Kindle
$13.99
Available instantly
Kindle Price: $13.99

These promotions will be applied to this item:

Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.

Audiobook Price: $19.69

Save: $9.70 (49%)

You've subscribed to ! We will preorder your items within 24 hours of when they become available. When new books are released, we'll charge your default payment method for the lowest price available during the pre-order period.
Update your device or payment method, cancel individual pre-orders or your subscription at
Your Memberships & Subscriptions

Buy for others

Give as a gift or purchase for a team or group.
Learn more

Buying and sending eBooks to others

  1. Select quantity
  2. Buy and send eBooks
  3. Recipients can read on any device

These ebooks can only be redeemed by recipients in the US. Redemption links and eBooks cannot be resold.

Added to

Sorry, there was a problem.

There was an error retrieving your Wish Lists. Please try again.

Sorry, there was a problem.

List unavailable.
Kindle app logo image

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.

Read instantly on your browser with Kindle for Web.

Using your mobile phone camera - scan the code below and download the Kindle app.

QR code to download the Kindle App

Follow the author

Something went wrong. Please try your request again later.

The Idiot: A Novel Kindle Edition

3.8 3.8 out of 5 stars 4,913 ratings

Finalist for the Pulitzer Prize for Fiction • A New York Times Book Review Notable Book Nominated for the Women's Prize for Fiction

“Easily the funniest book I’ve read this year.” —
GQ

“Masterly funny debut novel . .  . Erudite but never pretentious,
The Idiot will make you crave more books by Batuman.” —Sloane Crosley, Vanity Fair

A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself.


The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings. 
 
At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.

With superlative emotional and intellectual sensitivity, mordant wit, and pitch-perfect style, Batuman dramatizes the uncertainty of life on the cusp of adulthood. Her prose is a rare and inimitable combination of tenderness and wisdom; its logic as natural and inscrutable as that of memory itself.
The Idiot is a heroic yet self-effacing reckoning with the terror and joy of becoming a person in a world that is as intoxicating as it is disquieting. Batuman's fiction is unguarded against both life's affronts and its beauty--and has at its command the complete range of thinking and feeling which they entail.

Named one the best books of the year by Refinery29 Mashable One • Elle Magazine • The New York Times • Bookpage • Vogue • NPR • Buzzfeed The Millions
Popular Highlights in this book

Editorial Reviews

Review

“Easily the funniest book I’ve read this year.” —GQ

“Masterly funny debut novel . .  . Erudite but never pretentious,
The Idiot will make you crave more books by Batuman.” —Sloane Crosley, Vanity Fair

“Batuman wittily and wisely captures the tribulations of a shy, cerebral teenager struggling with love, friendship, and whether to take psycholinguistics or philosophy of language . . .  Batuman’s writing is funny and deadpan, and Selin’s observations tease out many relatable human quandaries surrounding friendship, social niceties and first love. The result: a novel that may not keep readers up late turning pages feverishly, but that will quietly amuse and provoke thought.” —
Huffington Post 

“Batuman’s brainy novel is leavened with humor and a heroine incapable of artifice.” —
People

“Batuman has won a Paris Review Terry Southern Prize for humor, and her book is consistently hilarious. If this is a sentimental education, it’s one leavened by a great deal of mordant and delightful humor. . . . At once a cutting satire of academia, a fresh take on the epistolary novel, a poignant bildungsroman, and compelling travel literature,
The Idiot’ is also a touching and spirited portrait of the artist as a hugely appealing young woman.” —Boston Globe 

The Idiot is an impressive debut with a ridiculous amount of charm and a protagonist so relatable she’s almost impossible to forget.” —A.V. Club

The Idiot is wonderful. Batuman, a staff writer at the New Yorker and the author of the sparkling autobiographical essay collection The Possessed (2010), has brave and original ideas about what a 'novel' might mean and no qualms about flouting literary convention. She is endlessly beguiled by the possibilities and shortcomings of language . . . . It is a pleasure to watch Batuman render this process with the wit, sensitivity, and relish of someone who’s successfully emerged on the other side of it. For all of her fascination with linguistic puzzle boxes, the author tempers her protagonist’s intellectual vertigo with maturity and common sense.” Slate

“Beautifully written first novel . . . Batuman, a staff writer for the
New Yorker, has an extraordinarily deft touch when it comes to sketching character . . . The novel fairly brims with provocative ideas about language, literature and culture.” The Associated Press

“A vibrant novel of ideas . . . Like her essays, Batuman’s
Bildungsroman is a succession of droll misadventures built around chance encounters, peculiar conversations and sharp-eyed observations. Both on campus and abroad, she brings the ever-fresh perspective of a perpetual stranger in a strange land. Her deceptively simple declarative sentences are underpinned by a poker-faced sense of absurdity and humor so dry it calls for olives.” —San Francisco Chronicle

“With her smart and deliciously comic 2010 debut, the essay collection
The Possessed, Elif Batuman wrote one of the 21st century’s great love letters to reading . . . It was a tour de force intellectual comedy encasing an apologia for literary obsession . . . A different—though no less tenuous—variety of possession is explored in The Idiot, Batuman’s first novel . . . The book’s pleasures come not from the 400-page, low-and-slow smolder of its central relationship, which can at times feel like nothing more than two repressions circling one another; rather, it is Selin herself. Acutely self-conscious but fiercely intelligent, she consistently renders a strange, mordantly funny and precisely observed world . . . Selin’s is a consciousness one does not want to part with; by the end of the book, I felt as if I were in the presence of a strange, slightly detached, utterly brilliant friend. 'I kept thinking about the uneven quality of time,' she writes, 'the way it was almost always so empty, and then with no warning came a few days that felt so dense and alive and real that it seemed indisputable that that was what life was, that its real nature had finally been revealed.' Batuman articulates those little moments—of revelation and of emptiness—as well as anyone writing today. The book’s legacy seems destined to be one of observation, not character—though when the observer is this gifted, is that really any wonder?” —LA Times

“No one writes funnier or more stylishly about higher education. Nothing written about grad school is as entertaining as her 2010 collection of dispatches from Stanford's comparative-literature department, The Possessed, and her studied satire of Harvard in The Idiot is nearly its equal.” —
Village Voice

“Batuman’s sardonic wit makes for a delectable unfolding of Selin’s experience of love, life and language.” —
BBC.com 

"Batuman’s novel is roaringly funny. It is also intellectually subtle, surprising, and enlightening. It is a book fueled by deadpan wonder." 
New York Review of Books

“Charming, hilarious and wise debut novel . . . Batuman titled the book 
The Idiot (after Dostoevsky’s famous novel) but it isn't an excoriation of its heroine. Instead, it's a fond reflection. Oh, you poor, silly idiot, she seems to be saying. The Idiot, a novel of innocence and experience, is infused with the generous attitude that Dag Hammarskjöld expressed in his memoir Markings, 'For all that has been, Thank you. For all that is to come, Yes!'” —Dallas News

The Idiot is half The Education of Henry Adams and half Innocents Abroad. Twain would have savored Selin's first international trip to Paris, Hungary and Turkey . . . Our first footsteps into adulthood are often memorable. Taking them in Selin's shoes is an entertaining, intellectual journey not to be missed." Shelf Awareness 

“Selin is entrancing—so smart, so clueless, so funny—and Batuman’s exceptional discernment,
comedic brilliance, and soulful inquisitiveness generate a charmingly incisive and resonant tale of themessy forging of a self.” 
Booklist (starred review)

“Wonderful first novel . . . Batuman updates the grand tour travelogue just as she does the epistolary novel and the novel of ideas, in prose as deceptively light as it is ambitious. One character wonders whether it’s possible ‘to be sincere without sounding pretentious,’ and this long-awaited and engrossing novel delivers a resounding yes.” 
Publishers Weekly (starred review) 

“Selin is delightful company. She's smart enough to know the ways in which she is dumb, and her off-kilter relationship to the world around her is revelatory and, often, mordantly hilarious. Readers who are willing to travel with Selin at her own contemplative pace will be grateful that they did. Self-aware, cerebral, and delightful.” 
Kirkus Reviews (starred) 

“Not since Don Quixote has a quest for love gone so hilariously and poignantly awry. In spare, unforgettable prose, Batuman the traveller (to Harvard, to mysterious Hungary) recreates for the reader the psychic state of being a child entering language. We marvel and tremble with her at the impossibility and mysterious necessity for human connection that both makes life worthwhile and yet so often strands us all in torment. This book is a bold, unforgettable, un-put-downable read by a new master stylist. Best novel I've read in years.” 
—Mary Karr, author of The Art of Memoir, Lit, and The Liars’ Club

“I’m not Turkish, I don’t have a Serbian best friend, I’m not in love with a Hungarian, I don’t go to Harvard. Or do I? For one wonderful week, I got to be this worldly and brilliant, this young and clumsy and in love.
The Idiot is a hilariously mundane immersion into a world that has never before received the 19th Century Novel treatment. An addictive, sprawling epic; I wolfed it down.” —Miranda July, author of The First Bad Man and It Chooses You

“Elif Batuman’s novel not only captures the storms and mysteries and comedies of youth but, in its wonderfully sensitive portrait of a young woman adventuring across languages and cultures, it brilliantly draws to our attention a modern politics of friendship. This is a remarkable book.” 
—Joseph O’Neill, author of The Dog and Netherland
 
“Elif Batuman surely has one of the best senses of humour in American letters. The pleasure she takes in observing the eccentricities of each of her characters makes for a really refreshing and unique
Bildungsroman: one more fascinated with what’s going on around and outside the bewildered protagonist, than what’s going on inside her.” —Sheila Heti, author of How Should a Person Be? and Ticknor

About the Author

Elif Batuman has been a staff writer at The New Yorker since 2010. She is the author of The Possessed: Adventures with Russian Books and the People Who Read Them. The recipient of a Whiting Writers' Award, a Rona Jaffe Foundation Writers' Award, and a Paris Review Terry Southern Prize for Humor, she also holds a PhD in comparative literature from Stanford University. The Idiot is her first novel. She lives in Brooklyn, NY.

Product details

  • ASIN ‏ : ‎ B01HNJIJ3U
  • Publisher ‏ : ‎ Penguin Books; Reprint edition (March 14, 2017)
  • Publication date ‏ : ‎ March 14, 2017
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2343 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 427 pages
  • Customer Reviews:
    3.8 3.8 out of 5 stars 4,913 ratings

About the author

Follow authors to get new release updates, plus improved recommendations.
Elif Batuman
Brief content visible, double tap to read full content.
Full content visible, double tap to read brief content.

Elif Batuman has been a staff writer at the New Yorker since 2010. She is the author of The Possessed: Adventures with Russian Books and the People Who Read Them. The recipient of a Whiting Writers' Award, a Rona Jaffe Foundation Writers' Award, and a Paris Review Terry Southern Prize for Humor, she also holds a PhD in comparative literature from Stanford University.

Customer reviews

3.8 out of 5 stars
4,913 global ratings

Customers say

Customers find the book engaging, charming, and enjoyable. They also describe the humor as gently funny and quirky. Readers praise the writing quality as clever, simple, and literary. They find the insights fascinating and insightful. However, some find the plot all over the place and boring. They mention the pace is slow. Opinions are mixed on the character development.

AI-generated from the text of customer reviews

60 customers mention "Readability"60 positive0 negative

Customers find the book engaging, charming, and enjoyable. They describe it as brilliant, with great narratives. Readers mention it's one of the best fiction books they have read lately.

"...detail, literary smarts, and uninterrupted humor, as it memorably recreates the experience of a young woman working out the kind of adult person she..." Read more

"...It's a perfect commuting book, if you are often forced to pause, but it could also easily be breezed through in a week or two...." Read more

"...maybe you will, too. the idiot is funny and v, v clever...it is perfect to me. imo, you'd do well to ignore the grumbling one star-people...." Read more

"...There are parts of this novel that are outstanding, but others that I think could have used more or better editing, especially since Batuman seems..." Read more

55 customers mention "Writing quality"50 positive5 negative

Customers find the writing quality clever, beautiful, and engaging. They appreciate the author's style, insights, observations, and sense of humor. Readers also mention the prose seems simple and fresh. They enjoy the authentic narrative voice from a character who is trying.

"...the main selling points for this book are its engaging detail, literary smarts, and uninterrupted humor, as it memorably recreates the experience..." Read more

"...WHAT I LOVEDThis book was beautifully written and captures the angst of a young woman on her own for the first time, trying to figure out what..." Read more

"...there are no "events," you can purely enjoy a funny, authentic narrative voice from a character who is trying to find her place in the world...." Read more

"...maybe you will, too. the idiot is funny and v, v clever...it is perfect to me. imo, you'd do well to ignore the grumbling one star-people...." Read more

54 customers mention "Humor"49 positive5 negative

Customers find the humor in the book gentle, quirky, and true. They say the story makes them laugh a lot. Readers also mention the author has a fresh, philosophical undertone.

"...for this book are its engaging detail, literary smarts, and uninterrupted humor, as it memorably recreates the experience of a young woman working..." Read more

"...to readers coming from different backgrounds is a question: it is witty, funny without being hilarious, uneven, maybe too self-indulgent..." Read more

"...happen here and there are no "events," you can purely enjoy a funny, authentic narrative voice from a character who is trying to find her..." Read more

"...It is hysterical because you just know that what is being discussed has been felt by almost any human who has ever been a young adult, trying to..." Read more

47 customers mention "Insight"44 positive3 negative

Customers find the book fascinating and engaging. They say the character is intelligent and the thoughts and observations are insightful. Readers also mention the author captures the wonder and sense of intellectual connection.

"...But it is smartly and vividly observed, and very funny, and in fact it is this kind of extraneous content that is the secret to defeating some of..." Read more

"...Some of her thoughts and observations were very insightful and others were downright hilarious...." Read more

"...It reminded me of Catcher in the Rye with a much more insightful, mature, compassionate narrator...." Read more

"A great evocation of early adulthood when everybody but you seems to have figured life out and you are lacking any chill whatsoever...." Read more

25 customers mention "Character development"11 positive14 negative

Customers have mixed opinions about the character development in the book. Some mention the characters are great, quirky, and charming. Others say the characters are unsympathetic, aimless, and dislikeable.

"There is no plot or character development throughout this entire book. No one is relatable or enjoyable to read about." Read more

"...her quaint attempts at describing how she's feeling are all so beautifully human that if you resign yourself to the fact that nothing out of the..." Read more

"...Sad commentary on an insignificant set of characters. I’m sorry I wasted my time reading it." Read more

"...main character Selin's...point of view...she does a great job fleshing out her characters...." Read more

43 customers mention "Plot"5 positive38 negative

Customers find the plot of the book all over the place, boring, and meaningless. They say the ending has no meaningful relevance to the rest of the story. Readers also mention the book leaves them sad and confused.

"...And it wasn't a particularly interesting story. Several pages were dedicated to detailed descriptions of her language analysis classes...." Read more

"...Without these aspects, the story falls apart...." Read more

"...Only the ending falls flat, in my opinion. But that's a very short bit and doesn't keep the book from being five-star material." Read more

"...And everybody says there's not much of a plot. If there's nothing to look forward to, I think I'll pass on reading the rest...." Read more

40 customers mention "Boredom"0 positive40 negative

Customers find the book boring, obtuse, and forgettable. They also dislike the characters and pretentiousness. Readers mention the story is repetitive and only a few parts are interesting.

"...question: it is witty, funny without being hilarious, uneven, maybe too self-indulgent (like its 19-year-old protagonist), and in my opinion longer..." Read more

"...The remaining 434 1/2 pages are mostly filled with inconsequential details...." Read more

"...I found the laundry list of “What I did at Yale” trite, boring, and mundane...." Read more

"...that comes off as utterly ridiculous and certainly not believable in its context...." Read more

14 customers mention "Pace"3 positive11 negative

Customers find the book slow, boring, and a painful reminder of teen angst. They say it has insightful lines but is not much worth the slow read.

"...But this coming of age novel moved a little slow for my taste and left me wanting more in the end." Read more

"...It's a very long book, and took me a very long time to read, as I just couldn't settle down into it and read for hours on end like I normally..." Read more

"I was surprised to give this book such a high rating. The build up is slow and quite frankly, mundane...." Read more

"Brilliant. HILARIOUS. i highly recommended this erudite novel. It is brisk yet full of depth and whip-smart humor centered around language, language..." Read more

Less Plot than Emmerich; Funnier than Proust; 100% Lethal to Trump
5 out of 5 stars
Less Plot than Emmerich; Funnier than Proust; 100% Lethal to Trump
Are you looking for a fast-paced entertainment powered by an ensemble of rapidly recognizable characters, who converge across spectacular plot developments to win a decisive victory with everything at stake? If it’s been that sort of a day, then I recommend Roland Emmerich’s 1996 adventure/sci-fi motion picture, “Independence Day”--no judgement. Other times, like if you are considering a 432-page novel, then you might be looking for richness of experience, depth of insight, and vividness of detail, more so than pure plot elements. It’s a satisfying feeling, for me, to finish a long read and feel like you really got to know a character or a certain time and place--and that these are meaningful, unpredictable persons and interactions that grow your world, in proportion to their divergence from the polished creations of a powerful Hollywood production team. But, if you are not that into the world of a given story, then it is even less fun to engross yourself in the deepest dimensions of that experience. So why not check out the excerpt posted on newyorker.com as "Constructed Worlds" and decide for yourself? For me, the main selling points for this book are its engaging detail, literary smarts, and uninterrupted humor, as it memorably recreates the experience of a young woman working out the kind of adult person she will be, during her first year of college. Underlying the story, it is a pretty sophisticated novel technically, in some ways mirroring _In Search of Lost Time_. But, it is way shorter than a Proust volume, and it uses entertaining and witty descriptions to keep the flow running along while accomplishing similar goals to recreate a time and place. (It brings a smile to my face when one of the art professors keeps losing it over the degree of artifice--“Artifice!”--in art.) I think the unpopular aspects of the book might all be different manifestations of a single uncommon (at least in popular heroic literature) feature of the protagonist: at 18 years old she is intelligent and independent but not savvy in life--she doesn’t get the point of many trivial and non-trivial human conventions, but she is determined to do things her own way even as she is figuring out what that way is. So, even though she does not suffer from a neurological condition or an addiction of some sort, she almost never makes the most strategic decision for social positioning or peace of mind; the character (and reader) are definitely not showered by a parade of progressively extravagant victories and rewards based on her winning ways. Instead, the main character is stuck on a lot of intractable questions about linguistics and literature, or semiotics and life itself, and from the start it is pretty unlikely that she will ever have sex with her crush. So for instance, I was really frustrated when she kept creeping on some math class when she was not even a math major because she hoped it would help her understand some math guy’s world and his cryptic emails. But at the same time, have I never done something similar? (It takes some thought because as a manly guy I have censored many acts of awkwardness from my memory.) Overall, I think almost everyone will get something from the book, between the humor and the high general quality of writing. For sure some people will enjoy this book more than others, most obviously those with an interest in literature and linguistics, bildungsromans, or life as a college freshman, and maybe those who live or are interested in the life of a woman in our historical era. But at the most general, I think that to gain the most from this story you will have to find patience and kindness for doubt and uncertainty; to cultivate empathy for ineptitude, charity for self-discovery, and sympathy for the pursuit of digression, exploration, and marginalia. I will now argue conceptually that the more resistant you are to this mindset, the more you share a common mentality with widely-reviled U.S. president Donald Trump, even (especially?) if you yourself hate Trump. (Honestly I hate Trumpism so much that I am comprehensively fearful that I will become like Trump, because in my experience that’s how it always works out with persistent enmity, yuck.) And, I will argue that the more books like this our society can produce, the weaker Trumpism will be--both by cause, in that a world without Trump is one where this kind of book will flourish; and by effect, in that Trumpism and its shameless generalizations will wither away in the face of this kind of patience, kindness, and charity for honest personal stories. First, a natural question: in our catastrophic age of constitutional crisis and military brinkmanship, with important questions of civil liberty and economic policy hanging in the balance, how can it be that the most powerful kind of story for restoring our culture is exemplified by some girl figuring things out in college in the 90s? First of all, consider who else is very likely not only to push this question forward, but also to immediately answer it in an eruption of self-important misinformed bombast ridiculing the characters, the author, girls, college, and figuring things out? Trump; obviously he will never show vulnerability or recount a story about a time when he didn’t understand something or didn’t know what to do, because he has never made a mistake and his life is in fact an uninterrupted parade of winning bigly. Then, why not start a tweet storm, or hack Trump’s web page, or write a bestselling non-fiction book destroying his ideology, or punch a white nationalist on the streets of D.C.--why create a book of fiction with a pink cover that has a rock on it? The way I see it, you may be distinguishable from Trump by your ideas and the informedness of your bluster but when you argue with Trump and his fools, even if you take exactly the opposite position on every single issue, you are participating in the same system of editorialization and prioritization that trivializes marginal experiences and reestablishes the context of our dominant social discourse as one of strict focus on political policy and legal structures, on crisis and violence—no space for the issue of how I as an individual should live my life, but all about the actions of great and terrible leaders who run our world. Like, editors and pundits and bestselling authorities on authoritarianism can warn, “Visa Suspensions a Racially-Motivated Threat to Constitution” in response to an executive order but overall they are legitimizing the overall discourse with artificial gravity by treating it as valid question for rapid reaction and discussion; instead the most natural and appropriate prima facie attitude is really awe and bewilderment, like “Muslim ban WTF,” and then determined resistance. If you stripped this book down to the “important business” according to the editorial boards and the markets and to disengaged spectators demanding casual entertainment (all three are insatiable Trump profiteers and critical enablers) there would be nothing left at all; and that in itself is a repudiation of not just Trumpism but also anti-Trumpism and the horse they rode in on. Some people get mad because the protagonist of this story keeps obsessing and going into detail about her mistakes, and failing to get what she wants. But do you know who is super decisive and can instantly understand any issue at an executive level, even for subjects where the so-called experts called him an ignoramus, and then he gets the right answer every time? I’m not even going to say because ugh you can only complain about a disgusting wretch so much before eventually sounding like the wretch—my own life strategy is to heal myself of wretchedness by processing this book and others like it into my mental world. (If you found some parts slow I am sorry for comparing you to Trump, I think it is only reasonable to have some differences in interest--overall though I am trying to argue that the work to get through the less engaging, or the infuriating parts, is work well spent for one's self and for society.) Relatedly in recently revealed lifelong felony, consider also the commercial master of eliminating the unnecessary and the extraneous from a story, of paring down the digressions and marginalia in order to get straight to the action…Harvey “Scissorhands” Weinstein, who incidentally _always_ has sex with his crush. Self-appointed arbiters of significance have no room in their 140-character stories to discuss mistakes or failures, or things they wanted but couldn’t get; they are repulsed by these stories. And a world of justice is not a world about turning the tables and taking power back from the predators, or ruling the rulers, or policing the police and bullying bullies. It is a world of stories where nobody is mastering anything or turning any tables—people are living their lives with dignity and individual resolution, where we have the strength, humility, and empathy to share long personal stories of bewilderment, doubt, and self-defeat. Overall the protagonist of this story is actually the bigger hero, not Trump or the guy who conquers Trump in a debate or a duel—she doesn’t even want to be the thing that Trump pretends to be. Selin is determined to live her life a certain way even if it kills her, and she does, and it doesn’t even kill her, it just generates a lot of painful or awkward situations that the author wrote up and now we have an opportunity to benefit from this trajectory. In my own experience the greatest heroes are not the ones who go crazy on some special inspired day and win a decisive confrontation with some villains to the acclaim and panting admiration of all--those are the dreams of douches and little boys. The heroes I have known are doggedly persisting in their individual and small-scale goals, in defiance of what institutionally important people prescribe as winning, and it is they who will move the world. In conclusion the author is pioneering a distinctive form of story that admits all sorts of digression and personal starts and stops at the expense of thrilling plot. But it is smartly and vividly observed, and very funny, and in fact it is this kind of extraneous content that is the secret to defeating some of the most hateful things in the world without becoming hateful yourself.
Thank you for your feedback
Sorry, there was an error
Sorry we couldn't load the review

Top reviews from the United States

Reviewed in the United States on January 2, 2018
Are you looking for a fast-paced entertainment powered by an ensemble of rapidly recognizable characters, who converge across spectacular plot developments to win a decisive victory with everything at stake? If it’s been that sort of a day, then I recommend Roland Emmerich’s 1996 adventure/sci-fi motion picture, “Independence Day”--no judgement. Other times, like if you are considering a 432-page novel, then you might be looking for richness of experience, depth of insight, and vividness of detail, more so than pure plot elements. It’s a satisfying feeling, for me, to finish a long read and feel like you really got to know a character or a certain time and place--and that these are meaningful, unpredictable persons and interactions that grow your world, in proportion to their divergence from the polished creations of a powerful Hollywood production team.

But, if you are not that into the world of a given story, then it is even less fun to engross yourself in the deepest dimensions of that experience. So why not check out the excerpt posted on newyorker.com as "Constructed Worlds" and decide for yourself? For me, the main selling points for this book are its engaging detail, literary smarts, and uninterrupted humor, as it memorably recreates the experience of a young woman working out the kind of adult person she will be, during her first year of college. Underlying the story, it is a pretty sophisticated novel technically, in some ways mirroring _In Search of Lost Time_. But, it is way shorter than a Proust volume, and it uses entertaining and witty descriptions to keep the flow running along while accomplishing similar goals to recreate a time and place. (It brings a smile to my face when one of the art professors keeps losing it over the degree of artifice--“Artifice!”--in art.)

I think the unpopular aspects of the book might all be different manifestations of a single uncommon (at least in popular heroic literature) feature of the protagonist: at 18 years old she is intelligent and independent but not savvy in life--she doesn’t get the point of many trivial and non-trivial human conventions, but she is determined to do things her own way even as she is figuring out what that way is. So, even though she does not suffer from a neurological condition or an addiction of some sort, she almost never makes the most strategic decision for social positioning or peace of mind; the character (and reader) are definitely not showered by a parade of progressively extravagant victories and rewards based on her winning ways. Instead, the main character is stuck on a lot of intractable questions about linguistics and literature, or semiotics and life itself, and from the start it is pretty unlikely that she will ever have sex with her crush. So for instance, I was really frustrated when she kept creeping on some math class when she was not even a math major because she hoped it would help her understand some math guy’s world and his cryptic emails. But at the same time, have I never done something similar? (It takes some thought because as a manly guy I have censored many acts of awkwardness from my memory.)

Overall, I think almost everyone will get something from the book, between the humor and the high general quality of writing. For sure some people will enjoy this book more than others, most obviously those with an interest in literature and linguistics, bildungsromans, or life as a college freshman, and maybe those who live or are interested in the life of a woman in our historical era. But at the most general, I think that to gain the most from this story you will have to find patience and kindness for doubt and uncertainty; to cultivate empathy for ineptitude, charity for self-discovery, and sympathy for the pursuit of digression, exploration, and marginalia.

I will now argue conceptually that the more resistant you are to this mindset, the more you share a common mentality with widely-reviled U.S. president Donald Trump, even (especially?) if you yourself hate Trump. (Honestly I hate Trumpism so much that I am comprehensively fearful that I will become like Trump, because in my experience that’s how it always works out with persistent enmity, yuck.) And, I will argue that the more books like this our society can produce, the weaker Trumpism will be--both by cause, in that a world without Trump is one where this kind of book will flourish; and by effect, in that Trumpism and its shameless generalizations will wither away in the face of this kind of patience, kindness, and charity for honest personal stories.

First, a natural question: in our catastrophic age of constitutional crisis and military brinkmanship, with important questions of civil liberty and economic policy hanging in the balance, how can it be that the most powerful kind of story for restoring our culture is exemplified by some girl figuring things out in college in the 90s? First of all, consider who else is very likely not only to push this question forward, but also to immediately answer it in an eruption of self-important misinformed bombast ridiculing the characters, the author, girls, college, and figuring things out? Trump; obviously he will never show vulnerability or recount a story about a time when he didn’t understand something or didn’t know what to do, because he has never made a mistake and his life is in fact an uninterrupted parade of winning bigly.

Then, why not start a tweet storm, or hack Trump’s web page, or write a bestselling non-fiction book destroying his ideology, or punch a white nationalist on the streets of D.C.--why create a book of fiction with a pink cover that has a rock on it? The way I see it, you may be distinguishable from Trump by your ideas and the informedness of your bluster but when you argue with Trump and his fools, even if you take exactly the opposite position on every single issue, you are participating in the same system of editorialization and prioritization that trivializes marginal experiences and reestablishes the context of our dominant social discourse as one of strict focus on political policy and legal structures, on crisis and violence—no space for the issue of how I as an individual should live my life, but all about the actions of great and terrible leaders who run our world. Like, editors and pundits and bestselling authorities on authoritarianism can warn, “Visa Suspensions a Racially-Motivated Threat to Constitution” in response to an executive order but overall they are legitimizing the overall discourse with artificial gravity by treating it as valid question for rapid reaction and discussion; instead the most natural and appropriate prima facie attitude is really awe and bewilderment, like “Muslim ban WTF,” and then determined resistance. If you stripped this book down to the “important business” according to the editorial boards and the markets and to disengaged spectators demanding casual entertainment (all three are insatiable Trump profiteers and critical enablers) there would be nothing left at all; and that in itself is a repudiation of not just Trumpism but also anti-Trumpism and the horse they rode in on.

Some people get mad because the protagonist of this story keeps obsessing and going into detail about her mistakes, and failing to get what she wants. But do you know who is super decisive and can instantly understand any issue at an executive level, even for subjects where the so-called experts called him an ignoramus, and then he gets the right answer every time? I’m not even going to say because ugh you can only complain about a disgusting wretch so much before eventually sounding like the wretch—my own life strategy is to heal myself of wretchedness by processing this book and others like it into my mental world. (If you found some parts slow I am sorry for comparing you to Trump, I think it is only reasonable to have some differences in interest--overall though I am trying to argue that the work to get through the less engaging, or the infuriating parts, is work well spent for one's self and for society.) Relatedly in recently revealed lifelong felony, consider also the commercial master of eliminating the unnecessary and the extraneous from a story, of paring down the digressions and marginalia in order to get straight to the action…Harvey “Scissorhands” Weinstein, who incidentally _always_ has sex with his crush. Self-appointed arbiters of significance have no room in their 140-character stories to discuss mistakes or failures, or things they wanted but couldn’t get; they are repulsed by these stories. And a world of justice is not a world about turning the tables and taking power back from the predators, or ruling the rulers, or policing the police and bullying bullies. It is a world of stories where nobody is mastering anything or turning any tables—people are living their lives with dignity and individual resolution, where we have the strength, humility, and empathy to share long personal stories of bewilderment, doubt, and self-defeat.

Overall the protagonist of this story is actually the bigger hero, not Trump or the guy who conquers Trump in a debate or a duel—she doesn’t even want to be the thing that Trump pretends to be. Selin is determined to live her life a certain way even if it kills her, and she does, and it doesn’t even kill her, it just generates a lot of painful or awkward situations that the author wrote up and now we have an opportunity to benefit from this trajectory. In my own experience the greatest heroes are not the ones who go crazy on some special inspired day and win a decisive confrontation with some villains to the acclaim and panting admiration of all--those are the dreams of douches and little boys. The heroes I have known are doggedly persisting in their individual and small-scale goals, in defiance of what institutionally important people prescribe as winning, and it is they who will move the world.

In conclusion the author is pioneering a distinctive form of story that admits all sorts of digression and personal starts and stops at the expense of thrilling plot. But it is smartly and vividly observed, and very funny, and in fact it is this kind of extraneous content that is the secret to defeating some of the most hateful things in the world without becoming hateful yourself.
Customer image
5.0 out of 5 stars Less Plot than Emmerich; Funnier than Proust; 100% Lethal to Trump
Reviewed in the United States on January 2, 2018
Are you looking for a fast-paced entertainment powered by an ensemble of rapidly recognizable characters, who converge across spectacular plot developments to win a decisive victory with everything at stake? If it’s been that sort of a day, then I recommend Roland Emmerich’s 1996 adventure/sci-fi motion picture, “Independence Day”--no judgement. Other times, like if you are considering a 432-page novel, then you might be looking for richness of experience, depth of insight, and vividness of detail, more so than pure plot elements. It’s a satisfying feeling, for me, to finish a long read and feel like you really got to know a character or a certain time and place--and that these are meaningful, unpredictable persons and interactions that grow your world, in proportion to their divergence from the polished creations of a powerful Hollywood production team.

But, if you are not that into the world of a given story, then it is even less fun to engross yourself in the deepest dimensions of that experience. So why not check out the excerpt posted on newyorker.com as "Constructed Worlds" and decide for yourself? For me, the main selling points for this book are its engaging detail, literary smarts, and uninterrupted humor, as it memorably recreates the experience of a young woman working out the kind of adult person she will be, during her first year of college. Underlying the story, it is a pretty sophisticated novel technically, in some ways mirroring _In Search of Lost Time_. But, it is way shorter than a Proust volume, and it uses entertaining and witty descriptions to keep the flow running along while accomplishing similar goals to recreate a time and place. (It brings a smile to my face when one of the art professors keeps losing it over the degree of artifice--“Artifice!”--in art.)

I think the unpopular aspects of the book might all be different manifestations of a single uncommon (at least in popular heroic literature) feature of the protagonist: at 18 years old she is intelligent and independent but not savvy in life--she doesn’t get the point of many trivial and non-trivial human conventions, but she is determined to do things her own way even as she is figuring out what that way is. So, even though she does not suffer from a neurological condition or an addiction of some sort, she almost never makes the most strategic decision for social positioning or peace of mind; the character (and reader) are definitely not showered by a parade of progressively extravagant victories and rewards based on her winning ways. Instead, the main character is stuck on a lot of intractable questions about linguistics and literature, or semiotics and life itself, and from the start it is pretty unlikely that she will ever have sex with her crush. So for instance, I was really frustrated when she kept creeping on some math class when she was not even a math major because she hoped it would help her understand some math guy’s world and his cryptic emails. But at the same time, have I never done something similar? (It takes some thought because as a manly guy I have censored many acts of awkwardness from my memory.)

Overall, I think almost everyone will get something from the book, between the humor and the high general quality of writing. For sure some people will enjoy this book more than others, most obviously those with an interest in literature and linguistics, bildungsromans, or life as a college freshman, and maybe those who live or are interested in the life of a woman in our historical era. But at the most general, I think that to gain the most from this story you will have to find patience and kindness for doubt and uncertainty; to cultivate empathy for ineptitude, charity for self-discovery, and sympathy for the pursuit of digression, exploration, and marginalia.

I will now argue conceptually that the more resistant you are to this mindset, the more you share a common mentality with widely-reviled U.S. president Donald Trump, even (especially?) if you yourself hate Trump. (Honestly I hate Trumpism so much that I am comprehensively fearful that I will become like Trump, because in my experience that’s how it always works out with persistent enmity, yuck.) And, I will argue that the more books like this our society can produce, the weaker Trumpism will be--both by cause, in that a world without Trump is one where this kind of book will flourish; and by effect, in that Trumpism and its shameless generalizations will wither away in the face of this kind of patience, kindness, and charity for honest personal stories.

First, a natural question: in our catastrophic age of constitutional crisis and military brinkmanship, with important questions of civil liberty and economic policy hanging in the balance, how can it be that the most powerful kind of story for restoring our culture is exemplified by some girl figuring things out in college in the 90s? First of all, consider who else is very likely not only to push this question forward, but also to immediately answer it in an eruption of self-important misinformed bombast ridiculing the characters, the author, girls, college, and figuring things out? Trump; obviously he will never show vulnerability or recount a story about a time when he didn’t understand something or didn’t know what to do, because he has never made a mistake and his life is in fact an uninterrupted parade of winning bigly.

Then, why not start a tweet storm, or hack Trump’s web page, or write a bestselling non-fiction book destroying his ideology, or punch a white nationalist on the streets of D.C.--why create a book of fiction with a pink cover that has a rock on it? The way I see it, you may be distinguishable from Trump by your ideas and the informedness of your bluster but when you argue with Trump and his fools, even if you take exactly the opposite position on every single issue, you are participating in the same system of editorialization and prioritization that trivializes marginal experiences and reestablishes the context of our dominant social discourse as one of strict focus on political policy and legal structures, on crisis and violence—no space for the issue of how I as an individual should live my life, but all about the actions of great and terrible leaders who run our world. Like, editors and pundits and bestselling authorities on authoritarianism can warn, “Visa Suspensions a Racially-Motivated Threat to Constitution” in response to an executive order but overall they are legitimizing the overall discourse with artificial gravity by treating it as valid question for rapid reaction and discussion; instead the most natural and appropriate prima facie attitude is really awe and bewilderment, like “Muslim ban WTF,” and then determined resistance. If you stripped this book down to the “important business” according to the editorial boards and the markets and to disengaged spectators demanding casual entertainment (all three are insatiable Trump profiteers and critical enablers) there would be nothing left at all; and that in itself is a repudiation of not just Trumpism but also anti-Trumpism and the horse they rode in on.

Some people get mad because the protagonist of this story keeps obsessing and going into detail about her mistakes, and failing to get what she wants. But do you know who is super decisive and can instantly understand any issue at an executive level, even for subjects where the so-called experts called him an ignoramus, and then he gets the right answer every time? I’m not even going to say because ugh you can only complain about a disgusting wretch so much before eventually sounding like the wretch—my own life strategy is to heal myself of wretchedness by processing this book and others like it into my mental world. (If you found some parts slow I am sorry for comparing you to Trump, I think it is only reasonable to have some differences in interest--overall though I am trying to argue that the work to get through the less engaging, or the infuriating parts, is work well spent for one's self and for society.) Relatedly in recently revealed lifelong felony, consider also the commercial master of eliminating the unnecessary and the extraneous from a story, of paring down the digressions and marginalia in order to get straight to the action…Harvey “Scissorhands” Weinstein, who incidentally _always_ has sex with his crush. Self-appointed arbiters of significance have no room in their 140-character stories to discuss mistakes or failures, or things they wanted but couldn’t get; they are repulsed by these stories. And a world of justice is not a world about turning the tables and taking power back from the predators, or ruling the rulers, or policing the police and bullying bullies. It is a world of stories where nobody is mastering anything or turning any tables—people are living their lives with dignity and individual resolution, where we have the strength, humility, and empathy to share long personal stories of bewilderment, doubt, and self-defeat.

Overall the protagonist of this story is actually the bigger hero, not Trump or the guy who conquers Trump in a debate or a duel—she doesn’t even want to be the thing that Trump pretends to be. Selin is determined to live her life a certain way even if it kills her, and she does, and it doesn’t even kill her, it just generates a lot of painful or awkward situations that the author wrote up and now we have an opportunity to benefit from this trajectory. In my own experience the greatest heroes are not the ones who go crazy on some special inspired day and win a decisive confrontation with some villains to the acclaim and panting admiration of all--those are the dreams of douches and little boys. The heroes I have known are doggedly persisting in their individual and small-scale goals, in defiance of what institutionally important people prescribe as winning, and it is they who will move the world.

In conclusion the author is pioneering a distinctive form of story that admits all sorts of digression and personal starts and stops at the expense of thrilling plot. But it is smartly and vividly observed, and very funny, and in fact it is this kind of extraneous content that is the secret to defeating some of the most hateful things in the world without becoming hateful yourself.
Images in this review
Customer image
Customer image
37 people found this helpful
Report
Reviewed in the United States on August 13, 2017
Selin, the idiot of the title, is a bright, confused Harvard first-year who registers her impressions in a continuous first-person narrative. "Idiot," of course, as in Dostoevsky's novel, really (and ironically) means "innocent," which more or less probably describes Selin. As other reviewers have noted, not a lot happens. Selin falls for an elusive young Hungarian mathematician; she goes to classes in language and philosophy (and her snarky comments on them form one of the pleasures of the book); when summer comes she follows Ivan to Hungary as a volunteer English teacher in Hungarian village schools, but he slopes off to Thailand and she comes home, sadder and perhaps a bit wiser.
As a retired English teacher with an interest in language and linguistics, I enjoyed Selin's perspective on college life, with its cast of eccentric characters met in and out of the classroom. The humor (and it's a pretty funny book) comes from Selin's take on roommates, friends, family, teachers, and a varied cast of rural Hungarians met during her summer adventure. Whether the book would be equally appealing to readers coming from different backgrounds is a question: it is witty, funny without being hilarious, uneven, maybe too self-indulgent (like its 19-year-old protagonist), and in my opinion longer than it needs to be. Inhabiting Selin's psyche is a bit like living with a teenager - it has its charms, but you find yourself wishing she'd grow up.
10 people found this helpful
Report
Reviewed in the United States on May 4, 2017
I'm not sure what to say about this book. I should have liked it more than I did. My issues with it were more personal preference than the fault of the author.

SYNOPSIS
The story opens with Selin, a Turkish-American girl, moving into her dorm the fall of her freshman year at Harvard and closes at the end of the summer right before she begins her sophomore year. During that time a lot happens, yet nothing happens.

Selin makes some friends and goes to class (some of which is recounted for the reader, making me think her major is terribly boring and Harvard has a lot of freshmen level classes designed for people who will never need to find a real job and /or earn an actual income).

Also importantly, Selin develops a crush on a boy who gives gives her some seriously mixed signals. She is so inexperienced with boys that there is no way she could have a relationship, even a semi- relationship, with a boy that would not be the definition of awkward. The book never says why she is so inexperienced; I was not sure if she is just very unattractive or so caught up in academia that she never noticed boys. It's hard to imagine a girl who grew up in America (in a typical suburban setting) and made it all the way through high school only being kissed once. I'm sure it happens that way for some people, but I don't know any of those people.

Selin ends up spending the summer teaching English as a volunteer in Hungary and the book closes at the end of her trip when she returns to Boston.

WHAT I LOVED
This book was beautifully written and captures the angst of a young woman on her own for the first time, trying to figure out what she wants, who she wants to be and what is happening in the world around her.

It captures the naivety and awkwardness a first crush. Selins crush felt very authentic and kind of annoying (remember listening to a friend go on and on about a boy she liked with whom she never had the nerve to speak???). Selin simultaneously wanted something to happened, yet was terrified that something would happen.

I really liked Selin and Svetlana's relationship. Svetlana added the spunk and interest the book needed. In fact, I think a book about Svetlana would have been more up my alley.

I liked how Selin was so smart in so many ways, yet so clueless in other ways. Some of her thoughts and observations were very insightful and others were downright hilarious.

During Selin's time in Hungary, her interactions with Rozsa were entertaining. Also the way people there were so open with their opinions was funny. For example; Rozsa was well aware that people found her to be an annoying know it all; she knew this, told Selin about it very matter of factly, yet didn't really care enough to make any changes in her personality which would have made her more fun to be around.

WHAT I DIDN'T LOVE
Really nothing happened. The story can, more or less, be recounted in about 5 sentences yet it's 424 pages long. The remaining 434 1/2 pages are mostly filled with inconsequential details. About 20 pages of the book were relegated to a direct quotes and summaries of a book Selin was required to read for her Russian class. And it wasn't a particularly interesting story. Several pages were dedicated to detailed descriptions of her language analysis classes. How it that make it into the book?? Zzz...

Selin lived inside her head so much it got annoying. She over thought almost everything which made her riddled with indecision and rendered her helpless and unable to act (mostly in relation to her crush but in other ways as well). Also, I have very little patience for people pining over unrequited crushes or wasting time on people who are either unavailable or are inappropriate choices for them. I know, not very generous of me, but seriously??? There are other fish in the sea, get a net and cast it!!!

Why do all the characters in 'thinky' books go to schools like Harvard, Yale, Princeton etc. Can't there be any intellectual people at schools like Michigan State or SMU? Just saying.

The ending was a bit disappointing. I don't want to say to much and spoil it, but I kind of couldn't believe I read the whole darn thing that was how it ended?!?

OVERALL
Although it wasn't my ideal book, I am willing to be that a lot of people would love it.
29 people found this helpful
Report

Top reviews from other countries

Translate all reviews to English
Valeria Noriega
3.0 out of 5 stars Meh
Reviewed in Mexico on January 26, 2024
La verdad no me enganchó en ningún momento, incluso se me hizo tedioso en varias ocasiones y me desesperaba uno de los personajes principales, aunque sí tiene alguna que otra parte divertida
Valerie
5.0 out of 5 stars Pure poetry
Reviewed in Germany on August 17, 2024
This is one of the best books I've ever read. It's almost about "nothing" (aka little plot) but she wrote it so beautifully; it's basically poetry imo.
Tushar
2.0 out of 5 stars Damp marks all over
Reviewed in India on August 2, 2023
Customer image
Tushar
2.0 out of 5 stars Damp marks all over
Reviewed in India on August 2, 2023

Images in this review
Customer image Customer image
Customer imageCustomer image
Avid Reader
1.0 out of 5 stars A tedious slog
Reviewed in Spain on May 8, 2023
I found the first 100 pages quite interesting, but the book has 423 pages, and those 323 pages seemed nothing but a repetition of the first 100. I forced myself to finish and though I usually finish a book in a few days, it took me two weeks to get through this one. There is no plot and seemingly no character development. It bored me and I checked a couple of times to see if there was a mirror on the cover under the title, The Idiot. I felt somewhat like an idiot for continuing on with a novel that was going no place. I would not recommend this book to anyone (though someone recommended it to me). There are too many other good books to read. Skip this one.
Max M.
5.0 out of 5 stars Many of the negative reviews are missing something about this book
Reviewed in the United Kingdom on November 10, 2022
Lots of the other reviews of this book are missing something; specifically, the reviews that say it's boring, it's tedious, nothing happens, etc. They are all missing something really important about this book.

It's really, really funny.

In fairness, if you don't share the author's sense of humour, then I imagine this book *is* really boring. If you don't link thicket upon thicket of densely layered wry observations about people and everyday life, then this book won't do much for you. Batuman, and her protagonist Selin, have a rich sense of irony. There were countless times when I laughed out loud. The book is also steeped in literary allusions and cultural references, though I don't think to the extent that makes it inaccessible; there are no DFW-style footnotes.

Report an issue


Does this item contain inappropriate content?
Do you believe that this item violates a copyright?
Does this item contain quality or formatting issues?