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![All the Light We Cannot See: A Novel by [Anthony Doerr]](https://m.media-amazon.com/images/I/51Ls4hHopKL._SY346_.jpg)
All the Light We Cannot See: A Novel Kindle Edition
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Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
- LanguageEnglish
- PublisherScribner
- Publication dateMay 6, 2014
- File size10457 KB
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From the Publisher


Editorial Reviews
Review
“Stunning… Uplifting… Not to be missed.” –Entertainment Weekly
“Hauntingly beautiful.” –The New York Times
“Each and every person in this finely spun assemblage is distinct and true.” –USA Today
“Intertwines secret radio broadcasts, a cursed diamond, a soldier’s deepest doubts into a richly compelling package… Irresistible.” –People
“Gorgeous… Moves with the pace of a thriller.” –San Francisco Chronicle
“Enthrallingly told, beautifully written.” —Amanda Vaill, The Washington Post
“Dazzling . . . Startlingly fresh.” —John Freeman, The Boston Globe
“Intricate . . . A meditation on fate, free will, and the way that, in wartime, small choices can have vast consequences.” —The New Yorker
“Brims with scrupulous reverence for all forms of life. The invisible light of the title shines long after the last page.” —Tricia Springstubb, The Cleveland Plain Dealer
“Anthony Doerr writes beautifully. . . . A tour de force.” —Elizabeth Reid, Deseret News
“Anthony Doerr again takes language beyond mortal limits.” —Elissa Schappell, Vanity Fair
“Perfectly captured . . . Doerr writes sentences that are clear-eyed, taut, sweetly lyrical.” —Josh Cook, Minneapolis StarTribune
“A beautiful, expansive tale . . . Ambitious and majestic.” —Steph Cha, Los Angeles Times
“Doerr is an exquisite stylist; his talents are on full display.” —Alan Cheuse, NPR
“The craftsmanship of Doerr’s book is rooted in his ability to inhabit the lives of Marie-Laure and Werner.” —Steve Novak, Pittsburgh Post-Gazette
“Doerr deftly guides All the Light We Cannot See toward the day Werner’s and Marie-Laure’s lives intersect during the bombing of Saint-Malo in what may be his best work to date.” —Yvonne Zipp, The Christian Science Monitor
“To open a book by Anthony Doerr is to open a door on humanity. . . . His sentences shimmer. . . . His paragraphs are luminous with bright, sparkling beauty.” —Martha Anne Toll, Washington Independent Review of Books
“Endlessly bold and equally delicate . . . An intricate miracle of invention, narrative verve, and deep research lightly held, but above all a miracle of humanity . . . Anthony Doerr’s novel celebrates—and also accomplishes—what only the finest art can: the power to create, reveal, and augment experience in all its horror and wonder, heartbreak and rapture.” —Shelf Awareness
“Intricately structured . . . All the Light We Cannot See is a work of art and of preservation.” —Jane Ciabattari, BBC
“Magnificent.” —Carmen Callil, The Guardian (UK)
“The whole enthralls.” —Good Housekeeping
“A revelation.” —Michael Magras, Bookreporter.com
“Doerr conjures up a vibrating, crackling world. . . . Intricately, beautifully crafted.” —Rebecca Kelley, Bustle.com
“There is so much in this book. It is difficult to convey the complexity, the detail, the beauty, and the brutality of this simple story.” —Carole O’Brien, Aspen Daily News
“Beautifully written . . . Soulful and addictive.” —Chris Stuckenschneider, The Missourian
“A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr’s magnificently drawn story seems at once spacious and tightly composed. . . . Doerr masterfully and knowledgeably re-creates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.” —Booklist (starred review)
“Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.” —Kirkus Reviews (starred review)
“If a book’s success can be measured by its ability to move readers and the number of memorable characters it has, Story Prize–winner Doerr’s novel triumphs on both counts. Along the way, he convinces readers that new stories can still be told about this well-trod period, and that war—despite its desperation, cruelty, and harrowing moral choices—cannot negate the pleasures of the world.” —Publishers Weekly (starred review)
“This novel has the physical and emotional heft of a masterpiece. . . . It presents two characters so interesting and sympathetic that readers will keep turning the pages hoping for an impossibly happy ending. . . . Highly recommended for fans of Michael Ondaatje’s The English Patient.” —Evelyn Beck, Library Journal (starred review)
About the Author
Amazon.com Review
An Amazon Best Book of the Month, May 2014: Does the world need yet another novel about WWII? It does when the novel is as inventive and beautiful as this one by Anthony Doerr. In fact, All the Light We Cannot See--while set mostly in Germany and France before and during the war--is not really a “war novel”. Yes, there is fear and fighting and disappearance and death, but the author’s focus is on the interior lives of his two characters. Marie Laure is a blind 14-year-old French girl who flees to the countryside when her father disappears from Nazi-occupied Paris. Werner is a gadget-obsessed German orphan whose skills admit him to a brutal branch of Hitler Youth. Never mind that their paths don’t cross until very late in the novel, this is not a book you read for plot (although there is a wonderful, mysterious subplot about a stolen gem). This is a book you read for the beauty of Doerr’s writing-- “Abyss in her gut, desert in her throat, Marie-Laure takes one of the cans of food…”--and for the way he understands and cherishes the magical obsessions of childhood. Marie Laure and Werner are never quaint or twee. Instead they are powerful examples of the way average people in trying times must decide daily between morality and survival. --Sara Nelson
--This text refers to an alternate kindle_edition edition.From the Artist
From Booklist
Excerpt. © Reprinted by permission. All rights reserved.
Muséum National d’Histoire Naturelle
Marie-Laure LeBlanc is a tall and freckled six-year-old in Paris with rapidly deteriorating eyesight when her father sends her on a children’s tour of the museum where he works. The guide is a hunchbacked old warder hardly taller than a child himself. He raps the tip of his cane against the floor for attention, then leads his dozen charges across the gardens to the galleries.
The children watch engineers use pulleys to lift a fossilized dinosaur femur. They see a stuffed giraffe in a closet, patches of hide wearing off its back. They peer into taxidermists’ drawers full of feathers and talons and glass eyeballs; they flip through two-hundred-year-old herbarium sheets bedecked with orchids and daisies and herbs.
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them agate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says.
A girl says, “But what’s through there?”
“Behind this door is another locked door, slightly smaller.”
“And what’s behind that?”
“A third locked door, smaller yet.”
“What’s behind that?”
“A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.”
The children lean forward. “And then?”
“Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.”
Puzzlement. Fidgeting.
“Come now. You’ve never heard of the Sea of Flames?”
The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision.
The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?”
They nod.
He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.”
“Stabbed in the heart?”
“Is this true?”
A boy says, “Hush.”
“The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone.
“The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.”
“Are you sure this is true?” asks a girl.
“Hush,” says the boy.
“The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east.
“The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.”
Every child leans forward, Marie-Laure along with them.
“The curse was this: the keeper of the stone would live forever, but so long as he kept it, misfortunes would fall on all those he loved one after another in unending rain.”
“Live forever?”
“But if the keeper threw the diamond into the sea, thereby delivering it to its rightful recipient, the goddess would lift the curse. So the prince, now sultan, thought for three days and three nights and finally decided to keep the stone. It had saved his life; he believed it made him indestructible. He had the tongue cut out of the priest’s mouth.”
“Ouch,” says the youngest boy.
“Big mistake,” says the tallest girl.
“The invaders came,” says the warder, “and destroyed the palace, and killed everyone they found, and the prince was never seen again, and for two hundred years no one heard any more about the Sea of Flames. Some said the stone was recut into many smaller stones; others said the prince still carried the stone, that he was in Japan or Persia, that he was a humble farmer, that he never seemed to grow old.
“And so the stone fell out of history. Until one day, when a French diamond trader, during a trip to the Golconda Mines in India, was shown a massive pear-cut diamond. One hundred and thirty-three carats. Near-perfect clarity. As big as a pigeon’s egg, he wrote, and as blue as the sea, but with a flare of red at its core. He made a casting of the stone and sent it to a gem-crazy duke in Lorraine, warning him of the rumors of a curse. But the duke wanted the diamond very badly. So the trader brought it to Europe, and the duke fitted it into the end of a walking stick and carried it everywhere.”
“Uh-oh.”
“Within a month, the duchess contracted a throat disease. Two of their favorite servants fell off the roof and broke their necks. Then the duke’s only son died in a riding accident. Though everyone said the duke himself had never looked better, he became afraid to go out, afraid to accept visitors. Eventually he was so convinced that his stone was the accursed Sea of Flames that he asked the king to shut it up in his museum on the conditions that it be locked deep inside a specially built vault and the vault not be opened for two hundred years.”
“And?”
“And one hundred and ninety-six years have passed.”
All the children remain quiet a moment. Several do math on their fingers. Then they raise their hands as one. “Can we see it?”
“No.”
“Not even open the first door?”
“No.”
“Have you seen it?”
“I have not.”
“So how do you know it’s really there?”
“You have to believe the story.”
“How much is it worth, Monsieur? Could it buy the Eiffel Tower?”
“A diamond that large and rare could in all likelihood buy five Eiffel Towers.”
Gasps.
“Are all those doors to keep thieves from getting in?”
“Maybe,” the guide says, and winks, “they’re there to keep the curse from getting out.”
The children fall quiet. Two or three take a step back.
Marie-Laure takes off her eyeglasses, and the world goes shapeless. “Why not,” she asks, “just take the diamond and throw it into the sea?”
The warder looks at her. The other children look at her. “When is the last time,” one of the older boys says, “you saw someone throw five Eiffel Towers into the sea?”
There is laughter. Marie-Laure frowns. It is just an iron door with a brass keyhole.
The tour ends and the children disperse and Marie-Laure is reinstalled in the Grand Gallery with her father. He straightens her glasses on her nose and plucks a leaf from her hair. “Did you have fun, ma chérie?”
A little brown house sparrow swoops out of the rafters and lands on the tiles in front of her. Marie-Laure holds out an open palm. The sparrow tilts his head, considering. Then it flaps away.
One month later she is blind. --This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B00DPM7TIG
- Publisher : Scribner; Reprint edition (May 6, 2014)
- Publication date : May 6, 2014
- Language : English
- File size : 10457 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 552 pages
- Page numbers source ISBN : 0008485194
- Best Sellers Rank: #2,550 in Kindle Store (See Top 100 in Kindle Store)
- #7 in Military Historical Fiction
- #8 in War Fiction (Kindle Store)
- #23 in U.S. Historical Fiction
- Customer Reviews:
About the author

Anthony Doerr has won numerous prizes for his fiction, including the Pulitzer Prize and the Carnegie Medal. His novel, 'All the Light We Cannot See,' was a #1 New York Times Bestseller and his new novel, 'Cloud Cuckoo Land,' published in September of 2021, was a finalist for the National Book Award. Learn more at www.anthonydoerr.com.
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Reviewed in the United States on August 17, 2018
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Anthony Doerr’s book is simply stunning. Dazzling is a good word for it. I have reviewed many other books and have sometimes said this or that writer writes fluidly and well. I have given five stars to quite a few writers. “All The Light We Cannot See” is a higher level of excellence that not many authors achieve. No wonder Anthony Doerr won the 2015 Pulitzer Prize for fiction with this book!
The chapters are short and beautifully written. I could say “beautifully and elegantly painted”; they remind me of a painting. This book is poetic, creative, imaginative and historically enlightening as well. Science and technology, it’s fascination and the power to help or harm, is explored along with the characters’ thoughts and feelings; we learn about their courage or lack of and why they make their individual decisions during the rise of Hitler and on into World War II. The descriptions are incredibly sensitive and vivid. Objects are palpable; I could see and feel them. The book pulled me in so much that I was part of each scene. The poignant images remained with me and made the characters come alive.
The author skillfully writes using a juxtaposition of events in the life of a blind French girl, Marie-Laure LeBlanc, and that of a German boy, Werner Pfennig. Towards the end of the book their lives meet.
Marie-Laure, the blind French girl, lives with her father in Paris. She became blind at 6 years old due to congenital cataracts. She has developed her other senses, namely, hearing, touch and smell to compensate for her loss of sight. In her imagination, she can see colors when she uses her other senses to explore her world. Her father carves wooden replicas of all the buildings in Paris for her to learn to find her way home by herself. He is a very devoted and loving father and teaches her independence but promises her he will always be there for her and will never leave her. He is the master locksmith at the Museum of Natural History. Marie-Laure, who is a curious and bright child, goes with him to work and studies paleontology, archeology, geology and other branches of science with Dr. Gefford, while her father works.
The boy, Werner, lives in an orphanage, “Children’s House” in Zollverein, Germany. The children in the orphanage are very close to starving. A good deal of the population is very poor and not getting enough to eat. When Hitler comes to power, the economy improves dramatically. People are getting more food (meat even) and new appliances. The German population is inundated with radio propaganda. Only state supported German radio channels are allowed. The German population is brainwashed. The people think Hitler is helping them climb out of poverty, build a better society and take pride in their Country again.
Yet the future looks bleak to Werner. Nazi officials tell the boys in the orphanage that they will all have to work in the coalmines when they turn 15 years of age. Werner’s father had died in the coal mines, and Werner is not happy with the prospect of being underground in the dark pit of the mines. After finding a broken radio in the city trash, Werner gets it working. His fascination with radios and his skill in fixing them gives him a chance to escape the coal mines and go to paramilitary school. He has a chance to pursue his interest in radio technology and contribute to the new Germany. He visualizes a glorious future.
In the attic at the orphanage, Werner and his sister Jutta had listened to foreign radio stations that were illegal under Nazi rule. A French radio station with science lectures fascinated them. How magical it was to hear a voice from afar, transmitted through the air! Jutta liked a program on magnets. Werner liked the program on light. “What do we call visible light? We call it color. But the electromagnetic spectrum runs to zero in one direction and infinity in the other, so really children, mathematically, all of light is invisible.” The radio was a symbol of freedom for them both, the freedom to learn and dream.
Before he leaves for school, however, Werner smashes the radio. He does not want anything to interfere with his chance for what he thinks will be a better life. Listening to foreign radio stations is illegal and dangerous. Jutta, a free spirit with a strong moral compass, feels betrayed. She thinks her brother is turning into a cold, brutal Nazi like Hans and Herribert, two older boys in the orphanage who have joined the brown-shirted Hitler Youth. She insists that the broadcasts from the foreign radio stations say the Germans are committing atrocities, just the opposite of what they hear on the state-owned German stations.
Werner gets caught up with his study of radios and blocks out the brutality around him at school. Despite his lack of courage to go against the dictates of his German superiors, the reader can see his conflict and the goodness in him that he wants to embrace. His friend, Frederick, a bird-lover and dreamer, is called the “weakest” by the field commander but shows his courage by refusing to participate in the brutal death of a prisoner. Frederick pays for it by being beaten so badly that he becomes no more than a living vegetable.
With the invasion of Paris in 1940, Marie-Laure and her father escape to Saint-Malo on the Brittany coast and find refuge with Marie-Laure’s great uncle, Etienne. Again her father observes and measures the buildings of this new city and carves a wooden replica of all 865 buildings. Unfortunately, his efforts cause suspicion, and he is arrested on his way back to Paris on an errand for the Museum of Natural History. He is convicted of “theft and conspiracy” and sent to a prison in Germany. Feeling abandoned but gathering her inner strength, Marie-Laure continues to live with her great uncle, Etienne, and his housekeeper Madame Manec. Madame Manec starts working for the French Resistance and Marie-Laure takes over some of her activities when the housekeeper becomes ill. Upon Madame Manec’s death from pneumonia, Etienne gets his courage up and joins the French Resistance.
Werner finds himself caught up in the brutality with no way to escape. His skill in detecting enemy radio transmissions results in many deaths, some of them innocent civilians. He is haunted by the deaths, especially that of one little girl in Vienna who reminded him of his sister, Jutta. Werner is sent to Saint-Malo to find the source of the radio transmissions of the French Resistance. He finds Marie-Laure’s broadcasts, but does not expose her. He recognizes the radio programs that had inspired him so much as a child. When he hears her voice saying that someone is in her house and is going to kill her, he vows to save her if he can reach her in time. Werner finds her and saves her life. The Americans are bombing the town, but during a lull, he helps her escape Saint-Malo.
Intertwined with the lives of our two main characters, Marie-Laure and Werner, fairytale and reality collide. The legend of the “Sea of Flames”, a 133 carat diamond said to be the intended gift of the Goddess of the Earth to the God of the Sea, parallels the calamities the characters experience in their lives. It was said that the person who had the diamond would live forever, but those he loved around him would die. If the stone were returned to the sea, the curse would be lifted.
Especially during the bombing of Saint-Malo, Marie-Laure and Werner both draw parallels to their own predicaments and Jules Verne’s “Twenty Thousand Leagues Under the Sea”. Trapped in the basement of the Hotel of Bees in Saint-Malo, Werner listens to Marie-Laure’s broadcasts of the science programs and music that had been recorded by her deceased grandfather. He thinks of Captain Nemo being trapped under the sea in the Nautilus. Werner and his fellow German soldier, Volkheimer, have run out of food and water and have very little air. “Who could possibly calculate the minimum time required for us to get out? Might we not be asphyxiated before the Nautilus could surface?” Are more monsters awaiting them when they do surface?
Marie-Laure is trapped in her uncle Etienne’s secret attic room where he had broadcast codes for the French Resistance. Down below is an intruder, the Nazi Sergeant Major von Rumpel. He is there to find the “Sea of Flames” diamond, which her father hid in the wooden house replica of her great uncle’s house. Instead of giving it to the Reich for Hitler’s dream museum in Linz, Austria, he wants to have the enchanted diamond to cure his cancerous tumor. He is dying, and he believes the diamond will save his life. Marie-Laure has not had food for two days and has had no water for one and a half days. She starts to think maybe this Nazi will spare her life if she gives him the diamond. Maybe the curse would end and her father would come back. Not trusting her safety, however, she has a knife handy. She thinks of Captain Nemo when he said to Ned Land, the Canadian harpooner, “But let me tell you that if we’re caught, I’m going to defend myself, even if I die doing it”.
There are many levels to this book and much to think about. The reader can get many insights into the human condition and why someone like Hitler could take over Germany and spread his sickness into so many other countries. The book is well researched and taught me a good deal about how it was to grow up in Germany when Hitler came to power. Additionally, I could understand more concretely how it was for the French when France was invaded by Hitler's armies. Good historical fiction brings all these events to life. Anthony Doerr brings a powerful humanism to the events in World War II. He made the characters come alive for me. This is a book to ponder, reread and treasure. The author brings an incredible immediacy to his writing that will draw you in and stay with you, perhaps, forever.
Now my review. This is a beautifully written book. The characters are well-developed, the story pulls you in and it moves along at a pace usually found in mystery books. The chapters are short, which I found to be an advantage with regard to pacing and maintaining interest in the plot. I felt great empathy and sympathy for the locksmith and his daughter, and yes, even Werner, the young German who was caught up in the killing machine that was Hitler's Third Reich. For those who criticized the book for "sympathizing with Nazis", I would ask if they have the strength of character equal to that of the hapless Frederick who did have such strength and lost everything. War is hell, and the book makes that clear.
I had a hard time putting this book down. The only weakness in my opinion was the ending. The body of the book is so enthralling and beautifully written, that I felt somewhat let down by the ending. But overall, this is a book that will stick with me for years to come and I highly recommend it.
Top reviews from other countries


Is happy a word to be used when talking about this book, this time period? Maybe not but the author did make me very happy. It’s very important to me that I feel connected to the characters and transported to places in the books and it did that and more.
The book jumps from time periods of Marie-Laure’s and Werner’s life, from their teen years to their younger years and back and forth. Sometimes it was a bit confusing to keep track of it, sometimes because it was an e-book, it was even frustrating to not be able to flip back to the pages I lost my thread. (An actual paperback really helps with this, it just gives me satisfaction if nothing else.)
Everything about the book made me fall in love with it. There are the usual World War II horrors and you can’t escape them, most times, I was so acutely uncomfortable with the scene but I moved ahead anyway. This book is an absolute must-read if you like reading about the World War II. Not because it’s super informative or because there’s tons of other things that could make you relate to the people of the times more. It’s more to understand how it felt for the children, for those who grew up in Germany and had to join Hitler’s army. For the children who had nobody left, those who couldn’t do much for themselves. Marie-Laure and Werner might be fictional but there were real people who were in their places at some point. They must have faced countless problems and horrors.
It is that feeling that makes me think that people should really read it.
I have a lot of wonderful things to say about it and I could say it but there’s also the one bit that I felt almost unnecessary in the book. Yes, the hunt for the Sea of Flames. The diamond. That part always felt unnecessary and almost tacked on as if it was an afterthought. I am not saying I didn’t enjoy the fantasy of it and there was a realistic part to it but at the same time, it just didn’t click with the rest of the book.
However that does not negate all the awesome things about this book and so, this remains a five-star book.
I would recommend it to anyone who loves to read World War II fiction or who wants to see how language can be elevated to this level. If you wanna read in leisure, you totally can!! This book, despite it being based during the World War II, has an almost unhurried pace to it. It’s just me who wouldn’t stop reading.
And if you still have any doubts about this book, it’s worth mentioning that it won the Pulitzer Prize for Fiction in 2015. So, there’s that?

Marie Laure is an 11 yrs old blind girl, who is taken from Paris to St Malo, by her father for safety. Werner is an 11 yrs old German boy, who is a genius with technology i e old fashioned radios of the era. He attends an elite school for the German Ideal. Werner progresses to be an important part of discovering illegal radios used by the Resistance in the St Malo area.
Some very interesting facts are given and there’s obviously a lot going on; mostly about the sadness, hardship and devastating consequences of war. Paths cross along the way. Various plot threads interact. There are some heroic pleasing characters and equally some distasteful cruel individuals.
Would recommend but advise sticking with the unusual style.


Terrible recommendation but on holiday and nothing to read and only the Kindle with me: should have got a Sample.