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Until Thy Wrath Be Past Hardcover – November 1, 2011
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As spring arrives in the far north of Sweden, a young woman's body surfaces through the breaking ice of the River Thorne. At the same time, visions of a shadowy figure haunt the dreams of Rebecka Martinsson, a prosecutor in nearby Karuna. Could the body belong to the ghost in her dreams? And where is the dead girl's boyfriend?
Joining forces once again with Police Inspector Anna-Maria Mella, Rebecka finds herself drawn into an investigation that stirs up long-dormant rumors of a German supply plane that went missing in 1943--and of Nazi collaborators in the town, where shame and secrecy shroud the locals' memories of the war.
And on the windswept shore of a frozen lake lurks a murderer who will kill again to keep the past buried forever beneath half a century's silent ice and snow.
- Print length256 pages
- LanguageEnglish
- PublisherSilverOak
- Publication dateNovember 1, 2011
- Dimensions6.5 x 1 x 9.75 inches
- ISBN-109781402787164
- ISBN-13978-1402787164
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Product details
- ASIN : 1402787162
- Publisher : SilverOak; Translation edition (November 1, 2011)
- Language : English
- Hardcover : 256 pages
- ISBN-10 : 9781402787164
- ISBN-13 : 978-1402787164
- Item Weight : 1.24 pounds
- Dimensions : 6.5 x 1 x 9.75 inches
- Best Sellers Rank: #1,949,293 in Books (See Top 100 in Books)
- #48,426 in Women Sleuths (Books)
- #70,740 in Suspense Thrillers
- Customer Reviews:
About the author

Åsa Larsson (born 28 June 1966) is a Swedish crime-writer. Although born in Uppsala, she was raised in Kiruna in the far north. Prior to becoming a full-time writer, Larsson was a tax lawyer, a profession she shares with the heroine of her novels, Rebecka Martinsson. Her first Rebecka Martinsson novel, Solstorm, was awarded the Swedish Crime Writers' Association prize for best first novel. It was published in the UK (under the title The Savage Altar) and was shortlisted for the Duncan Lawrie International Dagger. Her second Rebecka Martinsson novel, Det blod som spillts, won the Best Swedish Crime Novel Award. Till offer åt Molok, her fifth Rebecka Martinsson novel also won the Best Swedish Crime Novel Award. The 2007 Swedish film Solstorm was based on the book The Savage Altar.
She is a granddaughter of the Olympic skier Erik August Larsson.
Bio from Wikipedia, the free encyclopedia. Photo by Asís G. Ayerbe (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.
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From a beginning that caused me to doubt how much I’d like this book, to my surprise, I loved it and found it both compelling and beautifully written. We often assume there can be no secrets in small villages where everyone knows everyone else, but Larsson reminds us that doesn’t mean there aren’t secrets so well hidden or buried they’re left to fester for years.
Until Thy Wrath Be Past is a gripping, atmospheric, and unsettling thriller that I unreservedly recommend. And it left me eager to read more of Larsson’s terrific writing.
Maybe because, unlike Western "literature", Scandinavian thrillers are encouraged to have a plot, the authors are less defined by artificial constraints (like Oulipo) and able to play with plot, chronology and, in this case, narration. Transitions between narrators is fluid and informative (which must also speak to the fine translation by Laurie Thompson). The first chapter is narrated by one of the murder victims, a young girl who's come to live in the small northern village of Kiruna with her grandmother, a kindly elderly woman. This threw me off at first -- expecting CSI but getting Medium, so to speak, and the victim narrates about 20% of the book, but after a while I didn't mind at all; that narrator brought some interesting perspective onto the book's characters and events. Narration also divides between prosecutor Martinsson and police detective Anna-Maria Mella. These two women have full lives complete with problems and possibilities, but they pull together to try and solve this murder, and the personal stories are informative without being distracting.
The writing is superb. the author deftly zips between characters and narrators and events in the past and present, finding humor occasionally and painting lovely character portraits that ring true. The villains are not hidden for long, but that doesn't take away the suspense. They are pretty wicked and scary.
I thoroughly enjoyed this Swedish thriller and will rush to read the author's earlier works. In order, series books are: The Savage Altar, The Blood Spilt, The Black Path, Until Thy Wrath Be Past, and The Second Deadly Sin.
Terrific series, set in small town Sweden.
Two young people disappear after venturing out for a diving expedition. As the story unravels, we learn about secrets that go back to the days of Sweden's collaboration with the Nazis. However, this is not even the most interesting part of the story. I was at first put off but soon totally captivated by the narration of some of the parts of the story by the murder victim (after she had died). I did not at first appreciate what an artful tool it was to include her into the story telling.
This is a well written and well translated story, with unusually powerful psychological insights that are presented in a down to earth human fashion.
If you like the Nordic noir you may like this one.
This is a clever novel that is beautifully written. Asa Larsson is a master (or should I say mistress) of descriptive detail, her characters are complex and carefully developed, and the plot had so many twists and turns, that it held my interest from start to finish. I stayed up until 1.30 in the morning to finish it off, as I just could not put it down. This book has a skilful blend of the psychological, thriller and whodunit elements. I can't wait to read the next Asa Larsson movel.
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I love crime fiction. I love scandi crime fiction. Jo Nesbo and Camilla Lackberg are favourites (just to give some idea of the type of novels I enjoy). I haven't read one of her stories before but they are recommended to me by Amazon's algorithms so I thought I would try one out and I expected to enjoy it. Unfortunately I did not.
I don't want to know who did it within the first chapter or two. I want to be kept guessing and have twists and turns and all of the usual plot devices of a crime novel. Therefore knowing who did it so early in the book made the rest of the novel rather like a waste of time. I also really didn't like the whole idea of a ghost being a part-time sort-of narrator and moral commentator. Annoying. It was way too feminine for me too.
I won't be reading another. Sorry Asa.

After this opening incident the temperature drops considerably as focus shifts to the leading characters, especially in the early stages to the prosecutor, Rebekah Martinsson and Police Inspector Anna-Maria Mella. To those unfamiliar with earlier novels in the series, this section is initially rather confusing and the male police remain little more than cyphers throughout the story.
This is not really a crime mystery in the traditional sense, certainly not a "whodunit." Rather the interest shifts to the characters and how their lives emerge from their circumstances and the past. As things develop, those who have been somewhat shadowy figures take on depth in both their public and their personal lives. While this is happening the plot picks up its own momentum and the novel begins to surge forward towards its climax. The pacing is skilful as is Larsson's use of previous events to give meaning and coherence to what is now vibrantly alive in the present. There is no shortage of dramatic incident and Larsson shows that she can handle sensitive situations and feelings as successfully as suspense and action.
I'm uncertain about the supernatural elements. For me they add relatively little and are sometimes an irritant, but that is a minor issue, and perhaps a personal one. In the last analysis I found the book increasingly gripping, at least as much on account of its psychological depth as the unravelling of the plot. It was by chance that I stumbled on this novel but it strikes me as a distinctive addition to the huge number of crime novels. I look forward to encountering the earlier books.

So why only four stars? In some respects this book wasn't as good as 'The Savage Altar'. The language, especially the dialogue, doesn't flow so well and is a little stilted. This is no doubt down to the translation, and I see that the two books have different translators. It's a pity Larsson couldn't have stuck with the same one. I also found the supernatural elements of the book to be a little jarring. Parts of it are written from the point of view of the victim's ghost. People living in remote places with extreme climates, and even Larsson herself, may believe in such things, but they seem out of place in what is otherwise a realistic crime novel - though I'm sure a lot of readers will disagree with me about this.

The development of the leading character Rebecka Martinsson runs on apace, she now has a role in the local police force able even to take the lead in criminal investigations. This to my mind mirrors that of the author who I believe comes of age in this fourth installment of this excellent series set in Northern Sweden. Asa Larsson has found her voice and her place in Scandinavian crime fiction; for me she deserves an even wider recognition.
This is a strong novel with a compelling storyline that owes its origins to the second world war and secrets that some would like to keep buried in the past.
Larsson again uses skillfully flashbacks which reveal more insight that keep the reader ahead of even the detectives trying to unravel the case. Great images of the landscape and the people it forges are again to the fore and a strength of her writing; even to the interaction of humans with their animals. The facts gather, converge and spill over into another tense and thrilling conclusion. Beautifully evocative and rooted in the setting of northern Sweden and its prevailing weather conditions. The book speaks of life and death in measured tones; reflects family relationships and friendships in small communities. The reality of the writing enables the reader consider wider issues and understand perhaps what matters and consider what life is truly about.

I tend to get irritated with crime novels that are so full of characters and events it's almost impossible to follow the plot. This story is also historically very interesting as it describes scandinavian countries' (sometimes shifting) involvement in WW2. A.Larsson is likely to become my next favorite scandinavian author.
Sometimes I really dislike women writers' style, when they go on about the characters' endlessly shifting emotions to the detriment of the plot. But here, we have the best of the feminine writing: an intelligent and highly sensitive style. I enjoyed the end of the novel greatly with a wonderful exchange between the policewoman running the inquiry and one of the ruthless perpetrors. Each one has a past full of such sorrow and pain that one feels empathy for both. The book ends with a message of redemption and of compassion, a beautiful finale.