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![City of Blades: A Novel (The Divine Cities Book 2) by [Robert Jackson Bennett]](https://m.media-amazon.com/images/I/51IOT-+gyCL._SY346_.jpg)
City of Blades: A Novel (The Divine Cities Book 2) Kindle Edition
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A generation ago, the city of Voortyashtan was the stronghold of the god of war and death, the birthplace of fearsome supernatural sentinels who killed and subjugated millions.
Now, the city’s god is dead. The city itself lies in ruins. And to its new military occupiers, the once-powerful capital is a wasteland of sectarian violence and bloody uprisings.
So it makes perfect sense that General Turyin Mulaghesh— foul-mouthed hero of the battle of Bulikov, rumored war criminal, ally of an embattled Prime Minister—has been exiled there to count down the days until she can draw her pension and be forgotten.
At least, it makes the perfect cover story.
The truth is that the general has been pressed into service one last time, dispatched to investigate a discovery with the potential to change the world--or destroy it.
The trouble is that this old soldier isn't sure she's still got what it takes to be the hero.
- LanguageEnglish
- PublisherDel Rey
- Publication dateJanuary 26, 2016
- File size3856 KB
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City of Miracles | City of Stairs | Foundryside | Shorefall | Locklands | |
Book 3 in The Divine Cities trilogy. Revenge. It’s something Sigrud je Harkvaldsson is very, very good at. Maybe the only thing. | Book 1 in The Divine Cities trilogy. An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city--from one of America's most acclaimed young science fiction writers. | Book 1 in the Founders trilogy. In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself—the first in a dazzling new series from author of City of Stairs. | Book 2 in the Founders trilogy. As a magical revolution remakes a city, an ancient evil is awakened in a brilliant novel from the Hugo-nominated author of Foundryside. | Book 3 in the Founders trilogy. A god wages war—using all of humanity as its pawns—in the unforgettable conclusion to the Founders trilogy. |
Editorial Reviews
From School Library Journal
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Copyright © 2016 Robert Jackson Bennett
He said to them:
“Life is death and death is life.
To shed blood is to behold this holiest of transitions, the interwoven mesh of the world,
The flow from shrieking life to rot and ash.
For those who wage Her wars, who become Her swords, She will deem you shriven and holiest of holies.
And you shall forever reside beside Her in the City of Blades.” And he sang:
“Come across the waters, children, To whitest shores and quiet pilgrims, Long dark awaits
In Voortya’s shadow.”
— EXCERPT FROM “OF THE GREAT MOTHER VOORTYA ATOP THE TEETH OF THE WORLD,” CA . 556
1.
MAKE IT MATTER
Somewhere around mile three on the trek up the hill Pitry Suturashni decides he would not describe the Javrati sun as “warm and relaxing,” as all the travel advertisements say. Nor would he opt to call the breezes here “a cool caress upon the neck.” And he certainly would not call the forests “fragrant and exotic.” In fact, as Pitry uselessly mops his brow for the twentieth time, he decides he would rather describe the sun as “a hellish inferno,” the breezes as “absolutely nonexistent,” and the forests as “full of things with far too many teeth and a great desire to apply them to the human body.”
He almost cries with relief when he sees the little tavern at the top of the hill. He hitches up his satchel and totters over to the shoddy building. He’s not surprised to see it is almost deserted, save for the owner and two of the man’s friends, because life is quiet and slow here on the resort island of Javrat.
Pitry begs them for a glass of water, and the owner, exuding con- tempt, slowly complies. Pitry gives him a few drekels, which some- how makes the man even more contemptuous.
“I was wondering,” Pitry says, “if you could help me.”
“I’ve already helped you,” the owner says. He gestures to the water.
“Well, yes, you did do that, and I thank you for it. But I am trying to find someone. A friend.”
The owner and his two comrades watch him, their expressions stony and inscrutable.
“I am looking for my aunt,” says Pitry. “She moved here after an accident in Ghaladesh, and I am here to give her the dispensation from the settlement, which took some time.”
One of the owner’s friends—a young man with a formidable unibrow—casts his eye over Pitry’s satchel. “You’re here carrying money?”
“Ah, well, no,” says Pitry, trying wildly to think up more of his improvised cover story. Of all the things Shara taught me, he wonders, why did she never teach me to lie? “Only the checking account and instructions for the dispensation.”
“So a way to get money,” says the other friend, whose mouth is lost in an abundance of ill-kept beard.
“Anyway, my aunt,” says Pitry, “is about so high”—he holds out a hand—“about fifty or so, and is very . . . how shall I put this . . . solid.”
“Fat?” suggests the owner.
“No, no! No, no, no, not really. She is”—he curls his arm, suggesting a formidable bicep that is, in his case, absent—“solid. She, ah, is also one-handed.”
All three of them say, “Aaah,” and glance at one another, as if to say—Ugh. Her.
“I take it you are familiar with her,” says Pitry.
The mood among the three men blackens so much that the air almost grows opaque.
“I understand she might have purchased property around here,” Pitry says.
“She bought the beach cottage on the other side of the hill,” says the owner.
“Oh, how lovely,” says Pitry.
“And now she won’t let us hunt on her property anymore,” says the bearded man.
“Oh, how sad,” says Pitry.
“She won’t let us look for seagull eggs on the cliffs there anymore. She won’t let us shoot the wild pigs. She acts as if she owns the place.” “But it sounds, a bit, like she does,” Pitry says. “If she bought it
and everything, I mean.”
“That’s beside the point,” says the man with the beard. “It was my uncle Ramesh’s before it was ever hers.”
“Well, I . . . I will have to have a talk with her about that,” Pitry says. “I’ll do that now, I think. Right now. I believe you said she was on the other side of the hill, ah, that way . . . ?” He points in a westerly direction. The men do not nod, but he feels a flicker in their surliness that makes him think he’s right.
“Thank you,” says Pitry. “Thank you again.” He shuffles back- ward, smiling nervously. The men keep glaring at him, though he notices the unibrow is staring at his satchel. “Th-Thank you,” he mutters as he slips out the door.
***
Pitry regrets not defining the phrase “other side of the hill” more precisely. As he marches along the wandering paths, it increasingly feels like this hill keeps producing other sides out of nowhere for him, none of which bear any sign of civilization.
At last he hears the dull roar of the ocean, and he spies a small, crumbling white cottage nestled up against the rocks along the beach. “Finally,” he sighs, and he trots off toward it.
The forest pushes him down, down, until he’s wandering a narrow thread of path with the forest brooding over his left shoulder and a rambling, intimidating drop-off on his right. He wanders along this stretch of road for a few yards before he hears something over the waves: a rustling in the forest.
The man with the unibrow from the tavern steps out of the forest and onto the path, about twenty yards in front of him. He’s holding a pitchfork, which he keeps pointed directly at Pitry.
“Oh, ah . . . Hello again,” says Pitry.
More rustling behind him. Pitry turns and sees the man with the beard has stepped out of the forest and onto the path about twenty yards behind him, brandishing an axe.
“Oh . . . well,” says Pitry. He glances down the ravine on his right, which ends in what looks like a very angry patch of sea. “Well. Here we all are again. Um.”
“The money,” says the unibrow. “The what?”
“The money!” barks the unibrow. “Give us the money!”
“Right.” Pitry nods, pulls out his wallet, and takes out about seventy drekels. “Right. I know how this goes. H-Here you go.” He holds out the handful of money.
“No!” says the unibrow. “No?”
“No! Give us the real money!”
“The bag,” says the bearded man. “The bag!” “Give us the bag!”
“Give us the bag of money!” shouts the bearded man.
Pitry looks back and forth between the two of them, feeling as if he’s in an echo chamber. “B-b-but it doesn’t have any money,” he says, smiling madly. “Look! Look!” He fumbles to open it and shows them it is full of files.
“But you know how to get it,” says the unibrow.
“I do?”
“You have a bank account,” says the unibrow. “You have an ac- count number. That account is full of money.”
“Full of it!” shouts the bearded man.
Pitry now deeply regrets the flimsy cover story he made up on the spot. “Well . . . You . . . I don’t . . . I don’t . . .”
“You know how to—”
But then the man with the unibrow stops speaking and instead makes a very high-pitched, ear-rattling sound, a sound so strange Pitry almost wonders if it’s a bird call of some kind.
“I know how to what?” says Pitry.
The unibrow collapses, still making that odd sound, and Pitry sees that there is something shining redly just above his knee that was definitely not there before: the tip of a bolt. The man then rolls over, and Pitry sees the rest of a bolt protruding from the back of his leg.
A woman stands on the path a few dozen feet beyond the shrieking man with the unibrow. Pitry sees one dark, thin eye glaring at him along the sights of an absolutely massive bolt-shot, which is pointed directly at his chest. Her hair is dark gray, silver at the temples, and her brown, scarred shoulders gleam in the sun. The hand she uses to steady the bolt-shot—her left—is a prosthetic, dark oak wood from mid-forearm down.
“Pitry,” she says, “get the fuck down.”
“Right, right,” Pitry says mildly, and he stoops to lie down on the path.
“It hurts!” cries the man with the unibrow. “Oh, by the seas, it hurts!”
“Pain’s a good sign, really,” she says. “It means you still have a brain to feel it with. Count your blessings, Ranjesha.”
The unibrow shrieks again in response. The man with the beard is now shining with sweat. He stares at the woman, then at Pitry, and glances at the forest to his left.
“No,” says the woman. “Drop the axe, Gurudas.”
The axe falls to the ground with a thud. The woman takes a few steps forward, the point of the loaded bolt hardly moving one inch.
“This is kind of a sticky situation, isn’t it, Gurudas?” she says. “I told you two that if I caught either of you on my property again I’d expose a goodly amount of your innards to the fresh sea air. And I hate breaking promises. That’s what the whole of civilized society is founded upon, isn’t it—promises?”
The bearded man says, “I . . . I—”
“But I’ve also heard rumors, Gurudas,” she says, taking another step forward, “that you and your friend there used to lure tourists out here and rob them blind. Being as you have such a fluid interpretation of property, I’m not surprised you thought you could keep pulling your trick on land that I now own. But I just don’t have it in me to tolerate that kind of bullshit. So. Am I going to have to put a few inches of bolt in you, Gurudas? Will that communicate the message that you need to hear?”
The bearded man just stares.
“I asked you a damn question,” snaps the woman. “Where do I need to shoot you to free up your tongue, son?”
“N-No!” says the bearded man. “No, I don’t . . . I don’t want to get shot.”
“Well, you do have a funny way of following that dream,” says the woman, “since the second your foot falls on my property, the opposite is most likely to happen.”
There’s a pause. The man with the unibrow whimpers again. “Pitry,” says the woman.
“Yes?” says Pitry. As he’s still facedown on the path, the word generates a lot of dust.
“Do you think you can get up and step over that idiot bleeding all over my road?”
Pitry stands, dusts himself off, and gingerly steps over the man with the unibrow, pausing to whisper, “Excuse me.”
“Gurudas?” asks the woman.
“Y-yes?” says the bearded man.
“Are you competent enough to come down here and pick up your friend and get his dumb ass back to your brother’s shitshack of a tavern?”
The bearded man thinks about it. “Yes.”
“Good. Do it. Now. And if I ever see either of you again, I won’t be so generous with where I stick you.”
The bearded man, careful to keep his hands visible, slowly walks down the path and gathers up his friend. The two of them hobble back down the path, though once they’re about fifty yards away the man with the unibrow turns his head and bellows, “Fuck you, Mula- ghesh! Fuck you and your mone—”
He shrieks as a bolt goes skittering across the rocks inches beside his feet, making him jump, which must be very painful considering the first bolt is still lodged above his knee. She reloads and keeps the sights on them until the bearded man has dragged his screaming friend out of sight.
Pitry says, “Gener—” “Shut up,” she says.
She waits a little longer, not moving. After two minutes she relaxes, checks her bolt-shot, and sighs. She turns and looks him up and down.
“Damn it all, Pitry . . .” says General Turyin Mulaghesh. “What in the hells are you doing here?”
***
Pitry was not sure what to expect of Turyin Mulaghesh’s living quarters, but he hardly anticipated the graveyard of wine bottles and filthy plates he meets when he steps through the door. There is also an abundance of threatening things: bolts, bolt-shots, swords, knives, and in one corner, a massive rifling—a firearm with a rifled barrel. It’s a new innovation that’s only just become commercially affordable, thanks to the recent increased production of gunpowder. The mili- tary, Pitry knows, possesses far more superior versions.
The worst of it all, though, is the smell: it seems General Turyin Mulaghesh has taken up fishing, but has yet to work out how to adequately dispose of the bones.
“Yeah, the smell,” says Mulaghesh. “I know about the smell. I just get used to it. Between the ocean and the house, it all smells alike.”
Pitry fervently disagrees, but is smart enough to not say so. “Thank you for rescuing me.”
“Don’t mention it. It’s a symbiotic relationship: those two excel at being idiots, and I excel at shooting idiots. Everyone gets what they want.”
“How did you know to be there?”
“I heard a rumor some Ghaladeshi was walking around the beaches asking for me, claiming he had a lot of money to hand off. One vendor at the market likes me, so he let me know.” She shakes her head as she sets a bottle of wine on the kitchen counter. “Money, Pitry. You should have just hung a ‘Please rob my stupid ass’ sign on your forehead.”
“Yes, I realize now it was not . . . wise.”
“I thought I’d keep a lookout, and saw you walking up the hill to Haque’s bar. Then I saw you leave, and Gurudas and his friend follow. It didn’t take me long to work out what was about to happen. You are welcome, though. That was the most fun I’ve had in a while.” She produces a bottle of tea and a bottle of weak wine, and, to Pitry’s amusement, goes about arranging a drink tray, a traditional gesture of welcome in Saypur with its own subtle messages: taking the tea would be an indication of business and social distance, and taking the wine would be an indication of intimacy and relaxation. Pitry watches her motions: she’s become quite used to doing everything more or less one-handed.
She places the tray in front of Pitry. He bows slightly and selects the open bottle of tea. “My apologies,” he says. “Though I would be most grateful for the wine, General, I’m afraid I am here on business from the prime minister.”
“Yes,” says Mulaghesh, who opts for the wine. “I figured as much. There’s only one thing could possibly put Pitry Suturashni in my backyard, and that’s Shara Komayd’s say-so. So what’s the prime minister want? Does she want to drag me back into the mili- tary council? I quit about as loud as anyone could ever quit. I thought it was pretty final.”
“This is true,” Pitry says. “The sound of your resignation still echoes through Ghaladesh.”
“Shit, Pitry. That was downright poetic.” “Thank you. I stole the line from Shara.” “Of course you did.”
“I am, actually, not here to convince you to return to the military council. They found a substitute for your position.”
“Mm,” says Mulaghesh. “Gawali?” Pitry nods.
“I thought as much. By the seas, that woman kisses so much ass it’s a miracle she can find the breath to talk. How the hells she made general in the first place, I’ll never know.”
“A solid point,” says Pitry. “But the real purpose of my visit is to share some information with you about your . . . pension.”
Mulaghesh chokes on her wine and bends double, coughing. “My what?” she says, standing back up. “My pension?” Pitry nods, cringing.
“What the hell’s wrong with it?” she asks.
“Well . . . You have heard, perhaps, of what is called the ‘duration of servitude’?”
“It sounds familiar. . . .”
“The basic gist of it is that, when an officer of the Saypuri Mili- tary is promoted to a new rank,” Pitry says as he begins digging in his satchel, “their pay is automatically increased, but they must serve in that rank for a set duration of time before receiving the pension level associated with that rank. This was because twenty or some-odd years ago we had a series of officers get to a rank, and then promptly quit so they could live off the enhanced pension.”
“Wait. Yeah, I know all this. The rank of general requires four years of servitude, right? I was almost positive I was well past that. . . .”
“You have served as a general for more than four years,” says Pitry, “but the duration of servitude begins when your paperwork is processed. And as you were stationed in the polis of Bulikov at the time of your promotion, the paperwork would have been processed there—but a good deal of Bulikov was destroyed as, um, you are well aware. This meant they were quite delayed with, well, anything and everything.”
“Okay. So. How long did it take Bulikov to process my paper- work?”
“There was a delay of a little under two months.” “Meaning my duration of servitude was . . .”
Pitry produces a piece of paper and runs a finger down it as he searches for the precise amount. “Three years, ten months, and seventeen days.”
“Shit.” “Yes.” “Shit!”
“Yes. As your duration of servitude is not completed, when the fis- cal year ends, your pension will revert to that of previous rank—that of colonel.”
“And how much is that?”
Pitry puts the piece of paper on the desk, slides it over to her, and points to one figure.
“Shit!”
“Yes.”
“Damn . . . I was going to buy a boat.” She shakes her head. “Now I’m not even sure if I’ll be able to afford all this!” She waves her hand at her cottage.
Pitry glances around at the dark, crumbling cottage, which in some places is absolutely swarming with flies. “Ah, yes. Such a pity.” “So what? Are you just here to tell me I’m getting the rug pulled out from under me, I’m off, see you later? Is there no option to, I don’t know, appeal?”
“Well, this is actually a common occurrence. Some officers are forced to retire early due to their health, family, and so on. In these instances, the military council has the option of voting to ignore the remaining time, and award the pension anyway. Being as you, ah, did not leave on the best of terms, they have not opted to do that.”
“Those fuckers,” snarls Mulaghesh.
“Yes. But, we do have an option of recourse. When the officer in question has shown exemplary service to Saypur, they are often as- signed to go on what I believe is magnanimously called the ‘touring shuffle.’ ”
“Aw, hells. I remember this. I serve out the remainder of my time wandering around the Continent ‘reviewing fortifications.’ Is that it?” “That is it exactly,” says Pitry. “Administrative responsibilities only. No active or combat duty whatsoever. The prime minister has arranged it so that this opportunity is now being extended to you.” Mulaghesh taps her wooden hand against the tabletop. While her attention’s elsewhere Pitry glances at the prosthetic limb: it is strapped to a hinge at her elbow, which then buckles around her still- considerable bicep. She’s wrapped her upper arm with a cotton sleeve, presumably to avoid chafing, and he can see more of what looks like a harness wrapped around her torso. It’s clearly an extensive and com- plicated mechanism, and probably none too comfortable, which can’t help General Mulaghesh’s famously choleric moods.
“Eyes, Pitry,” says Mulaghesh calmly. “Or have you not been in a woman’s presence for a while?”
Startled, Pitry resumes staring into the piece of paper on the table. Mulaghesh is still for a long time. “Pitry, can I ask you something?” “Certainly.”
“You are aware that I just shot a man?” “I . . . am aware.”
“And you are aware that I shot him because he was on my prop- erty, and he was being an idiot.”
“I believe you have articulated this, yes.” “So, why should I not do the same to you?” “I . . . I beg your pa—”
“Pitry, you are a member of the prime minister’s personal staff,” says Mulaghesh. “You’re not her chief of staff or anything, but you’re not just some damn clerk. And Shara Komayd would not send a member of her personal damn staff all the way out to Javrat to tell me my pension’s getting reevaluated. That’s why they invented the postal service. So why don’t you stop dancing around and tell me what’s really going on?”
Pitry takes a slow breath and nods. “It is quite possible that . . . that if you were to do this touring shuffle, it would provide an excellent cover story for another operation.”
“Ah. I see.” Mulaghesh screws up her mouth and loudly sucks her teeth. “And who would be performing this operation?”
Pitry stares very hard at the paper on the counter, as if somewhere in its figures he might stumble upon instructions on how to escape this awkward situation.
“Pitry?”
“You, General,” he says. “This operation would be performed by you.”
“Yeah,” says Mulaghesh. “Shit.”
***
“I mean, damn it all, Pitry,” snarls Mulaghesh. Her wooden hand makes a thunk as she brings both hands down on the countertop. “That’s some dirty pool right there, holding an officer’s pension hos- tage to make them go off and get themselves shot.”
“I am sympathetic to your position, General. But the nature of the oper—”
“I retired, damn it. I resigned. I said I was done, that I’d done what I needed to do, thanks, leave me alone. Can’t I just be left alone? Mm? Is that so much to ask?”
“Well, the prime minister did suggest,” says Pitry slowly, “that this might be just the thing you need.”
“I need? What the hells does Shara know about what I need? What could I possibly need?”
Again, she waves her hand at her cottage, and again, Pitry looks at the reeking, filthy home, with carpets tacked up against the win- dows and one kitchen cabinet door askew, and the counters littered with wine bottles and fish bones and tangled, dirty clothes. Finally he looks at Mulaghesh herself, and thinks only one thing:
General Turyin Mulaghesh looks like shit. She’s obviously still in tremendous shape for a woman her age, but it’s been a long while since she bathed, there are rings under her eyes, and the clothes she’s been wearing are in desperate need of a wash. This is a far cry from the officer he once knew, the woman whose uniform was so starched you could almost carve wood with the cuffs, the woman whose glance was so bright and piercing you almost wanted to check yourself for bruises after she looked at you.
Pitry has seen someone in such a state before: when a friend of his went through a rough divorce. But he can’t imagine what Mulaghesh divorced herself from, except, of course, the Saypuri Military.
But though this explains some of what he’s witnessing, Mulaghesh’s complete and utter fall from grace is still confusing to him: because no one—not the press, not the military council, not Parliament itself—has any idea why Mulaghesh resigned in the first place. Al- most a year ago now she telegraphed the Continental Herald fifteen words: “I, General Turyin Mulaghesh, resign from my position on the Saypuri Military Council, effective immediately.” And in one in- stant, her retirement papers were submitted, and she was gone. As with so many of Mulaghesh’s actions, what she did is inconceivable to any ambitious, motivated Saypuri: how could someone just walk away from the position of vice-chairman of the Saypuri Military Council? The vice-chairman almost always becomes chief of armed forces, the second most powerful person in the world after the prime minister. People pored through her interactions in the weeks before her resignation, but no one could find any hint of what could have pushed her over the edge.
“So this is what Shara’s become?” Mulaghesh says. “She’s a blackmailer? She’s blackmailing me into doing this?”
“Not at all. You have the option of just doing the touring shuffle and not engaging in the operation. Or, you could forgo the shuffle and accept a colonel’s pay.”
“So what’s the operation?”
“I am told we are unable to reveal that until you have fully signed on.”
Mulaghesh laughs lowly. “So I can’t figure out what I’m buying until I’ve bought it. Great. Why in hells would I want to do this?”
“Well . . . I think she hoped that her personal ask might suffice. . . .”
Mulaghesh gives him a flat, stony stare.
“But in the eventuality that it did not, she did ask me to give you this.” He reaches into his satchel and holds out an envelope.
Mulaghesh glances at it. “What’s that?”
“I’ve no idea. The prime minister wrote and sealed this herself.” Mulaghesh takes it, opens it, and reads the letter. Pitry can see pen strokes through the paper. Though he can’t read the writing, it looks to be no more than three words.
Mulaghesh stares at this letter with large, hollow eyes, and her hand begins to shake. She crumples up the letter and stares into space.
“Damn it,” she says softly. “How in the hells did she know.”
Pitry watches her. A fly lands on her shoulder, a second on her neck. She doesn’t notice.
“You wouldn’t have sent that if you hadn’t meant it, would you,” she murmurs. She sighs and shakes her head. “Damn.”
“I take it,” Pitry says, “that you are considering the operation?” Mulaghesh glares at him.
“Just asking,” he says.
“Well. What can you tell me about this operation?”
“Very little. I know it is on the Continent. I do know that it concerns a subject lots of people are paying attention to, including some very powerful people in Ghaladesh, some of whom are not wholly benign toward the prime minister’s agendas.”
“Hence the cover story you’re giving me. I remember when we used to do this stuff to dupe other nations, not our own. Sign of the times, I suppose.”
“Things do continue to worsen in Ghaladesh,” Pitry admits. “The press likes to describe Shara as ‘embattled.’ We’re still suffering from the last round of elections. Her efforts to reconstruct the Continent continue to be enormously unpopular in Saypur.”
“Imagine that,” Mulaghesh says. “I still remember the parties when she got elected. They all thought we were about to start our Golden Age.”
“The voting public remains quite fickle. And for some, it’s easy to forget that the Battle of Bulikov took place only five years ago.”
Mulaghesh pulls her prosthetic arm in closer, as if it pains her. Pitry feels like the temperature in the room has just dropped ten degrees. Suddenly she looks a great deal more like the commander Pitry saw that day, when the god spoke from the sky and the buildings burned and Mulaghesh bellowed at her soldiers to man the fortifications.
“I haven’t forgotten,” she says coldly.
Pitry coughs. “Ah, no. I don’t suppose you would have.” Mulaghesh stares off into space for a few seconds more, lost in thought. “All right,” she says, her voice unnervingly calm. “I’ll do it.” “You will?”
“Sure. Why not.” She places the balled-up note on the kitchen counter and smiles at him. His skin crawls: it is the not-quite-sane smile he’s seen before on the faces of soldiers who have seen a lot of combat. “What’s the worst that can happen?”
“I . . . I’m sure the prime minister will be delighted,” says Pitry. “So what is the operation?”
“Well, like I said, you won’t know until you’ve fully signed on. . . .”
“I just said yes, damn it all.”
“And you won’t be considered fully signed on until you’re on the boat.”
Mulaghesh shuts her eyes. “Oh, for the love of . . .”
Pitry slides one file out of the satchel and hands it to her. “Here are your instructions for your transportation. Please make note of the date and time. I believe I will be rejoining you for at least part of your trip, so I expect I will see you again in three weeks.”
“Hurrah.” Mulaghesh takes the file. Her shoulders slump a little. “If wisdom comes with age, why do I keep making so many bad decisions, Pitry?”
“I . . . don’t think I feel qualified to answer that question.” “Well. At least you’re honest.”
“Might I ask for a favor, ma’am? I need to return to Ghaladesh for some final preparations, but, considering today’s events, I . . .” He glances at her various armaments.
“Would like something to defend yourself with on the road back to port?”
“I mistakenly assumed Javrat would be civilized.”
Mulaghesh snorts. “So did I. Let me dig you up something that’ll look scary but you can’t hurt yourself with.”
“I did receive some basic training when I first joined the Bulikov
Embassy.”
“I know,” says Mulaghesh. “That’s what I’m afraid of. You prob- ably learned just enough to be a danger to your own damn self.”
Pitry bows as she marches off into the recesses of her home. He realizes that he has never seen Mulaghesh walk another way: it’s as if her feet know only how to march.
When she’s gone he snatches the balled-up piece of paper on the counter. This is, of course, a grievous violation of his position, not to mention a betrayal of Shara’s trust in him. I am such a terrible spy, he thinks, before remembering that he’s not actually a spy at all, which makes him feel a little less guilty.
He stares at the words on the letter in confusion. “Huh?” he says. “What was that?” says Mulaghesh’s voice from the next room.
“N-Nothing!” Pitry balls the letter back up and replaces it. Mulaghesh returns carrying a very long machete. “I have no idea what the original owner used this for,” she says. “Maybe hacking up teak. But if it can cut lukewarm butter now, I’ll be surprised.” She hands it over and walks him to her door. “So, three weeks, huh?”
“That is correct.”
“Then that’s three weeks to eat as much decent food as I can,” says Mulaghesh. “Unless the Continent suddenly figured out how to make dumplings and rice right. And, ugh . . .” Her hand goes to her stomach. “I thought for so long my belly would never have to deal with cabbage again. . . .”
Pitry bids her good-bye and walks back up the hill. He glances back once, surveying her bland, unhappy little cottage, the sands around it winking with empty bottles and broken glass. Though he’s never been involved in an operation—besides Bulikov, which he feels doesn’t count—he can’t help but be a little concerned about how all this is starting. And he’s not sure why a letter containing only the words “Make it matter” could have any impact on whether it starts at all.
--This text refers to an alternate kindle_edition edition.Review
“Building beautifully upon the richly detailed world introduced in the first book of the series, Bennett serves a stew of fantasy and adventure with a healthy dose of humor and a ladle full of violence.”--Library Journal (starred)
“Richly detailed and expertly plotted. A grand entertainment.”—Kirkus
“Like the very best speculative fiction, City of Blades immerses readers in a made-up world, only to force us to take a harder look at the real one.”--Booklist
Praise for City of Stairs:
"Readers seeking a truly refreshing fantasy milieu should travel to Bulikov, and welcome its conquest.”--New York Times Book Review
"A delightful urban fantasy that travels through a city full of Escher-like staircases and alternate realities." --Washington Post
"[An] incredible journey through a wondrously weird and surprising world... Awesome." --Tor.com
“Bennett has built a great world, original and unique, with a scent and a texture, a sense of deep, bloody history, and a naturally blended magic living in the stones." --NPR.org
Finalist for the 2015 World Fantasy, Locus, and British Fantasy Awards --This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B00TCI29Q4
- Publisher : Del Rey (January 26, 2016)
- Publication date : January 26, 2016
- Language : English
- File size : 3856 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 490 pages
- Best Sellers Rank: #270,783 in Kindle Store (See Top 100 in Kindle Store)
- #5,510 in Epic Fantasy (Kindle Store)
- #9,465 in Suspense (Kindle Store)
- #10,816 in Epic Fantasy (Books)
- Customer Reviews:
About the author

Robert Jackson Bennett is a two-time award winner of the Shirley Jackson Award for Best Novel, an Edgar Award winner for Best Paperback Original, and is also the 2010 recipient of the Sydney J Bounds Award for Best Newcomer, and a Philip K Dick Award Citation of Excellence. City of Stairs was shortlisted for the Locus Award and the World Fantasy Award. City of Blades was a finalist for the 2015 World Fantasy, Locus, and British Fantasy Awards. City of Miracles is in stores now, and the entire Divine Cities trilogy is currently nominated for a Hugo Award for Best Series.
His eighth novel, Foundryside, the first installment of The Founders Trilogy, will be released August 23rd of 2018.
Robert lives in Austin with his wife and large sons. He can be found on Twitter at @robertjbennett. You can subscribe to his Writing Advice newsletter here: https://www.patreon.com/robertjacksonbennett
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Please note: There may be some minor spoilers for book one (City of Stairs) in this review. I'll try to keep them to a minimum.
There is a lot of character overlap with book one, but the protagonist is different. This time, our main POV character is General Turyin Mulaghesh (this is a woman, if you're not familiar with book one). She spent much of book one pining for retirement on a faraway island, but when we meet her at the beginning of this book, we see retirement was not really agreeing with her. (We learn that this is a theme in her life.) There is also an issue with her length of service as it relates to her pension. So Shara (the heroine of book one, who is now Prime Minister) gets Mulaghesh to come back for a few more months. (This is a common practice, apparently.)
Shara sends Mulaghesh to Voortyashtan, which was formerly the city associated with Voortya, the goddess of death. A lot is going on. A new substance has been discovered and there is a mining operation to recover more of it. A government employee who was investigating this new substance has gone missing. The harbor is being worked on by a Dreyling (think Nordic types if you want to compare to our world) company under the direction of Signe, one of the daughters of Sigurd (Shara's assistant from book one) and something secretive is going on there.
I just like Mulaghesh better than Shara as a POV character, for some reason. She doesn't know everything, she isn't a young idealist, etc. (She does exhibit some idealism, and that becomes important later in the book.) Other characters have appropriate depth for the amount of page time they get. Sigurd we already know, but he is in a new role here and he is not entirely comfortable with it. Signe actually gets quite a lot of depth. Anyway, I really liked the characters here.
Once again, the book starts out as a mystery, or at least partly so. It evolves into several mysteries -- who committed a series of grisly murders, who stole a bunch of explosives, is there anything Divine or otherwise suspicious about the substance being mined, who left evidence of performing what must have been a miracle in the mine (in this instance, "miracle" refers to a ritual associated with one of the Divinities designed to have a specific effect)? You do get the answers to these questions and more by the end of the book, and I think the answers are set up nicely and with sound bases in the earlier parts of the story (no deus ex machina, in other words).
There are those who will argue that the plot is very similar to book one. They're not exactly wrong, but I found that it was a little bit different, and there is enough *else* going on that you don't always have time to think about that.
Some of the themes are the same from book one. With the Divinities gone, Saypuri technology is expanding and taking over, even on the Continent, and magic or the Divine is receding. People have to deal with that, including cleverly using technology to overcome unexpected Divine problems. There is also a fair amount of racism. Natives are called "Shtanis" and there actually pretty much none of them in the story, only Saypuris and Dreylings. The characters we do follow view the "Shtanis" with suspicion or outright hostility and suspect them of all manner of horrible things. In a sense, it's payback -- the Continentals enslaved Saypuri folks not too many generations ago, and prejudice runs deep. (In the first book, our token Continental character was a member of the elite upper classes.)
There is quite a lot of action, including a battle that seems fitting for the end of most books coming about 2/3 through this one. I thought the pacing was great, building naturally from a slower investigation (complete with roadblocks) to a frantic race to stop an apocalypse.
Tone-wise, this is fairly bleak and dark. I am OK with that but I understand that it will not be for everyone. It seems a natural progression for the story the author wants to tell, though, and I think it is probably politically realistic.
In the end, I thought characterization was much improved from book one. I like the small details that relate to the transition from a society of magic (essentially) to one of technology. I liked the relationship between Sigurd and his daughter. I liked the interrelatedness of all the mysteries and plotlines. I kept wanting to pick this up and read when I should have been doing other things. So, despite the similarities in plots of book 1 and book 2, overall I enjoyed this quite a lot.
The Premise:
Mulaghesh has retired and is pretty much just wasting her life in a sleepy little town when Shara pulls her back into service to go to a place Mulaghesh hates, with a man in it that Mulaghesh has a bloody history with to find out what happened to an agent who has gone missing.
Mulaghesh it seems has quite a past and it is teased out little by little. It really makes her the perfect person to be on this mission and in this place. She knows how sometimes the good intensions you start out with go to hell in a war and how quickly it can all go off the rails.
***What wild promises we make in order to justify the worst of decisions. ***
Voortyashtan is a place trying to rebuild itself. It again use to be the master and is now at the mercy of the former slaves. Voortya was the first god to fall and she was the god of death who promised her followers an afterlife where they would gather until the final war where they would be reborn to fight in it until the end of the world.
What I really like about the writing of Robert Jackson Bennett is how smart it is. There is this huge world full of fantasy and wonder and there is a mystery. Everything is done well; the history of the people, the politics, the magic, characters and everything else that goes into this story. I’m really in awe of the big twists that I didn’t see coming but made perfect sense when they happened.
Mulaghesh is a wonderful main character. I few of the things I love about her:
1. She is a 50 something war veteran with one hand (not your typical heroine)
2. She has a BLOODY past
***“You've always believed war to be a grand performance. But to me it's just killing, just the ugliest thing a person can ever do...So when you need to do it, there's no need to make a show of it.”***
3. She is smart, but not cocky and definitely has some issues because of her past.
4. She has a clear sense of right and wrong and the greater good and knows her part in all of it.
5. She makes no excuses; not for her past, her present or plans of the future
6. She is friends with Sigrud (that is kinda a big deal)
Sigrud on the other hand is just as fantastic. He is more complex than the killer on the surface would suggest. He has very deep thoughts and now has be reunited with his family after years apart. It isn’t all rainbows and sunshine because he has a strong willed daughter who grew up without him and is angry that he could have come back years before but instead worked with Shara.
***And, later, when I was in prison…when I thought I would go mad…I held on to this very tightly, this memory of the little blond girl laughing as she ran through the forest. This tiny, perfect creature, darting among these great big trees. When the world grinds you down, you pick a handful of fires to hold close to your heart. ***
It is hard to realize that the memories that were so important to you are not as important to those around you. Signe doesn’t remember that father and she will not let him forget it. But it seems the apple doesn’t fall far from the tree and Signe is just as smart and cunning as daddy dearest. I loved the dynamic this brought to the story.
The only bad thing is that with so much going on there were some times that the story lulled a little. But then there would be a huge fight scene or big reveal that made that lull totally worth it.
This is a little bleaker than some books in there are a few deaths that really hurt in it. The ending was also a little hard on me as some of the characters have to face new challenges and we know that they are not all in good positions. Sigrud for instance I feel for the most, especially after all the pain he has already endured. But I totally look forward to the conclusion to this series and hope that my summer heart can take it.
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Having served in the military for the majority of her life, Mulaghesh just wants to retire somewhere warm and sunny. At least that’s what she thinks she wants. When she’s asked to work undercover one final time before she can retire at last, Mulaghesh is sent to Voortyashtan, once ruled by the goddess of war, and finds herself facing her own demons and new dangers.
Mulaghesh is fantastic. She’s an older woman of colour with a prosthetic limb who isn’t married, doesn’t have children and doesn’t wish she had children. In other words, she’s such a refreshing heroine in the world of high fantasy.
Where City of Stairs examined history and who gets to tell the world’s stories, City of Blades is an examination of warfare and the people caught up in it. While we all know that war is bad and not a state that any of us desire, City of Blades doesn’t demonise soldiers at all. In fact Mulaghesh says it best herself: soldiers are there to serve their country and its people, and they don’t do so in the hope that they’ll receive glory. Being a soldier is a thankless job, but Mulaghesh lives for defending the weak and she’s willing to be unpopular for it.
I just love her. She’s funny, and not someone you’d want to cross, but under all of that she has a heart of gold and I love her so much. This book was such a joy to read purely and simply because it was a pleasure to follow Mulaghesh, and it just proves how good Bennett is at writing characters that I didn’t miss following Shara.
We do get glimpses of Shara, and it was lovely to see her again, as well as Sigrud; I loved Sigrud and Shara’s friendship in the first book, and Mulaghesh and Sigrud’s friendship was so much fun in this book. There are new characters too, such as Signe who I loved, and just like the first book Bennett excelled at writing honest people and writing characters who have to learn to live with the consequences of the mistakes they’ve made.
I sped through City of Blades, it was such an easy read, and even though I laughed many times because I adore Mulaghesh’s humour, there were moments that made my heart ache, too. I must admit I didn’t love this book quite as much as City of Stairs, or at least it didn’t blow my mind in the same way the first book did, but considering City of Stairs is one of the best fantasy books I’ve ever read it had quite a pair of shoes to fill and I still loved City of Blades a lot.
If you’re a fan of City of Stairs, City of Blades is a brilliant follow-up that’s well worth your time, and if you haven’t read City of Stairs yet… what are you waiting for?

Unless there’s a new world order in the next 11 months City of Blades will undoubtedly be on my end of year ‘best of’ list. To be honest, I expected this to be good because all the books I’ve read by RJB have been good and I loved City of Stairs last year but this really is so very good.
At the start of the story we are once again introduced to General Turyin Mulaghesh. She’s retired to a small ‘mediterranean’ feeling island and is enjoying her seclusion, particularly when she’s riling up the locals, until she’s rudely jolted out of her retirement by a request from Shara. So Turyin is sent to the City of Voortyashtan – apparently one of the last places in this world that anyone would want to go. Her mission is to try and discover what happened to Choudhry, a Saypuri agent who has gone missing in action.
Before the blink Voortyashtan was home to the Goddess of death, war and destruction. It is now on the brink of becoming a successful seaport however not everyone is happy with the current status. It appears that work on creating a successful gateway is dredging up not just artifacts from the sea bottom but also strong emotions. On top of this brutal and ritualistic type murders are discovered across the island and Turyin is about to be pulled into a plot that not only conjures up the ghosts of her past but also poses a threat to the world in which she lives.
The world building is once again outstanding. Voortyashtan is a difficult place to live to say the least. It seems to be under constant threat of retaliation from the unsecured interior districts. The port itself is protected by an army presence and an imposing fort but any travel further afield is dangerous and not to be lightly undertaken. There is a constant threat of subversive/guerrilla type action that makes any investigation into the goings on even more difficult. Personally I would recommend reading City of Stairs before picking this one up although I think you could probably jump on board with Blades and pick up the story fairly easily. Bennett has a way of gently easing you into the world and feeding you information in a very manageable way. So, whilst I would, of course, recommend reading City of Stairs first (partly because I enjoyed it so much partly because I think it gives a good grounding in the history of the Saypuri’s, Continentals and the Divinities that used to exist) I think this could be read as a standalone.
I must admit that I was at first a little surprised that the author chose to continue this series using Turyin as the main character because Sigrud and Shara were firm favourites for most readers, myself included, but I must say not only does he pull it off but he does so with style and creates one of the most wonderfully complex, flawed, intelligent and easy to root for characters that I’ve read about for a while. I absolutely loved her. The power of good writing and a bit of creative genius, eh!
The other characters who join Turyin along the way are Signe. Signe is another very enjoyable character to read about. She’s an engineering genius by all accounts and seems to be almost single handedly running the entire operation to create a successful seaport. On top of this Signe is Sigrud’s daughter and I can’t say she’s his biggest fan. She hasn’t really forgiven him for what she feels was his abandonment when she was still fairly young and given these feelings the fact that Sigrud makes an appearance during the second half of the book makes for interesting reading. Biswal is another character and something of an unwanted blast from Turyin’s past – this was a dark time in Turyin’s life and a period that has haunted her for many years. Biswal is now the commander at the fort and once again making his acquaintance is going to bring back painful memories.
I can’t really say too much about the plot as it would just give things away. There’s definitely a ‘whodunnit’ type of feel to this book with Turyin investigating the disappearance of an agent until the plot opens up to reveal a much deeper threat. That being said, be aware that this isn’t one of those stories where tens of thousands march to war. It has a more confined feeling, which isn’t intended as a criticism, because Bennett manages to cram in battles, murders, Gods, mines, afterlifes, intrigue, politics, scheming and, well a lot more! It certainly has a different feeling from City of Stairs with much more focus on soldiering and serving which I suppose can be expected as we’re following Turyin. Such a clever device to use Turyin though as it allows Bennett to delve back into the past and reveal more of the history of this world.
Overall, I was quite blown away by City of Stairs. The writing is wonderful, the story is intriguing the characters are excellent to follow, the ending, well, I’m just not going to go there, it’s sad, but also it has an amazing resolution and frankly it just leaves me wanting more. I don’t see how you could have a stronger recommendation than that. More, please, I want more.

A bit of espionage and a whodunnit all feels fairly routine, ignoring the fact that old world gods are behind a lot of what's going on, but then the madness of war intervenes and there are no comfort zones for any of our characters.
An immensely sad but uplifting tale in the final analysis and one that I loved reading.
I do hope there are more tales to tell from this world.

Well written, tautly plotted and a completely absorbing read that gallops along and is something that has many layers to it. It is a delight to have found such a talented writer and I am thrilled that I have still got City of Miracles to read.

At the heart of the novel is a thorough and sensitive evaluation of the horrors of war and the paradox that is its necessity in human history. It is also a highly enjoyable fantasy of well above average standard that shouldn't disappoint any fan of the genre.