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Ghost Road Blues (A Pine Deep Novel) Paperback – May 31, 2016
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The book that launched the Pine Deep trilogy
Thirty years ago, a blues musician called the Bone Man killed the devil at the crossroads, only to be beaten and hung like a scarecrow in a cornfield--or so the story goes. Today, the people of Pine Deep celebrate their town's grisly past by luring tourists to the famous haunted hayride, full of chills and scares. But this year, "The Spookiest Town in America" will learn the true meaning of fear. Its residents will see the real face of evil lurking behind the masks of ordinary people. They will feel it--in their hearts, in their bones, in their nightmares. Because evil never dies. It only grows stronger…
"Jonathan Maberry's horror is rich and visceral. It's close to the heart…and close to the jugular." --Kevin J. Anderson
"Maberry has the chops to craft stories at once intimate, epic, real, and horrific." --Bentley Little
"Maberry spins great stories. His (Pine Deep) vampire novels are unique and masterful." --Richard Matheson
"Maberry's works will be read for many, many years to come." --Ray Bradbury
- Print length464 pages
- LanguageEnglish
- Publication dateMay 31, 2016
- Dimensions5.5 x 1.2 x 8.16 inches
- ISBN-101496705394
- ISBN-13978-1496705396
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About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Ghost Road Blues
A Pine Deep Novel
By Jonathan MaberryKENSINGTON PUBLISHING CORP.
Copyright © 2006 Jonathan MaberryAll rights reserved.
ISBN: 978-1-4967-0539-6
Contents
Ghost Road Blues: An Introduction,Prologue,
Part I Down at the Crossroads,
Part II Mr. Devil Blues,
Part III Dry Bone Shuffle,
Epilogue,
CHAPTER 1
Modern Day
(1)
Malcolm Crow pretended to be asleep because that was the only way he could get to see Val naked. He kept his breathing regular and his eyes shut until she got out of bed and headed into the bathroom. Then he opened his eyes just a fraction, until he could see her standing there at the sink, as naked and uninhibited as could be. If she knew he was watching she'd have put on a T-shirt or robe.
It drove him bonkers. She had no problem with nudity when they made love at night, where the shadows hid her — though she underestimated his night vision, which was excellent — but if they made love during the day, even here in her room, she always wore something, even if it was a camisole.
Crow couldn't understand it. At forty Val was gorgeous, tall, tanned and toned from the daily rigors of farm life, even farm life from the point of view of the farm manager. She was strong and slim, with lovely breasts only lightly touched by the gravity of early middle age. Her belly was flat, her thighs, though not thin like a runway model's, were slender and deceptively muscular. Her ass was, according to Crow's intense lifelong study of these particular aesthetics, perfect. She had black hair that was just long enough for a bobbed ponytail, which she usually shoved through the back of a John Deere ball cap. Her pubic thatch was trimmed into a heart — a Valentine gift from earlier that year that Crow had begged her to maintain even though he only got glimpses of it in the dark. The only thing she was currently wearing was a small silver cross on a delicate chain.
There was nothing about Val Guthrie that wasn't perfect, an assessment he reaffirmed as he watched her brushing her teeth, the motion of her arms making her breasts bounce a little and which in turn made Crow's pulse quicken. He felt himself growing erect under the heaped quilts and hoped that he wouldn't be pitching a visible tent, should she look.
Crow knew that Val was self-conscious about her scars, no matter how much Crow tried to convince her that, in the first place who cared? and in the second, he thought they were kind of sexy. Fifteen years ago Val had wrecked three motorcycles in as many years, each time taking some dents. She had a four-inch scar across her stomach, a few minor ones on knees and elbows, and a whole bunch of jagged little ones dotting the curved landscape of her left shoulder, left breast, and the upper ribs. Those scars were linked by a few patches of healed burns. The third and last crash had been bad and Val had given up on Harleys and moved on to the relative safety of four metal walls and a roof in the form of a Dodge Viper.
Val finished brushing, rinsed, spat, and then washed her face and hands in the basin. Crow was fully erect now and wished she would come back to bed so he could contrive to wake up out of an erotic dream of her, or something along those lines. He knew he had to wait until she was back in bed before he affected to awaken.
She switched off the bathroom light and paused there in the doorway, checking to see if Crow was still asleep before coming back into the room. Crow did some of his best acting during the next few moments as she assessed, decided the coast was clear, and quickly crossed the broad stretch of hardwood floor to the giant king-sized bed. With smooth and practiced efficiency she slipped under the covers, turned her back, and nestled back against him until her rump encountered his thighs.
And then stopped as she felt something other than the flaccid thigh muscles of a sleeping person.
Crow held his breath, waiting for her to tell him to go take a cold shower or, worse, to just ignore it and go back to sleep herself.
Without turning toward him Val said in a low voice, "Is that a gun in your pocket or are you just happy to see me?" It was supposed to be à la Mae West but it sounded more like Minnie Pearl.
Crow pretended to wake up, but Val elbowed him lightly in the ribs.
"You're a lousy actor, Crow."
"Damn it, Jim, I'm a lover, not an actor." He was convinced he sounded exactly like Dr. McCoy. He was equally mistaken.
Smiling, Val rolled over toward him and kissed him. Chastely. On the forehead. "You were spying, weren't you?"
"Who?" he said. "Me?"
She reached down under the blankets and closed her hand around him. "This is an official lie detector."
"Yikes ... what'd you do, wash in cold water?"
"Aha! You were watching, you complete sneak!" She was smiling. Her eyes were a brilliant dark blue, darker now under the overhang of the covers. Behind the curtain windows dawn was brightening to a golden intensity and there were late-season birds singing. Crow could hear the rustle of the cornstalks in the fields beyond the window, and it sounded like waves rolling up onto the beach.
Val's hand was still there.
"You caught me, Sheriff!" he confessed. "I throw myself on the mercy of the court."
Val's smile changed from sleepy to devilish. "Sorry, pal, but no mercy for the condemned in this court." And she hooked a warm leg over him and climbed on top. Even then she had the presence of mind to pull a sheet up around her left shoulder.
"If you don't come down for breakfast in the next minute I'm feeding this to the cows!" The voice boomed up from two flights below just as Crow was lacing up his sneakers. Val was still in the shower.
"Your dad's calling," he yelled in through the now closed bathroom door. "Again."
"You go. I've got to dry my hair."
"Love you, baby!"
"Love you, too!"
Grinning, Crow headed out of the bedroom and jogged down the stairs, humming Lightin' Hopkins's "Black Ghost Blues." The song had been in his head for days now and he meant to see if he could download it off the Net later on.
Malcolm Crow was a compact man, only an inch taller than Val's five-seven and built slim without being skinny. He had the springy step of a kid half his age, and when he played basketball he was up and down the court so fast he just wore out the bigger and better players. His black hair was as smooth and black as his namesake's, and it gave him a Native American look that was at odds with his Scottish ancestry. Crow had a lot of white teeth and he smiled easily and often, as he was now as he bounded into the vast kitchen of the Guthrie house.
Henry Guthrie was at the stove using a spatula to stack slices of French toast onto a metal serving tray. Plates of bacon and sausage and a dish of scrambled eggs were already on the table.
"If you're quite through being a bother and a burden to my daughter," Guthrie said sternly, "then see if you have enough strength left to take this over to the table."
"My strength comes from purity," Crow said, hefting the plate. "As well you know."
"Then you must be as weak as a kitten."
"Ouch." Crow thumped down the plate and slid onto one end of a hardwood bench at the far end of the massive oak table. There were enough plates and cups scattered around to show that several people had already eaten and left. Crow knew from long experience that the Guthrie kitchen was in nearly constant use by field foremen and supervisors, the Guthries themselves, and various other people who happened to be passing, from the seed merchant to the milkman. Despite Guthrie's threat of giving the breakfast to the cows, they didn't actually own any.
Guthrie poured coffee for Crow and then for himself and sat down in the big captain's chair at the other end of the table.
"So, what's on your agenda?" Guthrie asked. He checked the hall to make sure Val wasn't looking before adding real sugar and half-and-half to his coffee instead of Splenda and skim milk.
With a mouthful of French toast, Crow said, "Got to go over to the hayride and do some work. Couple of the traps need some repairs." Pine Deep boasted the largest Haunted Hayride in the country. It was owned by Crow's friend, Terry Wolfe, but Crow was the one who designed it and kept it in top shape. He personally devised each of the "traps" — the spots where the monsters jumped out at the customers and scared the living hell out of them. Each of Crow's traps was very elaborate. "After that," he said, swallowing and reaching for the bacon, "I guess I'll head into town to open up the shop."
"Business okay?"
"Doing great." Crow's other concern was a small arts and crafts store on Main Street, where he sold art supplies, fancy paper for scrapbookers, even knitting yarn, but which turned into Halloween central this time of year. Even with the crop blight that was hitting the local farms, and the resulting economic slump, Halloween was still the number- one business in Pine Deep.
Munching bacon, Crow assessed Henry Guthrie. Val's dad was getting up there now, and high-tech farming or not the fields took their toll. He looked every one of his sixty-four years, and perhaps a bit more. His bushy black eyebrows had become wilder and shot with silver, and since Val's mother died two years ago, Guthrie's head of hair had gone completely gray. Even so, his blueberry-blue eyes sparkled with youth and mischief.
"I'm thinking of taking Val to New Hope next weekend. Just to get away for a day or so. Can you spare her?"
"Well," Guthrie said, considering, "without her the farm will collapse, I'll be financially ruined and will have to live in a cardboard box under the overpass, but other than that I don't see why you two shouldn't have some time."
"Cool."
"Oh, I ran into your buddy — His Honor, I mean."
"Terry? Where'd you trip over him?"
Guthrie almost said that they'd met in the waiting room of the psychiatrist they both shared — Henry for grief management and Terry for who knew what? — but shifted into a different lane when he realized he didn't know if Crow knew that Terry Wolfe was in therapy at all. He said, "In town. I had a few errands to run."
Crow grunted, eating more bacon.
"He doesn't look too good these days," Guthrie said.
"Yeah. He says he's been having trouble sleeping. Nightmares, that sort of thing." Crow wasn't looking at Guthrie while he spoke. He was having some nightmares as well, and didn't want Val's very sharp and perceptive dad to see anything in his eyes.
"Well, I hope he takes care of himself. Terry always was a little high-strung."
The batwing saloon doors that separated the kitchen from the main dining room creaked as Mark Guthrie, Val's brother, pushed through. He was a few years younger than Val but was beefy and out of shape, and unlike his father Mark was starting to lose his hair. He wore a gray wool business suit and was reading the headlines of the Black Marsh Sentinel.
"Morning, Dad, morning, Crow."
"Hey," Crow said, waving at him with a forkful of sausage.
"It's all on the table," Guthrie said. "Sit down and let me pour you a cup."
They sat there and ate, and Mark gently shifted the conversation to local business, discussing the financial crisis in town without actually mentioning the phrase "crop blight." So far it hadn't hit the Guthrie farm, but some of their neighbors had been devastated by it. Mark, who was a nice but rather pedantic guy, offered his views on how to solve everyone's financial woes by the right investments. Guthrie nodded as if he agreed, which he didn't, and Crow ate his way through a lot of the food. Val's brother ran the student aid department of Pinelands College and therefore held himself up as an expert on anything dealing with finances.
Crow let him talk, grunting and nodding whenever there was a pause, and when there was an opening, he jumped in and said, "Well, fellas, much as I hate to eat and run ... I'm going to anyway. Mark, see you around. Henry, I'll probably see you later. Val said she's going to make dinner for me tonight."
Both of the Guthrie men stared at him as if he'd just said that blue ferrets were going to pop out of his ears.
"Val?" Guthrie said.
"Cook?" Mark said.
And they burst out laughing.
"If she hears you she will so kick both your asses," said Crow, but they were right. In all the years Crow and Val had known each other she'd only cooked for him a few times and it had always ended badly.
They were still laughing as Crow jogged upstairs, gently pushed aside the hair dryer, kissed Val in a way that made them both tingle, and then ran downstairs again. Now Henry and Mark were exchanging horror stories about some of Val's previous attempts at cooking. Mark was as red as a beet and slapping his palm on the table as they guffawed about something dealing with a pumpkin pie and a case of dysentery.
Whistling to himself, Crow strolled across the broad gravel driveway to where his old Chevy squatted under a beech tree. The song he was whistling was "Black Ghost Blues," though he wasn't consciously aware of it.
(2)
Terry Wolfe rolled over onto his side as if in sleep he was trying to turn away from his dream. It didn't work. The dream pursued him, as determined this morning as it had been for the last ten nights. As cruelly persistent as it had been, off and on, since the season had begun. Since the blight had started.
His face and throat were slick with sweat. Beside him, Sarah moaned softly in her sleep, her dreams also troubled, but in a less specific way, as if the content of hidden dreams tainted hers, but somehow in her sleep she was only aware of a sense of threat rather than of the nature of it.
Terry's hands gripped his pillow with ferocious force, his fingernails clawing at the thick cool cotton as he dreamed....
In dreams Terry was not Terry. In dreams, Terry was something else.
Some.
Thing.
Else.
In dreams, Terry did not lie sleeping next to his wife. In dreams, Terry always woke up and turned to Sarah and ...
The part of Terry that was aware that he was dreaming cringed as he watched what the dreaming thing did. That part of Terry cringed and cried out and wept as he watched the thing pull back the covers from Sarah's sleeping form and bend over her, dark eyes flashing as they drank in her curves and her softness and her vulnerability. The watching Terry tried to scream as the thing opened its mouth — and the sleeping body of Terry Wolfe actually opened his mouth, too — and leaned closer still to Sarah, teeth bared, mouth watering with an awful hunger.
No! the watching Terry screamed — but the scream only took the form of a choked growl.
It was enough, though. The tightening of his throat and the desperation of his need to cry out snapped the line that tethered him to the nightmare and he popped awake. He lay there, chest heaving, throat raw from the strangled cry, sweat soaking him.
Somewhere behind the curtains morning birds absurdly argued that it was a sunny, wonderful day and all was right with the world. Terry would gladly have taken a shotgun to them.
He sat up, his muscles aching from the long hours of dreaming tension. Sarah was still asleep, curled into a ball, her face buried in a spill of black hair and crumpled pillows. Standing, Terry looked down at her, at her lovely lines, smelling the faintness of her perfume in the bedroom air. He loved her so much that tears burned in his eyes and he wondered — not for the first time — if he should kill himself.
Every morning the idea had more appeal, and every morning it seemed like it would be the best thing he could ever do for her.
Terry wrenched himself away from staring at her and lumbered into the bathroom. He leaned both hands on the cool rim of the sink and stared at his reflection. Every day there was just a moment of dread when he brought his face to the mirror — wondering if today was the day he would see the beast and not the man, if today he would wear the face he wore in his dreams.
It was just his own face. Broad, square, with curly red hair, a short beard that was not as precisely trimmed as it once was. Bloodshot blue eyes that looked back at him, shifty and full of guilt for something he just could not name. He was five weeks shy of forty and normally looked five years younger than that. Now he looked fifty, or even sixty.
He opened the medicine cabinet and selected from among a dozen orange-brown prescription bottles until he found the clozapine, tipped one into his mouth, and washed it down with four glasses of water. The antipsychotic gave him terrible dry mouth. He put another of the pills into a small plastic pill case along with half a dozen Xanax and snapped it shut, feeling edgy and strangely guilty as he did so. He glanced up at the mirror again.
"Good morning, Mr. Mayor," he said, hating the face he saw, and then he set about washing and brushing and constructing the face he needed everyone else in town to see.
(3)
Crow pulled out of the long Guthrie driveway and turned northeast along Interstate Extension A-32, heading to Old Mill Road and the Haunted Hayride that was nestled back in between the Pinelands College campus and the sprawling southern reach of the great Pine Deep State Forest. He had stopped whistling to himself and was now singing along badly to a Nick Cave CD. As his battered old Chevy, Missy, rolled up between corn farms and berry farms, Crow sang his way through the Bad Seeds' raucous and obscene version of "Stagger Lee," a song he could never play in anything like polite company. To Crow, there was nothing particularly strange about starting a lovely late September morning off with a ballad about mass murder and pederasty.
(Continues...)Excerpted from Ghost Road Blues by Jonathan Maberry. Copyright © 2006 Jonathan Maberry. Excerpted by permission of KENSINGTON PUBLISHING CORP..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Kensington; Reissue edition (May 31, 2016)
- Language : English
- Paperback : 464 pages
- ISBN-10 : 1496705394
- ISBN-13 : 978-1496705396
- Item Weight : 14.6 ounces
- Dimensions : 5.5 x 1.2 x 8.16 inches
- Best Sellers Rank: #686,919 in Books (See Top 100 in Books)
- #4,411 in Serial Killer Thrillers
- #4,555 in Occult Fiction
- #9,508 in Murder Thrillers
- Customer Reviews:
About the author

JONATHAN MABERRY is a New York Times bestselling author, 5-time Bram Stoker Award-winner, 3-time Scribe Award winner, Inkpot Award winner, anthology editor, writing teacher, and comic book writer. His vampire apocalypse book series, V-WARS, was a Netflix original series starring Ian Somerhalder. He writes in multiple genres including suspense, thriller, horror, science fiction, epic fantasy, and action; and he writes for adults, teens and middle grade. His works include the Joe Ledger thrillers, Kagen the Damned, Ink, Glimpse, the Rot & Ruin series, the Dead of Night series, The Wolfman, X-Files Origins: Devil’s Advocate, Mars One, and many others. Several of his works are in development for film and TV. He is the editor of high-profile anthologies including The X-Files, Aliens: Bug Hunt, Out of Tune, Don’t Turn out the Lights: A Tribute to Scary Stories to Tell in the Dark, Baker Street Irregulars, Nights of the Living Dead, and others. His comics include Black Panther: DoomWar, The Punisher: Naked Kills and Bad Blood. His Rot & Ruin young adult novel was adapted into the #1 comic on Webtoon and is being developed for film by Alcon Entertainment. He the president of the International Association of Media Tie-in Writers, and the editor of Weird Tales Magazine. He lives in San Diego, California. Find him online at www.jonathanmaberry.com
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A small backstory:
The town of Pine Deep is just steeped in haunting lore of the Bone Man as something tragic happened thirty years before in Pine Deep. Now every year the town has a haunted hayride festival that commemorates the lore. Though this year something comes barreling through the small town in the way of three criminals and they are notorious for crimes they have committed in the past. Things are about to get interesting when the criminals show up as the haunting in the town slowly comes to life encompassing them all.
Thoughts:
There are quite a few characters to keep track of in this story so I didn't go into any great detail of each one of them - it was best to give a background on the story itself instead of going into character detail. Main characters that stand out in this story are: Terry Wolfe, Malcolm Crow, Valerie Guthrie (Crow's girlfriend), Iron Mike Sweeney, Tow Truck Eddie, and Vic Wingate, plus the criminals: Ruger, Boyd, and Tony.
The story itself seems slow at first and I did notice that there is up and down ratings/reviews on this book, but though it might seem to be a slow burn the book literally takes off about the half way point and when the criminals show up the story escalates. It almost seems to have a brooding terror just below the surface of the story as you can feel that something is going to be happening but you just do not know what is coming toward you.
SPOILER ALERT!!
Normally I do not put spoiler alerts in my reviews as I like to keep readers guessing but in this case I felt it was necessary as there is a twist that happens near the end that had me read the section twice to make sure my brain was computing the information.
So here are my spoiler thoughts:
There is a twist near the end of the book that surrounds the Bone Man as I had been thinking the Bone Man was the one actually haunting the town of Pine Deep but I learned from the twist that though he is haunting the town there is another entity/ghost haunting the town as well but I don't learn this tidbit till much later in the story. Actually I don't learn it till close to the end which actually I can see why there is more to the town of Pine Deep and that I am going to have to continue on here shortly with book number 2 to find out what happens.
So those are my thoughts on that interesting musing and now to the rest of my review. :)
This was my first time reading this author and I am so happy that I finally stepped into his books. This is the first book in a trilogy and I am looking forward to reading the next book which is "Dead Man's Song". Giving this one five "Bone Man Boo" stars!
But what you WILL find in this book is both good and bad. I'll list my opinion of the pros and cons here, since the large amount of 5-star reviews for this book were, in my opinion, a little misleading and don't tell the whole story.
The good:
1) The author certainly has a large vocabulary and knows how to paint a scenic picture. His prose is very descriptive and even though it can get overly-weighty at times (see the first "bad" point below), there's no denying he can write.
2) The setting, if you're looking for a good horror book to read around Halloween, couldn't be much more perfect.
3) Action scenes, when you finally get to them, are tense, well-written, and keep you turning the pages quickly.
The bad:
1) The book is too long by probably about 100 - 150 pages. Other reviewers have pointed this out as well - there are pages and pages devoted to describing the geography of the town, including which roads lead where, the shape of fields and forests, property line descriptions, etc. And then they are repeated chapters later. Descriptive is good, but this goes way beyond that. Another example is the early chapter(s) about a teenage boy on his paper route, who fantasizes about being a super hero riding his "war machine", rather than a kid on a bike, and the author writes pages and pages about this fantasy, way past the point of it being humorous or cute. We get it. As stated above, the action sequences are good, and the book starts out strong, but from page 100 to about 250, I was really struggling to get through it, and in a 475-page book, that's not a good sign. It does start to get going a bit more around page 300 through to the end, but if the other two books in the trilogy are like this one, it easily could have been edited down to one much more consistently-enjoyable book.
2) Characters are a bit one-dimensional, especially the "bad guys" (more on them later). The main lead, Crow, is the most fleshed-out character, followed by the mayor (who you still don't really get a full picture of), but beyond those two, you've got the standard dim-witted small-town sheriff, tough and by-the-books city cops from Philly, the beautiful, smart, tough-as-nails country farm girl, and then the usual cast of corrupt small-town cops, cartoonishly-evil criminals, and then the supporting cast of nobodies.
3) Now, about those "bad guys". There are a lot of them in this book. And by "a lot", I mean almost too many to count. Between the main evil character in this book, who you don't even really get to know yet, or have any history of yet, to the three criminals running from the law, to the handful of corrupt to downright evil citizens you meet in the book, you wonder how there can be anyone left standing in the end. Perhaps there won't be. I also find it hard to believe that a character as evil as Ruger could have made it this long in life without running afoul of the law. MINOR SPOILER ALERT: And since no-one seems to actually "die" in this book, save one "bad" character who was ripped to shreds by another "bad" character, you don't even get the enjoyment of seeing these evil monsters get what they had coming to them. I guess that's what the other two books are for...
4) It's not too big of an issue, but there are a surprising amount of typos and grammatical errors in this book. Could have used with some better editing.
All in all, this isn't a bad book, just overly long, with either cookie-cutter characters or bad guys which are evil beyond belief. It's not hard to believe that people like that exist in the world, but 5 or 6 in the same small town? And I get that there is this idea that they have been "summoned" there by the evil presence, but still... seems like 3 or 4 antagonists too many. Factor in the long gaps between action, and the fact that there is no resolution at the end of this book, and my advice is that unless you are planning on reading the entire trilogy, you should definitely skip this one. 3.5 stars.
Top reviews from other countries



Echoes of King and Bradbury for me in this rollicking story which hits the ground running and never lets up. Well written and well-rounded characters, even the bad guys, and the right balance of scares and action.
It's like some old fashioned heavy weight boxing slug fest as well...nobody, good or bad, goes down without a fight and that just adds to the tension.
Loved it.

