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A Wizard of Earthsea (The Earthsea Cycle Series Book 1) Kindle Edition
The first novel of Ursula K. Le Guin's must-read Earthsea Cycle. "The magic of Earthsea is primal; the lessons of Earthsea remain as potent, as wise, and as necessary as anyone could dream." (Neil Gaiman)
Ged was the greatest sorcerer in Earthsea, but in his youth he was the reckless Sparrowhawk. In his hunger for power and knowledge, he tampered with long-held secrets and loosed a terrible shadow upon the world.
This is the tumultuous tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death's threshold to restore the balance.
With stories as perennial and universally beloved as The Chronicles of Narnia and The Lord of The Rings—but also unlike anything but themselves—Ursula K. Le Guin’s Earthsea novels are some of the most acclaimed and awarded works in literature. They have received accolades such as the National Book Award, a Newbery Honor, the Nebula Award, and many more honors, commemorating their enduring place in the hearts and minds of readers and the literary world alike.
Join the millions of fantasy readers who have explored these lands. As The Guardian put it: "Ursula Le Guin's world of Earthsea is a tangled skein of tiny islands cast on a vast sea. The islands' names pull at my heart like no others: Roke, Perilane, Osskil . . ."
The Earthsea Cycle includes:
- A Wizard of Earthsea
- The Tombs of Atuan
- The Farthest Shore
- Tehanu
- Tales from Earthsea
- The Other Wind
- LanguageEnglish
- Grade level7 - 9
- Lexile measure1150L
- PublisherClarion Books
- Publication dateSeptember 11, 2012
- ISBN-13978-0547722023
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""New and longtime Earthsea fans will be drawn to these impressive new editions." "Horn Book""
From the Inside Flap
From the Paperback edition.
About the Author
www.ursulakleguin.com
Excerpt. © Reprinted by permission. All rights reserved.
The island of Gont, a single mountain that lifts its peak a mile above the storm-racked Northeast Sea, is a land famous for wizards. From the towns in its high valleys and the ports on its dark narrow bays many a Gontishman has gone forth to serve the Lords of the Archipelago in their cities as wizard or mage, or, looking for adventure, to wander working magic from isle to isle of all Earthsea. Of these some say the greatest, and surely the greatest voyager, was the man called Sparrowhawk, who in his day became both dragonlord and Archmage. His life is told of in the Deed of Ged and in many songs, but this is a tale of the time before his fame, before the songs were made.
He was born in a lonely village called Ten Alders, high on the mountain at the head of the Northward Vale. Below the village the pastures and plow lands of the Vale slope downward level below level towards the sea, and other towns lie on the bends of the River Ar; above the village only forest rises ridge behind ridge to the stone and snow of the heights.
The name he bore as a child, Duny, was given him by his mother, and that and his life were all she could give him, for she died before he was a year old. His father, the bronze-smith of the village, was a grim unspeaking man, and since Duny's six brothers were older than he by many years and went one by one from home to farm the land or sail the sea or work as smith in other towns of the Northward Vale, there was no one to bring the child up in tenderness. He grew wild, a thriving weed, a tall, quick boy, loud and proud and full of temper. With the few other children of the village he herded goats on the steep meadows above the river-springs; and when he was strong enough to push and pull the long bellows-sleeves, his father made him work as smith's boy, at a high cost in blows and whippings. There was not much work to be got out of Duny. He was always off and away; roaming deep in the forest, swimming in the pools of the River Ar that like all Gontish rivers runs very quick and cold, or climbing by cliff and scarp to the heights above the forest, from which he could see the sea, that broad northern ocean where, past Perregal, no islands are.
A sister of his dead mother lived in the village. She had done what was needful for him as a baby, but she had business of her own and once he could look after himself at all she paid no more heed to him. But one day when the boy was seven years old, untaught and knowing nothing of the arts and powers that are in the world, he heard his aunt crying out words to a goat which had jumped up onto the thatch of a hut and would not come down: but it came jumping when she cried a certain rhyme to it. Next day herding the longhaired goats on the meadows of High Fall, Duny shouted to them the words he had heard, not knowing their use or meaning or what kind of words they were:
Noth hierth malk man
hiolk han merth han!
He yelled the rhyme aloud, and the goats came to him. They came very quickly, all of them together, not making any sound. They looked at him out of the dark slot in their yellow eyes.
Duny laughed and shouted it out again, the rhyme that gave him power over the goats. They came closer, crowding and pushing round him. All at once he felt afraid of their thick, ridged horns and their strange eyes and their strange silence. He tried to get free of them and to run away. The goats ran with him keeping in a knot around him, and so they came charging down into the village at last, all the goats going huddled together as if a rope were pulled tight round them, and the boy in the midst of them weeping and bellowing. Villagers ran from their houses to swear at the goats and laugh at the boy. Among them came the boy's aunt, who did not laugh. She said a word to the goats, and the beasts began to bleat and browse and wander, freed from the spell.
"Come with me," she said to Duny.
She took him into her hut where she lived alone. She let no child enter there usually, and the children feared the place. It was low and dusky, windowless, fragrant with herbs that hung drying from the crosspole of the roof, mint and moly and thyme, yarrow and rushwash and paramal, kingsfoil, clovenfoot, tansy and bay. There his aunt sat crosslegged by the firepit, and looking sidelong at the boy through the tangles of her black hair she asked him what he had said to the goats, and if he knew what the rhyme was. When she found that he knew nothing, and yet had spellbound the goats to come to him and follow him, then she saw that he must have in him the makings of power.
As her sister's son he had been nothing to her, but now she looked at him with a new eye. She praised him, and told him she might teach him rhymes he would like better, such as the word that makes a snail look out of its shell, or the name that calls a falcon down from the sky.
"Aye, teach me that name!" he said, being clear over the fright the goats had given him, and puffed up with her praise of his cleverness.
The witch said to him, "You will not ever tell that word to the other children, if I teach it to you."
"I promise."
She smiled at his ready ignorance. "Well and good. But I will bind your promise. Your tongue will be stilled until I choose to unbind it, and even then, though you can speak, you will not be able to speak the word I teach you where another person can hear it. We must keep the secrets of our craft."
"Good," said the boy, for he had no wish to tell the secret to his playmates, liking to know and do what they knew not and could not.
He sat still while his aunt bound back her uncombed hair, and knotted the belt of her dress, and again sat cross-legged throwing handfuls of leaves into the firepit, so that a smoke spread and filled the darkness of the hut. She began to sing. Her voice changed sometimes to low or high as if another voice sang through her, and the singing went on and on until the boy did not know if he waked or slept, and all the while the witch's old black dog that never barked sat by him with eyes red from the smoke. Then the witch spoke to Duny in a tongue he did not understand, and made him say with her certain rhymes and words until the enchantment came on him and held him still.
"Speak!" she said to test the spell.
The boy could not speak, but he laughed.
Then his aunt was a little afraid of his strength, for this was as strong a spell as she knew how to weave: she had tried not only to gain control of his speech and silence, but to bind him at the same time to her service in the craft of sorcery. Yet even as the spell bound him, he had laughed. She said nothing. She threw clear water on the fire till the smoke cleared away, and gave the boy water to drink, and when the air was clear and he could speak again she taught him the true name of the falcon, to which the falcon must come.
This was Duny's first step on the way he was to follow all his life, the way of magery, the way that led him at last to hunt a shadow over land and sea to the lightless coasts of death's kingdom. But in those first steps along the way, it seemed a broad, bright road.
When he found that the wild falcons stooped down to him from the wind when he summoned them by name, lighting with a thunder of wings on his wrist like the hunting-birds of a prince, then he hungered to know more such names and came to his aunt begging to learn the name of the sparrowhawk and the osprey and the eagle. To earn the words of power he did all the witch asked of him and learned of her all she taught, though not all of it was pleasant to do or know. There is a saying on Gont, Weak as woman's magic, and there is another saying, Wicked as woman's magic. Now the witch of Ten Alders was no black sorceress, nor did she ever meddle with the high arts or traffic with Old Powers; but being an ignorant woman among ignorant folk, she often used her crafts to foolish and dubious ends. She knew nothing of the Balance and the Pattern which the true wizard knows and serves, and which keep him from using his spells unless real need demands. She had a spell for every circumstance, and was forever weaving charms. Much of her lore was mere rubbish and humbug, nor did she know the true spells from the false. She knew many curses, and was better at causing sickness, perhaps, than at curing it. Like any village witch she could brew up a love-potion, but there were other, uglier brews she made to serve men's jealousy and hate. Such practices, however, she kept from her young prentice, and as far as she was able she taught him honest craft.
At first all his pleasure in the art-magic was, childlike, the power it gave him over bird and beast, and the knowledge of these. And indeed that pleasure stayed with him all his life. Seeing him in the high pastures often with a bird of prey about him, the other children called him Sparrowhawk, and so he came by the name that he kept in later life as his use-name, when his true-name was not known.
As the witch kept talking of the glory and the riches and the great power over men that a sorcerer could gain, he set himself to learn more useful lore. He was very quick at it. The witch praised him and the children of the village began to fear him, and he himself was sure that very soon he would become great among men. So he went on from word to word and from spell to spell with the witch till he was twelve years old and had learned from her a great part of what she knew: not much, but enough for the witchwife of a small village, and more than enough for a boy of twelve. She had taught him all her lore in herbals and healing, and all she knew of the crafts of finding, binding, mending, unsealing and revealing. What she knew of chanters' tales and the great Deeds she had sung him, and all the words of the True Speech that she had learned from the sorcerer that taught her, she taught again to Duny. And from weatherworkers and wandering jugglers who went from town to town of the Northward...
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Product details
- ASIN : B008T9L6AM
- Publisher : Clarion Books; Reissue edition (September 11, 2012)
- Publication date : September 11, 2012
- Language : English
- File size : 10901 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 210 pages
- Best Sellers Rank: #8,115 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Ursula Kroeber Le Guin (US /ˈɜːrsələ ˈkroʊbər ləˈɡwɪn/; born October 21, 1929) is an American author of novels, children's books, and short stories, mainly in the genres of fantasy and science fiction. She has also written poetry and essays. First published in the 1960s, her work has often depicted futuristic or imaginary alternative worlds in politics, the natural environment, gender, religion, sexuality and ethnography.
She influenced such Booker Prize winners and other writers as Salman Rushdie and David Mitchell – and notable science fiction and fantasy writers including Neil Gaiman and Iain Banks. She has won the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, each more than once. In 2014, she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters. Le Guin has resided in Portland, Oregon since 1959.
Bio from Wikipedia, the free encyclopedia.
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Customers find the story vibrant, intriguing, and unique. They describe the book as well worth reading, addicting, and fun for fans of the fantasy genre. Readers praise the writing style as lovely, flowing, and engaging. They also find the insights profound, compelling, and interesting. Customers describe the era as timeless. However, some feel the book is not altogether engaging and uneventful. Opinions differ on the character development, with some finding them great and strong.
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Customers find the story vibrant, interesting, and well-written. They appreciate the unique world and view of magic. Readers also like the subversion of traditional fantasy. They mention the plot is simple yet philosophically deep. Additionally, they appreciate the wonderful world-building and stark world.
"...Overall this was an enjoyable read and I can see it as a pioneering work in the fantasy genre." Read more
"...It is a story of courage, of fear, of power, and the acceptance of ones self...." Read more
"...Would I suggest the book? Yes. I think it is a good fantasy, adventure book that is worth the read, and it's not even that long of a book, so..." Read more
"...are many side characters who barely have a few lines and not much influence in the story, only serving to carry on one plot point and not standing..." Read more
Customers find the book well worth reading, addictive, and fun. They say it's a serious book for fans of the fantasy genre. Readers also mention that nothing in the book is banal.
"...It has a quiet power which is very compelling. Five Stars." Read more
"...Overall this was an enjoyable read and I can see it as a pioneering work in the fantasy genre." Read more
"...Yes. I think it is a good fantasy, adventure book that is worth the read, and it's not even that long of a book, so there's no worry about time...." Read more
"Nice paperback. easy to read." Read more
Customers find the writing style lovely, well-crafted, and vivid. They also say the book is refreshing, human, and brilliantly created. Readers also mention the worldbuilding is done naturally without too much plain exposition.
"...Every detail of her fantasy world is delicious. In this final story, the dragons lose their speech - and they were the first to have it...." Read more
"Nice paperback. easy to read." Read more
"...opposed to how writers are writing today, but it is serious book, very readable, that will give good contrast to the other books of magic you may..." Read more
"...But even these criticisms are hard to sustain. Le Guin's writing is beautiful in its oddity (much like some passages of the King James Version), and..." Read more
Customers find the insight profound, compelling, and interesting. They say the book's world-building, characters, and themes are well-crafted and engaging. Readers mention the story is beautiful and inspiring.
"...antagonist ( like in harry potter, yes) The Earthsea books are a spiritual journey. I am always renewed by my visit with Ged...." Read more
"...I was impressed by Le Guin’s responsible approach toward magic...." Read more
"One of the best books I have read in a long time, with fantastic magic, not in the story but in the writing, and how it shows the character grow..." Read more
"...done naturally without too much plain exposition, and magic is portrayed with all the danger, complexity, caution, and power that a fantasy world..." Read more
Customers find the book timeless, original, and riveting. They describe it as a rare masterpiece. Readers also mention it's a beautiful edition of a wonderful series.
"...34;A Wizard of Earthsea" is a true classic, unique in its day and far ahead of its time...." Read more
"This was an original, inspiring story to read. It was encouraging and creative...." Read more
"...of the surge of fantasy seen these days, but also because of its timeless story and the beauty of its language." Read more
"...It is timeless and incredibly moving with LeGuins's always striking and elegant way with words, plot and characters. Highly recommend!" Read more
Customers have mixed opinions about the character development. Some mention the book is full of mysterious characters and places. Others say there's not enough dialogue or character development, and the characters leave much to the imagination.
"...The other characters are interesting enough, but like how the book progresses, people come and go quickly and seem to have little lasting effect on..." Read more
"...There isn't a huge cast of characters, apart from Ged the only standout characters are his wizard friend Vetch and his sensei Ogion...." Read more
"...What the book does have is strong character growth, and a philosophical edge not usually present in fantasy...." Read more
"...And despite it being written in the 60s, there are plenty of diverse characters, which I found delightful...." Read more
Customers find the book simple yet effective, streamlined, and easy to use. However, some readers feel the writing is not fully developed and there are no resolutions or explanations.
"This book is filled with a simplicity that is graceful and profound...." Read more
"...other parts and decisions made in the writing that I feel were not fully developed or could have been much more if more description was given...." Read more
"Very easy read , yet not simple by no means. Appealing characters , interesting dialogue and wonderful world building...." Read more
"...As elegant and simple as Shaker furniture, this book is a masterpiece for all ages." Read more
Customers find the book not engaging, uninspiring, and uneventful. They say it's hard to care about anything and feels lazy. Readers also mention the story lacks excitement and action. Additionally, they mention the characters are grim and lacking any interests or hobbies.
"...parts of the book that I felt were unnecessary and just not interesting to read through...." Read more
"...They were grim, without any interests or hobbies, just dull people carrying out heroic quests...." Read more
"...The climax is very short, quite uneventful, and precedes the end of the book by just a few paragraphs...." Read more
"...It was just too slow—too much fluff, not enough substance...." Read more
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Its author Ursula Kroeber was born in Berkeley California in 1929.
In 1953, after a whirlwind courtship, she married historian Charles Le Guin and became a wife and mother. However, Ms. Le Guin was one of those people who had been a voracious reader as a child, and she turned that passion for reading into a writing career in the 1960s when she wrote poetry, several short stories and five novels. Like many writers, she received many rejections from editors, their main complaint being that her work was inaccessible.
It wasn’t until A Wizard of Earthsea arrived in 1968, that she became famous, for this novel received much acclaim and many awards including the Boston Globe Horn Book Award of 1969. And luminaries such as Margaret Atwood have pronounced this book as one of the “wellsprings” of fantasy literature.
This is remarkable praise for a seemingly quiet book, which starts without fanfare in a poor village, where a motherless child gives off erratic hints that there might be more to him than meets the eye. It is not until he is thirteen, when this child single-handedly saves his village from attack by shrouding it in a magic fog, that people sit up and take notice.
Which is when the engine of the novel actually starts. Perhaps if this novel had been written recently, that is exactly where it might have started. But in 1968, people had more patience for gentler beginnings in which time is taken to lay out the background of this child’s life.
Not long afterwards, a Mage appears in the village seeking the boy. With his father’s permission he is allowed to go off into the forests with this stranger to learn Wizardry. But as they walk and walk higher and higher into the mountains, the stranger’s promise of tutelage fails to materialize. Ged, young and impatient, is puzzled. When he asks, he is brushed off with an enigmatic reply that he is too young to understand. And so, when an attractive girl goads him, it is inevitable that he will do something unwise to impress her. And so we have Ged’s first mistake, when he inadvertently summons a strange shadow that the Mage has to banish.
This incident makes vivid to the kindly Mage that Ged is unhappy in his service. And so, given the choice, it is not surprising that Ged leaves to go to Wizard School.
He travels all the way to the Island of Roke, where…he makes the same mistake. This time, his tormentor is a slightly older boy called Jasper. Ged has always been uncomfortable with Jasper, believing him to be quietly mocking behind a mask of politesse. But when Jasper insults him openly, comparing him to a goatherd, Ged cracks. And yes, you guessed it, he summons…something. Apparently, he was trying to summon the spirit of a Legendary Lady. Instead, he gets a shadow who attacks and nearly kills him. His life is saved by the Arch-Mage of the school, who sacrifices his life to save Ged and banish the creature.
But is the creature really banished? Not to poor Ged, who now suffers daily torments.
Does any of this sound familiar?
Many critics have noticed that A Wizard of Earthsea is a wellspring for Harry Potter. Like Harry, Ged is a talented boy sent to Wizard School. Like Harry, Ged has a scar on his face that hurts whenever he is close to his shadow. Like Harry, Ged makes an enemy of someone close to him.
Commenting on the similarity, Ms. Le Guin said that she did not feel that J. K. Rowling had plagiarized her work. On the other hand, she thought Ms. Rowling’s books received too much acclaim for novelty ~ “My incredulity was at the critics who found the first book wonderfully original. She has many virtues, but originality isn’t one of them.”
The fact that J.K. Rowling herself “could have been more gracious about her predecessors,” but wasn’t “hurt.”
If you have not read this novel before, you really should. It has a quiet power which is very compelling. Five Stars.
First he is fleeing this darkness and then hunting it in an odyssey around the world of Earthsea, luckily he doesn't need riches to travel, "A wizard’s staff is passport and payment on most ships. " As much as this is an odyssey around the world of Earthsea it is also an internal voyage of self discovery for Ged.
There isn't a huge cast of characters, apart from Ged the only standout characters are his wizard friend Vetch and his sensei Ogion. There is also not a lot of dialogue, LeGuin tells us what has been said rather than showing us what they are saying.
Overall this was an enjoyable read and I can see it as a pioneering work in the fantasy genre.


































