand, a fist. Then she checked herself, biting her knuckles, letting her eyes fall again to the face of the dead man before her. “Despite what they had done to him because of me, and despite his palsy, Peter Abelard was the only one in that large nave with manliness. The only one, I mean, besides you.” She raised her eyes. “Your bold statement rang like the Word of Jehovah.”
“I could not save him. All I could do, as his canonical superior, was confirm his appeal to the Roman Pontiff, and guarantee it.”
“An appeal that was then promptly denied. The Pope excommunicated him, burned his books in front of Saint Peter’s Basilica, condemned all those who dare to follow in the way of Peter Abelard. Anathema sit! The greatest man in Christendom!”
“Yes. All of which I then myself appealed, with Peter’s approval. The Pope is reassessing, even now. I succeeded in getting Clairvaux to second my petition.”
“Bernard! That false prophet! It was he who betrayed Peter.”
“Yes. But he is remorseful. His support will help Pope Innocent overturn himself. The excommunication will be lifted. Now, more than ever, I will see to that.”
“But again, I ask: if so many others loved him, where were they when Clairvaux led that chorus of Damnamus?”
“Afraid. They were afraid, Mother. The winds from Rome are fierce. And not only Rome.” She knew this, of course. Peter Abelard, by the end, was tied by his enemies to the restlessness of the schools, but rowdy boy-geniuses were the least of it. Abelard and the thinking he promoted were blamed for the rebelliousness of burghers; he was faulted, even, for the deceptions of the Jews. In those days, princes challenged bishops; but, then, yeomen challenged princes. Peasants, obviously, would be next. Order was shaken—inside the Church, but outside, too. The King’s sworn duty was to restore that order—everywhere. Fierce winds, therefore, blew from his palace, too. The savvy Abbess understood. Alas, she had not understood soon enough. Yes, she had flogged him to re-enter the fray, entirely underestimating how lethal such an action might be.
She said, “Peter Abelard was an apostle of caritas, yet he was damned.”
“The excommunication will be lifted,” the Abbot said forcefully. “I will make it happen. Then the gates of heaven will be opened to him, we will be authorized to inter him in sacred ground, and we will do that here at Cluny.”
“No! I will have him at the Paraclete. I will have him with me. It’s why I’ve come. Any ground that receives this man will be sacred.”
The Abbot Primate began to object, but she raised her hand again, stopping him. He stared at her. She did not blink. Finally, he lowered his eyes. One of the most powerful men in Christendom—yet he yielded to this woman.
“As for tonight,” she said, “I will not have this Chapter House plunged into darkness. I want torches here until Matins. And the paschal candle.” The dynamic between Abbot and Abbess had reversed. Each saw it; each assumed it. “I want water brought in,” she continued. “Heated water, and cloths. Incense. And scented oil. I will bathe him.” The Abbot Primate bowed. She added, more quietly, “And perhaps a mat. Bundled straw will do.” She would not be leaving him.
“Yes,” the Abbot said.
“I will depart with him tomorrow, at first light. I will need fresh horses. He will be mine, at last.”
After a long silence, the Abbot pulled back the flap of his leather satchel and withdrew a sheaf of beribboned vellum sheets. He said, “Peter asked me to return these to you.”
Mother Héloïse received the bundle solemnly, knowing at once what it was. Her letters, all that she had written him. Once, Peter had said that it was womanly to save such letters, implying he never would. Yet he had.
And then the Abbot produced another pair of bundles. “These also. His Credo, a last explanation of himself.” Solemnly, he handed her the sheaf. “And one other . . .” He held the second, hesitating. “An unfinished treatise, what he called Dialogue with the Jew. I alone have read it. Guard these words—”
“Peter was never guarded with words.” Héloïse received the pages, but she was bristling.
“Guard these words, Mother! Clairvaux’s dark angels are everywhere—spies!—even here at Cluny. He joined with me in the petition to Rome only because he thinks he has heard the last from Peter Abelard. This treatise must not be published! They condemned him once because of the Jews. They will again.”
“Jews are being attacked, murdered. If Peter wrote of Jews now, despite the Council’s Damnamus, it was to defend our Lord’s own cousins, for was Jesus Christ not a Jew?”
“Mother! There are reports of Jews slaughtering Christian children, to get their blood.”
“That is nonsense.”
“Perhaps. But Jews murdered their own children in Mainz. That is certain.”
“To prevent their being kidnapped by the crossbearers and forcibly baptized. That was not murder; it was martyrdom.”
“Be careful of that! These are fires from which we must protect Peter Abelard’s name. Jews be damned. The battle now is for Peter’s eternal salvation. We must have the anathema voided. Guard those words if you want the papal rescript granted.” Father Abbot took hold of her forearm, fiercely. “For the sake of his eternal soul, Mother. Guard those words.”
She clung to the pages. Despite the hot rush of what she felt, she nodded. A promise.
The Abbot held on to her arm for a moment more than was seemly. He said, despite himself, “Your obstinacy is what Peter knew of you. But I see it, too. Beware of your obstinacy, Mother.”
To his surprise, she leaned against him. “Inside, Holy Father, I am anything but obstinate. I am egg custard, fallen.”
“The jongleurs sing otherwise.” The Abbot laughed, gave her one squeeze with his enclosing arm, and released her. “You, the infamous Héloïse,” he said, with a sudden rush of affection. “Their lyrics sing happily of your damning of the Church. An Abbess who damns the Church!”
“And you, the Abbot Primate, who receives her with a gentle hand.” She straightened her spine, an unconscious gesture of will. She clutched the vellum pages close, deliberately pushing the bundle against her breast, to feel the pressure of the small ring of gold, suspended on a chain, hidden beneath her habit, against her flesh.
The Abbot stepped back.
But now, with a bolt of feeling, she reached for him. “Will you be at the gate in the morning, my lord? I will pray your blessing.”
“You will have it, Mother. You will have it always. And now I must order your torches, the oils, and water.” His authority was back. “I will send in bread and fruit, a cup, and the holy image of our Lady.” With that, the Abbot Primate turned and walked out into the Cloister, the budding garden, over which darkness was soon to fall.
Product details
- Publisher : Nan A. Talese; First Edition (March 6, 2018)
- Language : English
- Hardcover : 384 pages
- ISBN-10 : 0385541279
- ISBN-13 : 978-0385541275
- Item Weight : 1.5 pounds
- Dimensions : 6.7 x 1.3 x 9.6 inches
-
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#678,500 in Books (See Top 100 in Books)
- #862 in Jewish Historical Fiction
- #2,516 in Biographical Historical Fiction
- #3,401 in 20th Century Historical Romance (Books)
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Reviewed in the United States on October 17, 2018
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5.0 out of 5 stars
Telling of Catholic/Jewish schism through modern and ancient love stories. Quite a feat!
Reviewed in the United States on April 1, 2018Verified Purchase
Constantine' Sword is of one of the few books that inspired me to take notes and write my own essay so I could remember the points I found important. When I finished the book I wanted to know more about the key rationalist figures who were silenced by Catholic church hierarchy. Abelard was first on that list for me. His humanistic thinking flew in the face of the Church's entrenched conclusions that Jews and Muslims were "the other." So much of human history would have been different if he, and others like him, had prevailed.
The Cloister fills that void with an easily accessible presentation of Abelard's thought and his love, mirrored beautifully by a modern story of a man and woman brought together through their interests in faith and in the ancient story of Héloïse and Abelard. Carroll does a masterful job of story-telling, which is job #1 for a novel. And, since the theme of the book is based in documented, if forgotten, history, one can learn a lot along the way.
The Cloister fills that void with an easily accessible presentation of Abelard's thought and his love, mirrored beautifully by a modern story of a man and woman brought together through their interests in faith and in the ancient story of Héloïse and Abelard. Carroll does a masterful job of story-telling, which is job #1 for a novel. And, since the theme of the book is based in documented, if forgotten, history, one can learn a lot along the way.
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Reviewed in the United States on August 30, 2018
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In all my years of reading, I've never been so engrossed in a book where I lose sight of what's going on around me. But it happened recently while reading The Cloisters. Mr. Carroll somehow managed to write three stories simultaneously and yet they were all connected. In the medieval story, I learned about the relationship between Heloise and Peter Abelard and how rigid and uncompromising religious beliefs were; in the second story, I read about what Jews had to do to stay alive during the Holocaust; and in the third story, which took place in the 1950s, I'm still trying to assimilate what it meant. I rarely read books twice, but The Cloisters' demands a second and possibly third reading, along with a good dictionary. I'm also looking forward to reading more of James Carroll's books.
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Reviewed in the United States on May 7, 2018
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Love the three point plot, the character development, and the truthful depiction of rigid Catholic life, pre-Vatican II. (Also, the comparison of Cardinal Spellman with The Little King in the '50s Sunday funnies. Anyone else remember him?)
My only objection is having Abelard and Heloise fall in love at first sight. In my experience, lasting relationships don't happen that way, but that's just me.
If Peter Abelard had been heeded in his own time, and not condemned, could the Holocaust have been avoided? What about the current wave of ugly anti-Semitism? Certainly worth consideration.
This book is fantastic. Read it!
Cat Lady
My only objection is having Abelard and Heloise fall in love at first sight. In my experience, lasting relationships don't happen that way, but that's just me.
If Peter Abelard had been heeded in his own time, and not condemned, could the Holocaust have been avoided? What about the current wave of ugly anti-Semitism? Certainly worth consideration.
This book is fantastic. Read it!
Cat Lady
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5.0 out of 5 stars
Spuperb. More than just a novel.a treatise for our time.
Reviewed in the United Kingdom on August 17, 2018Verified Purchase
The first thing to strike me was that it was so well written; a joy to read. Then, it illuminates the history of Jewish/Catholic relations from the time of Jesus to the present. The author is a master of his detailed material and uses it to display his message lucidly. This is required reading for understanding our present age. I have pressed this book one all my friends and now I shall have to buy more copies.
Brenda Peddigrew
5.0 out of 5 stars
Death and Breadth
Reviewed in Canada on June 23, 2018Verified Purchase
I hated for this book to end. I loved each character, none of them stereotypical, even the historical ones, especially them. I love the complexity of relationship...no easy answers anywhere, as in real life. Real History.
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