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Anthony Esolen

Gustave Dore

Paradise (The Divine Comedy) Paperback – February 13, 2007

by Dante (Author), Gustave Dore (Illustrator), Anthony Esolen (Translator)

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"If there is any justice in the world of books, [Esolen's] will be the standard Dante . . . for some time to come."-Robert Royal, Crisis

In this, the concluding volume of The Divine Comedy, Dante ascends from the devastation of the Inferno and the trials of Purgatory. Led by his beloved Beatrice, he enters Paradise, to profess his faith, hope, and love before the Heavenly court. Completed shortly before his death, Paradise is the volume that perhaps best expresses Dante's spiritual philosophy about resurrection, redemption, and the nature of divinity. It also affords modern-day readers a clear window into late medieval perceptions about faith. A brillitan verse translation, a bilingual text, classic illustrations by Gustave Doré, a critical introduction, and an appendix that reproduces Dante's key sources make this Esolen's the definitive edition of Dante's ultimate masterwork.

Print length

544 pages
Language

English
Publisher

Modern Library
Publication date

February 13, 2007
Dimensions

5.2 x 1.1 x 8 inches
ISBN-10

9780812977264
ISBN-13

978-0812977264
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Editorial Reviews

From the Back Cover

The Divine Comedy is a complete scale of the depths and heights of human emotion," wrote T.S. Eliot. "The last canto of the Paradiso is to my thinking the highest point that poetry has ever reached or ever can reach."

The Divine Comedy stands as one of the towering creations of world literature, and its climactic section, the Paradiso, is perhaps the most ambitious poetic attempt ever made to represent the merging of individual destiny with universal order. Having passed through Hell and Purgatory, Dante is led by his beloved Beatrice to the upper sphere of Paradise, wherein lie the sublime truths of Divine will and eternal salvation, to at last experience a rapturous vision of God.

About the Author

Anthony Esolen is the author of over twenty-five books and over 600 articles in both scholarly and general interest journals. A senior editor of Touchstone: A Journal of Mere Christianity, Esolen is known for his elegant essays on the faith and for his clear social commentaries. His articles appear regularly in Touchstone, Crisis, First Things, Public Discourse, The Catholic Thing, Chronicles, and Magnificat.

An accomplished poet in his own right, Esolen is known for his widely acclaimed three-volume verse translation of Dante's Divine Comedy (Modern Library) and for his verse translation of Tasso's Jerusalem Delivered (Johns Hopkins). His Ten Ways to Destroy the Imagination of Your Child has been described as "a worthy successor to C.S. Lewis's The Abolition of Man." And its sequel, Life Under Compulsion, has been called "essential reading for parents, educators, and anyone who is concerned to rescue children from the tedious and vacuous thing childhood has become." His recent books include Out of the Ashes: Rebuilding American Culture, Nostalgia: Going Home in a Homeless World, and, No Apologies: How Civilization Depends on the Strength of Men.

The grandson of Italian immigrants to America, Dr. Esolen was born and raised in the coal-mining country of Northeastern Pennsylvania. He received his B.A. from Princeton University, and his Ph. D. from the University of North Carolina, Chapel Hill. He is a professor of humanities and writer-in-residence at Magdalen College of the Liberal Arts in Warner, New Hampshire.

Excerpt. © Reprinted by permission. All rights reserved.

Canto One

Dante and Beatrice are at the threshold of Heaven. She explains to him
that it is the nature of the human soul to rise.

The glory of the One who moves all things

penetrates the universe with light,

more radiant in one part and elsewhere less:

I have been in that heaven He makes most bright,4

and seen things neither mind can hold nor tongue

utter, when one descends from such great height,

For as we near the One for whom we long,7

our intellects so plunge into the deep,

memory cannot follow where we go.

Nevertheless what small part I can keep10

of that holy kingdom treasured in my heart

will now become the matter of my song.

O good Apollo, for this last work of art,13

make me as fit a vessel of your power

as you demand when you bestow the crown

Of the beloved laurel. Till this hour16

one peak of twin Parnassus has sufficed,

but if I am to enter the lists now

I shall need both. Then surge into my breast19

and breathe your song, as when you drew the vain

Marsyas from the sheath of his own limbs.

Father, virtue divine, should you but deign22

that I make manifest a shadow of

the blessed kingdom sealed upon my brain,

At the foot of that tree whose wood you love25

you’ll see me stand and crown my brows with green,

made worthy by the subject, and by you.

Poets and Caesars now so rarely glean28

those leaves to celebrate a victory

(man’s fault and shame, for our desires are mean),

the Peneian branches must give birth to joy31

when any man should thirst for their high fame,

in the glad heart of the Delphic deity.

A little spark gives birth to a great flame.34

Better voices perhaps will follow mine,

praying to hear what Cyrrha shall proclaim!

By various spills of light the sun will shine37

dawning upon the world of men that die,

but at the three-cross intersection of

Four rings it rises in the company40

of a more favorable time of year,

happier stars, to stamp this worldly clay

With its most perfect seal. One hemisphere43

lay brightening in that stream and one grew dim,

as it made morning there and evening here,

When I saw Beatrice turn upon her left46

and look to Heaven to gaze into the sun:

no eagle ever held a gaze so firm.

As a reflecting ray will follow upon49

the first and in a glance, an instant, rise

just like a pilgrim longing to turn home,

So she instilled her gazing–through my eyes–52

into my powers of fancy, and I too

stared at the sun more than our sight can bear.

With our weak powers on earth one may not do55

what there one may–thanks to the special place

created as the proper home for man.

Not long could I sustain the brilliant rays58

before they seemed to flash like sparks that play

round steel still white-hot from the forge’s blaze,

And suddenly it seemed that day and day61

were fused, as if the One who wields the might

adorned the heavens with a second sun.

Into the everlasting wheels of light64

Beatrice gazed with silent constancy;

on her I gazed, far from that central sight.

Her countenance had the same effect in me67

as did the plant that Glaucus tasted when

it made him share the godhood of the sea.

To signify man’s soaring beyond man70

words will not do: let my comparison

suffice for them for whom the grace of God

Reserves the experience. If I bore alone73

that part of me which you created last,

O Love that steers the heavens, you surely know,

For your light lifted me. And when the vast76

wheel you have made eternal by desire

held me intent to hear the harmony

You tune in all its parts, the sunlight-fire79

lit so much of the sky, no flooding stream

or rain could ever fill so broad a lake.

The newness of the sound, the swelling gleam82

lighted desire in me to learn their cause–

keener than any appetite I’d known.

And she, who saw within me what I was,85

to still the troubled waters of my soul,

opened her lips before I could inquire,

And thus began: “You’re making your mind dull88

with false imagining–you don’t perceive

what you would see, if you could shake it off.

You are not on the earth, as you believe.91

Lightning that flees its proper realm is not

so swift as your returning to your own.”

I admit I was shorn of my first doubt94

by the brief words she flashed me with a smile,

but in another net my feet were caught:

“My first amazement is at peace–but still97

I am amazed that I should rise so high,

beyond the lightness of the air and fire.”

She turned her eyes to me then with a sigh100

of pity, as a mother in distress

whose child is ill and talks deliriously,

So she made matters plain: “All things possess103

order amongst themselves: this order is

the form that makes the world resemble God.

Thence the high beings read the signs, the trace106

of that eternal Power who is the end

for which the form is set in time and place.

All natures in this order lean and tend109

each in distinctive manner to its Source,

some to approach more near and others less–

Whence from their various ports all creatures move112

on the great sea of being, with each one

ferried by instinct given from above.

This is what makes the fire rise toward the moon;115

this, the prime mover of the mortal heart;

this makes the heavy earth condense in one;

Nor does this bow with target-cleaving art118

strike only things that lack intelligence,

but beings made with intellect and love.

The glorious world-ordaining providence121

forever stills the highest heaven with light,

beyond the spinning of the swiftest sphere,

And to that place as to our destined site124

we’re speeded by the power of that cord

shooting each arrow in its happy flight.

Often it’s true a form may not accord127

with the intent of him who works the art

because the matter’s deaf and won’t respond:

So, from this course, a creature may depart130

if it should have the power, despite the push,

to swerve away and veer off from its start,

And as you’ll see a fall of lightning flash133

from the high clouds, so cheating pleasures skew

that first urge, and they plunge it to the earth.

No more amazement should it bring to you136

that you ascend, than if a mountain stream

should tumble rushing to the plains below.

But it would be a cause of just surprise139

if, free of every bar, you should remain

like a still flame on earth, and not arise.”

Then to the heavens she turned her gaze again.142

Product details

ASIN ‏ : ‎ 0812977262
Publisher ‏ : ‎ Modern Library; Reprint edition (February 13, 2007)
Language ‏ : ‎ English
Paperback ‏ : ‎ 544 pages
ISBN-10 ‏ : ‎ 9780812977264
ISBN-13 ‏ : ‎ 978-0812977264
Item Weight ‏ : ‎ 13.4 ounces
Dimensions ‏ : ‎ 5.2 x 1.1 x 8 inches

Best Sellers Rank: #39,353 in Books (See Top 100 in Books)
- #29 in Ancient & Classical Poetry
- #47 in Epic Poetry (Books)
- #1,375 in Classic Literature & Fiction

Customer Reviews:
4.7 182 ratings

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Anthony Esolen
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Anthony Esolen is a professor of English and a writer in residence at Magdalen College of the Liberal Arts in Warner, New Hampshire. He is a senior editor of Touchstone magazine, and a contributing editor of Crisis and Chronicles. A poet in his own right, Professor Esolen is known for his verse translations of epic poetry, including the three volumes of Dante's Divine Comedy (Random House, Modern Library), Tasso's Jerusalem Delivered (Johns Hopkins), and Lucretius' On the Nature of Things (Johns Hopkins). His sacred work, The Hundredfold: Songs for the Lord, is a book length sacred poem centered on the life of Christ. A noted essayist and social commentator, Anthony Esolen has published books on a broad range topics from literature, to theology, to education and culture, ancient to modern.
Books by Anthony Esolen
On the Nature of Things
(Verse translation of Lucretius’ De rerum natura, with scholarly commentary)
Johns Hopkins, 1995
Jerusalem Delivered
(Verse translation of Tasso's Gerusalemme Liberata, with scholarly commentary)
Johns Hopkins, 2000
Ironies of Faith: The Laughter at the Heart of Christian Literature
ISI, 2007
Inferno (verse translation of Dante’s Inferno)
Random House, Modern Library Edition, 2002
Purgatory (verse translation of Dante's Purgatorio)
Random House, Modern Library Edition, 2003
Paradise (verse translation of Dante's Paradiso)
Random House, Modern Library Edition, 2005
The Beauty of the Word: A Running Commentary on the Roman Missal
Magnificat, 2012
Reclaiming Catholic Social Teaching (treatise on the social teaching of Pope Leo XIII)
Sophia Instute Press, 2014
The Politically Incorrect Guide to Western Civilization
Regnery, 2008
Ten Ways to Destroy the Imagination of your Child
ISI, 2010
Roman Missal Companion
Magnificat, 2011
Reflections on the Christian Life
Sophia Institute Press, 2012
Living the Days of Advent and the Christmas Season
Paulist Press, 2013
Defending Marriage: Twelve Arguments for Sanity
St. Benedict Press, 2014
Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child
ISI, 2015
Real Music: A Guide to the Timeless Hymns of the Church
Tan Books, 2016
Angels, Barbarians, & Nincompoops
Tan Books, 2017
Out of the Ashes: Rebuilding American Culture
Regnery, 2017
Nostalgia: Going Home in a Homeless World
Regnery, 2018
No Apologies: How Civilization Depends on the Strength of Men
Regnery, 2022
Defending Boyhood
Tan Books, 2018
How the Church Has Changed the World,
Magnificat, Volume One, 2019; Volume Two, 2020; Volume Three 2022
In the Beginnng Was the Word
Angelico Press, 2021
The Hundredfold: Songs for the Lord
Ignatius, 2018
Peppers
New Poets Series, 1991
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Gustave Dore
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Customer reviews

4.7 out of 5

182 global ratings

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James G. Bruen Jr.

Describing the Indescribable

Reviewed in the United States 🇺🇸 on March 26, 2013

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In Paradise, Dante's taken on an impossible task: describing the indescribable. Even St. Paul found it impossible to recount his mystical experience of heaven. The Inferno and Purgatory read like journeys onto which theological and philosophical points are appended. Paradise reads more like a theological treatise onto which a journey is appended. Dante's vision of Paradise is deeply poetic, thoughtful, theological, and thought-provoking. Dante's description of the fall of the angels (and Esolen's notes thereon) are particularly insightful.

Dante (the poet not the character in the poem) spends much effort on what constitutes a just ruler and on the relationship between Church and state. Never does he discuss the joy in heaven over the repentant sinner. Nor does he present the saints he meets as active intercessors for those on earth, though in canto xviii Dante the character does ask the heavenly army to pray for those led astray by a corrupt pope, and later (xxxii) he asks Beatrice to pray for him. In the final canto St. Bernard intercedes for Dante, begging the intercession of the Blessed Virgin that Dante may behold the beatific vision. But all those folks on earth who beg the saints to pray for them? I didn't notice any saint responding to the entreaties of those on earth, or indeed, even acknowledging that he heard their prayers.

I did not find Dore's illustrations of much value in my appreciation of Paradise, unlike with the Inferno and Purgatory. I thought the final cantos of Paradise were the volume's strongest. Esolen's Introduction and his notes are very good aids.

I've read (and reviewed on Amazon) Esolen's translations of the three books of the Divine Comedy. He's to be complimented on these highly readable and reasonably priced books.

15 people found this helpful

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Pat

3rd book of Divine Comedy by Dante

Reviewed in the United States 🇺🇸 on March 4, 2022

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Arrived on time, in good shape. I am using this with the Inferno and Purgatorio for an online class. I read and studied these long ago but today I am finding deeper meaning and interest. Wanted the entire works. This has the Italian alongside on the left page and that is interesting and helps remind me of my Italian....haven't gotten to this yet though as the class has just started and runs through Lent.

2 people found this helpful

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Clifford Fry

This book is not as advertised - it is not the ESOLEN translation.

Reviewed in the United States 🇺🇸 on May 28, 2022

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I was looking for the ESOLEN translation to follow along with the Hillsdale course on the Divine Comedy. This book is the translation by Charles Eliot Norton.
There aer great notes that help you understand the poem, but the CANTOS have no individula line numbers, like the ESOLEN translation does. This makes using it difficult as a reference for a lecture that refers to line numbers. It is a pretty book that has its own advantages, but not for the Hillsdale course.

5 people found this helpful

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Eclectic Reader

It’s the translator!!!

Reviewed in the United States 🇺🇸 on February 18, 2022

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I have purchased the paperback, the hardcover, and the Kindle version of this book. Long story

I cannot commend Anthony Esolen’s translation highly enough. He brings to the translation such a wonderful understanding of Dante’s poetry. His introduction to this work is INVALUABLE. Even if the translation was not as good as it is, I’d still get it for the introduction.

5 people found this helpful

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S. Kelley

Highly Recommended!

Reviewed in the United States 🇺🇸 on November 20, 2016

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A friend and I read the whole of Dr. Esolen's beautiful translation of Dante's Divine Comedy (I am copying this review to the other two canticles) over a few months, along with the DVD lecture series on it that Dr. Esolen has made, which is available through different vendors. I HIGHLY recommend the project to anyone, particularly Catholics, because while the footnotes and endnotes are outstanding, the lecture series really brings it home to our lives and spirituality. We did this exercise because Bishop Barron had commented how fruitful the Divine Comedy was for his spiritual life and ministry. Having a lecture series and set of matching translations by a consummate scholar and faithful Catholic, who translated Dante's great Catholic opus into a work that can be appreciated by today's students, is a precious pearl beyond price, and I am so grateful I was able to have and use it. (The OCD in me wishes that the books had coordinated covers, but I don't judge a book by its cover!)

17 people found this helpful

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Koparcener

Well Written

Reviewed in the United States 🇺🇸 on July 27, 2021

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one of three books in The Divine Comedy by Dante. I especially liked the notes and added information

One person found this helpful

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Melodramatic

Almost Paradise..

Reviewed in the United States 🇺🇸 on September 14, 2013

Verified Purchase

We're knockin' on Heaven's door. Many 80's songs can tie their major influences to Dante's Paradise. Most often we are familiar with the Inferno, but Paradise is equally as intriguing in regards to our understanding of hierarchy in all aspects of existence, even Heaven. If you are looking to woo your lady friend with some Renaissance Italian poetry, then look no further. Challenge yourself to seek out your Beatrice and see the Divine for what it is. Ascend with Paradise, it is not just a club with Robin Williams, Rick Moranis, Eugene Levy, and Jimmy Cliff..yeah mon.

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Shopper in Richmond

Fabulous introduction and notes

Reviewed in the United States 🇺🇸 on March 22, 2013

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The introduction to this book is comprehensive and thoughtful. Anthony Esolen writes beautifully and does a great job of explaining the framework of Dante's Paradise. The notes are extremely helpful, too, though I think I would have preferred footnotes to end notes, as I had to keep flipping to the back. It was a minor distraction, however, and I never would have begun to appreciate Dante's poetry without Esolen's notes.

If anybody is interested in more, the author is preparing a series of instructional CD's for the entire Divine Comedy. As of this writing , only the CD's on the Inferno are available, but I'm eagerly awaiting the rest of the series because I think Esolen has a great way of explaining things.

12 people found this helpful

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