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Ghost In The Shell 2014

NR CC

Now featured in stunning high-definition, this edition celebrates the 25th Anniversary of the original manga. It is 2029 and a female cyborg hunts a hacker who robs human of their memories.

Starring:
Atsuko Tanaka, Akio Ôtsuka
Runtime:
1 hour, 22 minutes

Available to watch on supported devices.

When renting, you have 30 days to start watching this video, and 48 hours to finish once started.

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When renting, you have 30 days to start watching this video, and 48 hours to finish once started.

Rent Movie HD $3.99
Rent Movie SD $2.99

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Buy Movie HD $7.99
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Product Details

Genres Science Fiction, Thriller, Action, Mystery
Director Mamoru Oshii
Starring Atsuko Tanaka, Akio Ôtsuka
Supporting actors Kôichi Yamadera, Yutaka Nakano, Tamio Ôki, Tesshô Genda, Namaki Masakazu, Masato Yamanouchi, Shinji Ogawa, Mitsuru Miyamoto, Kazuhiro Yamaji, Shigeru Chiba, Hiroshi Yanaka, Ginzô Matsuo, Takashi Matsuyama, Sanryô Odaka, Masamichi Satô, Atsuko Hayashida, Yûji Ueda, Toshiki Kameyama
Studio Manga Entertainment
MPAA rating NR (Not Rated)
Captions and subtitles English Details
Purchase rights Stream instantly Details
Format Amazon Video (streaming online video)

Other Formats

Customer Reviews

Top Customer Reviews

By A Customer on March 1, 2000
Format: DVD
I've read a few reviews comparing 'Ghost in the Shell' to 'The Matrix'. Personally I don't think it's an accurate comparison at all. Think 'Blade Runner' here. It has the same kind of atmosphere that made BR such a cult movie and it deals with the same subject. Compared to most other animes out there, GITS may seem a little dull, but if you're the kind who likes to have some brain activity when watching an anime, then you'll probably like this. One other thing that caught my attention is that, like 'Blade Runner', it flows along like water. You could easily start watching it and find yourself loosing track of time. It is short tough, only 82 min. It's a shame really, because with the vast amount of sub-plots present in Masamune Shirow's original work they could easily make an anime with well over 2hrs. That aside, the animation is some of the best you will ever see. Kusanagi's battle with the tank at the end comes to mind. Very sleek. The music is also very peculiar. It's kinda of a cross between ambient, electronica and new age. It's not for everyone be warned. Unlike normal music scores, Kenji Kawai's score does not bring the action to life, quite on the contrary. It's always present very softly in the background to the point of you forgetting about it. It creates a sense of detachment, or contemplation that, in my opinion, works great for this kind of movie, however I can see why some people would disagree. All in all, this one is a true classic to be ranked along the side of Akira. Get it!
Image Quality: Very good for the most part. The anime's dark atmosphere and dull colours transfer well to DVD.
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Format: VHS Tape
An existential action anime? That's what Ghost In The Shell, a.k.a. Kokakukidotai (Shell Mobile Force) is, with animation sporting top-of-the-line computer imagery in the Bladerunner-like metropolis of Newport, but that's secondary compared to the underlying intellectual theme.
Major Kusanagi Motoko is a skillfully trained cyborg assassin in Newport's Section 9, who's taking out a diplomat illegally trying to give immunity to a listed programmer, demonstrates her training, including an amazing moment when she dives off a building, picks off her target, and via a thermoptic camouflage (i.e. portable cloaking device), vanishes from sight.
She and the members of her team, consisting of the mostly human Togusa, Ichikawa, and Batou, a burly no-nonsense blond cyborg with electronic eye implants, are trying to track down the Puppet Master. The Puppet Master is a master hacker who hacks into people's brains and uses them for his dirty work, presumably to carry out espionage or terrorism, leaving his puppets no memory of their infiltration. One of his puppets keeps using a public computer to try to infiltrate the brain of his wife, who is divorcing him and wants custody of their child. When he's picked up, he is told by Section 9 that his wife, child, and divorce are all false memories imprinted by the Puppet Master, causing further distress to the man when he is told the fake memories can't be erased.
However, there are two conflicts going on. One is Kusanagi's mission to hunt down the Puppet Master. The other and the one with a deeper meaning is the search for her identity within the scheme of a whole, or rather, something beyond her individual self, highlighted by her words taken from the Book of Corinthians: "For now we through a glass, darkly.
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Format: DVD
"Ghost In The Shell" is the most engaging anime I have yet to be exposed to. I've also seen: "Vampire Hunter D", "Macross Plus" (loved it), "Do You Remember Love" (a fave), and...uh, does "Robotech", "Transformers The Movie", and "Voltron" (Golion/Dairugger XV) count? Okay, you get the picture -- I'm not exactly a die-hard anime fan yet, but I really do prefer Japanimation to any other kind of animation (seriously!); so here goes my review:
I'd heard so much good stuff about this film that I finally decided to rent it, along with 1998's "Dark City" (which was a good decision). The first time I watched it, I found myself resisting the urge to write down technical details like "Section 6", and "Section 9", and "MOFA" because they seemed to be important details to remember. The movie ran its course, and I felt a little (no, very!) disappointed. Then I decided to read what others had to say online, and they seemed to (for the most part), enjoy it. Many folks also suggested that viewers watch it at least twice. I decided to watch "Dark City" instead.
After watching "Dark City", I realized that one very cool movie released in 1999 borrowed heavily from both "Ghost In The Shell", and "Dark City", and that ground-breaking film was "The Matrix". From "Ghost", I feel that (visually) Trinity's character can be likened to Major Kusanagi (sexy, tough, short-haired), some of the combat scenes (pillars being blown away by machine-gun fire), EVEN, Trinity's deadly entrance (the same way the Major makes her deadly entrance).
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