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The few hundred souls who inhabit Words, Wisconsin, are an extraordinary cast of characters. The middle-aged couple who zealously guards their farm from a scheming milk cooperative. The lifelong invalid, crippled by conflicting emotions about her sister. A cantankerous retiree, haunted by childhood memories after discovering a cougar in his haymow. The former drifter who forever alters the ties that bind a community. In his first novel in 30 years, David Rhodes offers a vivid and unforgettable look at life in small-town America.
“[Rhodes’s] finest work yet . . . Driftless is the best work of fiction to come out of the Midwest in many years.”—Chicago Tribune
“Set in a rural Wisconsin town, the book presents a series of portraits that resemble Edgar Lee Masters’s ‘Spoon River Anthology’ in their vividness and in the cumulative picture they create of village life.”—The New Yorker
“Encompassing and incisive, comedic and profound, Driftless is a radiant novel of community and courage.”—Booklist (starred review)
“A welcome antidote to overheated urban fiction . . . A quiet novel of depth and simplicity.”—Kirkus Reviews
“It takes a while for all these stories to kick in, but once they do, Rhodes shows he still knows how to keep readers riveted. Add a blizzard, a marauding cougar and some rabble-rousing militiamen, and the result is a novel that is as affecting as it is pleasantly overstuffed.”—Publishers Weekly
- LanguageEnglish
- PublisherMilkweed Editions
- Publication dateJanuary 1, 2010
- File size1308 KB
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Excerpt. © Reprinted by permission. All rights reserved.
DRIFTLESS
By David RhodesMILKWEED EDITIONS
Copyright © 2008 David RhodesAll right reserved.
ISBN: 978-1-57131-059-0
Contents
Prologue............................................3No reason...........................................7A Nation of Families................................17Scheduled Violence..................................26Mottled Sunlight....................................28Grief...............................................32Painted Bodies and Orange Fires.....................36Gathering Evidence..................................41Think Less, Do More.................................47Protecting Papers...................................51Keeping a Respectful Distance.......................54Humped Floors.......................................60A Room without Furniture............................67faith Keeps No treasure.............................70Broken Things.......................................77Hot Milk............................................83Hiring Help.........................................88Perpetual Perishing.................................98Epiphany............................................102Theft...............................................113Visitor.............................................118Straight Flush......................................122Testimony...........................................127A Private Heaven....................................134Work Begins.........................................141letter to the Editor................................146Fire in the Field...................................155A New Song..........................................160Finishing Up........................................164Snow................................................167Remembered Love.....................................172Desperation.........................................176Completing the Circle...............................182Family..............................................187Envy................................................193Seeking Help........................................200Theodyssey..........................................204Fear................................................210Reunion.............................................216Don't Go That Way...................................223Measuring Up........................................235The Meaning of Truth................................238A fragile Balance...................................249Insurgency..........................................255Slaughter...........................................264Sighting Dogs.......................................271The Thief...........................................285The Universal Acorn.................................292Hunting.............................................301Spring..............................................308New love............................................312Keeping in One's Place..............................317Mushrooms Are Up....................................324Making Bail.........................................328the Heartland Federal Reserve.......................332Inside the Neighbor's House.........................341Trapped by the Past.................................345Value...............................................350Letting Go..........................................358Lawyers.............................................360Resemblance.........................................365The County fair.....................................370Making Other Arrangements...........................376Meeting at snow Corners.............................379The Look of Death...................................391Finding July........................................394Selling Land........................................399Inside the Church...................................403The funeral.........................................409Driftless...........................................422Chapter One
NO REASONTHE MORNING RIPENED SLOWLY. TEN O'CLOCK FELT LIKE NOON. July Montgomery cut open a sack of ground feed and poured it into the cement trough. He looked out of the barn window into his hay field, where a low-lying fog stole silently out of the ground, filling space with milky distance. Beyond the fence, the tops of maple, oak, and hickory formed a lumpy, embroidered edge against infinity.
July had lived here for more than twenty years, but because of the dreamy quality of the morning, the landscape now appeared almost unfamiliar. The row of round bales of hay-which he'd placed near the road only weeks before-seemed foreign and completely removed from any history that included him. The road itself looked different, and when a hawk stepped off a utility pole, opened its wings, and sailed up the blacktop road toward the nearby village of Words, it disappeared into the looming fog as though entering another world. July marveled at how easily the characters of even the massive, stationary things of reality could be changed by a little moisture in the atmosphere.
On the other side of the barn he could hear his small dairy herd hurrying back from the pasture. He had let them out just an hour before, and it seemed odd that they would be coming back. Normally, they preferred to graze all day, knee-deep in grass, even in the most inclement weather.
Several cows anxiously butted their heads against the wooden sides of the building and he opened the doors, allowing them back into the barn. Agitated, they bellowed and crowded against each other, milling nervously from one area to the next, swarming in slow motion.
Something had frightened them, and July stood in the opening and searched for an explanation-a pack of dogs, perhaps. But he could see nothing, and indeed it wasn't always possible to identify the reason for a herd's agitation. Like the fear that often seizes human society, it sometimes had no tangible cause. Given the social nature of animals, an errant yet terrifying idea could flare up in a single limbic system and spread into the surrounding neighborhood, communicated with the speed of a startled flock of birds. Before long, a climate of fear was established, perpetuated through the psyche's network of instinctual rumor.
A movement caught his eye. Several hundred yards away, at the very edge of where the fog swallowed objects wholesale, a large black animal jumped the fence into his hay field, turned around in an almost ritual manner, and looked directly at him.
Now there's something, July thought, staring back. It appeared to be a very big cat, a panther, also known as a cougar, puma, or mountain lion. He'd seen them out west and up north, but never here. Though they had once been native to the area, there had been no reports of them, as far as he knew, for generations. It wasn't even necessary to actually see one, of course; a stray scent of the beast-inhaled by a single cow-and the whole herd would vibrate with primordial anxiety.
Moving slowly, the panther paced with elastic ease along the old fence, carefully measuring its distance from the barn, keeping partially hidden in the fog, like a ghost not willing to assume corporeal form. As it moved, it continued to stare at July, and July continued to look back.
He wondered why a panther would reenter an area its ancestors had long ago abandoned. The larger reasons, of course, included the encroachment of human civilization and depletion of natural habitat; but July wondered what the urge itself must have felt like-from the inside-to compel it to leave its familiar haunts. If it was a male, the pursuit of a female might lure it into the unknown; a female, on the other hand, might venture out in search of food or the protective seclusion needed to raise its young. July also imagined that both male and female might, like some people, simply enter an unknown area for the sake of discovering how it compared with what they already knew.
As he watched the panther striding slowly, elegantly on the edge of the woods, July also saw no reason to deny to the creature the possibility of acting without a compelling motivation. Perhaps it ended up in his hay field without knowing why it had come.
July remembered his own journey to the Driftless Region, more than twenty years ago.
He recalled first that nothing had hurt. He'd woken up in a surprisingly comfortable ditch along an unrecognizable road in the middle of the night, near the end of September, somewhere in Wyoming. The stars seemed especially thick and chaotic above him, brilliant but mixed up, as though they had been stirred with a silver oar. He had no memory of how he'd come to be here-wherever here was-and he felt to see if some parts of his body were perhaps broken, bleeding, or missing. But nothing seemed out of place, and nothing hurt.
After more checking, he discovered that his wallet was missing. And his duffel bag, lying next to him in the long grass and weeds, had been ransacked. Most of his personal belongings-rope, stove, cooking utensils, hatchet, knife, compass, lantern, bourbon, dried food, candy bars, matches, soap, maps, and a couple books-were gone. All that remained were a couple items of clothing, his sleeping bag, and his water bottle.
But nothing hurt and that seemed like a good omen. Things could be much worse. Whoever had left him here had not found the flat canvas money belt tied snuggly around his abdomen. He then fell back to sleep and woke up an hour later at the sound of an approaching vehicle.
A pickup moved east along the highway. It was closely followed by a noisy single-axle trailer, pulled by a bumper hitch. As though extending a carpet of light before its path-a carpet it never actually rode on-the truck came to a rattling stop at the nearby inter section. The driver climbed out and walked back to check on the trailer. Cramped from sitting and arthritic with age, he moved stiffly.
July dusted off his clothes, walked out of the ditch, and joined the old man at the trailer.
"Everything all right?" he asked.
The old man seemed startled at not being alone and warily inspected July and the duffel bag extending from his left arm.
"So far, so good," he said, and resumed shining his flashlight through the open slats in the side of the trailer. The dense circle of yellow light moved over a massive Angus bull. The animal's warm smell had a sweet yet acrid quality and when it shifted its weight from one set of legs to another, the trailer groaned respectfully.
July walked to the other side of the road and urinated on the gravel shoulder.
It was a clear, summerlike night, and the sky glowed with unusual green luminance.
The spilling sound reminded the old man of his own full bladder and he also peed on the edge of the road. Far in the distance a dog barked.
"You need a ride, young man?"
Inside the truck, the driver adjusted his billed hat and lit a cigarette. July shoved the duffel bag under the seat and sat beside him. "Where you going?" he asked.
"Wisconsin. Ever been there?"
"Nope," said July.
As they rode through Wyoming, the old man explained that he and his brother kept a herd of Herefords in southwestern Wisconsin. They wanted to breed up some black baldy calves, and the old man had driven out to the stockyards in Cheyenne, looking for a long yearling with eye appeal. At a late auction, he'd bought one.
July liked the way the old man talked-his accent and choice of phrases. On this basis he decided to continue with him.
"How long you been in Wyoming?" the old man asked.
"Eight or nine months, working on a ranch."
"You from around here?"
"Nope."
"Where you from?"
"Everywhere," said July. "Never been to Wisconsin, though."
"Where were you before you were in Wyoming?" asked the old man, openly exhibiting the interest of someone who currently lived in the same house he had grown up in.
"Unloading ships on the docks in California."
"And before that?"
"Hauling wheat in Canada," July said. His window was open and the warm night air blew against the side of his face. "I spent almost a year in the prairie provinces, driving truck. While I was there I met a man, a logger with a plastic leg who could run faster than anyone I'd ever seen. And at night he'd take off his leg and count the money hidden inside it. Other people were always betting him he couldn't outrun them."
"How'd he lose his leg?"
"Cut it off by mistake with a chain saw, above the knee."
It was the kind of talk people make in bus stations and other places when they do not expect to see the person they're talking to again-stories about other people, maybe true and maybe not. It was good-natured talk, well suited to the thin, fleeting comfort shared by strangers. Ghost talk.
They traded driving in South Dakota and continued all the way into Wisconsin, where the old man began to anticipate returning to his brother and their farm more eagerly.
"It's not that far now," he said. "Only about twenty miles past the next town. My brother should be waiting up for us. The coffeepot will on and we can have a real meal."
The trailer rattled loudly after running over a large pothole in the pavement, and the old man stopped at the deserted intersection and went back to check on his young bull. It was dark, and after looking at the tires, he inspected the interior of the trailer with his flashlight.
July got out and stretched.
When the old man climbed back behind the wheel, July stood in the road and drew the large canvas duffel bag from under the seat. He pulled the strap over his shoulder.
"Thanks again for the ride."
"My place is just a little ways ahead. Look, my offer for a place to sleep is good."
"Thanks, but, well, no thanks."
"At least let me drive you into Grange. I don't feel right leaving you here in the middle of the night."
The young man looked away. He was uncomfortable with not complying with the older man's wishes yet remained determined to be on his own. "Where does that road go?" he asked, nodding north.
"To Words-nothing up there but a handful of houses. Look, my brother will be waiting for me. Our place is only a little ways from here. You can spend the night, and in the morning-"
"I wonder why they put so many stop signs here?" asked the young man, neither expecting nor waiting for an answer. "I really appreciate the ride."
Smiling, he closed the door.
"Wait," said the old man. "The sandwiches-there are a couple left. You paid for them." And he handed a greasy, lumpy paper sack through the open window.
July tucked it under his arm. "Well, thanks again, and goodnight."
He stood in the middle of the road and watched the glowing taillights move beyond his sight. The clanking and banging sounds of the trailer faded and disappeared. A grinning yellow moon dissolved all the stars around it and threw a greenish- blue glow over the countryside.
July set his pack down and took out a denim jacket, replacing it with the paper sack.
"Okay," he said, "which way now?" He hadn't thought further ahead than this unknown intersection.
He stood in the middle of the road wondering which way to go, waiting for some inspiration-a beckoning or sign. After receiving none, he decided a town called Words was good enough.
His boots made clumping sounds against the road's hard surface, which continued north in a meandering manner up and down hills. Moonlit fields of standing corn, hay, and soybeans merged with evergreen and hardwood, marshland and streams. Crickets, frogs, owls, and other nocturnal creatures called out to him as he passed. Of particular notice were the unidentifiable cries-the raw sounds of nature that refused to be firmly associated with mammal, fowl, or insect.
Set off from the road, an occasional yard light burned near a barn. The houses themselves remained dark, their occupants sleeping.
It had been some time since he'd been in the Midwest, and July attempted to picture himself in the central part of the United States once again. He'd been born just southwest of Wisconsin, in Iowa, so this seemed like a homecoming of sorts, or as much of one as his habitual homelessness could imagine.
In the distance a firefly of light appeared, disappeared, and reappeared at a different location. Once it was out of the hills, it advanced more earnestly, then disappeared for a longer time, only to float up into view a mile away. The single light rounded a corner and divided into two parts, accompanied by a harsh, rushing sound. then the headlights grew brighter, bigger, and louder, like an instinct merging into consciousness.
July stepped off the road, behind a stand of honeysuckle. He'd become accustomed to his own company again and did not wish to share it with anyone or explain where he was going when he didn't know himself.
After he had been walking for another half-hour, the faint yellow glow of a town in the near distance cautioned him to wait for morning before going further. He began looking for a place to pass the night.
Beyond the Words Cemetery a collection of old-growth trees ran downhill away from the road. He walked between several dozen gravestones, climbed the woven wire fence, picked his way through mulberry and hazelnut bushes, and found a small hollow of land covered with long grass, sheltered by an overhanging maple. In places, the moonlight fell through the branches and spotted the ground. The thick underbrush he hoped would announce the movement of any large intruders, and the rising slope of the cemetery blocked the view from the road. A short distance further down the hill, the rhythmic burbles of a stream could be heard.
July unrolled his sleeping bag. He folded his denim jacket for use as a pillow and ate one of the sandwiches from the paper sack. Then he drank from the water bottle, took off his boots, put his socks inside them, lay down, and zipped himself inside. He loosened the money belt that contained his savings from the past five or six years. somewhere in the distance a barred owl loosed its mocking cry, "Who-cooks-for-you, who-cooks-for-you-aaaaallllll." The light from an occasional star found its way through the tree above him, blinking on and off with the shuttered movement of leaves in the wind.
Closing his eyes, he tried to place the experiences of the past several days in a reasonable perspective: the drive from Wyoming, the wandering conversation with the old man, the walk down the mostly deserted road. The dark foliage above him seemed to draw nearer and a spirit of fatigue invaded his senses, disrupting his review of recent events. Blocking it out, he focused his attention and struggled for several long minutes to keep the images in his mind from sliding through the cellar door of nonsensical stories, and fell asleep.
Hours later, he woke up with sudden, blunt finality. He knew why four stop signs had been placed on a remote intersection: there had been an accident. Some time ago, people had died at the crossing and two extra stop signs had been put there. They were erected as memorials.
And so it was: the dead forever change the living. Even those unknown to the dead are required to stop.
The sky was still mostly dark, but morning stirred beneath the horizon and birds rustled about in their lofts in the trees and bushes, conversing through murmured chirping.
Climbing from the sleeping bag, he put on his socks and boots, unfolded his jacket, and siphoned his arms through the sleeves.
Why had he come here, he wondered, and walked down the hill. At the stream, he sat on the bank and stared into the dark water.
The air-warm and thick-filled with noises, and mingled with burbling water, rustling birds, and the dry ruckus of squirrels came the distant sounds of humans. Doors slammed, vehicles started, and an occasional, indecipherable, barking voice could be heard. A heavy truck moved along the road beyond the cemetery.
Why had he come here?
Not everything has a reason, he told himself. His arrival amounted to a whim of circumstance, a living accident. In the same random manner he had arrived in Chicago, Sioux Falls, Cheyenne, San Francisco, Moose Jaw, and many other places. There was no reason.
At least this is what he'd been telling himself for years, but he could no longer quite believe it. He now suspected that somewhere between his actions and what he knew about them-in that vast chasm of burgeoning silence-grew a nameless need, pushing him from one place to the next.
Something shiny near the water's edge caught his attention and he investigated.
A rusty flashlight, half covered in dead grass and dried mud. Most of the chrome had been chipped or worn off, the cylinder dented in several places.
(Continues...)
Excerpted from DRIFTLESSby David Rhodes Copyright © 2008 by David Rhodes. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Review
Review
Donna Seaman; Booklist Starred Review, September 1, 2008
Rhodes's first novel in more than 30 years (Rock Island Line, 1975, etc.) provides a welcome antidote to overheated urban fiction. When folks have a drink in Words, Wis., it's generally coffee or hot water with lemon that they turn to. When they cuss, they say "drat." Life is slow and rural; it's farm country, and locals care about the rhythms of the seasons, their roots in the community and each other. All is not well, however, when the milk cooperative tries to increase its profit margins at the expense of honest farmers. That doesn't sit well with Grahm and Cora Shotwell, who try to expose the cooperative's machinations. This is but one episode among many, however, in a deliberately episodic novel. The lack of a central narrative thread makes it possible for Rhodes to introduce us in stages to the community's major players. We make the acquaintance of newly-minted pastor Winifred Smith, whose cryptic spiritual epiphany starts to inform every aspect of her life; of July Montgomery, who mysteriously showed up some 20 years ago and whose quiet devotion to farming conceals a tragic past; of Grahm's sister Gail, who works in the local plastics factory and plays bass in a band; and of sisters Violet and Olivia Brasso, the latter an 89-pound invalid who's emotionally rescued by roughneck Wade Armbuster through the unlikely medium of dogfighting. Things happen in Words, but in a decidedly slow way. Cora gets fired from her job, Winifred tries to explain the nature of her spiritual awakening, curmudgeonly Rusty Smith hires some Amish carpenters to finish up some work on his home. Most importantly, people learn to overcome their reticence, occasionally even opening themselves to the possibility of falling in love. Olivia recognizes the essential stability of the community by declaring that "new is only old rearranged." A quiet novel of depth and simplicity.
Kirkus
A fast-moving story about small town life with characters that seem to have walked off the pages of Edgar Lee Masters's Spoon River Anthology.
Wall Street Journal
A terrific novel. . . Rhodes tells the story without haste, much as he speaks -- thoughtfully, with quiet insight. The characters' perceptions about the landscape, their lives and each other are continually arresting yet almost casually right on.
Isthmus Quarterly
Set in a rural Wisconsin town, the book presents a series of portraits that resemble Edgar Lee Masters’s Spoon River Anthology” in their vividness and in the cumulative picture they create of village life.
New Yorker (December 1, 2008)
[Rhodes's] finest work yet. . . . "Driftless" is the best work of fiction to come out of the Midwest in many years.
Alan Cheuse, Chicago Tribune
--This text refers to an out of print or unavailable edition of this title.
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- ASIN : B005WKEVQC
- Publisher : Milkweed Editions; 1st edition (January 1, 2010)
- Publication date : January 1, 2010
- Language : English
- File size : 1308 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 457 pages
- Best Sellers Rank: #59,303 in Kindle Store (See Top 100 in Kindle Store)
- #107 in Psychological Literary Fiction
- #190 in Education & Reference (Kindle Store)
- #418 in Contemporary Literary Fiction
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I read quite a bit, and almost exclusively on Kindle, so generally if I finish a book I'll give it x number of stars and move on. But I'm only partway thru Driftless and felt compelled to write. Initially I thought that it was a collection of short short stories. But I'm then the tales began to weave nicely and subtly together.
I love the characters who are believable, yet not stereotypical or necessarily predictable. So far there isn't a dark or morbid streak. Some tales wrap up with pleasant but not cheesy 'happy endings'.
I'm looking forward to unpacking more.
I'd recommend this.
The main character is July Montgomery who drifted into the small village of Words twenty years ago. Words is surrounded by farmland and is about twenty three miles from a good size city. July is a loner, his former life unknown, but his character ties the other characters together. He owns a farm, loves being a farmer, this is the only life for July. The others respect him and ask his opinion about different matters going on in their lives.
Two sisters, Violet and Olivia are as different as day and night. Violet is a caretaker, she needs being needed, she has taken care of others, outlived two husbands, no kids. Now she is Olivia's caretaker. Olivia is frail, in a wheelchair, looks much younger than her age. There is a great difference in the ages of the sisters. Violet is old enough to be Olivia's mother.
There are a few quirky characters in this book as there is in real life. Readers meet a militia group and a group of Amish among the many characters. The chapters are short and drift from a family group to a lone character, back and forth among the characters, but not hard to keep up with.
Jacob Helm has been widowed for five years. He grieves, he cannot get over his wife's death. Rusty Smith is badly needed work done on his house. His wife's relatives are coming for a visit. He is prejudiced against the Amish. July recommends this group so Rusty hires them. They do a good job. Gail Shotwell is none too fond of wearing clothes. She wears as little as she can when in her home embarrassing folks who come unannounced. Gail wants to get into music, is attractive, has a good voice, writes music, works a job, and plays and sings in a low class bar. Winifred Smith is a reverend and a pastor in the small and only church in Words. She feels being a pastor is the only way for her, but many times she feels she is not the one for religious life.
Grahm and Cora Shotwell have problems. Cora is a whistle blower. Cora, an accountant for the American Milk Corporation, finds her company is using adulterated milk, shorting the public, manipulating reports. Cora lets state government know. She is found out, loses her job, complaints are made about her family's dairy. This family is in trouble for Cora speaking out.
Characters make serious mistakes. Two children, sent home from school during a bad Wisconsin winter day, decide to play out in the snow and become lost in a blizzard. A very naive young woman wanting to make needed money, takes family funds, personal funds adding up to forty thousand dollars goes to a casino and loses every penny. There is this beautiful, black wildcat living in Rusty's barn making characters afraid.
The book is good, different philosophies about life from characters. This book won the Milkweed National Fiction Prize of 2008. This is how I heard about this book and decided to read it. The book cover is beautiful, bright orange and yellow, the colors of a hot summer noon or of the morning sun rising in the east to awaken the earth.
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