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The Seven Basic Plots: Why We Tell Stories 1st Edition, Kindle Edition
But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose.
Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years.
This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.
- ISBN-13978-1441116512
- Edition1st
- PublisherContinuum
- Publication dateNovember 11, 2005
- LanguageEnglish
- File size3.9 MB
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Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“....remarkable parallels between the structure of the modern film Jaws and that of the Old English Beowulf.” ―Writing Magazine
“If you have any interest in fiction and the way it works, you will enjoy this exploration of the seven basic plots and how they have been adapted and developed across the centuries.” ―Writing Magazine
“This magisterial volume really does offer readers a genuinely fresh and exciting perspective on virtually every tale ever told.” ―Bookmark
“Fantastically entertaining” ―The Times
“This book...has mind-expanding properties. Not only for anyone interested in literature, but also for those fascinated by wider questions of how human beings organise their societies and explain the outside world to their inmost selves, it is fascinating.” ―Katherine Sale, FT
“Christopher Booker's mammoth account of plot types, archetypes, their role in literary history and where Western culture has gone horribly wrong.” ―Times Literary Supplement
“His prose is a model of clarity, and his lively enthusiasm for fictions of every description is infectious...The Seven Basic Plots is...one of the most diverting works on storytelling I've ever encountered.” ―Dennis Dutton, The Washington Post
“This is the most extraordinary, exhilarating book. It always seemed to me that 'the story' was God's way of giving meaning to crude creation. Booker now interprets the mind of God, and analyses not just the novel - which will never to me be quite the same again - but puts the narrative of contemporary human affairs into a new perspective. If it took its author a lifetime to write, one can only feel gratitude that he did it.” ―Fay Weldon
“An enormous piece of work...nothing less than the story of all stories. And an extraordinary tale it is ... Booker ranges over vast tracts of literature, drawing together the plots of everything from Beowulf to Bond, from Sophocles to soap opera, from Homer to Homer Simpson, to show the underlying parallels in stories from what appear to be the most disparate sources. If stories are about "what happens next", this book sets out to show that the answer is always "the same things", then to explain why. I found it absolutely fascinating.” ―Ian Hislop, Private Eye
“This is literally an incomparable book, because there is nothing to compare it with. It goes to the heart of man's cultural evolution through the stories we have told since storytelling began. It illuminates our nature, our beliefs and our collective emotions by shining a bright light on them from a completely new angle. Original, profound, fascinating - and on top of it all, a really good read.” ―Sir Antony Jay, co-author of Yes, Minister
“I have been quite bowled over by Christopher Booker's new book. It is so well planned with an excellent beginning and the contrasts and comparisons throughout are highly entertaining as well as informative and most original - and always extremely readable.” ―John Bayley
“Booker's knowledge and understanding of imaginative literature is unrivalled, his essays on the great authors both illuminating and stimulating. This is a truly important book, an accolade often bestowed and rarely deserved in our modern age.” ―Dame Beryl Bainbridge
“...some splendid links between story and reality...enjoyably provocative” ―Gordon Parsons, The Morning Star
“It's hard not to admire the commitment of any writer whose book has taken 34 years to evolve. And there can be no doubting that Christopher Booker's 700-page, exhaustive examination of "Why we tell stories" - the book's subtitle - is a labour of love.” ―Gordon Parsons, The Morning Star
“one of the most brilliant books of recent years” ―Bel Mooney, The Times
About the Author
Product details
- ASIN : B00OG4EAU2
- Publisher : Continuum
- Accessibility : Learn more
- Publication date : November 11, 2005
- Edition : 1st
- Language : English
- File size : 3.9 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 737 pages
- ISBN-13 : 978-1441116512
- Page Flip : Enabled
- Best Sellers Rank: #158,074 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book provides a wonderful inside look into how stories are constructed, with numerous plot summaries of many works of literature. Moreover, the book is well worth a thoughtful read and offers great value as a reference tool. However, customers note that the book is very long at 728 pages.
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Customers appreciate the book's exploration of story structure, noting its comprehensive analysis of core plots and numerous literary examples that can be applied to any narrative.
"...Still, I find his thesis very useful, which in short is that as we lose touch with our religious ties to God, and therewith our ties to the Self..." Read more
"...It will also help you to understand how stories are constructed, and help you in constructing your own stories...." Read more
"...The analysis of the seven basic plot types, plus two sub-plots, provides a wonderful over view of each genre, setting forth the key elements of..." Read more
"...He takes the hero journey idea and dissects it like a literary scientist...." Read more
Customers find the book readable and interesting, with one noting it serves as a great resource for writers.
"...But these chapters are still valuable...." Read more
"...interested in screenwriting, I believe it could be profitably used by any writer of fiction...." Read more
"...This is a long book (750 pages) but it is well worth a thoughtful read." Read more
"...But if you have the time, it is a worthwhile read, as long as you take it with a large grain of salt." Read more
Customers find the book helpful, with one mentioning it provides a wonderful overview of each genre.
"...I found his analysis of Shakespeare, for instance, very helpful. This is what I bought the book for, and I am not at all disappointed...." Read more
"...invigorating insights into some of your favorite stories, and find some new ones, further illuminating your appreciation of these stories with a..." Read more
"...seven basic plot types, plus two sub-plots, provides a wonderful over view of each genre, setting forth the key elements of each...." Read more
"...understanding of Jung, archetypes, myth, idealogy, and the unconscious mind was helpful...." Read more
Customers find the book's length negative, with several noting it is 728 pages long, and one describing it as a "dauntingly massive tome."
"...must dismiss the complaints of numerous reviewers that the book is excessively lengthy. It does weigh in at over 700 pages...." Read more
"...For those who complain that the book is too long, I agree...." Read more
"...It's very well researched and written, it's just way too long...." Read more
"...sent me screaming from the library stacks not to mention it is a hefty 736 pages...." Read more
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Stories are in our DNA
Top reviews from the United States
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- Reviewed in the United States on December 31, 2017The first half of this book gets 5 stars without qualification. It is a clear explanation of the archetypes that appear in the most fundamental stories, how they work together, and the ultimate purpose for telling stories. He then uses this archetypal system to analyze stories through the ages, down to very recent years. I found his analysis of Shakespeare, for instance, very helpful. This is what I bought the book for, and I am not at all disappointed.
In some ways this book is not as immediately useful as, say, 'Save the Cat' and others like it are useful for screenwriting. However, I think this book delivers the groundwork for stories--the groundwork beyond which we cannot go. Its information is more fundamental than the 'Save the Cat' types. If I were a literature professor, this might well be the book I started with.
As he moves into how stories have gone rogue, trying to escape from the archetypal patterns, the book begins to become repetitive, and the tone begins to change from that of confident lecturer to exasperated preacher. But these chapters are still valuable.
Then he applies the archetypes to history, and things become not only repetitive, especially if you already know something about history in general and the history of religion in particular, but also without clear focus. I'm not sure he is always correct with either his facts or his analysis, although generally I consider him authoritative. It also seems to me that he is projecting the archetypes onto history, which is one of the things he warns against.
Still, I find his thesis very useful, which in short is that as we lose touch with our religious ties to God, and therewith our ties to the Self (Jung), we become isolated and egotistical, on both the individual level as well as the national level. And, furthermore, that story structure can tell us how we are deficient if only we have the humility to look for it, again, both as groups, even nations, and as individuals. Ultimately these could be the most profound and important chapters of the book, but a good editor would have been useful to sort them out. For me, they were a bonus: not what I bought the book for, but a welcome introduction to the possibility of using stories to heal ourselves.
- Reviewed in the United States on January 22, 2009I have heard it said that there are seven stories.
As a child the most horrifying movie I saw was Frankenstein. For three months waking in the night and looking through the square shape of the uncurtained window would remind me of the face of the monster.
At age 12, my uncle, an English teacher, told me the captivating story of Hamlet. Charles Dickens, and Gulliver's travels fired my imagination.
Stephen Booker took 34 years to craft this very comprehensive and detailed book.
Within, you can discover fresh, and invigorating insights into some of your favorite stories, and find some new ones, further illuminating your appreciation of these stories with a fresh perspective.
If you care to explore, you may discover not only food for additional thought, and curiosity to explore further, but also the desire to get the dvd or book of a particular story. It will also help you to understand how stories are constructed, and help you in constructing your own stories.
For example, he describes the pattern of a particular plot type, say a tragedy. Setting out the five stages:
1. Anticipation
2. Dream
3. Frustration
4. Nightmare
5. Destruction
He uses Hamlet as one example, including the story Amleth from which Hamlet derives, comparing and contrasting the two stories, because Shakespeare goes darker, and explaining how the tragic dark hero Hamlet destroys the light counterparts and others, such as the innocent young girl, Ophelia, the Wise Old Man, Polonious, his light alter ego, and so on. He also uses Jungian archetype terminology, to illustrate their presence in stories.
He unpacks the story of Frankenstein, showing how the mythic story played out in real life with eerie similarity. Mary Shelley's husband Percy Shelley, related to the light character of the monster, but perhaps more accurately resembled the dark shadow character of Dr Frankensein, resulting in the death of those around. Tragic coincidence, or strangely prophetic?
You will find many other such stories in the book. Over 600 stories are mentioned. A sample of those covered in some detail include: Anna Karenina, Aladdin, Alice in Wonderland, Bonnie and Clyde, Gulliver's Travels,various Dickens and Shakespeare, Star Wars, Jane Eyre, Pygmalion, Ulysses, The Odyssey, Snow White, and The Wizard of Oz.
I don't know if you know the seven stories. You may know them but you may not know you know them. What do Frankenstein and No Country For Old Men have in common? Both are monster stories. Not to mention Silence of the Lambs.
Other books you may enjoy include The The Writers Journey: Mythic Structure for Writers, 3rd Edition The Hero with a Thousand Faces (Bollingen Series) by Christopher Vogler, which outlines the steps of the The Hero with a Thousand Faces (Bollingen Series), the pattern set out by Joseph Campbell, and adopted as a template in Hollywood movies such as Star Wars, and The Matrix. It also deals with common mythic archetypes. You may also enjoy Story: Substance, Structure, Style and The Principles of Screenwriting by Robert McKee.
I hope you find this review helpful.
- Reviewed in the United States on January 21, 2010After reading this book on loan from the local library, I decided I simply had to have my own copy. The analysis of the seven basic plot types, plus two sub-plots, provides a wonderful over view of each genre, setting forth the key elements of each.
For those readers who are willing to really mine this work for all of its gold, I would strongly recommend as an accompanying text "The Soul of Screenwriting: On Writing, Dramatic Truth, and Knowing Yourself" by Keith Cunningham. Although the title suggests the book is aimed essentially for those interested in screenwriting, I believe it could be profitably used by any writer of fiction. Keith really puts meat on the bones that Christopher lays out.
- Reviewed in the United States on April 25, 2020I would suggest this book for anyone serious about writing fiction. An understanding of Jung, archetypes, myth, idealogy, and the unconscious mind was helpful. It is a heady book, but the author does a great job of going over the basics of the subject material in part 1.
He takes the hero journey idea and dissects it like a literary scientist. This is the key to understanding the formulas that make a good story by showing how dark and light energies represent a struggle between the ego and the self, which underlies the natural instinct humans have to tell stories in order to better understand their reality.
Top reviews from other countries
William SwanReviewed in Canada on May 30, 20215.0 out of 5 stars Every writer should read this masterpiece.
I say masterpiece, but it is a flawed masterpiece nonetheless. Still, it does provide a strong understanding of story structure, and thus most useful to writers. Devolving into descent into weakness of modern society weakens the book's insights. The author fails to hammer home the real point of all that: does sconce/industrialization of the past 200 years require fresh insights into a changing human psyche and thus new and fresh stories to help us deal with what the author seems to suggest is the desolving of liberal democracy. Or are we doomed?
BurtonReviewed in the United Kingdom on January 13, 20085.0 out of 5 stars Monumental, Original, Brilliant
As an author, I have read many books on plotting, but nothing to equal this work. It is monumental, original, brilliant. I began it thinking that it was just another post-Joseph Campbell application of the hero myth to story telling: in fact Booker points out tacitly where such books as 'The Writer's Journey' go wrong. Today, we no longer live in the archetypal world that Campbell discovered: a world where the true attainment of human life is maturity and balance. We live in a world where egotistical individualism and destructive competitiveness are condoned by the capitalist system: a world where all attainment is vested purely in material objects, where few people ever obtain real maturity or balance, a world where selfishness is even championed by quasi-scientific state ideologues like Richard Dawkins and his allegedly 'Selfish Gene'. Beginning about 200 years ago, roughly at the beginning of the modern age, this egotism is reflected in the stories we tell. Today few novels have an archetypal function: they are, as Booker points out, merely egotistical fantasies: I like to think of them as the literary equivalent of video games in which the reader identifies with the principal character and moves through his world, living an ego-fulfilling fantasy. At the end of this story the hero isn't changed: he/she has learned nothing from the experiemce.
This was the best kind of revelation for me - one which you know instinctively is right: I'd felt for so long that there was something wrong with modern stories: I could never understand why some novels which were obviously (to me) rubbish, succeeded so well: how people could get through a Wilbur Smith novel: why Anne Rice's Vampires suddenly and inconceivably became the good guys instead of the bad guys. Now, in one fell swoop, Booker explains everything - not only why modern stories seem so out of kilter with mythology, but how they reflect what is essentially an imbalance in our very culture. Unlike his pale imitations, mostly US authors, Booker doesn't use as examples obscure TV serials no-one has heard of, but classics we have all read - Moby Dick, James Bond, Jane Eyre, The Iliad, Tolkien etc etc.
One small disappointrment for me was Booker's failure to analyse the most successful stories of the last decade - the Harry Potter books - and
even to mention stories that lay bare the whole system itself - metafiction such as John Fowles, and films such as The Matrix. However, I agree with the reviewer who would give this book six stars - it says more than a dozen books on history and philosophy put together. Bravo!
SatishReviewed in India on August 30, 20245.0 out of 5 stars Best book for a filmmaker
I have read a lot of filmaking books but this tops the list. This book has so much info about everything related to stories. If you are writer then u should read it. I don't think there is any book that has so much content covering most of the stories in the world.
I have read a lot of filmaking books but this tops the list. This book has so much info about everything related to stories. If you are writer then u should read it. I don't think there is any book that has so much content covering most of the stories in the world.5.0 out of 5 stars
SatishBest book for a filmmaker
Reviewed in India on August 30, 2024
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Ian BerryReviewed in Australia on May 17, 20154.0 out of 5 stars Complicated yet simple and profound at the same time.
On the one hand this book is complicated and a difficult read. On the other it contains some profound insights into the nature of stories and why we share them. I persevered because of my deep interest into the nature and power of stories and was glad I did. Not a book I was compelled to continue reading and yet one I went back to over time because I found myself wanting to more deeply understand what stories mean in my own life and in the lives of others.
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FedeReviewed in Italy on August 1, 20215.0 out of 5 stars Un must have
Libro eccellente, immancabile nella libreria!







